What is the international exhibition of the Venice Biennale like? Review of "In minor keys" by Koyo Kouoh

Com’è la mostra internazionale della Biennale di Venezia? Recensione di “In minor keys” di Koyo Kouoh

The 2026 Venice Biennale, titled "In minor keys" and curated by the late Koyo Kouoh, opens to the public on May 9 amid controversies including the absence of the president's name in the colophon at the Arsenale entrance. The exhibition, organized by Kouoh's team (Rory Tsapayi, Siddharta Mitter, Marie Helene Pereira, Gabe Beckhurst Feijoo, and Rasha Salty), unfolds across the Giardini and the Arsenale's Corderie, featuring works that balance strength and beauty with a harmonious mix of voices and themes. The Giardini section is particularly compelling, with a non-linear, polycentric layout that feels like a living organism, while the Arsenale offers further depth.

France reopens its historic pavilion at the 2026 Venice Art Biennale after restorations with artist Yto Barrada

La Francia riapre il suo storico padiglione alla Biennale Arte 2026 dopo i restauri con l’artista Yto Barrada

France will reopen its historic pavilion at the 61st Venice Biennale (May 9–November 22, 2026) after restoration, with Franco-Moroccan artist Yto Barrada (b. 1971) presenting the immersive textile-based project "Comme Saturne," curated by Myriam Ben Salah. The exhibition uses the "dévoré" technique—acid selectively corrodes fabric—as a metaphor for destruction and creation, featuring a goat-skin kite, a Room of Folds with wool drapery that fades in natural light, a Laboratory inspired by Saturnalia, and a Study Room linked to Barrada's garden of dye plants in Tangier, culminating in the Room of the Devoured where chemically attacked material fragments into an aesthetic of wear and formlessness.

Celestial wildlife paintings plus ceramics at featured art show starting May 16

Artist Sarah Soward and ceramist Hillary Klem will be featured in a joint show at the Redlands Art Association starting May 16, with an open house on Saturday from 1 to 4 p.m. Soward presents multiple series including "Starry Nights" acrylic paintings inspired by constellations, surrealist works imagining origin stories for animals, and laser-cut bee designs aimed at raising awareness of endangered species. Her artwork was previously selected for the Lunar Codex's "Legends of the Moon" capsule sent to the moon in 2022, and she has won "Best of Show" at the National Orange Show.

HARRY CHÁVEZ: DONDE MUERDE EL MITO

Harry Chávez: Donde muerde el mito was the first presentation of Peruvian artist Harry Chávez's work at the Museo de Arte de Lima (MALI), held as part of the MALI Colecciones. Intervenciones contemporáneas program. The exhibition recently won the Premio Luces 2026 from El Comercio in the best exhibition category, a public-vote award reflecting its impact. The show explores symbolic conflicts between serpent and feline in Andean and Amazonian mythology, featuring works like 'Salto mortal' and 'Nacimiento del dragón' that depict cosmic struggles and hybrid transformations.

Collaborative Brazilian Exhibitions

The rhinoceros gallery in Rome, in partnership with the Brazilian gallery A Gentil Carioca, has unveiled a solo exhibition by artist Miguel Afa titled 'O tempo que mora em mim' (The Time that Lives in Me). The collection features a series of paintings created by Afa during a residency in Rome, where he blended his Brazilian heritage with the profound influence of Italian art history and the local landscape. The works frequently utilize the motif of the courtyard to explore themes of memory, intimacy, and the intersection of different geographical identities.

This beloved pop culture art gallery in L.A. is closing after 20 years — is AI to blame?

Gallery 1988, a pioneering Los Angeles institution that branded itself as the world's first pop culture-focused art gallery, will cease operations at the end of April after 20 years. Founded in 2004, the gallery became a cult favorite for its tribute exhibitions dedicated to films, video games, and television, often drawing massive crowds for shows like "Crazy 4 Cult." Owner Katie Sutton cited a historically weak art market and the loss of a physical storefront as primary factors in the decision to close.

arts panel approves trumps white house ballroom plans

The Commission of Fine Arts (CFA) has bypassed standard review procedures to grant final approval for President Donald Trump’s proposed $400 million White House ballroom. The six-to-zero vote occurred after the President replaced the entire commission with allies earlier this year, following the controversial demolition of the White House’s East Wing to clear space for the project.

smithsonian internment unjust self censorship

The Trump administration has intensified pressure on the Smithsonian Institution, setting a deadline for compliance with a review of its content and plans to align with the president's executive order "Restoring Truth and Sanity to American History." According to reports in the New York Times and the Guardian, Smithsonian staff are already engaging in self-censorship, including removing the word "unjust" from a proposed exhibition label about the internment of Japanese Americans, fearing it might appear partisan. This comes after Trump called for purging "anti-American ideology" from the institution's 19 museums in 2025.

