A collection of 206 sold-out estate prints by photographer Vivian Maier is being offered as a single lot in Artnet's Important Photographs auction, with an estimate of $1–1.5 million. The trove, which includes gelatin silver and archival pigment prints from the 1950s to 1980s, represents a rare opportunity to acquire a comprehensive group of her work that is no longer available through primary market galleries.
ARTnews has expanded its list of iconic feminist works by women artists, adding 15 new entries to a previous selection. The article highlights specific pieces, such as Edmonia Lewis's *The Death of Cleopatra* (1876), Mary Cassatt's *The Reader* (1877), and Alice Pike Barney's *Medusa* (1892) and *Lucifer* (1902), providing historical context for each artist and their contribution to feminist discourse through art.
bronte sisters portrait history
The only undisputed portrait of the Brontë sisters—Charlotte, Emily, and Anne—is currently gaining renewed attention as it tours Asia in a major exhibition from the National Portrait Gallery, London. Painted in 1834 by their brother Branwell Brontë when he was just 17, the work serves as a rare visual record of the literary icons. The painting's profile has been further elevated by a 'Brontë renaissance' in popular culture, including Emerald Fennell’s recent film adaptation of Wuthering Heights and upcoming television projects.
Powerhouse Arts, a nonprofit creative production facility in Brooklyn’s Gowanus neighborhood, has appointed Liz Munsell as its new Vice President of Curatorial and Arts Programs. Munsell, who previously held senior curatorial roles at the Jewish Museum and the Museum of Fine Arts, Boston, succeeds Diya Vij following Vij's appointment as New York City’s cultural affairs commissioner. Alongside Munsell, the organization hired Constanza Valenzuela, formerly of High Line Art, as associate curator to support the expansion of its exhibition and residency programs.
The New Museum in New York has announced a major $80 million capital campaign to double its physical footprint on the Bowery. The expansion will utilize an adjacent building already owned by the institution, increasing the total space from 58,000 to over 100,000 square feet. The museum has already secured $43 million of its goal, bolstered by a record-breaking undisclosed donation from longtime supporter Toby Devan Lewis.
Massimiliano Gioni and Beatrice Trussardi have launched the Beatrice Trussardi Foundation, a nomadic art initiative that debuted with an installation by Polish artist Paweł Althamer in a remote 17th-century hut in Switzerland's Engadin Valley. The project, featuring a sculpture of St. Francis and a series of happenings, marks a new chapter for the duo who previously spent two decades staging ephemeral public art projects in Milan. The foundation aims to operate without a permanent home, bringing site-specific contemporary art to unexpected global locations.
A major exhibition titled "Miró and the United States" opens at the Phillips Collection in Washington, DC, exploring the profound artistic dialogue between Catalan artist Joan Miró and the United States. The show features Miró's paintings, sculptures, and works on paper alongside pieces by American contemporaries like Jackson Pollock, Lee Krasner, and Alexander Calder, tracing how his visits and exposure to the New York art scene influenced his work and, in turn, inspired a generation of post-war American artists.
This week's obituary column honors the recent passing of twelve significant figures from the global art and culture world. The list includes French experimental composer Éliane Radigue, Japanese graphic designer Kazumasa Nagai, British architect Axel Burrough, Indigenous Australian muralist Elizabeth Close, and Upper East Side gallerist Gertrude Stein, among other artists, patrons, and illustrators.
An anonymous graffiti artist known as Acer 444 successfully tagged the third-story facade of the New Museum on New York’s Bowery. The large-scale piece, featuring black lettering against a red background, was placed in a precarious, high-visibility location directly above Glenn Ligon’s neon installation. Despite the museum's security measures and its specialized aluminum mesh exterior, the artist managed to complete the work undetected before maintenance crews began removal efforts the following morning.
The Princeton University Art Museum is presenting "Willem de Kooning: The Breakthrough Years," an exhibition revisiting the pivotal period from 1945-1950 that led to the artist's first solo show and established his reputation. The show features 18 paintings, including key works like *Black Friday* and *Dark Pond*, highlighting his intense exploration between figuration and abstraction with a restricted palette.
moma ps1 rooftop sprouts salad party
Artist Julia Sherman and urban farmer Camilla Hammer have transformed the rooftop of MoMA PS1 into a functional salad garden and social space. The initiative recently celebrated its launch with a rooftop party featuring herb-infused cocktails and fresh produce grown on-site. The garden serves as a platform for Sherman’s "Artist-Made" salad series, where notable figures from the art world collaborate on culinary creations.
