Rawya El Chab Tends to the Wounds of Lebanon's Civil War

Lebanese performance artist Rawya El Chab has debuted the second installment of her trilogy, "Crossing the Water," at The Brick in Brooklyn. The performance explores the collective trauma of the 1982 Israeli invasion of Lebanon and her family's subsequent flight to the Ivory Coast, blending personal memory with political satire and mythology. By embodying various roles—from suspicious neighbors to puppet-like politicians—El Chab navigates the complexities of life under military occupation and the persistent feeling of surveillance.

Tania El Khoury’s Soothing “Revenge Art”

Lebanese artist and Bard College professor Tania El Khoury discusses her multidisciplinary practice and her recent experience living through the escalation of conflict in Beirut. The interview highlights her interactive performance piece, "The Search for Power," which uses her own 2018 wedding blackout as a jumping-off point to investigate the colonial roots of Lebanon's systemic infrastructure failures. Originally set for a Beirut run in March, the production was postponed due to the outbreak of war.

Collapse Finance, Part 2: Longevity Capitalism—Life as an Asset Class

The essay explores the emergence of "longevity capitalism," a financial and biopolitical regime where biological duration and life expectancy are treated as assets for capital accumulation. As traditional welfare systems and collective pension schemes collapse, the uncertainty of human lifespan has been transformed into a speculative frontier, with retirement security increasingly tied to volatile private equity and cryptocurrency markets.

Outsourcing Museum Reception: A Booming Model

Externaliser l’accueil dans les musées, un modèle en plein essor

French museums are increasingly outsourcing front-of-house services, including ticketing, reception, and crowd management, to specialized private firms. This trend, which gained momentum with the opening of the Musée du quai Branly in 2006, allows public institutions to focus internal resources on core missions like conservation and curation while utilizing flexible, external labor for high-traffic operations. The market for these cultural services in France is projected to reach approximately €50 million by 2025.

From Bell Centre to museum: Canadiens team photo hanging at local exhibition

The Montreal Museum of Fine Arts (MMFA) has officially installed a framed team photograph of the Montreal Canadiens celebrating Cole Caufield’s 50th goal of the season. The move originated from a viral social media post by the team’s content creators, who used the popular idiom "Hang it in the Louvre" to caption the dressing room image, prompting the museum to turn the digital sentiment into a physical display.

Foundation, a Prominent NFT Platform of the 2021 Boom, Shuts Down After Failed Sale

Foundation, a prominent Ethereum-based NFT marketplace that launched during the 2021 digital art boom, has announced it will shut down following a failed acquisition by the digital art company Blackdove. CEO Kayvon Tehranian confirmed that the platform has entered a one-year wind-down phase, urging users to migrate their assets as no other viable buyers exist in the current market. The closure follows the collapse of a deal that was intended to provide long-term stewardship for the platform, which had facilitated over $230 million in sales since its inception.

Art Beat Review: Artists explore flight, community and materials in Lynnwood art exhibition

The Lynnwood Event Center recently hosted a "Meet the Artists" reception for its juried exhibition, "Flight Patterns: The Art & Motion of Winged Life." Curated by Mary Adams and Julie Carlos, the show features over 45 works by 27 regional artists from the Pacific Northwest, ranging from traditional paintings and photography to innovative metal etchings and fiber arts. Highlights include Graham Schodda’s holographic bird imagery ground into stainless steel and Alexandra Nason’s participatory installation, "The True Butterfly Effect," which invited guests to decorate aluminum butterflies to contribute to a growing communal wall piece.

'Past Perfect' at Two Rooms, Auckland, New Zealand on 17 Apr–30 May 2026

Two Rooms gallery in Auckland presents 'Past Perfect,' a group exhibition featuring works by Gretchen Albrecht, Noel Ivanoff, John Nixon, Jeena Shin, and Helen Calder. The show explores geometric abstraction and the interplay of light, shadow, and transparency through works produced over the last several decades.

Want to visit Wakanda? Step inside the Walters’ new ‘Black Panther’ exhibit.

