London's art scene is bustling with a diverse range of openings this week, featuring both historical and contemporary work. Key events include a major exhibition of Conceptual artist Christine Kozlov at Raven Row, exploring her contributions and collaborations from the 1960s-70s, and a two-person show of small-scale paintings by Matthew Clifton and Faith Hughes at Soup gallery. Other events include a book launch, a talk, and experimental sound programs.
A major exhibition titled 'Monuments' is on view at two Los Angeles venues, The Geffen Contemporary at Moca and The Brick. The show places nine decommissioned Confederate monuments, some already defaced, into dialogue with works by 19 contemporary artists, most of whom are Black. The centerpiece is Kara Walker's 'Unmanned Drone' (2023), a radical reworking of a removed statue of Confederate general Stonewall Jackson, which occupies its own venue at The Brick.
The Obama Presidential Center has commissioned new site-specific works by artists Spencer Finch and Lindsay Adams for its 19-acre campus in Chicago's Woodlawn neighborhood. Finch will create a wall tile installation inspired by the color palettes of Honolulu, Nairobi, Jakarta, and Chicago—cities formative to Barack Obama's life—while Adams will translate her 2024 painting "Weary Blues" into silkscreened fabric panels for the public cafe. The center, opening in the first half of 2026, will feature over 20 commissioned artworks, including previously announced pieces by Maya Lin, Richard Hunt, and Julie Mehretu.
Art21, in partnership with the CHANEL Culture Fund, launched its new "IRL/url" documentary series with a celebratory event at New York's Roxy Cinema. The series profiles eight contemporary artists—including Neïl Beloufa, Jacky Connolly, and Sara Cwynar—who navigate the blended realms of physical and digital creation. Art21's executive director emphasized the urgency of capturing this moment, as artists grapple with rapid technological advances, particularly in AI.
Brooklyn-based disabled artist Finnegan Shannon's traveling exhibition "Don't mind if I do" is on view at the Smith College Museum of Art (SCMA) in Northampton through June 28. The show features a conveyor belt that brings interactive artworks to seated visitors, challenging traditional museum layouts that require standing and walking. Shannon collaborated with curator Lauren Leving and technical director Peter Reese to create the experience, which includes works by Lukaza Branfman-Verissimo, Pelenakeke Brown, Sky Cubacub, Emilie L. Gossiaux, Felicia Griffin, Joselia Rebekah Hughes, and Jeff Kasper. The exhibition has previously toured to moCa Cleveland, California State University Sacramento, and the University of Illinois Chicago.
The Smith College Museum of Art (SCMA) is presenting the exhibition 'Don’t mind if I do,' a project conceived by artist Finnegan Shannon. The show features a 25-foot conveyor belt loop that displays 30 small, touchable sculptures by eight artists, allowing visitors to view the art from comfortable seating without needing to move through the gallery. The project originated from a 2019 residency at the Museum of Contemporary Art Cleveland and has toured to several university galleries before arriving at Smith.
The Wichita Art Museum (WAM) is presenting a new exhibition by an artist who recreates snapshots of a 1950s resort using colorful quilts and paintings. The works draw on vintage photographs to evoke the leisure and social life of mid-century American resort culture, rendered in textile and paint.
The Frye Art Museum in Seattle will present 'Hugh Hayden: American Vernacular' from June 28 to September 28, 2025, marking the artist's first solo museum exhibition on the West Coast. The show features Hayden's meticulously crafted wooden sculptures and multimedia installations that transform everyday objects—such as designer shoes carved from tree bark and basketball hoops woven from grain stalks—into darkly humorous commentaries on identity, desire, and belonging.
Since President Donald Trump took office, his administration has rapidly dismantled parts of the U.S. cultural infrastructure through executive orders and the Department of Government Efficiency (DOGE), led by Elon Musk. Key federal funding bodies—the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services (IMLS), and the National Endowment for the Arts (NEA)—have faced staff cuts, grant cancellations, and threats of further reductions. Trump has also replaced leadership at the Kennedy Center and signaled similar moves against the Smithsonian Institution, while DOGE visited the National Gallery of Art to discuss its legal status. Arts organizations and advocates are scrambling to assess the damage and find alternative funding.
