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Curator Cecilia Alemani has organized the latest edition of the SITE Santa Fe International, titled "Once Within a Time," inspired by Godfrey Reggio's 2022 film of the same name. The exhibition, which opened in 2025, centers on storytelling and features Reggio's trippy 55-minute film alongside works by over a dozen artists, including Helen Cordero, D.H. Lawrence, Louise Bonnet, Norman Zammitt, Joseph Yoakum, John McCracken, Karla Knight, and Ali Cherri. The show extends beyond SITE Santa Fe to multiple venues across New Mexico, such as the New Mexico Military Museum, a hotel, and a cannabis shop, weaving together themes of eros, energy, the military, and the state's archetypes like UFOs, Land art, and Native spirituality.

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Xiaowen Zhu, director of Esea Contemporary in Manchester, discusses her journey and the evolving representation of Asian artists in the global art world. Born in Shanghai, Zhu reflects on her formative encounter with Ai Weiwei's *Fairytale* at Documenta 12 in 2007, which shaped her understanding of diaspora and belonging. She now leads the UK's only non-profit art center dedicated to East and Southeast Asian (ESEA) artists, and serves on the British Council’s Arts and Creative Economy Advisory Group.

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Frank Uwe Laysiepen, known as Ulay, has died at age 76 in Ljubljana, Slovenia. The German-born artist was a pioneer of performance art, photography, and body art, best known for his collaborative works with former partner Marina Abramović, including the iconic "Relation Works" series and their 1988 walk along the Great Wall of China. Ulay had been recovering from lymphatic cancer; the cause of death has not been confirmed. He leaves behind the ULAY Foundation in Amsterdam and a project space in Slovenia.

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Artist Jennie C. Jones has unveiled "Ensemble" (2025), a rooftop commission at New York's Metropolitan Museum of Art featuring three monumental, wind-activated stringed instruments—an Aeolian harp, zither, and one-string—that visitors are asked not to touch. The sculptures, coated in deep red powdered aluminum and concrete panels, are designed to be played by the breeze, though wind did not cooperate during the press preview. Jones drew inspiration from the Met's collection of 5,000 musical instruments, African American folk instrument makers like Moses Williams and Louis Dotson, and Minimalist abstraction, creating a work that explores anticipation and the sonic potential of untouchable objects.

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The trial between billionaire collector Ron Perelman and a group of insurers began Monday in New York Supreme Court, nearly seven years after a 2018 fire at his Hamptons estate, the Creeks. Perelman claims the fire damaged five paintings—two by Andy Warhol, two by Ed Ruscha, and one by Cy Twombly—insured for a collective $400 million, arguing the works lost their "oomph" due to smoke, humidity, and relocation during the fire. The insurers, including Lloyd's of London, Chubb, and AIG, contend the works sustained no detectable damage and that Perelman's claim is a "money grab" filed amid serious financial difficulties, including margin calls and the sale of 71 artworks for $963 million between 2020 and 2022.

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On Monday, Whitney Museum director Scott Rothkopf announced via email that the museum would "pause" the 2025–26 academic year of its Independent Study Program (ISP), citing a lack of a director and strained operations. The announcement coincided with an open letter from high-profile ISP alumni—including artists Emily Jacir, Andrea Fraser, Mark Dion, and others—denouncing the museum's cancellation of a pro-Palestine performance titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The performance was canceled two days before it was to be part of an ISP curatorial exhibition, after the museum accused the artists of "valorizing specific acts of violence" and singling out community members based on belief systems. The letter also referenced the earlier demotion of ISP director Gregg Bordowitz in February.

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In 2013, visitors to New York's Museum of Modern Art encountered actress Tilda Swinton sleeping in a raised glass box in the lobby, a performance piece titled *The Maybe*. Swinton first performed the work at London's Serpentine Gallery in 1995, developed with Joanna Scanlan, and has reprised it only twice: at Rome's Museo Baracco in 1996 and at MoMA in 2013. The MoMA iteration, curated by Klaus Biesenbach, featured Swinton alone in the glass case for eight hours a day over seven days, without the historical curiosities that accompanied the original Serpentine installation. Swinton has stated in a 2024 interview that she intends to perform *The Maybe* again "when least expected."

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Lorde released a music video for her song "Man Of The Year," the second single from her upcoming album *Virgin*. The video features the singer in a room filled with dirt, which fans quickly noted resembles Walter De Maria's iconic installation *New York Earth Room*. Lorde has acknowledged the homage, describing the work as an inspiration for the song's sound and her personal rebirth. The video was not filmed in the actual installation, which is permanently housed in SoHo and managed by the Dia Art Foundation.