The Walters Art Museum in Baltimore is launching "Douriean Fletcher: Jewelry of the Afrofuture," an exhibition featuring the intricate metalwork and costume designs from the Marvel Cinematic Universe’s Black Panther franchise. The show highlights the work of self-taught artist and metalsmith Douriean Fletcher, whose collaboration with Oscar-winning costume designer Ruth Carter helped define the visual identity of Wakanda. On display are iconic pieces such as Nakia’s gold-plated brass necklace and Queen Ramonda’s silver bodice cage, alongside new works created specifically for the museum.

Tender Ground exhibit explores vulnerability and environment

The Hook Experiment in Oxford is currently hosting "Tender Ground," a lens-based exhibition featuring the work of four regional women artists: Lynda Schmid, Sarah R. Bloom, Marnie Ellen Hertzler, and Jonna McKone. Curated by Constance McBride and Lisa Baird, the show utilizes photography and found objects to explore themes of environmental instability, physical vulnerability, and the fragility of place. The works range from disjointed equine photography and nude self-portraiture in decaying spaces to documentation of the disappearing Tangier Island.

Sotheby’s Returns to Profit as Sales Rise, Though Cash Pressures Persist

Sotheby’s has reported a return to profitability in 2025, posting a $53 million pre-tax profit following a significant $190 million loss the previous year. Driven by a 20 percent increase in sales totaling $7.1 billion, the auction house benefited from a broader 4 percent recovery in the global art market. Despite these gains, the company is navigating complex financial pressures, including a $10.2 million commission lawsuit from Cushman & Wakefield and the need to refinance $765 million in debt by 2027.

Where are the Louvre Jewels?

Wo sind die Louvre-Juwelen?

Six months after a high-profile heist at the Louvre, investigators remain in pursuit of stolen jewelry valued at approximately €88 million. While four suspects are currently in custody, the bulk of the Second Empire-era treasures remains missing, leading to fears that the pieces may have been dismantled or melted down. The investigation has shifted focus toward how the thieves obtained a sensitive 2018 security audit that detailed vulnerabilities in the museum's defenses.

Outsourcing a service is not prohibited, but managing the provider's employees is

Externaliser un service n’est pas interdit, diriger les salariés du prestataire l’est

A wave of legal complaints has been filed against several major French cultural institutions, including the Louvre, the Pinault Collection, and the MuCEM, alleging illegal labor practices. Labor unions Sud-Culture, SUD-PTT, and Solidaires claim these museums are engaging in "illicit lending of labor" and "bargaining" by exercising direct authority over outsourced staff from third-party agencies like Marianne International and Pénélope. While outsourcing services like ticketing and reception is legal in France, the lawsuits argue that museums are illegally managing these external employees' daily schedules, rotations, and disciplinary actions as if they were their own staff.

Group Exhibition ‘Here’s To Painting’ To Be Celebrated With Opening Reception Saturday Afternoon

The Newtown Municipal Center Art Gallery is hosting "Here’s To Painting," a group exhibition featuring original works by 12 local artists. Curated by the Newtown Cultural Arts Commission, the show highlights the creative output of a long-standing collective under the mentorship of retired art educator Claudia Mitchell. The collection primarily consists of watercolors and pastels, depicting local Newtown landmarks, international streetscapes, and still lifes.

In this Milan exhibition, the viewer can modify the spaces. The great artist-architect Gianni Pettena explains why

In questa mostra a Milano lo spettatore può modificare gli spazi. Il grande artista-architetto Gianni Pettena ci spiega perché

Gianni Pettena, a pioneer of the Italian Radical Architecture movement, has unveiled his immersive installation "Paper/Northern Lights" at the BiM urban regeneration project in Milan's Bicocca district. Originally conceived in 1971 as a pedagogical exercise at the Minneapolis College of Art and Design, the work consists of 49 kilometers of white paper strips hanging from the ceiling. Visitors are invited to physically interact with the installation by cutting through the paper, effectively reshaping the architectural environment and challenging traditional notions of fixed space and authorship.

