parties cult100 cultured magazine guggenheim

CULTURED magazine hosted its second annual CULT100 party at the Guggenheim Museum in New York, in exclusive partnership with Valentino and Valentino Beauty. The event celebrated the magazine's spring issue, a 400-page edition honoring 100 luminaries and rising talents across food, film, art, fashion, and more. Guests including Keke Palmer, Lena Dunham, Naomi Watts, Adam Scott, and Anne Imhof gathered in the Frank Lloyd Wright-designed rotunda for cocktails, a Valentino Beauty lounge, and a program that coincided with artist Carol Bove's ongoing museum survey exhibition at the Guggenheim.

Georg Baselitz, German Neo-Expressionist Painter, Dies at 88

Georg Baselitz, the German Neo-Expressionist painter known for his provocative, upside-down figurative works, has died at age 88. Along with contemporaries like Anselm Kiefer, Baselitz led a frontal assault on the dominant Minimalist and Conceptualist art movements of the 1970s, reviving expressive, gestural painting in postwar Germany.

New Met Gala fashion exhibit seeks to ‘reclaim’ body types that art history has ignored

The Metropolitan Museum of Art's Costume Institute will launch a new fashion exhibition titled "Costume Art" at the 2026 Met Gala, curated by Andrew Bolton. The show features 400 items across sections exploring body types historically marginalized in art, including the corpulent, disabled, pregnant, and aging body. It debuts in the newly renovated Conde M. Nast galleries on the museum's main floor, with custom mannequins modeled on real individuals such as Sinéad Burke, Aariana Rose Philip, and Goddess Bunny. The exhibition pairs fashion garments with art objects to argue that fashion is art, and will be open to the public from May 10 for eight months.

La Fondation Beyeler di Basilea inaugura una grande mostra dell’artista francese Pierre Huyghe. Da vedere durante Art Basel

The Fondation Beyeler in Basel is opening a major solo exhibition of French artist Pierre Huyghe, running from May 24 to September 13, 2026. The show transforms Renzo Piano's museum spaces into a sensitive ecosystem inhabited by images, organisms, sounds, dust, algorithms, and presences suspended between the biological and artificial. Key works include "Apnea" (2026), an artificial organ submerged in water that breathes at a human rhythm; "Alchimia" (2026), featuring a worm on a threshold that reacts to air; "Liminals" (2026), a film depicting a faceless anthropomorphic figure in a state of radical uncertainty; "Adversary" (2026), a closed gate co-created by human and machine; and "Camata" (2024), a film set in the Atacama Desert that is continuously re-edited in real time based on sensors and audience presence.

Recensione, interviste e migliori stand della fiera d’arte contemporanea di Varsavia. Che cresce

Art Warsaw returns for its third edition, this time held in the historic Villa Róż, a former British embassy in Warsaw. The fair features 56 galleries, over 30 of which are international, and is co-founded by Joanna Witek-Lipka and Michał Kaczyński. The unconventional venue, with its blend of aristocratic luxury and Cold War-era bureaucratic spaces, is central to the fair's identity, offering an experience far removed from the typical white cube format. Galleries collaborated closely with organizers to adapt their presentations to the building's unique rooms, creating an atmosphere that balances a commercial fair with an exhibition project.

Chi sono i vincitori del XXIX Compasso d’Oro premiati all’ADI Design Museum di Milano

The XXIX edition of the Compasso d'Oro award, founded in 1954 by Gio Ponti and Rinascente, concluded at the ADI Design Museum in Milan. The jury awarded 3 Compassi d'Oro Young, 10 student project recognitions, 38 honorable mentions, and 20 Compasso d'Oro ADI prizes. Winning projects include Array sofa by Snøhetta for MDF Italia, Bilboquet lamp by Philippe Malouin for Flos, D'Antan armchair by Raffaella Mangiarotti for De Padova, and the Salone del Mobile.Milano Annual Report 2024. Career awards were given to nine figures including Giovanni Arvedi, Paola Lenti, and Alberto Meda, while three iconic products—Sedia '64 by AG Fronzoni, Tavolo Eros by Angelo Mangiarotti, and Tavolo con ruote by Gae Aulenti—received career Compassi d'Oro. The exhibition of all nominated projects runs until June 4, 2026.

