guy ullens collector dead

Guy Ullens, a Belgian billionaire and pioneering collector of Chinese contemporary art, has died at age 90. The news was announced by the UCCA Center for Contemporary Art in Beijing, which he co-founded. Ullens began collecting Chinese antiquities in the 1980s before shifting to contemporary works, amassing a collection of 1,500 to 2,000 pieces by artists such as Ai Weiwei, Liu Xiaodong, and Zeng Fanzhi. He and his late wife Myriam established the Ullens Center for Contemporary Art in Beijing's 798 Art Zone in 2007, later selling it to Chinese investors in 2017, after which it was renamed UCCA. Ullens also helped build the secondary market for Chinese contemporary art, notably selling Zeng Fanzhi's 'The Last Supper' for $23.3 million at Sotheby's Hong Kong in 2013, a record at the time.

canada giant van gogh easel fate

In 1997, artist Cameron Cross installed The Big Easel, a 75-foot-tall sculpture of an easel displaying a reproduction of Vincent van Gogh's sunflower paintings, in Altona, Canada, to honor the town's status as the Sunflower Capital of Canada. After a windstorm on February 28 blew off a panel of the painting and further damage occurred on March 15, the town removed the four-ton painting and conducted a survey to gauge public support for restoration. A majority of respondents (68%) voted to save the artwork, with 60% preferring a hand-painted canvas over a printed replica and 61% wanting to keep the Van Gogh sunflowers. Cross plans to rebuild the fiberglass canvas from scratch and repaint the image in 2026, with costs estimated at CA$70,000 ($50,500) for a durable marine-grade plywood version.

Ary Scheffer en 2 minutes

Ary Scheffer (1795–1858) was a Dutch-born Romantic painter who became a central figure in Parisian artistic and cultural life during the July Monarchy. He was the official portraitist of the Orléans family and created deeply melancholic, spiritual works inspired by Dante, Goethe, and the Gospels. His studio at 16 rue Chaptal, in the Nouvelle Athènes district, hosted legendary Friday gatherings attended by Chopin, Liszt, George Sand, and Dickens, and now houses the Musée de la Vie romantique. Key works include *Le Dévouement patriotique des six Bourgeois de Calais* (1819) and *Les Femmes souliotes* (1827), both acquired by the French state.

Memories Bathed in Color

In Farbe getauchte Erinnerungen

The Fondation Luma in Arles, France, has opened three exhibitions exploring memory and archives, headlined by Gerhard Richter's "Overpainted Photographs." The show features 120 works from Richter's private archive, some exhibited for the first time, created since the mid-1980s by dragging photographs through leftover paint in his studio. Richter, now 94, personally selected and hung the works chronologically starting from the fall of the Berlin Wall, reflecting his lost homeland and the passage of time. The exhibition also includes early sketches and oil paintings by the late architect Zaha Hadid, previously shown at London's Serpentine Gallery in 2016.

"Kultursenator ist kein Nebenjob"

Berlin's finance senator Stefan Evers is set to additionally take on the role of culture senator following the resignation of Sarah Wedl-Wilson, a move criticized as a stopgap solution that creates a conflict of interest between austerity and cultural advocacy. Meanwhile, the Venice Biennale faces multiple controversies: critics question how to evaluate curator Koyo Kouoh's posthumous main exhibition "In Minor Keys," completed after her death in May 2025; Israeli artist Belu-Simion Fainaru speaks out against his exclusion from the Biennale competition, calling it politically biased and reminiscent of historical persecution; and German press decries the politicization of the Biennale, particularly the exclusion of Israel and Russia from the competition.

The Prototype of an Artist

Der Prototyp eines Künstlers

Timm Ulrichs, the self-proclaimed "Totalkünstler" (total artist) known for his boundary-pushing performances—tattooing himself, locking himself inside a hollowed boulder, and running naked in thunderstorms—has died at age 86 in Berlin. A pioneer of Land Art, Body Art, concrete poetry, and endoscopic imaging, Ulrichs created works that anticipated later artists like Isa Genzken, and was invited to Documenta 6 in 1977. Despite his prolific output and influence on younger generations, he often lamented being overlooked by the international art market compared to peers like Georg Baselitz and Gerhard Richter.