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The Metropolitan Museum of Art's new Anna Wintour Costume Center opens with the exhibition "Charles James: Beyond Fashion," showcasing the work of the mid-century couturier often called "America's First Couturier." The show presents James's sculptural gowns—made of silk, tulle, and taffeta—on pedestals, accompanied by quotations that frame his designs as art. Highlights include the famous 10-pound "Clover Leaf Gown" and the "Taxi dress," a precursor to the wrap dress. The exhibition features animated video imaging by Diller Scofidio + Renfro that uses robotic cameras to reveal the architectural layers within the garments. The show runs from May 8 to August 10, 2014.

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Bill Horrigan, a pioneering curator who transformed Ohio's Wexner Center for the Arts into a leading destination for film and video art, died on May 15 after a long battle with amyloidosis. Over 34 years at the Columbus museum, he built a celebrated film and video program that attracted world-renowned artists like Chris Marker and Julia Scher, and organized landmark exhibitions for Mark Dion, Gretchen Bender, and Shirin Neshat. He also served as a curatorial adviser for the 2008 Whitney Biennial, helped program the Video Data Bank, and led the 1989 edition of Video Against AIDS.

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Valparaiso University in Indiana has finalized the sale of two valuable paintings from the Brauer Museum of Art—Childe Hassam's *The Silver Veil and the Golden Gate* (1914) and Georgia O'Keeffe's *Rust Red Hills* (1930)—and is in the process of selling a third, Frederic Edwin Church's *Mountain Landscape* (c. 1849). The sales, collectively valued at up to $20 million, are intended to fund renovations of freshman dormitories amid budget shortfalls. The decision has sparked vocal protests, a lawsuit, and a vote of no confidence from the faculty senate against university president José Padilla, who announced his retirement. Moody's Ratings downgraded the school's credit rating to junk status, partly due to the controversy.

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The Porter County Superior Court has approved Valparaiso University's plan to sell three valuable paintings from the Brauer Museum of Art—works by Frederic Edwin Church, Childe Hassam, and Georgia O'Keeffe valued at around $20 million—to fund renovations to freshman dormitories. The decision follows a year and a half of controversy, including a lawsuit from the museum's founding director Richard Brauer and condemnation from major museum professional organizations, who argue that deaccessioning art for non-collection purposes violates ethical standards.

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Yasunao Tone, a composer, theorist, and artist associated with the Fluxus movement, has died at age 90. Artists Space, which hosted his first US retrospective in 2023, announced his passing due to age-related complications. Tone was known for experimental music that used unorthodox methods such as altering instruments with ice, scratching CDs to create white noise, and producing graphic scores that resembled abstract artworks. He co-founded Group Ongaku in 1961, collaborated with key figures like Nam June Paik, George Maciunas, and Yoko Ono, and later explored digital corruption of audio files and AI. His work influenced experimental music and sound art, with a 2023 profile in AnOther Magazine stating he "changed music forever."

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Lupe Fiasco, the Grammy-winning rapper and MIT visiting scholar, has created "GHOTIING MIT," an audio tour featuring seven tracks improvised and recorded on-site at public artworks around the MIT List Visual Arts Center campus in Cambridge, Massachusetts. Using an iPad, microphone, and solar panels, Fiasco responds to sculptures by Alexander Calder, Antony Gormley, Jacques Lipchitz, and Jaume Plensa, among others, blending rap with field recordings to capture the immediacy of each piece. He terms this spontaneous creative process "ghotiing" (pronounced "fishing"), likening it to the Impressionist practice of painting en plein air.

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Francisco Toledo, the renowned Mexican artist, collaborated with Maestro Dobel Tequila on a limited-edition luxury tequila vessel before his death. The Dobel Tequila Grandes Maestros Collection: The Francisco Toledo Edition features the world's first extra añejo tequila finished in mezcal barrels, housed in a hand-engraved bottle with a sculptural wooden cube display. Only 15 of the 281 editions are available in the U.S. market, each priced at $5,000, and are now being auctioned via Artnet.

