Photographer Jon McCormack captured a striking image of the Remarkable Rocks on Kangaroo Island, Australia, framing the Southern Ocean through a naturally eroded granite hollow. The photograph, taken at sunset, emphasizes the graphic simplicity and sculptural quality of the ancient rock formations, which have been shaped by wind and salt over 10,000 years of isolation.
Australian politicians are pushing back against UNESCO's concerns that ancient rock art in Murujuga, Western Australia, is endangered by the proposed expansion of the Karratha Gas Plant, operated by Woodside Energy. The site contains up to 1 million petroglyphs, some dating back 47,000 years, and UNESCO's advisory body ICOMOS has warned that industrial emissions are a major threat. Australia's environmental minister Murray Watt has disputed ICOMOS's findings, calling them factually inaccurate, while Woodside claims the expansion will help transition away from coal and achieve net zero by 2050.
Australian photographer Elle Leontiev has been named the Open Photographer of the Year at the 2026 Sony World Photography Awards. Her winning image, titled 'Barefoot Volcanologist,' features Phillip Yamah standing on a lava bomb at Mount Yasur in Vanuatu. Leontiev captured the surreal portrait under challenging technical conditions, relying entirely on autofocus beeps after her camera screens shorted out due to volcanic activity.
Author Bruce Pascoe and a new generation of Australian chefs are leading a movement to rediscover and commercialize native Indigenous ingredients like kangaroo grass, Kakadu plums, and wattleseeds. By revisiting historical archives and journals from 19th-century explorers, Pascoe’s research in his book *Dark Emu* challenges the colonial narrative that Indigenous Australians were solely nomadic hunter-gatherers, revealing instead a sophisticated history of permanent settlements, irrigation, and organized agriculture.
An Indonesian and Australian couple, Wiyoga Muhardanto and Hannah O’Flynn, have transformed a plot of land in Central Java into an eco-resort and creative hub called Yabbiekayu. The project includes a gallery, artist residencies, and workshops, aiming to foster a sustainable creative economy by connecting local artisans with international artists and designers.
The 2026 Venice Biennale is embroiled in multiple controversies, including the cancellation and reinstatement of Australia's representative artist Khaled Sabsabi, ongoing calls to bar Israel from participating, criticism over allowing Russia to participate, and mounting voices to exclude the U.S. in response to President Donald Trump's actions in Iran. Despite these disputes, the article highlights that many of the city's most exciting shows will take place away from the main Biennale venues.
Flinders University Museum of Art (FUMA) presents 'Anarchive: knowledge follows form', a solo exhibition by South Australian artist Bridget Currie running from 27 April to 19 June 2026. The show reimagines the archive as a living force, drawing on FUMA's 'Post-object and Documentation Art' collection from the 1960s and 1970s. It features works by Bonita Ely, Alison Goodwin, Poppy Johnson, Dorothy Thompson, and Eva Yuen Man-Wah, including Thompson's playful protest performances in bird costumes. The exhibition is co-presented with Adelaide Contemporary Experimental and includes a guest-edited issue of Artlink magazine.
Ngununggula, the Southern Highlands regional art gallery, has opened a major all-women exhibition titled *Old Days, New Days | Arlta-imankinya, Arlta-errama*, featuring artists from Tangentyere and Yarrenyty Arltere alongside Arrernte and Kalkadoon artist Thea Anamara Perkins. The show includes painting, sculpture, textiles, video, and works on paper, with a focus on women's roles in sustaining family and community life through care, gathering, and storytelling. Key works include Perkins' portrait series from The Slattery Collection and an immersive installation by Marjorie 'Nunga' Williams. The exhibition runs until 14 June 2026.
The National Gallery of Australia is set to open the long-delayed exhibition "Ngura Pulka: Epic Country," but the show has been met with fresh controversy as a painting by a former executive of the APY Arts Centre Collective was mysteriously removed. The exhibition was originally postponed in 2023 following allegations of white staff members interfering with the work of Indigenous artists, and this latest withdrawal has prompted conflicting explanations from the involved parties.
Art Leven, formerly known as Cooee Art, has officially opened its new multi-level, purpose-built gallery space in Woolloomooloo, Sydney. The relocation marks a significant new chapter for one of Australia’s oldest fine art galleries dedicated to First Nations artists. The inaugural program features a major solo exhibition of paintings by Pintupi artist Mitjili Napanangka Gibson titled "The Places That Know Us," alongside "Gatherings," a group exhibition of bronze and aluminium sculptures produced in collaboration with Urban Art Projects.
A new contemporary art gallery called Oxford Street Gallery is opening in Mount Hawthorn, Perth, in February. Founded by arts professional Abbey Telfer and her mother Lynette, the gallery's mission is to provide a permanent exhibition platform for emerging and mid-career Western Australian artists, who often lack such dedicated spaces. Its debut exhibition, 'DEBUT,' will feature works from 20 local artists.
