Art Movements: Larry Gagosian Heads to the Big Screen

This week's Art Movements roundup covers several major art world developments. Larry Gagosian is the subject of a new unauthorized documentary by Canadian director Barry Avrich, completing his trilogy on the art industry. Pace Gallery has taken on representation of the Constantin Brancusi Estate. The Maxwell/Hanrahan Foundation announced five winners of its 2026 Awards in Craft, each receiving $100,000. Selldorf Architects and Studios Architecture Paris have been selected to lead a $1 billion renovation of the Louvre Museum, including a new room for the Mona Lisa. Other news includes the Sharpe-Walentas Studio Program's 2026–2027 cohort, A Blade of Grass's 2026 In Fellowship cohort, and several appointments.

Art in America’s Summer Issue Features 20 “New Talent” Artists, Juicy Art Heist Stories, and More

Art in America's Summer issue features 20 emerging artists in its annual "New Talent" portfolio, selected by the magazine's editors. The issue also includes a feature on art heist stories by Jackson Arn, an essay on systems art by Emily Watlington, and a piece on tragicomic times by Eugenie Brinkema. Additional content includes a tribute to Henrike Naumann, a spotlight on Olga Fröbe-Kapteyn, a book review of Trevor Paglen's latest work, and departments covering museum and gallery worker perspectives, a Frick Collection vs. Morgan Library comparison, and a summer reading list of art-themed novels.

Frieze New York Is an Assembly-Line Salad

At Frieze New York, curator Lucien Zayan searches for artworks exploring the relationship between food and art, finding a piece by Aki Goto at Europa gallery that reflects on sugar, colonization, and cavities. The fair features works like David Lamelas's "To Pour Milk into a Glass" (1972) from Dia Art Foundation and Mungo Thomson's "Snowman" (2023) at Karma, while a performance by Kite (Oglála Lakȟóta) at the Counterpublic triennial booth offers a reprieve from the monotonous fair experience.

How Painter Akira Ikezoe Became This Spring’s Breakout Star in New York

Japanese-born painter Akira Ikezoe has become a breakout star in New York this spring, appearing simultaneously in two prestigious exhibitions: the Whitney Biennial and MoMA PS1's Greater New York. His absurdist, diagrammatic paintings—featuring naked figures, skeletons, and dairy-centric narratives—have drawn significant attention from curators and critics. Despite lacking a New York gallery, Ikezoe is represented by Proyectos Ultravioleta in Guatemala City and was also included in the 2025 Sharjah Biennial, positioning him for rapid ascent in the art world.

In Venice, Arthur Jafa and Richard Prince Ask: What Is Appropriate to Appropriate?

Arthur Jafa and Richard Prince are showing their work together in a joint exhibition titled "Helter Skelter" at the Fondazione Prada in Venice. Curated by Nancy Spector, the show explores the artists' shared practice of appropriation, a connection that began when Prince attended the debut of Jafa's video work AGHDRA (2021) and later deepened through conversations about race, property, and self-authorization. Jafa has long admired Prince's approach, calling him "the blackest white artist I know," and the exhibition pairs their works to examine how appropriation functions differently for a Black artist versus a white artist.

Alma Allen Flops in Venice

Hyperallergic reports on the 2026 Venice Biennale, with Editor-in-Chief Hakim Bishara criticizing the U.S. pavilion's exhibition of Alma Allen's work as a disappointing departure from the previous editions' profound explorations of Indigenous life and Black sovereignty. Editor-at-Large Hrag Vartanian offers a positive review of the main exhibition "In Minor Keys," while Greta Rainbow covers a poetry procession honoring the late artistic director Koyo Kouoh. Additional stories include a review of the film "The Christophers" about an artist and forger, and news of workers at the American Folk Art Museum picketing for higher wages.

Biennale di Venezia 2026. Le grandi mostre da non perdere in città

The article previews major exhibitions in Venice during the 2026 Biennale, highlighting a rich lineup of shows across the city's museums and foundations. Key highlights include a retrospective for Marina Abramović at the Gallerie dell'Accademia, a Peggy Guggenheim exhibition at her former home, and dual shows at Palazzo Grassi and Punta della Dogana featuring artists like Michael Armitage, Amar Kanwar, Lorna Simpson, and Paulo Nazareth. Other notable venues include Fondazione Prada, Ca' Pesaro, and the Museo Correr, with artists ranging from Joseph Kosuth to Jenny Saville.

