The Turner Center for the Arts in Valdosta, Georgia, has announced the winners of its 39th Annual Spring Into Art Gala. The event recognizes local and regional artists across multiple categories, including painting, sculpture, photography, and mixed media, with awards presented during a formal ceremony at the center.
Artist Jeremy Okai Davis has launched a solo exhibition titled “Presence of Color” at the Harvey B. Gantt Center for African-American Arts + Culture. The show, curated by Dr. Tamara Brothers, features large-scale paintings that utilize a pixelated, neo-impressionist style to depict Black figures and historical icons like Angela Davis. The works specifically address the history of "Shirley Cards"—color-calibration tools used by Kodak that were based on white skin tones, effectively marginalizing Black subjects in film photography for decades.
Eleven graduating studio art and visual culture students at Bates College are preparing to debut their year-long thesis projects in the professional exhibition "At the Table." Opening April 17 at the Bates Museum of Art, the show features a diverse range of media including charcoal drawing, photography, and sculpture. The students have spent two semesters transitioning from theoretical research and material exploration to the physical production and professional framing of their works under the guidance of faculty and museum staff.
The Joel and Lila Harnett Museum of Art at the University of Richmond has opened its spring season with three new exhibitions centered on themes of lineage, place, and blackness. The shows include a newly commissioned, full-gallery installation by sculptor Abigail DeVille, an exhibition titled 'Black Work: Absence/Absorption' exploring the material and perceptual qualities of blackness, and 'Politics of Place,' a film-focused exhibition examining geography's influence on identity and power.
The Tacon-Heaslip Gallery, a new 4,100-square-foot space at 22100 Woodward Avenue in Ferndale, Michigan, opened its doors on November 15 with a crowded grand opening. Founded by queer artist Jarrad Tacon-Heaslip, the gallery previously operated from a small studio on Hilton. Tacon-Heaslip intends the larger venue to serve as a visible, supportive hub for the LGBTQ+ community, with plans for Pride Month programming, artist collaborations, and community-centered initiatives. The gallery currently features Tacon-Heaslip's bold abstract expressionist works, which involve meticulous taping and layering processes, and aims to uplift a broader roster of artists.
Mona (Museum of Old and New Art) in Hobart, Tasmania, has accumulated $408 million in losses since opening in 2011, with $63 million lost in 2023-24 alone. Founder David Walsh, who is completing a $100 million expansion, stated he is "completely happy with the finances" and never intended the museum to be profitable. Walsh outlined potential cost-saving measures like raising ticket prices and scaling back festivals, but said he won't implement them himself, leaving that to future leadership.
Jeremy Dennis, a 2013 graduate, has curated an exhibition at the Zuccaire Gallery that explores the role of Indigenous language in contemporary art. The show brings together works by multiple artists who incorporate Native languages into their practice, examining themes of cultural preservation, identity, and linguistic revitalization through visual art.
A new art gallery concept, Prospect Refuge Gallery, opens in Northeast Minneapolis, led by Victoria Sass of Prospect Refuge Studio. The gallery's inaugural exhibition, "Homecoming: Objects of Origin," features works by New York-based ceramicist Jeremy Anderson, a Twin Cities native, showcasing ceramic vessels, lighting, and bronze-cast furniture that draw influence from Midwest rural architecture. The gallery aims to rotate regional talent through exhibitions focused on collectable design.
The Phoenix Art Museum has announced a major upcoming exhibition titled "Nike: Form Follows Motion," scheduled to run from April 14 to September 26, 2027. Jeremy Mikolajczak, the museum’s director and CEO, unveiled the project during a presentation to the Phoenix Economic Development and Arts Subcommittee, describing it as one of the most significant milestones in the institution's upcoming schedule.
A drunk driver crashed into Open Gallery in Long Beach on February 24, 2024, destroying the space and forcing a year of renovations, financial strain, and displacement. Owners Liz Garibaldi and Artos Saucedo, who founded the gallery in 2019 as a live-work space for screen printers, have since reopened their gift shop and resumed programming, including the current photography exhibition "Physical Memory" curated by Matthew “NORDY” Nordman. However, the building owner now wants to sell, threatening the gallery's survival.
The 'Hospital of Emotions' is an immersive art exhibition occupying 80 rooms across four floors of the shuttered St. Vincent Medical Center in downtown Los Angeles. Running from May 27 through July 31, the 45,000-square-foot show features over 70 artists whose works are organized into emotional departments such as grief, fear, hope, joy, and sadness. Installations incorporate the hospital's existing fixtures—surgical lights, beds, IV bags—transforming former medical spaces into interactive art experiences, including a life-size Twister game, ceramic egg-covered walls, and neon-lit beds.