Pappi Corsicato's film on photographer Claudio Abate, which recounts the artistic ferment of Rome between the 1960s and 1990s, is now on RaiPlay

È su RaiPlay il film di Pappi Corsicato sul fotografo Claudio Abate che racconta il fermento artistico di Roma tra gli Anni ’60 e ‘90

RaiPlay has released a new documentary film by Pappi Corsicato titled "Claudio Abate. L’obiettivo nell’arte" (2026), which pays tribute to the late photographer Claudio Abate (1943–2017). The film weaves together interviews, archival materials, and footage from Istituto Luce to chronicle Abate's life and work, focusing on his role documenting the vibrant Roman art scene from the 1960s through the 1990s. It highlights his collaborations with key figures such as Jannis Kounellis, Michelangelo Pistoletto, Fabio Sargentini, and the artists of the Pastificio Cerere school, capturing seminal performances, happenings, and installations that defined Arte Povera and other avant-garde movements.

VALIE EXPORT, icon of feminist art who placed the body at the center of her research, has died

È morta VALIE EXPORT, icona dell’arte femminista che ha messo il corpo al centro della sua ricerca

VALIE EXPORT, the Austrian artist and feminist icon known for using her body as a political and artistic tool, has died in Vienna at age 85. Born in Linz in 1940, she changed her name in 1967 and became a pioneer of performance, film, and media art, creating provocative works such as "Tapp-und Tastkino" (1968), where she turned her body into a touchable cinema screen, and "Aktionshose: Genitalpanik" (1969). Her career spanned over six decades, and she taught at institutions including the University of Wisconsin and the Berlin University of the Arts. In 2023, the Albertina Museum in Vienna held a major retrospective of her work.

C’è un libro che racconta il sorprendente rapporto storico tra arte, biciclette e ciclismo

Antonio Colombo, the Italian entrepreneur behind Columbus and Cinelli, has published a memoir titled "A.C. Confidential. La mia vita tra arte, bicicletta e design" (Ediciclo Editore, 2026, co-written with Giacomo Pellizzari). The book traces his family's engineering legacy—his father Angelo Luigi Colombo supplied steel tubes to Bauhaus designer Marcel Breuer in 1933—and Colombo's own career fusing technical precision with artistic vision. He acquired Cinelli in 1978, collaborated with artists like Keith Haring, Alessandro Mendini, and Barry McGee, and introduced groundbreaking bicycle models including the Rampichino mountain bike (1985) and the Laser, which won the Compasso d'Oro design award in 1991. The narrative also covers his friendships with artists Mario Schifano (who designed Tour de France jerseys) and his role in the Red Hook Criterium fixed-gear race.

Basquiat's intense works on paper are at the center of his first exhibition in Denmark

Le intense opere su carta di Basquiat sono al centro della sua prima mostra in Danimarca

The Louisiana Museum of Modern Art in Humlebæk, Denmark, is hosting "Headstrong," a retrospective of 50 works on paper by Jean-Michel Basquiat, running until May 17. The exhibition focuses on Basquiat's depictions of the human head and body, created between 1981 and 1983, and first shown posthumously in 1990. It is the first solo museum presentation of Basquiat in Scandinavia, featuring loans from private collections and international museums, highlighting a lesser-known aspect of the artist's practice.

Is there really an energy transformation in Marina Abramović's exhibition in Venice?

Nella mostra di Marina Abramović a Venezia c’è davvero una trasformazione di energia?

At the Gallerie dell'Accademia in Venice, Marina Abramović's exhibition "Transforming Energy" opens to the public from May 9 to September 30, 2026, as part of the 2026 Venice Biennale. The show is designed as an experiential device that moves beyond traditional exhibition formats, inviting viewers to determine their own presence through a sequence of rooms built around relationships between body, materials, and time. Crystals and locks of hair function not as decoration but as presences to be inhabited, demanding radical attention rather than spectacular participation. During the press conference, Abramović and curator Shai Baitel insisted that the materials, especially the crystals, possess real energy capable of directly affecting the viewer's body and perception, not merely as metaphor but as an active condition.

The best and worst we saw at the Venice Art Biennale 2026. Artribune's hits and flops

Il meglio e il peggio che abbiamo visto alla Biennale d’Arte di Venezia 2026. Top e flop di Artribune

The 61st Venice Biennale, titled "In Minor Keys" and directed by Koyo Kouoh, opened amid significant turmoil: the death of a newly appointed curator, diplomatic tensions over the presence of Russia and Israel, political protests, and the unprecedented collective resignation of the jury, which led to the Golden Lions being awarded by public vote for the first time. Despite this chaotic backdrop, the exhibition—featuring a record 100 national pavilions—has been widely praised for avoiding moralistic pedagogy and instead embracing visual seduction, formal quality, and sensory joy while addressing themes of identity, memory, colonialism, ecological crisis, and violence. The article highlights top and flop moments from the opening week, including strong showings by Biennale president Pietrangelo Buttafuoco and a standout exhibition at Fondazione Prada.