Artist Charles Ross Spent 50 Years Trying to Bring the Stars Down to Earth. At 88, Has He Done It?

Artist Charles Ross is nearing the completion of Star Axis, a monumental naked-eye observatory in the New Mexico desert that has been under construction for over 50 years. Conceived in 1971 and situated on a mesa Ross discovered in 1975, the massive architectural sculpture is designed to make the 26,000-year cycle of Earth’s axial precession perceptible to the human eye. The project began after a chance encounter with a local ranching family provided Ross with the square mile of land necessary to realize his cosmic vision.

vefa gallery andy scott

Scottish sculptor Andy Scott, renowned for his massive 300-ton steel horse heads known as The Kelpies, is the subject of a new solo exhibition titled “Monumental” at VEFA Gallery in Torrance, California. The show shifts the focus from his colossal public landmarks to a more intimate human scale, featuring maquettes, sketches, and a ten-foot steel horse head. By showcasing the evolution of his work from initial drawings to complex engineering feats, the exhibition highlights the technical precision and emotional depth behind Scott’s animal forms.

maren hassinger bampfa retrospective

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) will mount a comprehensive retrospective for interdisciplinary artist Maren Hassinger, opening in June 2025. Titled "Living Moving Growing," the exhibition will span her five-decade career, featuring early wire rope and tree branch sculptures from the 1970s, large-scale recreations, performances, and workshops. Co-curated by chief curator Margot Norton and senior curator Anthony Graham, the show aims to highlight Hassinger's dual practice as a sculptor and performer, with some works staged in partnership with the University of California Botanical Garden.

new frick collection elitist pleasure

The Frick Collection in New York has reopened after a multiyear renovation and expansion by Selldorf Architects with Beyer Blinder Belle. Under director Ian Wardropper, the museum hired ambitious young curators who introduced fresh perspectives, including online programming focused on social contexts, temporary relocation to the Whitney's old space (Frick Madison) where they presented female old masters like Rosalba Carriera and contemporary artists of color like Barkley Hendricks, and a rehang that organized works by time and place. The expansion adds new exhibition spaces, a gallery for old master drawings, and opens the Frick family's former bedrooms to the public, housing treasures like gold ground paintings and Impressionist works.

anonymous was a woman symposium report

A symposium organized by Anonymous Was A Woman, an arts nonprofit, was held at New York University to discuss findings from a new survey on the status of women artists. The survey, commissioned by the nonprofit and compiled by Julia Halperin and Charlotte Burns with SMU Data Arts, revealed that women artists face significant challenges including financial precarity, lack of studio space, and limited time to create art. Over 300 attendees heard panel discussions featuring artists like Coco Fusco, Steffani Jemison, and Judith Bernstein, followed by roundtables where 40 women professionals in the arts anonymously shared insights on community and resource gaps.

Big Crisis, Small Gestures

Große Krise, kleine Gesten

The article reviews the second edition of the Klima Biennale Wien, which opened in early April in Vienna. It notes that while the biennale aims to address the urgent triple crisis of climate change, biodiversity loss, and pollution, its execution falls short. The exhibition features symbolic works such as a beached whale, a broken boat, and a compostable SUV sculpture, but these motifs feel repetitive and lack the necessary impact. The author contrasts these with historical precedents like Menashe Kadishman's 1978 Venice Biennale installation and Joseph Beuys' "7000 Eichen" (1982), arguing that the themes of nature and sustainability are not new, only the urgency has intensified.

An Era Ends When the Illusions Underlying It Are Exhausted

"Eine Ära endet, wenn die ihr zugrunde liegenden Illusionen erschöpft sind"

A media roundup covers several art world stories. The Art Newspaper reports that the ongoing Middle East conflict is unsettling the Gulf art market, causing fair postponements and shaking Dubai's image as a stable luxury hub, though galleries emphasize they continue to work. Meanwhile, the search for a new director for Germany's Kulturstiftung Dessau-Wörlitz continues after a protracted legal battle, with applications open until May 31. The New Yorker presents a reading of Johannes Vermeer's quiet scenes as fragile refuges from a violent historical context, while the Berliner Zeitung critiques the global commercialization of Frida Kahlo into a licensed brand.

What’s Gone Wrong in the Glasgow Art Scene?