Phillips auction house has launched a selling exhibition titled "Crossing Borders" at its Berkeley Square location in London, featuring 64 South Asian Modernist artists including Bhupen Khakhar, Huma Bhabha, Rasheed Araeen, and Nilima Sheikh. The show, organized in collaboration with Grosvenor Gallery, includes major market figures like S.H. Raza and F.N. Souza alongside lesser-known names such as Ahmed Parvez and Viswanathan. Prices range from £5,000 to £1.5 million, with works jointly consigned and profits shared between Phillips and Grosvenor. The exhibition marks Phillips' most significant entry into the South Asian art market, a sector long dominated by Sotheby's, Christie's, and Bonhams.
A new book titled *Jewish Country Houses*, edited by Juliet Carey and Abigail Green, explores the history of approximately 1,000 country estates built or remodeled by wealthy Jewish families across Great Britain and Continental Europe from the French Revolution until World War II. These houses, such as Waddesdon Manor and Château de Champs-sur-Marne, served as symbols of social arrival and assimilation, blending eclectic architectural styles with art collections from European auction houses. The volume, published by Profile and Brandeis University Press in association with the National Trust, features contributions from an international team of historians and curators, with photographs by Hélène Binet, and includes case studies of a dozen houses now open to the public.
The California African American Museum (CAAM) has launched 'A New Song: Langston Hughes in the West,' an exhibition that reframes the legendary Harlem Renaissance poet through his travels and political work in California and Nevada during the 1930s. By blending archival materials with contemporary artistic responses, the show moves beyond the traditional East Coast narrative to highlight Hughes as a diasporic thinker shaped by movement, labor, and the diverse landscapes of the American West.
The State Library of NSW is celebrating its 200th anniversary with a new exhibition featuring 200 objects from its collection of 6 million items. Lead curator Elise Edmonds and her team selected highlights including a lock of Mary Shelley's hair, the smallest book in the library's collection (measuring 6mm by 6mm), bread wrappers from the 1960s, a colonial sketchbook from 1817, a Dharawal Indigenous language wordlist, Australia's oldest surviving political cartoon from 1808, and a contemporary artwork by Wiradjuri artist Karla Dickens. The objects span literature, colonial history, Indigenous culture, sport, and everyday life.
Chanel and Art21 hosted a screening event at the Roxy Cinema in New York to celebrate the launch of their new docuseries "IRL/url," which premieres on TikTok. The evening featured remarks by Yana Peel, Chanel’s President of Arts, Culture & Heritage, and a screening of selected films from the series, followed by a conversation between Art21’s Executive Director Tina Kukielski and seven of the eight featured artists: Neïl Beloufa, Jacky Connolly, Julien Creuzet, Sara Cwynar, Xin Liu, Rachel Rossin, and Jacolby Satterwhite. The event also drew a crowd of notable artists, advisors, curators, and cultural figures.
Comedian Joe Lycett will present his first major solo art exhibition, titled EVERYTHING MUST GO, at Birmingham Museum & Art Gallery in July. The mixed-media show explores the theme of "things that are no longer with us," drawing inspiration from the city's collection and featuring subjects like deceased celebrities, discontinued products, extinct animals, and destroyed buildings, all presented in Lycett's signature colorful and humorous style. General admission will be free.
Temple Contemporary, the exhibition space at Tyler School of Art and Architecture on Temple University's campus, has opened "Pyramid Club: 1937-2035," its first show under new curator and director Matthew Jordan-Miller Kenyatta. The exhibition explores the history of the Pyramid Club, a social club for Philadelphia's Black elite founded in 1937, highlighting its prestigious art shows organized by Humbert Howard from 1941 to 1957. It features works from the collection of Dr. William Dodd, photographs by John W. Mosley curated by Leslie Willis Lowry and artist Shawn Theodore, and contemporary multimedia installations by Theodore.