Kim Gordon, the co-founder of Sonic Youth, is currently the subject of two major exhibitions at Amant in Brooklyn. The first, a solo survey titled "Count Your Chickens," showcases two decades of her multidisciplinary practice including painting, ceramics, and film, while the second, "Folded Group," is a group show she co-curated with Bill Nace featuring artists who bridge the gap between music and visual art.
The Ghent Museum of Fine Arts (MSK) has opened the exhibition 'Unforgettable: Women Artists from Antwerp to Amsterdam, 1600-1750,' featuring over 40 female artists from the Baroque period in the Low Countries. The show highlights painters like Judith Leyster and Maria van Oosterwijck, as well as practitioners of crafts like paper-cutting and lace-making, aiming to restore these women to a historical narrative dominated by male 'Old Masters' like Rembrandt and Vermeer.
Galerie Francesca Pia, a fixture of the Swiss art scene for 35 years, has announced it will close its doors at the end of October. Founded in Bern in 1990 before moving to Zurich's prestigious Löwenbräukunst-Areal district, the gallery will conclude its operations following a final exhibition with American artist Wade Guyton. The closure marks the end of a significant tenure for a dealership that was a regular participant at Art Basel for over two decades.
rosalia apologizes picasso comments tiktok
Spanish pop star Rosalía issued a public apology on TikTok after facing backlash for comments regarding Pablo Picasso. During a podcast interview with writer Mariana Enriquez, the singer initially stated she did not care to differentiate Picasso’s art from his personal life; however, she later retracted those statements, admitting she was unaware of the artist's well-documented history of physical and emotional abuse toward women.
Yale University’s Beinecke Rare Book and Manuscript Library is hosting a new exhibition titled "'Beauties of My Style,'" which explores 500 years of printed errors and errata sheets. Curated by Rachel Churner and Geoff Kaplan, the show features approximately 30 artifacts ranging from James Joyce’s error-riddled first edition of Ulysses to the infamous 1631 "Wicked Bible," which accidentally commanded readers to commit adultery. The exhibition highlights how these slips of paper serve as more than just corrections, acting as sites of humor, legal maneuvering, and poetic reinterpretation.
A once-common sales tactic in the contemporary art market, known as "buy-one, give-one" or "bogo," has significantly declined. Under this arrangement, collectors gained preferential access to in-demand artists' paintings by agreeing to purchase two works and donating one to a museum. The practice peaked from 2021 to 2023, with institutions like the Metropolitan Museum of Art and the Institute of Contemporary Art, Miami, acquiring works this way.
The National Gallery in London has partnered with LG Electronics to make over 4,000 images from its collection available on the LG Gallery+ digital platform. Users can now display high-quality digital reproductions of masterpieces by artists like Monet, Gauguin, and Seurat on their LG OLED screens at home, using a curated, playlist-like interface called LG Gallery+ Shelves.
Claude Cahun and Marcel Moore: Surrealist Lovers Who Defied the German Occupation
Claude Cahun and Marcel Moore, two Surrealist artists and life partners, are the focus of a new exhibition at the Contemporary Art Museum of St. Louis. The show, titled "And I Saw New Heavens and a New Earth," presents their collaborative work, including intimate portraits and photomontages, and highlights their daring resistance activities, such as creating anti-Nazi propaganda during the German occupation of Jersey.
South Carolina’s International African American Museum Officially Acquires Earliest Known Daguerreotypes of Enslaved Americans
The International African American Museum in Charleston, South Carolina, has officially acquired the "1850 Daguerreotypes," the earliest known photographs of enslaved Americans. The set of 15 images, taken by J.T. Zealy, depicts seven enslaved individuals—Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty—and had been held by Harvard University until a recent legal settlement. Harvard had owned the daguerreotypes since they were commissioned in 1850 by natural historian Louis Agassiz.
