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st patricks cathedral cvijanovic mural

A new mural by artist Adam Cvijanovic, titled *What’s So Funny About Peace, Love, and Understanding*, was unveiled at St. Patrick’s Cathedral in New York on September 17, 2025. Spanning 1,920 square feet across 12 panels, the work is the largest permanent artwork commissioned for the cathedral in its 146-year history. It reimagines the 1879 Apparition at Knock, Ireland, as a backdrop to immigrant life in New York, featuring figures such as St. Frances Xavier Cabrini, Dorothy Day, and Pierre Toussaint among contemporary immigrants. The project was facilitated by art adviser Suzanne Geiss and funded by benefactors Kevin and Dee Conway, with installation handled by UOVO.

italian politicians protest return of altarpiece slovenia

A 16th-century altarpiece by Vittore Carpaccio, *Madonna and Child Enthroned with Six Saints* (1518), has been returned to the Slovenian town of Piran, where it was originally commissioned for the Church of St. Francis of Assisi. The painting was removed in 1940 and placed in Padua for safekeeping during World War II, remaining in the Basilica of Sant’Antonio for decades. Following pressure from Franciscan friars in Padua, the work was quietly transferred back to Piran on September 4, days before Italian President Sergio Mattarella’s state visit to Slovenia. Slovenian Culture Minister Asta Vrečko hailed the return as the result of long-standing efforts.

maria lai magazzino

Maria Lai (1919–2013), a Sardinian artist who blended abstraction, Arte Povera, and craft, is receiving her first North American museum retrospective at Magazzino Italian Art in Cold Spring, N.Y. The exhibition, curated by Paola Mura, features nearly 100 works drawn from the personal collection of founders Nancy Olnick and Giorgio Spanu, the artist's foundation, and Italian museums. It includes a permanent installation of Lai's 1992 cement sculpture *Colombe di Cemento* on the museum grounds.

mystery artists return with trump dance sculpture

An anonymous artist collective, previously responsible for an eight-foot-tall golden monument of Donald Trump crushing Lady Liberty, has installed a new unauthorized artwork on Washington, D.C.'s National Mall. The piece is a life-size, gold-painted television set playing a silent 15-second loop of Trump performing his signature slow-motion dance moves, set against backdrops including campaign rallies and a party with Jeffrey Epstein. The installation, permitted through Sunday, includes a spray-painted gold eagle and a plaque quoting a White House statement criticizing the earlier sculpture. The White House responded with a sarcastic statement from spokesperson Abigail Jackson, claiming the video brings 'joy and inspiration' to tourists.

hew locke belgium sculpture cancelled

London-based British-Guyanese artist Hew Locke expressed disappointment on Instagram after learning that the city of Ostend, Belgium, canceled a site-specific artwork commissioned late last year. The newly-elected city council cited insufficient public consultation before accepting Locke's proposal, which aimed to re-contextualize a statue of former Belgian King Leopold II—a ruler notorious for brutal colonial exploitation in the Congo. Locke offered to extend public consultation and reduce the installation from ten to five years, but received no response. The council's decision was announced without joint press release coordination, and Locke has had no further communication from them.

wall of wiggling 3 d printed penises is actually good

Artist Peiqi Su created "The Penis Wall" (2014), an interactive installation featuring 81 3D-printed penises with tiny motors that adjust their flaccidity or erectness to six levels. The penises respond to stimuli such as viewer movement or stock market fluctuations. The work was developed over a semester as a thesis project for New York University's ITP program within the Tisch School of the Arts, and was briefly displayed on May 19–20 as part of the program's spring exhibition.

can art act as silent diplomacy these sculptors think so

A 4.9-meter stainless steel sculpture titled "Chaînes de Lumière" was unveiled on March 15, 2025, in Bikfaya, Lebanon, by artist duo Pierre and Cedric Koukjian. The work, composed of seven monumental links, was inaugurated in the presence of local officials including Bikfaya Mayor Nicole Gemayel, former President Amine Gemayel, Swiss Ambassador Marion Weichelt, and several UN envoys. It is part of a series of chain-motif sculptures installed globally, with previous works like "X-Link" (2022) in Geneva, Switzerland, and future installations planned for London and Bristol.