The article lists January 2026 art exhibitions across multiple venues in Charlottesville, Virginia, including Ruffin Gallery at the University of Virginia, Crozet Artisan Depot, The Fralin Museum of Art, The Gallery at Studio IX, IX Art Park, Kluge-Ruhe Aboriginal Art Collection, and Jefferson School African American Heritage Center. Highlights include the Ruffin Distinguished Artist-in-Residence exhibition “We Dream of Life” by Paula Wilson and iris yirei hu, featuring a monumental 56-foot textile; “Haiti’s Time” at The Fralin Museum; and “In the Beginning” at Kluge-Ruhe showcasing Spinifex Arts Project artists. Other shows include “INSTRUMENTAL” by Rich Tarbell, “The Looking Glass” immersive space, and “Finally Remembered: The Black Patriots of Central Virginia” at the Heritage Center.
The Art Gallery of Western Australia (AGWA) has launched a new exhibition featuring the return of iconic WA paintings, as reported by Malcolm Quekett in The West Australian on December 12, 2025. The show brings back significant works from the state's collection, highlighting AGWA's ongoing commitment to showcasing Western Australian art.
The article profiles praxis ARTSPACE in Adelaide, Australia, which was originally a former brothel and is now a leading arts space celebrating its tenth anniversary. Founded and directed by Patty Chehade, the space offers professional exhibition facilities for emerging and established artists, featuring a mix of one-person and thematic shows. Notable artists exhibited include Liz Butler, Dianne Longley, Olga Sankey, and Margaret Ambridge.
Artist Padraig McCaul will hold a 'Christmas Studio Exhibition' at the Mullingar Park Hotel in Mullingar, Ireland, on December 6 and 7. The show features new original oil paintings, limited edition prints, art cards, and wax print hurricane lanterns, offering Christmas gift ideas. This is McCaul's final exhibition of 2025, following a successful show at Art Source in the RDS, Dublin, and solo exhibitions at The Doorway Gallery, Dublin, and Lahinch Art Gallery. McCaul, an award-winning artist based in Mullingar with studios there and in Achill, has exhibited internationally in London, New York, and Australia.
Timothy Akis, born around 1944 in Tsembaga village, Madang, is recognized as a pioneer of contemporary art in Papua New Guinea. His 1969 solo exhibition at the University of Papua New Guinea (UPNG) is considered the country's first Western-style show by a Papua New Guinean artist, catalyzing a modern art movement. Akis developed a distinctive drawing style using ballpoint, felt pen, and ink, depicting highlands creatures like cassowaries and flying foxes. His work inspired younger artists, notably Mathias Kauage, who became PNG's most internationally visible contemporary painter after seeing Akis's exhibition. Akis's career included exhibitions in Australia, Europe, and the United States, and his works are held by institutions such as the National Gallery of Australia and the Queensland Art Gallery, Gallery of Modern Art.
The Institute of Modern Art (IMA) in Brisbane is celebrating its 50th anniversary with a gala and benefit auction on October 15, 2025, at The Calile Hotel. The black-tie event with a surrealist twist will feature a seated banquet, avant-garde performances, and a live auction of contemporary works by leading Australian artists, including newly crowned Archibald Prize winner Julie Fragar, Sam Cranstoun, Richard Bell, and Craig & Karl. Online bidding opens on October 15, and a raffle for luxury prizes from Brisbane brands is also available.
Artists from Good Bank Gallery in McLaren Vale are collaborating with The Wild South on a series of events called TOXIC SURF (Mid Coast) as part of South Australia's Nature Festival. The program includes workshops, exhibitions, a lantern parade, film screenings, and a choir performance, all aimed at addressing the ecological crisis caused by the harmful algal bloom Karenia Mikimotoi along the state's coastline. Community members can participate in ocean lantern-making workshops, a roving lantern performance, a community art exhibition, and an art and eco-resilience workshop, with contributions from local artists, Ngarrindjeri elders, and environmental groups.
The Collectible design fair returns to New York for its second edition, taking place from September 4-7 at the WSA building in the Financial District during Armory Week. Founded in Brussels in 2018 by Clélie Debehault and Liv Vaisberg, the fair brings together international galleries, designers, and architects for a curated showcase of 21st-century design. This year's edition occupies the 39th floor, spanning over 30,000 square feet, and features six curated sections including a buzzy section titled "In Praise of Folly" curated by Architectural Digest's Hannah Martin. Around 60% of exhibitors are from the United States, with the rest from Europe and beyond, including Australia, Brazil, Colombia, Mexico, South Korea, and Turkey.