great sphinx origin

The article examines the enduring mystery of who the Great Sphinx of Giza was modeled after. While the 66-foot-tall statue is universally recognized, its origins remain debated among Egyptologists. Some believe Pharaoh Khafre commissioned it in his own image, citing a 1853 discovery of a Khafre statue nearby and a connecting road to his pyramid. Others argue it was built by Khafre's brother Redjedef to honor their father Khufu, the builder of the Great Pyramid. Damage to the Sphinx's nose from erosion and human conflict complicates identification.

art collector amelie du chalard gallery interview

Amélie du Chalard, a bi-continental art collector and gallery owner, discusses her lifelong journey with art in an interview with CULTURED. Starting her collection at age 16 through family tradition, she founded her eponymous gallery in Paris in 2015 and later expanded to New York. Her collection and gallery blend design objects with fine art, embracing what she calls 'haptic minimalism'—a tactile, gentle aesthetic. She shares her sourcing process, including using the Drouot auction app and Artsy, and recounts tracking down a piece first seen in a 14th-century palace.

This is fucking Disneyland

"Das ist fucking Disneyland"

The article surveys recent German cultural commentary, highlighting three main stories: art historian Bénédicte Savoy's warning in the FAZ about the physical decay of German universities, particularly the Technical University of Berlin, as a threat to democratic culture; Berlin artist Charlie Stein's essay on anxiety as a pervasive contemporary condition and art's role in making it visible; and critic Rachel Wetzler's harsh review of the Venice Biennale in Artforum, calling it an overwhelming 'theme park' version of the art world. Additionally, Nikolaus Bernau defends expert juries in the Tagesspiegel, using the Biennale's jury crisis as a case study.

The National Museum of Mexican Art’s Special Mission

The National Museum of Mexican Art (NMMA) in Chicago was founded in 1987 by a group of public school educators, led by Carlos Tortolero, to address a lack of Mexican history and culture in the curriculum. It has grown into a 48,000-square-foot institution with a collection of over 20,000 objects, spanning from Pre-Columbian times to the present, and was the first Latino museum in the U.S. to be accredited by the American Alliance of Museums.

Coastal Bodies: Camille Guichard's exhibition at the Rachel Hardouin Gallery

Camille Guichard presents 'Corps littoral' (Coastal Bodies), her first solo exhibition in Paris, at the Rachel Hardouin Gallery from May 21 to June 21, 2026. The show blends contemporary photography, poetic texts, and the artist's own nude body against coastal landscapes, exploring themes of vulnerability, erosion, and the relationship between the body and the living world. Guichard, who also works as a filmmaker and writer, includes series such as 'Ces rivages perdus' documenting the Aquitaine coast and 'Pulsions, corps et figures' focusing on bodily fragments.

Rika Nakajima: A New Book of the Dead, Part 3

連載 中島りか 新しい死者の書 第三回

Japanese artist Rika Nakajima reflects on the trial of Tetsuya Yamagami, who assassinated former Prime Minister Shinzo Abe in 2022, weaving together her own experience running the project space "Datsuisho – (a) place to be naked" in Tokyo's Yanaka district. As the space faced demolition in late 2025, Nakajima draws parallels between the trial's timing and the closure of her venue, recalling earlier events at the space that discussed the state funeral controversy and the cult issues exposed by the assassination. She describes attending the trial in Nara, observing Yamagami's demeanor, and connecting the case to broader themes of political aesthetics, fascism, and the theatricality of the judicial system.

MFA candidate brings ecological art to the Broad Art Museum

Hailey Becker, a Master of Fine Arts candidate at Michigan State University, has debuted a large-scale ecological sound sculpture at the Eli and Edythe Broad Art Museum. The installation features over 10,000 hand-cracked walnut shells suspended in a human-sized chime, which are struck by a mechanical arm to mimic the sound of water hitting a coastline. The project is the culmination of Becker’s interdisciplinary research, blending her background in engineering and material science with her current studies in forestry and fine arts.

Artist Flees Thailand After China Exerts Influence on Museum Exhibition

A Myanmar artist, Sai, has fled to the U.K. and is seeking asylum after Chinese officials pressured the Bangkok Art and Culture Centre to censor an exhibition on authoritarianism. The show, titled "Constellation of Complicity: Visualizing the Global Machine of Authoritarian Solidarity," included works by Tibetan, Uyghur, and Hong Kong artists. Following demands from the Chinese embassy, transmitted through Thai authorities, the center removed sensitive artworks, obscured artists' names, and covered flags and references to Tibet, Hong Kong, and Xinjiang. Sai and his wife, who co-curated the exhibition, were allegedly told Thai police were looking for them, though police denied this.