Brooklyn Botanic Garden's bonsai collection is celebrating its 100-year anniversary. The institution and its C.V. Starr Bonsai Museum have launched expanded offerings, added accessible signage, and arranged commemorative activations. The collection, one of the oldest and largest outside Japan, includes over 400 trees that require meticulous care. Horticulture Director Shauna Moore describes bonsai as an invitation to slow down amid New York City's bustle. The garden pioneered bonsai classes in the U.S. after World War II, when returning GIs brought the practice home, and flourished under bonsai master Frank Okamura, who became a key figure in the craft over four decades.
Southern Illinois University Carbondale's Sharp Museum is organizing a national juried exhibition titled "Spooks or Spoofs," centered on cryptid-themed art. The exhibition runs from August 11 to December 21, 2026, and welcomes all media except AI-generated images. Artists may submit up to three works, with a requested donation of $5–$10 per entry. The submission deadline is July 1, with jury results announced by July 14. The juror is Jeremy Efroymson, an artist, collector, and amateur cryptozoologist. The museum's curator of exhibits, T. Lance, highlighted local Illinois legends such as Bigfoot, the Big Muddy Monster, and the Enfield horror as inspiration.
Indiana University's University Collections at McCalla has opened "Capturing the Campus: T.C. Steele," a collaborative exhibition with the Indiana State Museum and Historic Sites that brings together many paintings by Hoosier artist T.C. Steele for the first time in decades. Steele, who served as IU's first artist in residence from 1922 until his death in 1926, created impressionist works depicting campus scenes, portraits of university presidents and faculty, and landscapes that capture what the campus looked like a century ago. The exhibit, which opened April 17, features paintings sorted by geographic location on campus, alongside a historic map, letters, documentaries, and 3D renderings.
Arizona State University's Barrett, The Honors College is partnering with Phoenix Art Museum to host a one-day symposium titled "MARS: Revisited" on September 20, 2025, at the museum. The event revisits the legacy of El Movimiento Artístico del Río Salado (MARS), a Chicano arts collective founded in the late 1970s that provided a platform for Mexican American artists excluded from major Arizona museums and galleries. MARS operated for over two decades, helping launch the First Fridays on Roosevelt Row arts event and shaping Phoenix's cultural identity before closing in the early 2000s. The symposium, co-organized by professor Mathew Sandoval and curator Christian Ramírez, will feature archival research and oral histories conducted by Barrett students, with a major MARS exhibition and scholarly monograph planned for 2028.
The Ashe Arts Center in Lansing, North Carolina, is hosting an opening reception for "Shadow of the Hills," a new exhibit featuring artwork created by the Blue Ridge Art Clan (BRAC). The reception will take place on Friday, May 8, from 5-7 p.m., and the exhibit will remain on display through June 6. BRAC, founded by Florence Thomas in 1978, promotes fine arts and supports artistic excellence, with members including professional and hobby artists from Ashe County and the surrounding High Country. The 2026 exhibit features 28 participating artists, including Scott Ballard, Lynn Baranowski, and Pete Benda, among others.
A new art gallery called Dirkse/Prim has opened in Seattle's Madrona neighborhood, founded by married couple Michelle and Jeremy. Michelle works as an interior designer, while Jeremy is a painter of seascapes. Their debut exhibition features the work of another husband-and-wife duo, Mya Kerner and Zach Helenske, whose art is inspired by their 40-acre farm in Pennsylvania. The gallery aims to offer a warm, welcoming alternative to traditional white-box spaces, emphasizing community and approachability.
The City of Whittlesea's Belong: 2026 Art Exhibition has opened at the Plenty Ranges Arts and Convention Centre (PRACC) in South Morang, Australia. Now in its 17th year, the exhibition has reached a record size with 176 artists submitting 245 artworks across diverse media including painting, photography, sculpture, pottery, mosaics, and glasswork. Award winners were announced on May 6, with Rosemary Lugg winning the Mayor's Award for her work 'Fragments,' and other prizes recognizing use of materials, originality, and youth participation. The exhibition runs until May 27 and includes artist talks, workshops, and a People's Choice Award.
Blue Streak Gallery in Wilmington, Delaware, is hosting an opening reception on May 1st for its new group exhibition titled "AWE and DELIGHT." The show features 20 artists, each contributing one painting that depicts something that brings them delight, showcasing a range of styles, techniques, and subjects. Participating artists include Ruth Ansel, Lisa Bartolozzi, Susie Benarcik, Jeremy Butler, Karen Delaney, Mary Page Evans, Alida Fish, Craig Hable, Sutton Hays, Annie Oldach, Annie Patrizi, Rachel Romano, Lynda Schmid, Libbie Soffer, Bill Spiker, Carol Spiker, Steve Tanis, and Valetta. The exhibition runs through June 2nd.