The Prototype of an Artist

Der Prototyp eines Künstlers

Timm Ulrichs, the self-proclaimed "Totalkünstler" (total artist) known for his boundary-pushing performances—tattooing himself, locking himself inside a hollowed boulder, and running naked in thunderstorms—has died at age 86 in Berlin. A pioneer of Land Art, Body Art, concrete poetry, and endoscopic imaging, Ulrichs created works that anticipated later artists like Isa Genzken, and was invited to Documenta 6 in 1977. Despite his prolific output and influence on younger generations, he often lamented being overlooked by the international art market compared to peers like Georg Baselitz and Gerhard Richter.

ArtReview April & May 2026 Issue Out Now

ArtReview's April & May 2026 issue explores boundaries and limitations in art, with a focus on the 61st Venice Biennale opening amid global conflicts. The cover features Japanese-American performance artist Ei Arakawa-Nash with his husband and twin babies, whose collaborative installation at the Japanese Pavilion incorporates the unpredictability of childcare. The issue includes coverage of controversial national pavilions (Russian, Israeli, American), profiles of artists representing Mongolia and Singapore, and features on Beverly Buchanan, Arthur Jafa, Richard Prince, and Zehra Doğan's report from Rojava. It also reviews the 82nd Whitney Biennial, the 25th Biennale of Sydney, and the 15th Shanghai Biennale.

Jon Batiste, Troye Sivan, and Amy Sherald lead a Met Gala 2026 rooted in art-historical homage.

The 2026 Met Gala, held at the Metropolitan Museum of Art, centered on the theme "Fashion Is Art," marking the opening of the Costume Institute's spring exhibition "Costume Art." Attendees including Jon Batiste, Troye Sivan, and artist Amy Sherald interpreted the dress code through art-historical references, with Sivan wearing Prada to channel Robert Mapplethorpe. The event brought together fashion, art, entertainment, and high society to make a deliberate case for fashion as a legitimate art form.

Pulp singer Jarvis Cocker and Kim Sion to curate 2027 Hepworth Wakefield show.

Musician Jarvis Cocker, best known as the frontman of the band Pulp, and his wife Kim Sion, a creative consultant, will curate a group exhibition titled “The Hodge Podge” at The Hepworth Wakefield in the UK in 2027. The show will feature a diverse range of artworks across different eras and media, focusing on artists who challenge conventional definitions of art. This marks Cocker’s first curatorial project at a major institution.

Valie Export, Avant-Garde Icon and Feminist Trailblazer, Dies at 85

Valie Export, the Austrian avant-garde artist known for her radical feminist performances, films, and sculptures, has died at age 85. Her gallery, Thaddaeus Ropac, announced her death, noting her groundbreaking work in the 1960s and 1970s introduced a new form of embodied feminism to Europe. Export, born Waltraud Lehner in Linz, Austria, changed her name in 1967 and became known for provocative works such as "Aktionshose: Genitalpanik" (1969) and "Tap and Touch Cinema" (1968–1971), which challenged voyeurism and the sexualization of women's bodies. She also co-founded the Austrian Filmmakers Cooperative in 1968 and was commissioned by the Austrian Broadcast Corporation for her film "Facing the Family" (1971).

Still in Sound

The Clyfford Still Museum in Denver, Colorado, has opened a new exhibition titled "Still in Sound," which pairs abstract paintings by Clyfford Still with original sonic interpretations by contemporary sound artists. Co-curated by Bailey Placzek, the museum's curator of collections, and British multidisciplinary artist Ben Coleman, the exhibition features works by artists Maria Chávez, Maya Dunietz, Kalyn Heffernan, Matana Roberts, and Michael Schumacher. Each artist selected a Still painting and composed a sound piece in response, with the compositions playing in shuffled order to create a non-linear, immersive experience. A digital guide offers full recordings, and Denver artist Phillip David Stearns designed an interactive component based on Still's pastel drawings. The exhibition runs through February 2027.

How Dayanita Singh Got Into Venice’s Archives

Artist Dayanita Singh mounted a major exhibition titled "ARCHIVIO" at the State Archives of Venice, which opened to the public as an exhibition venue for the first time in its history. Without institutional funding or a public relations budget, Singh relied on a "friendship economy" to install her signature "photo-pillars"—images of Indian archival documents bound in red cloth. The show attracted visitors despite the lack of traditional promotion, as documented in an interview with Hyperallergic Editor-at-Large Hrag Vartanian.