700 Years of Tenochtitlan (again): Mexico honours its pre-Hispanic capital

Mexico is commemorating the 700th anniversary of the founding of México-Tenochtitlan with a series of public events including art installations, urban routes, performances, and dances organized by federal and local authorities. The festivities, centered on the Zócalo near the Templo Mayor site, feature large-scale reproductions of Mexica artifacts such as the Aztec Calendar Stone and the Coatlicue statue, along with a video-mapping projection titled "Memoria Luminosa" that narrates the city's history. The celebration follows a similar event in 2021 led by then-president Andrés Manuel López Obrador, which drew criticism for historical inaccuracies and political manipulation.

Fort Worth’s Como public art project showcased at international exhibition

A public art installation from Fort Worth, Texas, titled "Do Something Good For Your Neighbor," has been selected for display at the 19th International Architecture Exhibition — La Biennale di Venezia in Venice, Italy. The weathered steel pavilion, located on Lake Como in Fort Worth's historic Como neighborhood, was designed by Matt Niebuhr and David Dahlquist of the Art Studio at RDG Planning & Design. Built in 2021 and owned by Fort Worth Public Art, it is one of 54 projects featured in the exhibition "PORCH: An Architecture of Generosity," commissioned by the U.S. State Department and organized by the Fay Jones School of Architecture and Design at the University of Arkansas, in partnership with DesignConnects and the Crystal Bridges Museum of American Art. The installation honors community leaders William H. Wilburn, Sr. and Amon G. Carter Sr., and features custom carved benches with phrases from a historic local newspaper.

Outsourcing a service is not prohibited, but managing the provider's employees is

Externaliser un service n’est pas interdit, diriger les salariés du prestataire l’est

A wave of legal complaints has been filed against several major French cultural institutions, including the Louvre, the Pinault Collection, and the MuCEM, alleging illegal labor practices. Labor unions Sud-Culture, SUD-PTT, and Solidaires claim these museums are engaging in "illicit lending of labor" and "bargaining" by exercising direct authority over outsourced staff from third-party agencies like Marianne International and Pénélope. While outsourcing services like ticketing and reception is legal in France, the lawsuits argue that museums are illegally managing these external employees' daily schedules, rotations, and disciplinary actions as if they were their own staff.

Art, research, and Night at the Museum: The flourishing partnership between UC Santa Cruz Humanities and the Museum of Art and History - UC Santa Cruz

UC Santa Cruz Humanities and the Santa Cruz Museum of Art & History (MAH) have deepened their decade-long partnership, marked by the MAH's 30th anniversary in April 2025. The collaboration includes co-sponsored exhibitions like "This is Thirty" and the ongoing "Night at the Museum" public event series, which brings scholars, artists, and community members together for free panel discussions and exhibits. Notable past projects include the 2016 Kinsey African American Art & History Collection exhibition and the 2023 California premiere of "Resettlement: Chicago Story."

‘In Minor Keys’: discover the themes that define the 61st Venice Biennale exhibition

The 61st Venice Biennale's main exhibition, 'In Minor Keys', curated by the late Koyo Kouoh, has opened after her sudden passing in 2025. Kouoh had fully planned the exhibition before her death, and a team of seven realized her vision. The show features 110 artists, including Wangechi Mutu, Nick Cave, Alfredo Jaar, and emerging talents like Ranti Bam. It opens with a poem by Refaat Alareer and an installation by Khaled Sabsabi, setting a contemplative tone amid themes of mourning, grief, and healing. The exhibition also highlights minority perspectives, including Caribbean and Central American artists, and confronts colonial histories through works like Florence Lazar's film on a hurricane-exposed necropolis.

A new sensual exhibit from Mexico City is now on display at the Museum of Sex

The Museum of Sex in New York is hosting "The Life Force: Portraits from the Amparo & Manuel Foundation," a new exhibition opening April 23 that brings 45 works from a Mexico City-based collection to the U.S. for the first time. Featuring artists such as Amoako Boafo, Tracey Emin, and Bert Stern, the show explores themes of vulnerability, desire, and the tension between Eros and Thanatos—the life instinct and death drive—through painting, sculpture, drawing, and photography.