In Piedmont, Langhe, Roero and Monferrato increasingly focus on contemporary art and cultural tourism

In Piemonte le Langhe, il Roero e il Monferrato puntano sempre di più sull’arte contemporanea e il turismo culturale

The Langhe, Roero, and Monferrato regions of Piedmont, Italy, have consolidated their cultural alliance under the name Orma, a unified system launched in 2025 that brings together four existing festivals—Creativamente Roero, Resté, Germinale Monferrato Art Fest, and La collina sale sempre—to offer a widespread contemporary art program across the UNESCO World Heritage territory. In 2026, Orma expands its activities from May to November, involving over 60 municipalities, with new entries like Canelli hosting a site-specific work by Brazilian artist Maria Theresa Alves in partnership with Castello di Rivoli, and projects such as Prospettive / Perspectives with Fondazione Sandretto Re Rebaudengo and Villa Arson. The program includes artist residencies, permanent interventions, and exhibitions, with Resté already underway in the Langhe towns of Diano d'Alba, Montelupo Albese, Rodello, and Cerretto Langhe.

The Last Interview with the Great Artist Georg Baselitz on the Occasion of His Exhibition in Florence

L’ultima intervista al grande artista Georg Baselitz in occasione della sua mostra a Firenze

Georg Baselitz, the German artist born in 1938, is the subject of a major retrospective titled "Avanti!" at the Museo Novecento in Florence, featuring 170 works including paintings, works on paper, and sculptures, with a strong focus on his graphic output. The exhibition, curated by Sergio Risaliti and Daniel Blau (Baselitz's son and an artist himself), spans three floors and traces the evolution of Baselitz's practice, culminating in a dialogue with the work of Italian artist Ottone Rosai. The show is accompanied by a prequel exhibition honoring the 120th anniversary of Villa Romana, where Baselitz once held a fellowship, and will be followed by another exhibition at the Fondazione Giorgio Cini in Venice in May, which together with the Florence show form the artist's testament. Artribune published Baselitz's last interview in its new bimonthly issue.

Pussy Riot Shows Art by Russia’s Prisoners in New Protest Exhibition

Pussy Riot founder Nadya Tolokonnikova co-curated "Resistance Imprisoned," a protest exhibition at Ritsch-Fisch Galerie in Strasbourg, France, featuring artwork created by people currently or formerly imprisoned in Russia, including Ukrainian civilians. The show opened April 19 and runs through May 31, timed to coincide with the first month of the Venice Biennale, which opens May 9. Works include a pen sketch by Lyudmila Razumova, a photojournalist arrested for anti-war graffiti in 2022 and serving a seven-year sentence, alongside pieces by other political prisoners and Ukrainian POWs. The exhibition aims to highlight the human cost of Russia's war and its participation in international cultural events.

New Exhibition Explores Immersive Art Created by Women Artists in the 1960s and 1970s

Leeum Museum of Art in Seoul has opened "Inside Other Spaces: Environments by Women Artists 1956–1976," an exhibition that reconstructs immersive environments created by women artists from Europe, Asia, and the Americas. Originally organized with Munich’s Haus der Kunst, the Seoul presentation expands the project with additional works by Korean and Asian artists, including Jung Kangja’s "Muche-Jeon (Incorporeal Exhibition)." The show features reconstructed works by pioneers such as Lygia Clark, Marta Minujín, Nanda Vigo, and Tsuruko Yamazaki, whose 1956 piece "Red" is the earliest environment included. Visitors are invited to physically enter installations made of mirrors, translucent materials, sound, and light, experiencing art that dissolves boundaries between artwork, architecture, and viewer participation.

‘Street Nihonga: The Art of Jimmy Tsutomu Mirikitani’

The Spencer Museum of Art has opened 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani,' a major spring exhibition featuring 170 works by the Japanese American artist, many never before displayed. The show traces Mirikitani's extraordinary life from his birth in Sacramento in 1920, his childhood in Hiroshima, formal training in traditional Nihonga under masters Kawai Gyokudō and Kimura Buzan, to his forced incarceration at Tule Lake during World War II after refusing to sign a loyalty oath. After years of statelessness and homelessness in New York City, Mirikitani developed a deeply personal, politically charged mixed-media practice that blended Japanese techniques with American street art.