At the Royal Museum of Fine Arts in Antwerp a major exhibition on Antony Gormley, with more than one hundred works

The Royal Museum of Fine Arts Antwerp (KMSKA) is hosting a major exhibition titled "Geestgrond" dedicated to British sculptor Antony Gormley, running from May 23 to September 20, 2026. Curated by Carolyn Christov-Bakargiev, the show features over 100 works made from diverse materials including clay, stone, wood, glass, bread, iron, lead, and steel. The exhibition places Gormley's sculptures in dialogue with the museum's historical collection, spanning from a 14th-century Flemish Crucifixion to works by James Ensor, Auguste Rodin, and Julio González. It also extends beyond the museum walls into the streets of Antwerp and along the Scheldt River, with works from the Domain and Weave Works series appearing in urban spaces.

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Jackie Amézquita, a Los Angeles-based artist originally from Guatemala, has developed a unique brick-making process using soil and masa de maíz (corn dough) mixed with organic materials like blue pea flower, cocoa, cochineal, and charcoal to create vibrant, colorful bricks. Her work, including the 2023 installation *El suelo que nos alimenta* commissioned by the Hammer Museum for the Made in L.A. biennial, uses soil from each of LA's neighborhoods to explore themes of migration, memory, and colonial legacies. Amézquita's practice is deeply personal, drawing on her family's migration history—her mother moved from Guatemala in 1987, and her grandmother fled Mexico during the Cristero War—and her own eight-day walk from Tijuana to LA, during which she collected soil samples as an archive of memory.

Radiohead singer Thom Yorke opens Venice exhibition with Stanley Donwood.

Radiohead singer Thom Yorke and artist Stanley Donwood have opened their first-ever exhibition outside the UK at Castello 2432 in Venice. Titled "No Go Elevator (Not Without No Keycard)," the show features new ink drawings and a large-scale painting created in London earlier this year, timed to the start of the 61st Venice Biennale. The exhibition runs through June 7.

David Armstrong “Portraits” at Artists Space, New York

Artists Space in New York is presenting the first US survey of photographer David Armstrong (1954–2014), titled "Portraits." The exhibition brings together over 90 photographs that showcase Armstrong's experimental approach to portraiture, transforming landscapes, still lifes, and fashion imagery into explorations of intimacy, desire, and loss.

7 Artists to Watch at the New York Fairs This Weekend

The article highlights seven artists and presentations to watch at the New York art fairs this weekend, including Frieze, TEFAF, Independent, and NADA. Key highlights include Comme des Garçons' sculptural fashion display at Independent, Danish painter Eva Helene Pade's U.S. debut at Thaddaeus Ropac's TEFAF booth, and sold-out booths for Kelly Sinnapah Mary at James Cohan and Rachel Youn at G Gallery during Frieze. The piece notes that while no single viral spectacle dominates this fair week, a quieter but compelling mix of works and sales is drawing attention across venues.

Danielle Mckinney Shares the Advice That Keeps Her Painting Even on Her Worst Days

Danielle Mckinney, a rising painter known for intimate depictions of Black women in moments of repose, shares insights into her creative process in a studio visit interview. She has two concurrent exhibitions: one at the Norton Museum of Art in West Palm Beach (through Oct. 4) and one at Marianne Boesky Gallery in New York (through June 13), where she debuts a series of watercolors and continues dissolving boundaries between figures and their domestic surroundings.

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Tishan Hsu, a 74-year-old artist based in Brooklyn, is the subject of a feature article discussing his 40-year career exploring the boundary between the virtual and the physical. His current exhibition, "Emergence," at Lisson Gallery in New York (through Jan. 24), presents new biomorphic UV prints with silicone appendages that evoke fingers penetrating a computer screen. Hsu's interest in this territory began in the mid-1980s while working as a word processor on Wall Street, and his practice has consistently sought to give form to the paradox between bodily presence and virtual distance.

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Blank Forms held its eighth annual gala at the Angel Orensanz Foundation on the Lower East Side, honoring artist Cosima von Bonin and vocalist Asha Puthli. The event transformed the historic former synagogue into a stage for experimental music and Cambodian cuisine, featuring performances by guitarists Brandon Ross and Melvin Gibbs, as well as Puthli herself, introduced by Pulitzer Prize-winning jazz saxophonist Henry Threadgill. Guests included curators Ruba Katrib and Jay Sanders, Brooklyn Rail Co-Founder Phong Bui, Amant’s Tobi Maier, gallerists from Matthew Marks and Gladstone, musicians Lizzi Bougatsos and Miho Hatori, writer Lucy Sante, and artists Amalia Ulman, Sylvie Fleury, and Rachel Rose.