lilo and stitch galleria dell accademia graceland

Disney has placed a white statue of the character Stitch from "Lilo & Stitch" inside the Galleria dell’Accademia in Florence, Italy, where it sits on a plinth near Michelangelo's David. The installation, part of a partnership between Disney and the Italian Ministry of Culture, promotes the upcoming live-action remake of the 2002 animated film. A promotional video shows Stitch causing mischief in the museum before carving its own marble likeness. The statue will be on view through June 20. Separately, Stitch also made an appearance at Graceland in Memphis, Tennessee, where it posed with Elvis Presley memorabilia and a pink Cadillac.

sculptor biohack agnes questionmark tentacular trans

Agnes Questionmark, a multimedia performance artist based in Brooklyn, creates work exploring the trans body—encompassing transgender, transhuman, and trans-species identity—often with an aquatic, tentacular aesthetic. During a studio visit at the Brooklyn Navy Yard, she showed recent fabric works overpainted with acrylic and silicone, depicting organs in vivid reds and oranges. Her performances include TRANSGENESIS (2021), a 23-day endurance piece at Harlesden Highstreet in London, and CHM13hTERT (2023), a 16-day installation in a Milan subway station where she was suspended in a mermaid-like tail. She also produced an artist's edition, QuestionGen (2024), containing a capsule of her own DNA, made with biohacker Josie Zayner and publisher Nero.

portrait that putin gifted to trump last month finally revealed

Russian President Vladimir Putin gifted U.S. President Donald Trump a portrait depicting Trump with a raised fist and blood streaming from his right ear, referencing the assassination attempt in Pennsylvania last July. The painting was delivered to the White House by Steve Witkoff, the U.S. envoy for Ukraine and the Middle East, after a meeting in Moscow. Russian artist Nikas Safronov, who has previously painted Putin, Kim Jong Un, and Pope Francis, created the work. CNN provided an exclusive look at the portrait, which Safronov said was intended to show Trump's bravery and potentially bring the two countries together.

Sumac Cottage in Greensboro, Alabama

Sumac Cottage, a historic 1820s building in Greensboro, Alabama, has been restored and transformed into a community arts space by visual artist Aaron Sanders Head and musician Tim Higgins. The cottage, which was nearly demolished and had only three walls remaining, now hosts workshops, exhibitions, performances, and community events. Its most recent exhibition, “Home Once,” featured a visual installation by Jenna Clark with performances by Clark, Jasper Lee, Sam Herman, and Ryan Brown.

Open Letter in Support of the Artist Asel Kadyrkhanova

An open letter initiated by members of the Kazakhstani and international art community protests the removal of artist Asel Kadyrkhanova's work *Machine* (2013) from the Kazakhstan pavilion at the 2026 Venice Biennale. The mixed-media installation, which addresses Stalinist repression through a vintage typewriter, arrest warrants, and red threads, was dismantled on May 5, 2026, reportedly by order of Kazakhstan's Ministry of Culture and Information, just before the pavilion's opening. The artist and curator were allegedly pressured to alter the work beforehand, and the ministry initially cited restrictions from the Italian side, but the Italian Ministry of Defense denied involvement.

Bow Arts launches open call for 2027 East London Art Prize

Bow Arts has announced an open call for the 2027 edition of the East London Art Prize, now entering its third cycle. The prize will support 12 shortlisted artists with exhibitions, mentoring, and career development, awarding one artist £15,000 and a solo exhibition at Nunnery Gallery, and another a year-long studio residency. The judging panel includes Brendan Cormier, Alex Needham, Marine Tanguy, and artist Michelle Williams Gamaker, with submissions open from 14 May to 16 August 2026.

Floral photography makes space for grief at Plug In ICA

Plug In Institute of Contemporary Art in Winnipeg is presenting 'Transcendence,' a dual exhibition pairing Sheila Spence's 'Lexicon of Loss'—floral prints made by pressing roses on a flatbed scanner—with 'Observance,' a video installation by the late Toronto artist April Hickox, who died in 2025. The two artists, who first met at the Banff Centre in 1989, reconnected four years ago after both experienced profound loss: Spence's long-term partner died, and Hickox faced a cancer diagnosis. Their collaboration, conceived during daily conversations, brings together works that explore grief through botanical imagery and moving image.