First Details of the German Pavilion

Erste Details zum deutschen Pavillon

The German Pavilion at the upcoming Venice Biennale will present an exhibition titled "Ruin," featuring works by the late Henrike Naumann and artist Sung Tieu. Curated by Kathleen Reinhardt, the exhibition explores historical ruptures and the lingering effects of political and social voids following German reunification. Tragically, Naumann passed away shortly after completing her contributions, and her studio team is now working to realize her final artistic vision for the prestigious international stage.

I think I didn't understand many artists

"Ich glaube, ich habe viele Künstler nicht verstanden"

Adrian Searle, the long-standing chief art critic for The Guardian, is stepping down after three decades at the publication and nearly 50 years in art criticism. In a reflective interview, Searle discusses his transition from a practicing painter and educator to a critic, noting that his early interactions with students like Peter Doig and Isaac Julien helped him realize his true strength lay in writing rather than art-making. He recounts his experiences navigating the British art scene, from the decline of Greenbergian abstraction to his encounters with formidable figures like Richard Serra.

Drawings Dominate at a Chicago de Kooning Exhibit

The Art Institute of Chicago is presenting an exhibition focused on the drawings of Willem de Kooning, marking a rare departure from the typical painting-centric blockbuster shows dedicated to the artist. The exhibition highlights de Kooning's mastery in drawing, offering a focused look at this often-overlooked aspect of his practice.

With $116 Million Gift, National Gallery Will Send Its Art Around Nation

The National Gallery of Art in Washington, D.C., has received a $116 million gift from billionaire art collector Mitchell P. Rales. This donation will fund a new program to send the museum's collection on long-term loans to smaller institutions across the United States in perpetuity, significantly expanding its national reach.

Metropolitan Opera and MoMA Together Put Kahlo at Center Stage

The Metropolitan Opera and the Museum of Modern Art (MoMA) have launched a rare cross-disciplinary collaboration centered on the life and work of Frida Kahlo. The project features a new operatic production at the Met, complemented by a specialized exhibition at MoMA conceived by the opera's set designer to provide visual and historical context.

A Thomas J Price Bronze Opens Door to London’s V&A East

British artist Thomas J Price has unveiled a monumental bronze sculpture at the entrance of the Victoria and Albert Museum’s new outpost, V&A East, in Stratford, East London. The large-scale work depicts an anonymous Black figure, continuing Price's practice of utilizing the traditional language of monumental sculpture to celebrate everyday individuals who are often marginalized in public spaces.

MoMA Survey Shows How Marcel Duchamp Changed the Art Game

The Museum of Modern Art (MoMA) has launched a comprehensive survey of Marcel Duchamp’s work, highlighting the artist's revolutionary impact on the definition of art. The exhibition traces Duchamp's transition from traditional painting to his radical 'readymades,' which prioritized intellectual concepts over aesthetic craftsmanship.

The Titan of Land Art Moves Indoors and Gets Intimate

Michael Heizer, the pioneering Land Art figure known for monumental desert works like "City" and "Double Negative," is presenting a new exhibition of smaller-scale, indoor sculptures at Gagosian Gallery in New York. The show, titled "Collapse," features a series of large, geometric steel forms that, while still substantial, represent a significant shift in scale and context from his earth-moving outdoor projects.

culture editors gift guide christmas holidays

Cultured magazine's editors have published a holiday gift guide featuring a curated selection of items ranging from books and film memberships to robes, facials, and art-related products. Recommendations include Elaine Kraf's novel "The Princess of 72nd Street," an AAA24 membership from production company A24, a Hanro shawl collar cotton robe, a facial from Cali Strauhs, and a set of architecture-themed notebooks and books from the New Museum and Special Special. The guide also highlights a bronze sculpture by artist Ryan Schneider, tying the list to contemporary visual art.