Rachel Ashenden surveys the precarious state of Glasgow's visual arts scene in March 2026, following the liquidation and closure of the Centre for Contemporary Arts (CCA) after years of mismanagement, a winter shutdown in 2024, and a protest by Arts Workers for Palestine Scotland that led to arrests. She visits artists and organizers across the city, including Rae-Yen Song's exhibition at Tramway, which evolved from a research show at the now-closed CCA, and speaks with Transmission co-founder Alastair Strachan about the city's artist-led legacy.

11 Must-See Shows During New York Art Week 2026

New York Art Week 2026 is set to be a packed event, with major art fairs including Frieze, TEFAF, and Independent all scheduled within a single week this May. The art world will arrive directly from the Venice Biennale, and New York galleries are opening their major spring exhibitions to coincide with the influx of curators and collectors.

10 Must-See Shows During the Venice Biennale 2026

The 2026 Venice Biennale is embroiled in multiple controversies, including the cancellation and reinstatement of Australia's representative artist Khaled Sabsabi, ongoing calls to bar Israel from participating, criticism over allowing Russia to participate, and mounting voices to exclude the U.S. in response to President Donald Trump's actions in Iran. Despite these disputes, the article highlights that many of the city's most exciting shows will take place away from the main Biennale venues.

At the Guggenheim, Carol Bove Bends Metal—and Minimalism—to Her Will

At the Guggenheim, Carol Bove Bends Metal—and Minimalism—to Her Will

A major new exhibition of Carol Bove's work has opened at the Guggenheim Museum in New York. Titled "Carol Bove: The séance isn't over," the show features over two dozen of the artist's large-scale sculptures, many crafted from delicately arranged steel tubing and precariously balanced metal plates. The installations are strategically placed within the museum's iconic rotunda, creating a dynamic conversation with the Frank Lloyd Wright-designed spiral.

Niklaus Stoecklin at Hauser & Wirth, Basel

Hauser & Wirth Basel is presenting a focused exhibition of works by Swiss artist Niklaus Stoecklin (1896–1982), featuring paintings and drawings spanning from the 1920s to the 1970s. The show includes several rarely seen pieces, highlighting Stoecklin's distinctive approach to depicting life—people, animals, trees, stones, and space—as he described it.

Art Movements: Michelle Millar Fisher Heads to Cooper Hewitt

Michelle Millar Fisher, formerly curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston, has been appointed chief curator at the Cooper Hewitt, Smithsonian Design Museum in Manhattan. She succeeds Matilda McQuaid, who is retiring after 24 years. Separately, the Getty Foundation awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archive initiative, supporting the processing of historical records related to Black art. Other notable appointments include Jamie Blosser as curator of the Loeb Fellowship at Harvard Graduate School of Design, Graham C. Boettcher as director and CEO of the Norman Rockwell Museum, and Susan Fisher Sterling's retirement from the National Museum of Women in Arts. Artist Nora Turato also unveiled a humorous billboard near the High Line reading 'GIVE US MOM!!!'.

Queer Horizon: “Spectrosynthesis Seoul” at Art Sonje Center

The fourth edition of "Spectrosynthesis," Sunpride Foundation's exhibition series dedicated to LGBTQ+ art in Asia, opens at Art Sonje Center in Seoul. Curated by Sunjung Kim and Youngwoo Lee, the show unfolds in two parts: "The Two-Sided Seashell" and "Tender: Invisibly Visible, Unlocatably Everywhere," featuring works by artists including Sin Wai Kin and Young-Jun Tak. The exhibition engages with queer theory, particularly José Esteban Muñoz's concept of queerness as a horizon of potentiality, and responds to South Korea's recent political turbulence, including the 2024 martial law declaration and presidential impeachment.

Frieze New York, the Cranach in Hitler’s Munich apartment, Ajamu X—podcast

This episode of The Art Newspaper's podcast covers several art-world stories. Ben Sutton and Kabir Jhala discuss the current edition of Frieze New York, alongside other concurrent fairs like Esther and Tefaf, and preview the upcoming New York auctions. Ben Luke interviews Martin Bailey about a Lucas Cranach the Elder painting, 'Cupid Complaining to Venus' (1526-27), which once hung in Adolf Hitler's Munich apartment, with a newly published photograph from the 1940s. The episode also features a segment on Ajamu X's 'Glamour Posse' series from the early 1990s, part of the touring exhibition 'Gender Stories' opening at the Walker Art Gallery in Liverpool, with comments from gallery head Charlotte Keenan.