Fibre Arts Australia's third International Art Textile Biennale is now touring Australia, featuring 39 textile artists from 10 countries. The exhibition will visit nine galleries across the country through September 2026. At its debut at East Gippsland Art Gallery, three Australian artists received biennale awards: Sue Coppock won the Major Award (AU$2,000) for her embroidered fencing mask 'Are You Wearing a Mask Right Now?', Claudia Mazzotta won the Australian Excellence Award for 'Untouched Terrains', and Nicola Oliver won the Glenys Mann Award for 'Shadows Where Life Once Was'.
Anthony Lister, once called "Australia's Banksy," is staging a comeback with a new exhibition titled "Circus of Life" after being acquitted of sexual assault charges. The six-year legal battle, which began with a police raid on his Sydney home in 2020, led to the cancellation of his shows, financial ruin, and public vilification. Despite being found not guilty on all counts by a jury in under a minute, Lister says his reputation and career were destroyed, and he now challenges the art world and Australian public to accept him back.
Geelong Gallery in Australia is preparing to host "Discovering the Impressionists: Paul Durand-Ruel, art dealer among the artists," its most ambitious international exhibition ever, running from 20 June to 11 October. The show features over 70 paintings by Claude Monet, Pierre-Auguste Renoir, Berthe Morisot, Camille Pissarro, and second-generation Impressionists, with most works from a private French collection never before seen in Australia. The exhibition marks the gallery's 130th anniversary and is supported by the Geelong Major Events committee. Separately, the genU artX Regional 2026 exhibition at Rachinger Gallery showcases over 130 works by artists with disabilities or mental illness, on view until 22 May.
The World Monuments Fund and Knoll have awarded the 2026 World Monuments Fund/Knoll Modernism Prize to the Australia-based architecture firm Architectus for its conservation of Africa Hall in Addis Ababa, Ethiopia. The building, completed in 1961 and designed by Italian architect Arturo Mezzedimi, serves as the headquarters of the United Nations Economic Commission for Africa and was commissioned by Emperor Haile Selassie. The decade-long, $57 million restoration project, completed in October 2024, involved local experts, restored original furniture and stained-glass windows by artist Afewerk Tekle, and modernized the structure while preserving its modernist vision. The jury also awarded its first Stewardship Award for Modernist Homes to the Umbrella House in Sarasota, Florida, designed by Paul Rudolph.
Howard Arkley has overtaken Brett Whiteley as the top-selling Australian artist at auction in 2025, with his spray-painted depictions of Melbourne suburbia dominating the year's art sales. The shift reflects a growing collector appetite for Arkley's vibrant, airbrushed scenes of brick homes and suburban life, which have surged past Whiteley's iconic Sydney Harbour views in auction results as the 2025 season concludes.
The Institute of Modern Art (IMA) in Brisbane, Australia's longest-running independent contemporary art gallery, will celebrate its 50th anniversary with a surrealist-themed gala dinner and art auction on October 31 at The Calile Hotel. The event features a sit-down banquet, a benefit auction with works by leading artists including 2025 Archibald Prize winner Julie Fragar, a raffle with prizes from local venues, and live performances. Attendees are encouraged to dress in black tie with a surrealist twist, and artists will be present to interact with buyers.
Israeli artist Ilan Adar, whose Jaffa studio was a cultural hub before October 7, found himself unable to paint after the attacks as tourism and daily visitors vanished. Encouraged by collector Josh Liberman, Adar created 'Echoes of the Tribe,' an exhibition now showing in Melbourne, Australia. The works, built from red pigment and layered with emotion, explore themes of shared human connection, memory, and resilience. The exhibition was organized with the help of Alexandra Pyke to support Israeli artists facing discrimination and economic hardship post-October 7.
The Naracoorte Art Gallery has launched 'ORIGIN', a retrospective exhibition showcasing the foundational pieces of its permanent public collection. The show features acquisitions made between the gallery's founding in 1968 and the early 1980s, including the institution's very first acquisition, a pencil drawing by Robert Walter Felling, alongside significant works by Australian modernists like Mervyn Smith and Judith Heidenreich.
The 2026 Coast Next Gen Art Exhibition has officially opened at the new Gosford Regional Library, showcasing works by 25 high school graduates from across Australia's Central Coast. Organized by the University of Newcastle, the fourth annual showcase features a diverse range of media from HSC students and awarded several top prizes during its opening night, including the Bouddi Foundation of the Arts Award and an acquisitive prize for the university’s permanent collection.
Nora Heysen became the first woman to win the Archibald Prize in 1938, yet the media response focused on her domestic life. This weekend, the Art Gallery of South Australia opens an exhibition highlighting Heysen and other local female artists who traveled to Europe before World War II, showcasing their portraits and still lifes that helped catalyze the modernist art movement in Australia.
Colossal's monthly list for April 2026 details numerous open calls, grants, and residencies for artists worldwide. Key opportunities include the Earth 2026 Art Awards, the Hopper Prize grants totaling $13,000, and the Fleurieu Biennale Art Prize in Australia, alongside calls for fiber art, gallery exhibitions, and magazine publications.