ArtReview April & May 2026 Issue Out Now

ArtReview's April & May 2026 issue explores boundaries and limitations in art, with a focus on the 61st Venice Biennale opening amid global conflicts. The cover features Japanese-American performance artist Ei Arakawa-Nash with his husband and twin babies, whose collaborative installation at the Japanese Pavilion incorporates the unpredictability of childcare. The issue includes coverage of controversial national pavilions (Russian, Israeli, American), profiles of artists representing Mongolia and Singapore, and features on Beverly Buchanan, Arthur Jafa, Richard Prince, and Zehra Doğan's report from Rojava. It also reviews the 82nd Whitney Biennial, the 25th Biennale of Sydney, and the 15th Shanghai Biennale.

Venice Biennale 2026: How Do You Critique a Posthumous Exhibition?

The article, published by ArtReview, examines the upcoming 61st Venice Biennale (2026), titled *In Minor Keys*, which was conceived by artistic director Koyo Kouoh before her death from cancer in May 2025 at age 57. The exhibition, based on Kouoh's drafted concept and completed by a curatorial team including Rory Tsapayi, Siddhartha Mitter, Marie Hélène Pereira, Gabe Beckhurst Feijoo, and Rasha Salti, adopts a musical metaphor of "minor-ness" and aims to avoid the pitfalls of previous Biennales by focusing on soul frequencies and dissonant harmony rather than direct commentary on world crises. The author, Martin Herbert, questions how critics will respond to a posthumous exhibition of this unprecedented scale, noting that previous artistic directors like Robert Storr, Cecilia Alemani, Christine Macel, and Adriano Pedrosa have faced varied critical receptions.

There Has Never Been an Apolitical Venice Biennale

The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.

Anne Hardy’s Hollow Humanoids

British artist Anne Hardy presents a suite of floor-based installations and assemblage sculptures titled "Interloper" at Visual. The exhibition features a series of "Beings"—twisted, life-size humanoid entities constructed from rusted wire, crushed cans, soil, and the artist’s own cast body parts and clothing. These figures, often posed in yoga-like positions or meditative stances, appear as hollow, faceless outlines that blend a sense of vitality with physical disintegration.

Event: Hammad Nasar and Billy Tang, Off the Record

ArtReview and Ursula magazine have announced a collaborative talk featuring curators Hammad Nasar and Billy Tang as part of their "Off the Record" series in London. The event, held at the Farm Shop in Mayfair, is designed as an intimate, live conversation focused on the working methods and inspirations of creative visionaries. Nasar, a veteran curator and MBE recipient, will join Tang, the Artistic Director of the new Yan Du Project, to discuss their respective practices and the evolution of creative thinking.

Museum as Networked Modality

The article examines the evolving and often problematic relationship between museums and digital art. It highlights the institutional struggle to define and categorize works that use contemporary technologies like AI, blockchain, and robotics, noting that canonical figures like Leo Villareal, Jenny Holzer, and Andreas Gursky are often excluded from the "digital art" label. The piece cites specific examples, from Harold Cohen's early algorithmic work to Sougwen Chung's robotic collaborations and Rhea Myers's responsive NFTs, to illustrate the diverse and transmedia nature of these practices.

Hunker Down With John Skoog

Artist John Skoog has premiered a new black-and-white feature film, 'Redoubt' (2025), starring Denis Lavant, and opened a concurrent exhibition at Moderna Museet in Malmö. The film follows a farmhand building an apocalyptic shelter, while the museum installation features the full-scale, fabricated bunker from the film's production.

Art21 Honors Paul Pfeiffer and Charles Gaines at 2026 Spring Gala as Organization Celebrates 25 Years of Championing Access to Contemporary Art

Art21 will honor artists Paul Pfeiffer and Charles Gaines at its 2026 Spring Gala on April 14, alongside a tribute to philanthropist Agnes Gund. The event, held at Tribeca Rooftop, features a live auction of exclusive experiences and a marching band procession, and serves as the centerpiece of the organization's year-long 25th-anniversary celebration.