introducing the 2022 artnet innovators list

Artnet News has published its second annual Innovators List, highlighting 35 individuals from across the global art world who are driving change. The list, curated with input from 50 art-world leaders, features a diverse range of ages and geographies, spotlighting pioneers in digital art, institutional reform, new sales models, and Web3.

zona maco 2026 exhibitor list preview

Zona Maco, one of Latin America's premier art fairs, will return to Mexico City from February 4–8, 2026, at Centro Banamex. The fair will feature 241 exhibitors across nine sections, including a new section called Forma, which blends contemporary art and design, and a revised Diseño Emergente section for emerging designers. Notable participants include Pace Gallery, Galleria Continua, Kurimanzutto, and OMR, with curated sections led by Aimé Iglesias Lukin and Manuela Moscoso. Founder Zélika García highlighted the fair's growth and its commitment to showcasing blue-chip galleries alongside emerging and mid-career talent.

can brainrot be art beeple thinks so

Digital artist Mike Winkelmann, known as Beeple, joined Ben Davis on the Artnet News podcast "The Art Angle" to discuss his work and the evolving perception of digital art. Beeple first gained global attention in 2021 when his NFT artwork "Everydays, The First 5,000 Days" sold for $69 million at Christie's, making him a symbol of the NFT boom. Since then, he has continued to experiment with new media, including interactive video sculptures shown at LACMA and robot dogs with human heads displayed at Art Basel Miami Beach 2025.

frieze los angeles 2026 exhibitor list

Frieze Los Angeles has announced its 2026 exhibitor list, featuring 95 galleries from 22 countries at the Santa Monica Airport, running from February 26 to March 1. The lineup includes blue-chip names like Gagosian, Hauser & Wirth, and David Zwirner, alongside local staples such as Commonwealth & Council and David Kordansky Gallery. First-time participants include El Apartamento, Bradley Ertaskiran, and Sprüth Magers returns after a hiatus. The Focus section, curated by Essence Harden, highlights galleries under 12 years old. Notable absentees include Marian Goodman Gallery, Bortolami, and Sean Kelly, while five galleries that participated in 2025 have since closed. The fair follows a challenging 2025 edition impacted by LA wildfires, which prompted withdrawals and a charity initiative.

art basel swimming rhine river

Art Basel in Switzerland has a unique ritual: many attendees swim in the Rhine River, which flows through Basel. Participants use waterproof bags (often the fish-shaped Wickelfisch brand) to store clothes and belongings, then float downstream from the Museum Tinguely past the Trois Rois hotel. The practice is embraced by dealers, advisers, artists, and art handlers alike, with some describing it as a rejuvenating escape from the fair's intensity. However, not everyone is a fan—gallerist David Nolan calls the river "dirty, dangerous, deeply infested with microplastics," and some attendees avoid it due to concerns about pollution or safety.

armory show 2025 exhibitor list

The Armory Show has announced its 2025 exhibitor list, featuring over 230 galleries set to participate in the fair from September 5–7 at the Javits Center in New York, with a VIP preview on September 4. This edition marks the first under new director Kyla McMillan, who has introduced a revised floor plan, a new section called Function organized by dealer Ebony L. Haynes, and a reconfiguration of the large-scale works Platform section led by Souls Grown Deep. More than 20 exhibitors are returning after a hiatus, including White Cube and Andrew Kreps, while 55 galleries are participating for the first time, such as Skarstedt and Megan Mulrooney.

8 Standout Artists from the 2026 Whitney Biennial

The 2026 Whitney Biennial has opened, featuring 71 artists and collectives, with eight emerging as immediate standouts. Among them are Jacolby Satterwhite, celebrated for his immersive digital worlds; Lotus L. Kang, whose site-specific installation incorporates decaying materials; and Jes Fan, who explores biology and identity through sculptural forms. Other notable artists include Tiona Nekkia McClodden with her ritualistic film work, the collective Indigenous Futures, and figurative painter Cynthia Daignault. Their works collectively address themes of technology, the body, memory, and ecology.

Behind Christie’s $1 B. Blockbuster Result, the Market Still Looks Uneven

Christie’s New York achieved over $1 billion in sales during a two-part evening auction, led by Jackson Pollock’s *Number 7A, 1948* which sold for $181.2 million. The sale, the first billion-dollar night since the Paul G. Allen collection in 2022, also saw records for other works and active bidding from a small group of buyers, including dealer Jeffrey Deitch. However, the blockbuster results mask a more cautious middle market, where works priced between $100,000 and $1 million remain slow to sell.