A young artist has designed exhaust pipes to be played like trumpets: A traveling concert in Milan

Un giovane artista ha progettato delle marmitte da suonare come trombe. A Milano il concerto itinerante

Emerging artist Aronne Pleuteri will debut a mobile performance titled "Mototrombe!" during Milan Art Week on April 17, 2026. The event features a parade of sound sculptures crafted from salvaged automotive exhaust pipes, which have been welded and reconfigured into hybrid instruments. Led by composer Dario Buccino, the procession will travel from Milan’s Central Station to the Church of Santa Maria degli Angeli, where the sculptures will remain on display through April 26.

Johannes Phokela: Exploring Virtue, Contradiction, and Power at the Venice Biennale 2026.

South African artist Johannes Phokela is set to showcase a significant body of work at the 2026 Venice Biennale, building on his recent series 'The Seven Virtues' and 'Original Sin'. Curated under a vision initiated by the late Koyo Kouoh and supported by Eclectica Contemporary, Phokela’s paintings subvert the aesthetics of European Old Master traditions. His works, including 'Fides' and 'Temperantia', utilize Baroque visual languages to critique constructed morality, institutional power, and the performance of virtue.

Minor Keys, Major Shifts: Sierra Leone’s Resonant Debut in Venice.

Sierra Leone has made its inaugural appearance at the 61st Venice Biennale with a pavilion titled 'Worlds of Today' located at the Liceo Guggenheim. Curated with a focus on "minor keys" rather than grand spectacles, the exhibition features Sierra Leonean artists Hawa-Jane Bangura, Ayesha Feisal, Hickmatu Bintu Leigh, and Abu Bakarr Mansaray alongside practitioners from other ECOWAS nations. The pavilion functions as a sensorial, porous space that prioritizes communal resilience and spiritual epistemologies over the commodification of identity.

NAFRICA–MASCHERE: The Mask Strikes Back

Curator Simon Njami discusses his exhibition 'NAFRICA–MASCHERE' at the Museo e Real Bosco di Capodimonte, which juxtaposes the fascist anthropological archives of Lidio Cipriani with contemporary artworks. The show utilizes the metaphor of the mask to explore the tension between how individuals are perceived and how they project themselves, specifically addressing the persistence of colonial logic in the modern world. By including artists from Africa, America, and Italy, Njami seeks to move beyond a binary 'colonizer vs. colonized' narrative toward a broader inquiry into human representation and power.

Enrique López Llamas: The Visible, The Invisible

ENRIQUE LÓPEZ LLAMAS: LO VISIBLE, LO INVISIBLE

Artist Enrique López Llamas presents a solo exhibition titled "Lo visible, lo invisible" at Fundación CALOSA in Mexico, exploring the intersection of childhood fears and contemporary adult masculinity. The installation utilizes fluorescent plastic polymers that glow in the dark and video works to create a sensory dialogue between light and shadow, symbolizing the repressed memories and systemic behaviors that persist into adulthood.

Lakeland’s first-ever Fuego Festival ignites downtown with Latin culture celebration

The city of Lakeland, Florida, launched its inaugural Fuego Festival, a downtown celebration dedicated to Latin culture, heritage, and the arts. Organized in part by Tony Agnello of Notta Gallery, the event features live music, local vendors, a Cuban cigar lounge, and live painting demonstrations by artists such as William Araujo.

Berthoud’s fine art gallery displays community creativity

Homestead Fine Art Gallery in downtown Berthoud has established itself as a vital community hub, currently representing 23 local artists from Northern Colorado. The gallery recently hosted its third annual student art show, featuring works from Berthoud High School students and concluding with a public awards reception. Managed by volunteer Executive Director Jim Fronapfel, the space operates on a cooperative model where artists juried into the gallery rent space and contribute volunteer hours to maintain operations.