MUNCH presents Kim Hankyul’s Shore, a new SOLO OSLO exhibition

South Korean artist Kim Hankyul has unveiled a major immersive installation titled 'Shore' at MUNCH in Oslo. The exhibition, which serves as the fifth edition of the museum’s SOLO OSLO series, features a subaquatic landscape constructed from motorized sculptures, holograms, and Foley-inspired soundscapes. Hankyul’s work draws on the personal testimonies of North Korean defectors, female free divers, and rescue teams to explore the ocean as a site of both survival and memory for those marginalized by land-based social structures.

Electric Dreams now on show in Nicosia

The group exhibition "Electric Dreams" is now on view at isnotgallery in Nicosia, Cyprus, running until January 6. The show expands on the earlier summer exhibition "In Paradise I Have Marked an Island" held at the Almyra Boutique Hotel, bringing many of the same works into a new curatorial framework in the capital. Sixteen Cypriot and international artists participate, including Elysia Athanatou, Savvas Christodoulidis, Alekos Fasianos, and Fikos, among others.

Guatemala’s Bienal de Arte Paiz nurtures connections across geography and history

The 24th edition of Guatemala’s Bienal de Arte Paiz, titled "The World Tree" and curated by Eugenio Viola, runs until 15 February across 11 venues in Antigua and Guatemala City. It features 46 artists from 30 countries, with 31 commissioned works, making it the largest and longest edition in the biennial's history. The organizing non-profit, Fundación Paiz, has also created its first permanent exhibition venue, which soft-launched with a performance by Cuban artist Carlos Martiel.

A recovered ‘balsa’ is the center of an art exhibit in Miami’s Design District

Artists Antonia Wright and Rubén Millares have unveiled a poignant installation titled "Exile" at the Piero Atchugarry gallery in Miami’s Design District. The centerpiece is an authentic 'balsa' (raft) recovered from the shores of Key Biscayne, featuring a 1942 Chevrolet engine and metal barrels marked with the logo of Cuba’s state beekeeping company. The artists preserved the vessel's original state, adding only interior lighting to highlight bullet holes and a soundscape of the roaring sea to immerse viewers in the harrowing experience of Cuban migrants.

“Yellow Letters”: arte e politica, libertà e censura nel nuovo film di İlker Çatak

Ilker Çatak's fifth film, "Yellow Letters," premieres on April 30, 2026, distributed by Lucky Red. The story follows Derya and Aziz, a Turkish artist couple whose lives unravel after Aziz, a professor at Ankara University, receives a "yellow letter" terminating his employment. The film, inspired by post-2016 coup purges in Turkey, shifts to Berlin and Hamburg, where the director deliberately avoids mimicking Turkish locations, instead using explicit captions like "Berlin as Ankara" to create a Brechtian alienation effect. Çatak explores how arbitrary state repression fractures personal relationships and moral boundaries, drawing on interviews with artists who faced unjust dismissals.

SOLO CSV Is a New Madrid Art Venue That Should Be On Your Radar

SOLO CSV, a new art venue in Madrid, Spain, has opened as part of the international SOLO arts project led by Ana Gervás and David Cantolla. The space, located near Parque del Oeste, was transformed from a 4,000-square-meter former printworks by Spanish architecture firm Estudio Herreros into an unconventional art labyrinth. Its inaugural exhibition at the Bowman Hal gallery featured William Mackinnon, followed by Aaron Johnson's current show 'WE ALL SHINE ON.' The venue also houses the SOLO arts incubator, including the ONKAOS digital arts initiative, a conservation lab, and the newly announced Movimiento 37 program.

Mexico faces sales of pre-Columbian art

Le Mexique face aux ventes d’art précolombien

The Mexican government is facing ongoing legal and diplomatic hurdles in its attempts to halt the sale of pre-Columbian artifacts in Paris. Despite formal protests from the Mexican embassy citing national heritage laws from 1827, auction houses like Millon continue to proceed with sales, generating millions in revenue. French authorities and legal experts maintain that Mexican national laws do not supersede French jurisdiction, which largely adheres to the 1970 UNESCO Convention regarding the illicit import and export of cultural property.

reefline blue arts award ximena caminos

The ReefLine nonprofit launched its new Blue Arts Award on the Greek island of Hydra, calling on artists to create site-specific underwater sculptures that function as artificial reefs. The award is part of the larger ReefLine project, a seven-mile underwater sculpture park and hybrid reef off Miami Beach, designed by Shohei Shigematsu of OMA, with construction set to begin in September 2025. The first winning artwork will be installed in 2027. ReefLine Founder and Artistic Director Ximena Caminos envisions the project as a blend of public art, marine science, and climate action, aiming to restore the Florida Reef Tract, combat shoreline erosion, and boost biodiversity.