A Brighton art gallery, Indelible Fine Art Gallery, has spoken out after its charity exhibition featuring actor and artist Jake Wood—known for his role on EastEnders—was overshadowed by controversy over the use of AI-generated imagery. The exhibition, titled Icons, was designed to raise awareness and funds for Dementia UK, but criticism erupted on social media after Wood shared a portrait of David Attenborough that appeared to include AI-generated elements. Wood later clarified that two pieces in the show (portraits of Attenborough and Trump) incorporated AI-generated source material, though he did not create the AI imagery himself. He has since apologized and pledged to donate 100% of the exhibition's proceeds to Dementia UK.
The Marfa Untitled Studio Tour (MarfaMUST) has announced an arts weekend on May 29-30, featuring a tour of local artist studios, the return of the Martha Invitational at Rule Gallery, and a pop-up group exhibition titled "Homecoming" at New Star Marfa. The Martha Invitational, a spoof of the larger Marfa Invitational, will showcase works by co-founders Martha Hughes, Leslie Wilkes, and Diana Simard, along with Bettina Landgrebe. The weekend also includes tintype portraits by Carolyn Macartney and other Marfa artists.
The Martha Invitational and MarfaMUST are collaborating on a two-day arts weekend in Marfa, Texas, from May 29-30, 2026. The event, themed 'Home Coming,' features a pop-up opening at Rule Gallery for the Martha Invitational, a closing event for MarfaMUST, and open studios throughout the town, all free to the public. It reunites the founding organizers of the Martha Invitational and incorporates new participants, celebrating the local artist community across generations.
Artspace111 in Fort Worth has announced the 52 artists selected for its 2025 Texas Juried Exhibition, the gallery's 12th annual showcase. Texas artist Jon Flaming served as juror, choosing 55 artworks from across the state. The exhibition opens July 26 and runs through August 23, with $15,000 in prizes awarded, including the $10,000 Edmund Craig Memorial Award, which offers a future exhibition opportunity at the gallery.
The Preservation Society of Newport County is hosting "Full Circle" at the Rosecliff mansion, an exhibition that revisits the landmark 1974 outdoor sculpture show "Monumenta." The current display features scale models, preparatory drawings, and archival photographs of works by modern masters such as Claes Oldenburg, Alexander Calder, and Willem de Kooning. A significant portion of the show is dedicated to Richard Fleischner, whose site-specific earthwork "Sod Maze" remains the only original piece from the 1974 project still standing in its original Newport location.
Hounslow Council, in partnership with arts agency Parker Harris, has launched the Hogarth Prize, a new national art award based at Hogarth’s House in Chiswick. The competition is open to UK-based artists of all career stages working in any wall-hanging medium, with a judging panel featuring artists Robyn Graham, Hero Johnson, and Steven King. The winner will receive a £3,000 cash prize and a solo exhibition at the historic site in 2027.
A new documentary, *Once Upon a Time in Harlem*, is screening at the Sundance Film Festival in Utah, offering an intimate look at the Harlem Renaissance. The film is assembled from 28 hours of 16mm footage shot in 1972 by the late filmmaker William Greaves at Duke Ellington's home in Harlem, capturing a gathering of key figures from the movement. Greaves's son David, who was one of the original cameramen, completed the film after his father's death. The footage includes interviews and reflections from artists, writers, musicians, and activists such as Romare Bearden, Aaron Douglas, James Van Der Zee, Eubie Blake, and Arna Bontemps.
City Hall in New York City will mark the 24th anniversary of the 9/11 attacks with an art exhibition organized by former NYPD officer Paul McCormack, who lost most of his sight due to chemicals at the cleanup site, and his wife Nicola McClean, a photographer. Their nonprofit, Ground Zero 360, is showcasing more than 30 works from a collection of over 120 pieces created by more than 60 international artists for the 10-year anniversary in 2011. The exhibition includes photographs, drawings, paintings, and mixed media, and features a portrait of Moira Smith, the only female NYPD officer killed on 9/11. The display will be open for two months starting Monday.
