Here is what the 2027 Venice Architecture Biennale curated by Chinese architects Lu Wenyu and Wang Shu will be about

Ecco di cosa parlerà la Biennale Architettura di Venezia 2027 dei curatori cinesi Lu Wenyu e Wang Shu

For the first time in the history of the Venice Architecture Biennale, two Chinese architects—Wang Shu (Pritzker Prize 2012) and Lu Wenyu—have been appointed as curators of the 20th International Architecture Exhibition, scheduled from May 8 to November 21, 2027. The duo, who co-founded Amateur Architecture Studio in 1997 and are partners in life and work, previously participated in the Biennale in 2010 under Kazuyo Sejima (receiving a Special Mention for their project "Decay of a Dome") and in 2016 under Alejandro Aravena. Their edition will follow the 2025 edition curated by Carlo Ratti and will be titled "Fare Architettura" (Doing Architecture), focusing on the coexistence of diversity in real reality.

What Artists Sign Away

Artist and writer Sarah Hotchkiss recounts two personal experiences where galleries and residency programs used standard contracts to limit artists' rights. In the first, a new gallery refused to shorten a six-month consignment period after an exhibition, leaving her work in "contractual limbo" where she would owe the gallery half of any sale even if she found the buyer herself. In the second, a residency required her to waive moral rights under the Visual Artists Rights Act, protections that allow artists to prevent distortion and control attribution of their work.

'Balance in Motion' at P21, Seoul, South Korea on 14 May–4 Jul 2026

P21 gallery in Seoul, South Korea, presents 'Balance in Motion,' an exhibition running from May 14 to July 4, 2026. The show takes place at the gallery's Itaewon district space, which features two separate facades (P1 and P2) designed for site-specific works. P21, founded in 2017 by Soo Choi, opened with an inaugural exhibition by Choi Jeong Hwa and continues to promote international contemporary art.

United Asian American Alliance hosts 3rd Annual AAPI Art Exhibit

The United Asian American Alliance hosted the 3rd Annual AAPI Art Exhibit at the Cinema Arts Centre in Huntington, a month-long showcase of Asian American creativity and heritage. Curated by artist Joan Kim Suzuki, the exhibition features works in painting, mixed media, photography, and textile that explore themes of memory, identity, migration, and belonging. The opening reception welcomed distinguished guests including Tracey Edwards, New York State NAACP Vice President, and actor Lisa Yang, a Golden Horse Award nominee.

Currently, much that was painstakingly built is being destroyed

"Aktuell wird viel zerstört, das mühsam aufgebaut wurde"

Berlin's Savvy Contemporary, a non-profit art space known for its postcolonial discourse, has been awarded the Art Basel Award in the 'Museums and Institutions' category—the only German institution to receive the honor this year. However, despite the prestigious recognition, Savvy has been unable to open any exhibitions in 2024 due to a lack of funding. In an interview, managing directors Lema Sikod and Lynhan Balatbat-Helbock discuss the award, the institution's 15-year history, and the growing difficulty of sustaining decolonial work amid rising right-wing populism and political backlash.

Harris County Juried Exhibition

“Villa Borghese è perfetta e non si tocca”. Siamo andati a vedere se è proprio così perfetta

A private company donated a design competition to the Galleria Borghese in Rome, aiming to expand the museum's exhibition spaces and services. Before any winning project was selected, associations like Italia Nostra protested, claiming the initiative would desecrate Villa Borghese. The article's author visited the park to document its current state, finding decay: a wrecked Globe Theatre, neglected ponds, graffiti, trash, dilapidated buildings, and a degraded horse-riding track. The author argues that while the park is defended as "perfect and untouchable," it is actually suffering from real neglect that goes unaddressed by the same groups opposing development.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

Young Cham artist revives fading Muslim traditions through first solo exhibition

Young Cham artist Kaeu Sreypeou has opened her first solo exhibition, titled "Remembering," at SNA Arts Management in Phnom Penh, running from May 21 to August 8. The show features 18 acrylic paintings that depict traditional Cham Muslim ceremonies, such as the Mawlid Festival and the Tolak bala cleansing ritual, which are now practiced by only a few communities in Cambodia. Sreypeou, a 2023 graduate of the Royal University of Fine Arts, draws on her own memories and participation in these rituals to document and preserve Cham cultural identity.