Vinegar Syndrome has released a new 4K UHD and Blu-ray restoration of 'Office Killer', the only feature film directed by renowned photographer Cindy Sherman. Originally released in 1997 to critical derision and box-office failure, the film follows a meek magazine editor who begins murdering her colleagues during a period of corporate downsizing. The restoration highlights Sherman's transition from her iconic 'Untitled Film Stills' to the more visceral, abject imagery of her 'Disasters' and 'Sex Pictures' series.
MASS MoCA has launched "Technologies of Relation," a group exhibition featuring 12 artists who explore the complex, non-binary relationship between humanity and artificial intelligence. Curated by Susan Cross, the show moves beyond dystopian narratives to investigate how artists can reclaim agency over corporate-produced technologies. Featured works range from Roopa Vasudevan’s hand-drawn QR codes that mimic textiles to Neema Githere’s hammock installations that literalize the concept of a digital network.
Marina Abramović Is the Unlikely Star of the New Balloon Museum
Performance artist Marina Abramović has created a large-scale inflatable installation for the new permanent New York outpost of the Balloon Museum. Titled *Snowy/Windy/Spring On The Planet Z*, the immersive work transforms the Tin Building into an imagined extraterrestrial meadow filled with balloon sculptures, light, and air currents, opening in July 2026.
lost page of archimedes palimpsest found
Researchers from France’s National Centre for Scientific Research (CNRS) have identified a missing page from the Archimedes Palimpsest at the Musée des Beaux-Arts in Blois. The leaf, identified as page 123, contains geometric diagrams and passages from the mathematician’s treatise on the sphere and the cylinder, which were scrubbed and overwritten by monks with religious texts in the 13th century. The discovery was confirmed by comparing the leaf to 1906 photographs taken by scholar Johan Ludvig Heiberg before the manuscript was broken up and partially forged by an art dealer in the 1930s.
King Charles Visited Tate Britain’s ‘Turner and Constable’ Show and Loved What He Saw
King Charles visited the "Turner and Constable" exhibition at Tate Britain, expressing visible admiration for the works on display. He was particularly struck by J.M.W. Turner's early painting *The Rising Squall, Hot Wells*, which was recently rediscovered and sold at auction. The visit underscores the exhibition's popular success, having already attracted 185,000 visitors since opening last November.
Lost John Constable Painting Rediscovered in Texas Bound for Auction
A long-lost, large-scale oil study by John Constable for his famous painting *The Cornfield* has been rediscovered and authenticated after decades in a rural Texas museum. Scientific analysis, including pigment tests and infrared reflectography, confirmed the materials and techniques match Constable's own, leading experts to declare it the largest known study for the 1826 masterpiece. The work, which had been mistakenly cataloged as a copy, will now be auctioned by Heritage Auctions in Dallas this June.
The 2014 Whitney Biennial has debuted with a controversial three-curator structure, tasking Michelle Grabner, Stuart Comer, and Anthony Elms with organizing separate floors of the museum. This meta-review aggregates the initial critical reception from major publications, noting that the fragmented format has forced critics to evaluate the exhibition as three distinct shows rather than a unified vision.
picasso burgos cathedral show
The Catedral de Santa María in Burgos is hosting "Picasso: Biblical Roots," an exhibition exploring the enduring influence of Christian iconography on Pablo Picasso. Featuring 44 works loaned from major institutions like the Reina Sofía and the Thyssen-Bornemisza, the show traces the artist's journey from his early academic religious paintings in Spain to the subtle theological motifs found in his later Cubist and post-war works.
Chinese American artist Hudson Shaoxia Zhang has been named the inaugural recipient of the U.S. Golf Art Foundation Fellowship Award, a distinction recognizing his prolific career dedicated to the intersection of sport and landscape painting. Zhang, a former art historian who authored over 40 books before returning to a dedicated studio practice, has produced more than a thousand paintings of golf courses. His work has gained significant international traction recently, with four solo exhibitions across Europe in 2024 and a major museum retrospective at the Art Museum of Nanjing University of the Arts in 2023.
Artnet Auctions has launched its "20th Century Art" sale, featuring works by blue-chip masters including Joan Miró, Yves Klein, and Andy Warhol. The auction, curated by specialists Sylvie François Sturtevant and Jason Rulnick, highlights the distinction between "rarity"—objects that are unusual due to limited production or historical loss—and "scarcity"—where high market demand outstrips the available supply of editioned works.