Seattle May art shows include speakeasy-style gallery attached to house

A series of diverse art exhibitions are opening across Seattle in May. Highlights include a show exploring the influence of Japanese woodblock prints on Northwest artists at the Cascadia Art Museum, a site-specific installation in a private garage gallery called Double Garage, and a large-scale display of drawings on sticky notes by Clare Johnson at Gallery 4Culture. Other featured shows include Emma Bergman's surreal multimedia installation at Specialist Gallery and a landmark retrospective of light artist Tom Lloyd at the Frye Art Museum.

Simultaneous or Poly-Cinema

The Bauhaus artist László Moholy-Nagy proposes a radical departure from traditional filmmaking in his 1925 text, "Simultaneous or Poly-Cinema." He envisions a cinematic experience that moves beyond the static, rectangular screen, suggesting instead curved, spherical, or multi-planar surfaces that can accommodate multiple simultaneous projections. By utilizing rotating prisms and intersecting film strips, Moholy-Nagy describes a system where different narrative threads—such as the lives of multiple characters—can physically overlap and merge, creating a dynamic architectural arrangement of light and movement.

Passion and promise at this year’s Art & Design MFA Exhibit

The 2025 School of Art & Design Master of Fine Arts Exhibition at Krannert Art Museum in Champaign, Illinois, showcases the work of 12 graduating artists from the University of Illinois. The exhibition features a range of installations, including Harsh Milind Waichal's Halcyon Orthopedic Arm Cast, which uses sashiko embroidery patterns to reimagine medical casts, and Quinn Koeneman's comic-based exploration of neurodivergent aesthetics. The show runs through April 26, 2025, and includes works by Vicky Ma, Joseph Obanubi, and Anieya Cauthen.

A Dutch Art Studio Lights Up Venice’s Grand Canal

Dutch artists Lonneke Gordijn and Ralph Nauta of Studio Drift have installed their kinetic light sculptures along Venice’s Grand Canal, bringing their work outdoors for the first time during the Venice Biennale. The installation transforms the iconic waterway with moving, illuminated forms that interact with the surrounding architecture and water.

Through Bamboo, the Artist Lap-See Lam Explores Her Family’s History

Swedish artist Lap-See Lam has opened her first solo exhibition in Asia at the Tai Kwun Contemporary in Hong Kong. The show, titled "The Dream of the Lion's Way," features her signature multimedia installations, including video, sculpture, and sound, which weave together Cantonese opera, family narratives, and 3D-scanned environments of Chinese restaurants in Sweden.

Dries Verhoeven on Representing the Netherlands at the 61st Venice Biennale

Dries Verhoeven will represent the Netherlands at the 61st Venice Biennale (2026) with a new work titled *The Fortress*, installed in the Dutch Rietveld Pavilion in the Giardini. The 25-minute performance piece transforms the sunlit pavilion into a darkened bunker, featuring a raw vocal composition using only false vocal cords. Verhoeven describes the work as a meditation on transition and self-preservation, reflecting a Western society caught between its enlightened self-image and a dark vision of the future. The piece responds to geopolitical unrest outside the Biennale grounds and is designed to be melancholic and confrontational, contrasting with the main exhibition's theme, *In Minor Keys*.

Miet Warlop on Representing Belgium at the 61st Venice Biennale

Miet Warlop, the artist representing Belgium at the 61st Venice Biennale (2026), discusses her plans for the Belgian Pavilion in the Giardini in an interview with ArtReview. Her installation, inspired by the Belgian motto 'L'union fait la force' ('unity makes strength'), aims to create a space between a workspace, exhibition, and performance that brings people together in introspection. She cites time spent with Venice's artistic communities, including students at the Accademia, as influential, and notes that her work engages with the Biennale's theme 'In Minor Keys' by incorporating minor-key music to evoke nuanced, introspective emotions.

Pavel Brǎila on Representing Moldova at the 61st Venice Biennale

Pavel Brǎila is representing Moldova at the 61st Venice Biennale with an installation titled "Echoes of Harmony and Silent Cries" (2026), featuring flying carpets that fill the pavilion space at Santa Veneranda. In an interview with ArtReview, Brǎila explains that the work was driven by the constant presence of war in the news—Ukraine, Israel and Gaza, and other conflicts—and evolved into a sound installation as the propellers of the carpets created a minor-key resonance. He describes his first visit to the Biennale 25 years ago as a festive art festival, but now sees the platform as a crucial opportunity to represent his country's voice and express his urgent feelings about the world.