An Edmonton artist and nursing students have created an art exhibit called 'LONGEVITI' that tells the stories of cancer patients undergoing chronic treatment. The project features works by a cancer survivor, using art as a medium to express her healing journey and share her experience with the community.
The Museum of Art and Design (MAD) in New York is presenting "Designing Motherhood: Things that Make and Break our Births," an exhibition curated by Elizabeth Koehn that examines fertility and parenthood through over 250 objects, including mass-market items, medical devices, design notes, archival letters, and video. The show features artifacts such as hospital baby blankets, 17 historical pessaries, 12 IUDs, and the Del Em menstrual extraction tool from 1971, alongside clips from the 1952 film "All My Babies" featuring midwife Mary Coley. The exhibition defines motherhood capaciously, not limited to one sex or gender or to biological childbearing, and also addresses choosing to delay or forgo parenthood.
Three Suffolk women—journalists Mai Noman and Nicola Gooch, and curator Mary George—organized a weekend art exhibition titled 'From Suffolk to Gaza with Love' at Noman Studio in Monks Eleigh, raising over £25,000 for the UK charity Medical Aid for Palestinians. The event featured paintings and sculptures donated by 70 artists, attracted 200 attendees on opening night, and included Palestinian cultural elements such as oud music by Reem Anbar, Arabic cakes, and a talk by a Suffolk aid worker.
The Springville Museum of Art's 39th annual Spiritual and Religious Art exhibit is concluding this month. The show received over 900 submissions, with only about 200 works selected for display, making it a highly competitive exhibition for living Utah artists. The museum, originally founded over 100 years ago by Springville High teachers and students, continues its mission with outreach programs for K-12 students. The exhibit features diverse mediums including sculpture, knit, paint, and photography, and includes a Spotify playlist to accompany the gallery experience.
Columnist Sebastian Smee highlights nine art exhibitions opening this fall, noting that museum curators plan major shows two to five years in advance, and the cultural mood can shift dramatically between conception and execution. The article reflects on how exhibitions that once felt timely may now feel dissonant or precarious upon opening.
Sawtell Art Gallery's 37th Annual Show opened on June 28 with a celebratory party attended by exhibitors and community members. The exhibition featured nine prize categories, each with a $500 award, plus a $100 Youth category, sponsored by local businesses and organizations. Winners included Jordanna Hinton, Jayden Whitton, Bronwyn Fife, Helen Goldsmith, Andrea Hitchcock, Willie Berkof-Ober, Nico Reynolds, Shellie Kelly, Sharon Sykes, Lachlan Wainwright, Max Greenaway, and Stella Dodd. The People's Choice Award is pending announcement at the exhibition's close.
Sixteen graduating seniors from Southern Illinois University Carbondale’s School of Art and Design are presenting their thesis works in a week-long exhibition at the Surplus Gallery in the Glove Factory Studio Art Building. The show runs from May 7 to May 8, 2026, with a public closing reception on May 9. Students display works across glass, metals, industrial design, communication design, and studio art as part of their Bachelor of Fine Arts degree requirements.
The Wildlife Photographer of the Year exhibition opens at Shrewsbury Museum and Art Gallery on 25 April 2026, running until 20 June. The exhibition, on loan from London's Natural History Museum, showcases winning images from an international competition that received over 60,000 entries. A local community photography competition focusing on 'Wildlife on your doorstep' will be displayed alongside the main show.
The 55th Annual Trail of Tears Art Show has officially opened at The Gallery at Cherokee Springs Plaza in Tahlequah, Oklahoma. As the longest-running Native American art competition in the United States, this year's event features artists competing for more than $18,000 in prize money across multiple categories. The exhibition is open to the public through May 16, showcasing a diverse range of Indigenous creative talent.
Hong Kong artist Chan Wai-lap is making waves this month with two major installations centered on his signature motif of public swimming pools and bathhouses. His latest projects include 'Mimimomo Pool (2026)', a commission by UBS for Art Basel Hong Kong, and 'Jeremy’s Bathhouse', a solo exhibition at the Oi! art space in North Point. The latter features over a thousand ceramic tiles and objects created in collaboration with artisans from Jingdezhen, transforming a greenhouse-like venue into a Japanese-style communal bath.