Imperfect Pixels: Inspiring Students with the Art of Screen Printing

Visual artist and faculty member Anthony Ryan debuted his solo exhibition, "Imperfect Pixels," at the City College Art Gallery with an opening reception that highlighted his unique printmaking process. The collection features screen prints and woodcuts developed from digital illustrations created using a MacPaint simulator, embracing the aesthetic limitations of early 1980s software. During the event, Ryan’s students demonstrated printmaking techniques, showcasing the practical application of the methods seen in the gallery.

Jordan Creek renewal project isolates downtown Springfield gallery

The Renew Jordan Creek revitalization project in downtown Springfield has severely impacted Fresh Gallery, an award-winning local art space. Extensive road closures on Boonville Avenue and ongoing construction noise have cut off the gallery from its usual pedestrian and tourist traffic, leading to a drastic decline in sales and foot traffic. To combat these challenges, the gallery has launched a GoFundMe campaign and is attempting to reinvent its business model to survive until construction concludes in mid-2024.

DFW museums kick off World Cup fever with soccer-themed exhibitions

Several Dallas-Fort Worth cultural institutions are launching a series of soccer-themed exhibitions to coincide with the upcoming FIFA World Cup matches at AT&T Stadium. These showcases range from the Arlington Museum of Art’s multi-part historical exploration "More Than a Match" to the Latino Cultural Center’s solo exhibition of Mexican artist Jazzamoart, whose paintings translate the rhythm and emotion of the sport into expressive canvas works.

A New "Creative" Campus in Rennes

Un nouveau campus « créatif » à Rennes

The private higher education group Icônes is investing €33 million to construct a new 16,000-square-meter "creative campus" in the EuroRennes district of Rennes, France. Scheduled to open in 2027, the complex will feature three buildings designed by architect Philippe Dubus, including a new home for the ESMA 3D animation school, a 300-studio student residence, and coworking spaces dedicated to creative startups.

Mexico faces sales of pre-Columbian art

Le Mexique face aux ventes d’art précolombien

The Mexican government is facing ongoing legal and diplomatic hurdles in its attempts to halt the sale of pre-Columbian artifacts in Paris. Despite formal protests from the Mexican embassy citing national heritage laws from 1827, auction houses like Millon continue to proceed with sales, generating millions in revenue. French authorities and legal experts maintain that Mexican national laws do not supersede French jurisdiction, which largely adheres to the 1970 UNESCO Convention regarding the illicit import and export of cultural property.

The Musée de La Poste becomes the "Musée Postal" once again

Le musée de La Poste redevient le « musée postal »

The Musée de La Poste in Paris has rebranded itself as the "Musée Postal," reclaiming its original 1946 name as it approaches its 80th anniversary. Alongside a new visual identity featuring a blue and white "M" logo, the institution is shifting its focus from a strictly corporate museum to a "museum of society" with a more universal outlook. Under the leadership of director Guillaume Goy, the museum aims to modernize its permanent collection and recover its pre-pandemic attendance figures, targeting 150,000 annual visitors.

The Nicéphore-Niépce Museum is Standing Still

Le Musée Nicéphore-Niépce fait du surplace

The Musée Nicéphore-Niépce in Chalon-sur-Saône remains in a state of stagnation as long-promised modernization plans continue to stall. Despite over twenty-five years of proposals for a new facility or a "Cité de l'image," the project has become a political "sea serpent," hampered by budget cuts, staff reductions, and shifting municipal priorities. Most recently, the city declined to renew the contract of Fannie Escoulen, a former Ministry of Culture official hired to steer the project, further signaling a lack of progress.

The Cost of Love: Rugby Art Museum and Gallery presents joint exhibition by artists Charlie Kirkham and Robert Walker

Artists Charlie Kirkham and Robert Walker are set to debut a joint exhibition titled "The Cost of Love" at the Rugby Art Gallery and Museum this May. The showcase features contemporary paintings that reimagine classical mythological figures—such as Narcissus, Apollo, and Adonis—to explore psychological themes of desire, transformation, and vulnerability. While both artists maintain a focus on technical rigor and the human figure, the works shift away from traditional storytelling to focus on the emotional tensions of modern life.