Muskegon Museum of Art Announces ‘HerStory of Animation: Mary Blair & Beyond’ Exhibit

The Muskegon Museum of Art has announced a new exhibition titled 'HerStory of Animation: Mary Blair & Beyond,' premiering June 6 through September 27. The show redefines animation history by highlighting the contributions of women animators and artists, from early pioneers like Helena Smith Dayton and Lotte Reiniger to contemporary figures. Curated by Mindy Johnson, the exhibition features production artwork, studio artifacts, rare imagery, films, and newly uncovered research spanning over a century of innovation.

Venice Biennale jury resigns amid row over Russian entry

The international jury of the Venice Biennale resigned en masse just nine days before the opening of the world's oldest contemporary art fair, amid a dispute over Russia's participation and the panel's decision to bar prizes for countries accused of crimes against humanity by the International Criminal Court. The jury, comprising president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, stepped down without explanation, following tensions that also involved Italy's Culture Ministry cutting €2 million in EU funding over Russia's presence and sending inspectors to the Russian Pavilion.

REINTERPRETATIONS BY DEMIAN FLORES OF VIOLENCE MYTH AND REPRESENTATION

Mexican artist Demián Flores presents "America. New Visions from the Old World," a graphic arts exhibition at the Instituto Cultural de México in Madrid. The show features forty works that reinterpret 16th-century engravings by Theodor de Bry, whose images of Indigenous peoples—ranging from idealized noble savages to violent cannibals—shaped European perceptions of the Americas. Flores draws on his earlier series "Collateral Disasters" (2012), inspired by Goya's "The Disasters of War," to critique how colonial visual narratives constructed otherness and justified violence.

Two Major Architecture Firms Aim to Revolutionize Rome Over the Next 25 Years

Due grandi studi di architettura puntano a rivoluzionare Roma nei prossimi 25 anni

A multidisciplinary team led by Italian architecture and urban planning firm IT'S and Dutch firm OMA has won the international ideas competition "Vision for Rome," promoted by the Fondazione Roma REgeneration. Their project, "Roma Continua," was presented at the Auditorium della Tecnica di Confindustria during the second ROMA REgeneration FORUM. The proposal aims to rethink Rome over the next 25 years through a paradigm shift in urban, social, and cultural planning, envisioning the city as a living ecosystem. It is based on five guiding principles—care, beauty, knowledge, movement, reuse, and grafting—and includes five green corridors anchored to the Tiber River, "Fori dell'innovazione" (innovation forums), and a continuous mobility network. The project also seeks to reduce tourist pressure on the historic center by creating new cultural itineraries and sustainable transport links.

Ministry of Culture inspectors present report on Biennale: Russia pavilion will remain closed

Gli ispettori del Ministero della Cultura in Biennale presentano relazione: il padiglione Russia resterà chiuso

Italian Ministry of Culture inspectors have submitted a report to the Prime Minister's office regarding Russia's participation in the 2026 Venice Art Biennale. The report concludes that Russia did not receive a formal invitation from the Biennale Foundation to participate, nor did it sign the participation agreement—a situation shared by other countries with permanent pavilions. While Russia submitted a project and appointed a commissioner, its pavilion will remain closed to the public due to EU sanctions, though a private vernissage may proceed. The report finds no serious violations that would cancel Russia's participation, but notes critical issues that warranted more caution. The international jury resigned en masse after announcing it would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court, including Russia and Israel, and after an Israeli artist threatened a discrimination lawsuit.

The Dutch Pavilion at the Venice Biennale is a political protest (also against the Biennale itself)

Il padiglione dei Paesi Bassi alla Biennale di Venezia è una contestazione politica (anche della Biennale stessa)

The Dutch Pavilion at the 2026 Venice Biennale, titled "The Fortress" by artist Dries Verhoeven and curator Rieke Vos, transforms the modernist Rietveld Pavilion into a fortress-like enclosure. Inside, a rotating group of thirteen international performers will stage a series of performances throughout the Biennale, focusing on themes of geopolitical uncertainty, social disorder, and the search for stability in an unbalanced world. This marks the first time the Netherlands has used the Rietveld Pavilion for a performance-based project.