CCA Wattis Institute for Contemporary Arts in San Francisco has announced a touring exhibition titled "Viaje a la luna (A trip to the moon)," inspired by the only screenplay ever written by Spanish poet Federico García Lorca. Curated by Diego Villalobos and Rodrigo Ortiz Monasterio, the exhibition runs from June 12 to October 11, 2025, before traveling to Centro Federico García Lorca in Granada starting October 30. It features historic and contemporary works that reconstruct Lorca's lost 1932 film, which was halted after his murder and later destroyed in a studio fire, leaving only a script and photographs.
The article reports on the growing revival of folk culture in the visual arts, centered on the Neo Ancients festival in Stroud, Gloucestershire, UK. The second edition of the festival, held over May Day weekend, featured an eclectic mix of music, Morris dancing, talks, film screenings, and exhibitions celebrating British folklore. Art dealer James Elwes organized a show at the local gallery Rattle and Brash, featuring artists like Sue Webster, Jeremy Deller, and Stanley Donwood, who presented works outside their usual practices. Exhibitions included Donwood's 'Floralia' and Webster's new self-portraits exploring pregnancy and reinvention.
The Lucas Museum of Narrative Art in Los Angeles will open to the public on September 22, 2026, with about 20 inaugural exhibitions curated by George Lucas himself across more than 30 galleries. The $1-billion, 300,000-square-foot museum in Exposition Park, designed by Ma Yansong of Mad Architects, will display over 1,200 objects from Lucas's collection of more than 40,000 works, including manga, comics, children's illustrations, and narrative art by artists such as Norman Rockwell, Beatrix Potter, and Dorothea Lange, with only one exhibition focused on "Star Wars" memorabilia.
Rosewood Arts Center in Kettering, Ohio, has announced the opening of its 32nd annual The View Juried Landscape Exhibition, running from June 8 through July 18, 2026. The exhibition features 48 works selected by juror Rebecca Foley from 308 submissions by 114 Ohio-based artists, with awards totaling $1,100. A free public reception and awards presentation will take place on July 18.
The Cumberland Valley Artists Exhibition at the Washington County Museum of Fine Arts has concluded after an extended run from November 8, 2025 to April 26, 2026. The exhibition invited artists to respond to four themes tied to America's semiquincentennial: Unfinished Revolutions, Power of Place, Tell Everyone's Story, and American Experiment. Eighty-five artists submitted 198 works, with 62 selected for display. Over 13,500 visitors attended, and more than 3,000 participated in the popular vote. The first-place winner was James Roberts for his work "Fabric," a mixed-media piece critiquing gun violence.
The Arts Council of Wales has announced a 19-strong team of early-career artists, curators, and students who will travel to Venice this summer to support Wales' presence at the 61st International Art Exhibition – La Biennale di Venezia, running from May 9 to November 22, 2026. As part of the Invigilator+ programme, participants will spend at least one month in Venice acting as ambassadors for the Wales in Venice exhibition, an official collateral event. The exhibition, titled Sownd, is led by artists Manon Awst and Dylan Huw, jointly organized by Oriel Myrddin in Carmarthen and Oriel Davies in Newtown, with Steffan Jones-Hughes as Curator and Catherine Spring as Exhibition Project Director. The invigilators include Lily Tonkin Wells, Robert Oros, Ophelia dos Santos, Grace Springer, Cerian Wilshire Davies, Megan Evans, Howl Hubbard, Temeka Davies, Llyr Evans, Chloe Goodwin, Abby Pouslon, and Niamh O'Dobhain, while student team members come from Cardiff Metropolitan University, University of Wales Trinity St David, Wrexham University, and Aberystwyth University.