How the British Museum is preparing for the arrival of the Bayeux Tapestry

Comment le British Museum prépare l’arrivée de la tapisserie de Bayeux

The British Museum will display the Bayeux Tapestry from September 10, 2025, to July 11, 2027, in its Sainsbury Exhibitions Gallery, coinciding with the closure of the Musée de la Tapisserie de Bayeux for renovation. The 68.38-meter embroidery will be shown flat for the first time in over two centuries, in a custom-designed case with low lighting and continuous visitor flow. Tickets go on sale July 1, 2026, priced between £25 and £33, with free entry for under-16s. The exhibition includes loans such as the Junius II manuscript from the Bodleian Library and coins from the Chew Valley hoard, plus an outdoor installation by Andy Sturgeon. The UK government has provided an £800 million indemnity guarantee.

Art as seen by… Louise Bourgoin

L’art vu par… Louise Bourgoin

French actress Louise Bourgoin discusses her deep-rooted connection to the visual arts, stemming from her studies at the Beaux-Arts de Rennes. She reflects on her first art purchase in the Czech Republic, her obsession with line drawing, and how the abstract works of Mark Rothko have informed her acting performances. Bourgoin also reveals her upcoming project: illustrating a children's book written by Arthur Dreyfus, set for release in September.

In New York, Sotheby's Exhibition-Sales Are Packed

À New York, les expositions-ventes de Sotheby’s font salle comble

Sotheby's New York has experienced an unprecedented surge in public attendance at its exhibition-sales held in the iconic Breuer Building. In just two weeks, over 25,000 visitors—a 3.8-fold increase from the previous year—queued around the block to see works by artists like Gustave Klimt, Maurizio Cattelan, and René Magritte, with total attendance from November to late January reaching 46,325. The crowds, reminiscent of a major museum show, initially overwhelmed staff, who had to manage the flow to preserve the viewing experience for high-value clients.

Siteless Athens Arts Institution NEON Closing After 14 Years

The Athens-based cultural institution NEON, founded by prominent art collector Dimitris Daskalopoulos in 2012, is closing after 14 years. Operating without a permanent building, NEON organized 44 exhibitions across unconventional spaces, including ancient archaeological sites, commissioning works by artists such as Marina Abramović, Anastasia Douka, and Danh Vo. Its final project is a trilogy by artist Michael Rakowitz titled "Michael Rakowitz & Ancient Cultures," which began at the Old Acropolis Museum and will conclude later this year.

Ascendant Philanthropists Make $23 Million Donation to Met

The Metropolitan Museum of Art has received a $23 million donation from newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, made through the Rubio Butterfield Foundation. The principal gift will endow the museum's undergraduate and graduate internship program in perpetuity, which will be renamed after the couple starting September 2026. An additional donation supports the Met's new Tang Wing for modern and contemporary art, set to open in 2030.

Art Publisher Owes $102.2 Million in Damages for Late Robert Indiana Works

A Manhattan jury has ordered art publisher Michael McKenzie to pay $102.2 million in damages for creating unauthorized or adulterated versions of works by the late Pop artist Robert Indiana. The lawsuit, brought by Indiana’s former business partner the Morgan Art Foundation, alleged that McKenzie produced Indiana-related junk products that infringed trademark and copyright, including reproductions of Indiana’s iconic “LOVE” design and the artworks *The Ninth American Dream* (2001) and *USA FUN* (1965). The jury found McKenzie liable for exploiting Indiana in the final years of his life, after the artist granted power of attorney to his caretaker, Jamie Thomas.

How Much Is That Chagall in the Window: Metropolitan Opera Faces Funding Crisis After Saudi Deal Collapse

The Metropolitan Opera in New York faces a $30 million deficit after a $200 million funding deal with Saudi Arabia collapsed. The Saudi government withdrew from the agreement, which would have sent Met performers to the Royal Diriyah Opera House for three weeks each February, citing economic pressures from the Iran War and the blockage of the Strait of Hormuz. To address the shortfall, the Met is considering selling two monumental Marc Chagall paintings—The Sources of Music and The Triumph of Music (1966)—valued at $55 million, along with other options like selling naming rights or seeking a similar deal with another country.