For the 2026 Venice Biennale, the RojoNegro duo brings a collective ritual to the Mexico Pavilion

Per la Biennale Arte 2026 il duo RojoNegro porta nel Padiglione del Messico un rituale collettivo

The article announces that the RojoNegro collective, formed by María Sosa and Noé Martínez, will represent Mexico at the 61st Venice Biennale in 2026 with a project titled "Actos invisibles para sostener el universo." Curated by Jessica Berlanga Taylor, the installation combines organic materials, sound, video, and performance to create a ritualistic space that invokes invisible presences, memories, and energies. The work draws on decolonial perspectives, centering Indigenous and Afro-descendant cosmogonies as living knowledge systems, and aims to activate a dialogue between situated ritual practices and the global context of the Biennale.

Notre-Dame : les associations attaquent le projet

Two French heritage associations, Sites & Monuments and SOS Paris, have filed legal challenges against the project to replace the stained-glass windows of Notre-Dame de Paris. The groups have submitted requests to an emergency judge and to the administrative court, seeking to suspend the works, which have already begun and threaten to remove the original windows by Viollet-le-Duc within days. The judge will rule on whether there is a serious doubt about the legality of the decision.

Meet the Women of the American Studio Glass Movement

An expansive exhibition at the Corning Museum of Glass highlights the women artists who were instrumental in the American Studio Glass Movement of the mid-20th century. The show, curated by Osman Can Yerebakan, brings together works that demonstrate the resilience and creative contributions of these often-overlooked figures.

Face-to-Face: Nalini Sharma Talks MFA Boston’s “Divine Color” Exhibition and the Power of Indian Art

Nalini Sharma, an art patron and honorary member of the Museum of Fine Arts, Boston's Board of Advisors, discusses the museum's exhibition "Divine Color: Hindu Prints from Modern Bengal" in an exclusive video interview. The show, supported by Nalini and Raj Sharma, features nearly 40 vibrant lithographs and over 100 objects including prints, paintings, sculptures, and textiles, exploring Hindu devotional prints from 19th-century Calcutta (now Kolkata). It is the first U.S. exhibition devoted to these works, which were mass-produced using lithographic technology and deeply embedded in daily life across India and the diaspora.

Art Liard Explores Nature’s Fragile Equilibrium in London

Art Liard presents a new exhibition in London exploring nature's fragile equilibrium, featuring works that examine the delicate balance of natural ecosystems. The show includes a series of paintings and installations that respond to environmental themes, highlighting the tension between growth and decay in the natural world.

Lawrence artists open their studios for Art Spaces Tours; looks behind the scenes continue Sunday

The Lawrence Art Guild held the fourth annual Art Spaces Studio Tours on Saturday, with studios open again Sunday from noon to 6 p.m. Featured artist Nick Schmiedeler, a forklift operator who creates assemblage sculptures from found metal and wood, opened his studio at 710 Missouri St. Muralist Dave Loewenstein and his 8-year-old son Andrés hosted guests at their alleyway studio, where Andrés performed live drawing demonstrations. The tour also included Art Emergency, a collective studio space at 721 E. Ninth St. housing artists working in painting, photography, textiles, and mixed media.

‘Cultural identity is not a binary choice’: Newmarket artist finds artistic balance in solo exhibition

Newmarket artist Jing Fu presents her solo exhibition 'Unearthed – My Equilibrium' at the Aurora Cultural Centre, opening May 14. The show traces her 30-year artistic journey from Shanghai to Canada, blending traditional Chinese shanshui painting with Canadian natural landscapes. Fu's work includes atmospheric landscapes inspired by Ontario wilderness and an abstract 'Roots' series exploring emotional connection and inner balance.

Art-Science Undisciplined: A Playbook for Transformative Collaboration

Artist Janani Balasubramanian and astrophysicist Natalie Gosnell have co-authored a book titled "Art-Science Undisciplined: A Playbook for Transformative Collaboration," published by the University of California Press. The book reimagines collaboration between art and science as a shared, values-based practice rooted in curiosity, experimentation, and joy, rather than treating them as separate disciplines. It draws from the authors' own partnership and the experiences of other interdisciplinary creators, offering practical strategies for building relationships based on mutual respect, trust, and imagination, while addressing real-world constraints like institutional demands and limited resources.