Rafał Zajko Is Hatching a Plan

Rafał Zajko's exhibition 'The Egg Egg' at Arsenal Gallery in Białystok, Poland, brings together 50 works from the past decade across two floors of a former power station, organized into nine 'acts'. The show features modular installations like 'Funny Games' (2025), a set of pastel-colored platforms on wheels with ceramic reliefs, and monumental sculptures such as 'Sisyphus' (2025), a suspended ceramic bobbin evoking textile factory tools. Performances by Agnieszka Szczotka, including 'Song to the Siren' (2026), activate works like 'Amber Chamber III Echo' (2025), blending archaism, futurism, and themes of labor and technology.

Marina Xenofontos on Representing Cyprus at the 61st Venice Biennale

Artist Marina Xenofontos will represent Cyprus at the 61st Venice Biennale in 2026. Her exhibition, centered on an animatronic sparrow titled 'Passer' and incorporating folk songs recorded by her grandmother and great-aunts, explores themes of memory, endurance, and the quiet persistence of culture.

Five Artists on Representing India at the 61st Venice Biennale

India has announced its artist lineup for the 61st Venice Biennale, featuring Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The national pavilion, located in the Arsenale, will showcase a diverse range of installations that explore themes of architectural memory, environmental sustainability, and the physical processes of nature. From Tashi’s recreations of Ladakhi homes using recycled materials to Singh’s spectral thread-based architectural fragments, the works collectively examine the fragility of heritage and the shifting relationship between humans and their environments.

Sasaoka Yuriko’s Violent Puppeteering

The Shiga Museum of Art is hosting "Paradise Dungeon," a comprehensive exhibition of Sasaoka Yuriko’s video and sculptural works. The show traces the artist's career from her 2011 response to the Tōhoku earthquake to her latest large-scale installations, characterized by a "grotesque" aesthetic involving marionettes with digitally superimposed human faces. Her work utilizes mediated artifice—including fairground-style soundtracks, repurposed toys, and violent puppetry—to explore themes of consumption, sacrifice, and the dehumanizing nature of digital observation.

ArtReview Podcast | Episode 4: Delaine Le Bas

Artist Delaine Le Bas is the featured guest on the fourth episode of the ArtReview Podcast, where she discusses her practice and influences with senior digital editor Chiara Wilkinson. Le Bas selects three works as lenses for the conversation: her own large-scale mural "Un-Fair-Ground" created at Glastonbury Festival, her installation "Witch House" at the Whitworth, and the 1969 film "The Color of Pomegranates."

Arts Listings: Week of April 9, 2026

The Ventura County arts community is launching a series of local exhibitions and theater productions for the week of April 9, 2026. Highlights include the opening of the political comedy "The Outsider" at the Santa Paula Theater Center and the "Rediscovering" exhibition at Fox Fine Jewelry featuring Lisa Sachs and Thomas Hoerber. Additionally, the Camarillo Art Center is hosting a themed exhibition titled "I dream my paintings, then I paint my dream," alongside various technical workshops in watercolor and gourd art.

San Francisco’s Vaillancourt Fountain Catches Fire During Controversial Removal

San Francisco's Vaillancourt Fountain, a Brutalist concrete structure at Embarcadero Plaza since 1971, caught fire on Wednesday morning as workers used blow torches to disassemble it. The fire ignited rubber tubing and debris inside the sculpture's cantilevered arms, producing smoke that forced the temporary evacuation of nearby paddle board courts. The fountain is being removed to make way for a $32.5 million redevelopment of the plaza and playground into a five-acre park.

Art exhibits to check out in May and June

A roundup of art exhibitions opening in May and June 2026 across Dayton and Cincinnati, Ohio, highlights solo shows by Teresa Olavarria, Tony Foster, Nathan Foley, Mina Kim, and Eunshin Khang, along with group exhibitions including SOS ART 2026, 'Voices of Kenya: Social and Cultural Reflections,' and 'Elizabeth Hawes: Radical American Fashion.' Venues include The Contemporary Dayton, The Dayton Art Institute, Rosewood Arts Center, the Art Academy of Cincinnati, and Kennedy Heights Arts Center.