St. Pete multimedia artist Cato Galen is one of the region’s rising talents

St. Petersburg multimedia artist Cato Galen is profiled for their wide-ranging creative practice, which includes curating immersive installations, writing music, leading workshops, and creating spaces for reflection at festivals. Galen's recent projects include a virtual gallery for How Bazar's “Memories and Fortunes” exhibition in Tampa and the Decompression Space at the Big Culture and Arts Festival in Gainesville, where QR codes merged physical and digital experiences to improve accessibility. Galen also performs music under the name Creating Cato, produces a zine series called “Guide for Blocked Artists,” and hosts a gathering called “Artist Block.”

Res Publica Verlag Seeks Project Manager or Print Production Editor

Res Publica Verlag sucht Projektmanager:in oder Chef vom Dienst Print

Res Publica Verlag, an independent publisher based in Berlin, is hiring a project manager or print production editor for its magazines Cicero and Monopol, as well as special publications. The role involves managing editorial workflows, asset management systems, ad coordination, and serving as a liaison between the publishing house and editorial teams. The position is for 30 hours per week, starting August 1, 2026, with an optional onboarding from July 1, 2026.

Jolkonya’s Mother’s Day special exhibition opens in Dhaka

Jolkonya, a women's art organization, has opened a six-day group exhibition titled "Every Woman is a Mother" at Safiuddin Shilpalay in Dhaka to celebrate Mother's Day. The show features 35 artworks by 12 artists using watercolor, acrylic, and coffee-based mediums, and was inaugurated by painter-sculptor Ivy Zaman and singer Mehreen. The City Bank PLC is the title sponsor, and artist Ashok Karmaker curated the exhibition.

See these LGBTQ+ artists and more at The Other Art Fair this weekend

The Other Art Fair has returned to Dallas for its largest and most ambitious edition to date, featuring 135 independent artists—the most ever presented in the Dallas market. The fair, presented by Saatchi Art, transforms Dallas Market Hall into a marketplace where artists sell directly to collectors and art lovers, with highlights including immersive installations, live neurofeedback art, and a special focus on LGBTQ+ artists. A short list of queer artists featured includes Ty Hays, Patricia Juppet, Jake Trujillo, and others, with Christopher Sonny Martinez receiving The New Futures award for first-time exhibitors.

À Florence, une transformation silencieuse pour préserver son patrimoine

Florence is undertaking a major restoration of Giotto's Campanile, the first comprehensive conservation of the 14th-century bell tower since its construction. The project, budgeted at over €7 million, addresses decades of damage from pollution, acid rain, and natural aging, including detached stone slabs, darkened facades, and microfractures. The four-year scaffolding will be designed to minimize visual impact and gradually reveal restored sections. Separately, the Opera di Santa Maria del Fiore is executing a €60 million program to restore the Collegio Eugeniano (which will become its new headquarters) and expand the Museo dell'Opera del Duomo to 11,000 square meters by 2030. The Ponte Vecchio will also undergo summer cleaning and consolidation of its piles, funded equally by the municipality and the Antinori family.

Accusé de viol, le directeur du Frac Bretagne est révoqué

The director of the Frac Bretagne (Regional Contemporary Art Fund of Brittany), Étienne Bernard, has been dismissed following an internal investigation into allegations of sexual violence. The case began in October 2025 when an anonymous testimony on the Instagram account #MeTooArtContemporain accused a former art professor of sexual assault; the post noted the accused had since become a Frac director. After graffiti appeared on the Frac Bretagne building, the institution hired the external consultancy Égaé to conduct an internal inquiry. Two reports submitted in February and April 2026 documented multiple serious allegations against Bernard, including harassment and assault. The board voted unanimously to revoke his position on May 4, 2026, and the public prosecutor's office in Rennes has opened a criminal investigation for moral harassment, sexual harassment, sexual assault, and aggravated rape. Bernard denies the allegations and has filed an appeal with the administrative court.

Reasoning beyond accounting: here is the first step for a valuation of cultural heritage

Ragionare oltre la contabilità: ecco il primo step per una valutazione del patrimonio culturale

Angelo Argento recently published an article examining the valuation of cultural heritage in light of ongoing public accounting reforms in Italy. The piece moves beyond iconic landmarks like the Colosseum or Uffizi to focus on smaller, territorial assets such as archives, civic museums, and lesser-known archaeological sites, questioning how and whether a specific economic value can be assigned to them. It explores different international approaches—from market-based valuations in Australia and France to symbolic €1 entries in the U.S.—highlighting the global trend toward quantifying cultural heritage.