All New for 2026: The Greatest Exhibitions in Greater Philadelphia

Greater Philadelphia is launching a year-long Semiquincentennial celebration in 2026, featuring a series of major exhibitions across the region. Highlights include "A Nation of Artists" at the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts, the "What Now" festival by ArtPhilly, and "Bells Across PA," a statewide display of painted Liberty Bell replicas. Other notable shows include the Museum of the American Revolution's "The Declaration's Journey," The Franklin Institute's immersive theme park exhibit, The Academy of Natural Sciences' Indigenous re-examination of its Lewis and Clark collection, and the Independence Seaport Museum's look at early American commerce. The Clay Studio presents "Radical Americana" across 20 sites, the National Liberty Museum opens three exhibitions on the First Amendment, and a new show at the Philadelphia Museum of Art explores monuments, curated by Paul Farber.

The Museo Casa Natal Picasso rescues Marisol Escobar, the forgotten queen of pop art

The Museo Casa Natal Picasso in Málaga, Spain, has opened the exhibition "Ni Musas Ni Modelos" (Neither Muses Nor Models), which seeks to reclaim the legacy of Marisol Escobar, a Venezuelan-born pop artist who rose to fame in the 1960s but later fell into obscurity. The show features over forty works by Escobar—including her piece "Saco La Lengua" (I Stick Out My Tongue)—alongside works by thirty other artists such as Dorothea Tanning and Helen Frankenthaler, aiming to correct the historical sidelining of female artists.

The mysterious case of one of the most important British artists of the 1990s who is back with a bang after more than 25 years

Cathy de Monchaux, a prominent British artist from the 1990s known for her erotic and dystopic sculptures, has opened a major survey exhibition at the Palais de Tokyo in Paris titled 'Studio, Wounds and Battles, Desire is the Reiteration of Hope'. The show comes 26 years after her last major solo exhibition at the Hirshhorn Museum in Washington DC, and includes a facsimile of her Hoxton studio, featuring intimate sketchbooks, maquettes, and early works. De Monchaux, who graduated from Goldsmiths in 1987 and was nominated for the Turner Prize, largely stepped away from the public exhibition circuit to raise her son, focusing instead on private commissions.

Ruminations on Rashid Johnson’s “A Poem for Deep Thinkers”

The article is a reflective review of Rashid Johnson's exhibition "A Poem for Deep Thinkers" at the Modern Art Museum of Fort Worth. The author describes standing before Johnson's work "Falling Man" (2016), a piece incorporating broken mirrors, burned wood, and personal objects like a copy of Harry Haywood's "Black Bolshevik" and shea butter, which prompts meditations on visibility, identity, and Frantz Fanon's "Black Skin, White Masks." The review also examines Johnson's large-scale installation "Antoine's Organ" (2016/2026), which fills a gallery typically reserved for Ellsworth Kelly's minimalist canvases, transforming the space with scaffolding, plants, books, and video monitors.

Check out these art exhibits on display in Boulder, Longmont

A comprehensive roundup lists dozens of art exhibitions currently on view in Boulder, Longmont, and Lafayette, Colorado, spanning venues from commercial galleries and nonprofit art centers to libraries and museums. Featured shows include "Tres Voces, Un Corazón" at the Boulder Museum of Contemporary Art, featuring three members of one family—Sylvia Montero, Tony Ortega, and Cipriano Ortega; "We Choose Earth" by Jorge Vinent at Ana’s Art Gallery; and "Black Futures in Art – Genome Speaks What Erasure Cannot Silence" at the Collective Community Arts Center. Other highlights include "Threaded Narratives" by the Colorado South Asian Artist Group, "Unfinished" by Lewis TallBull at the Dairy Arts Center, and "Boulder Eats! Traditions Along the Front Range" at the Museum of Boulder.

Exhibition | Kelly Akashi, 'Heirloom' at Lisson Gallery, 508 West 24th Street, New York, United States

Kelly Akashi presents her first exhibition with Lisson Gallery in New York, titled 'Heirloom,' featuring a new body of work that explores loss, grief, and absence through sculpture. The exhibition includes bronze, Corten steel, flame-worked glass, and carved stone pieces, many inspired by her garden and personal artifacts like an inherited stone ring and her grandmother's lace tablecloth. It coincides with her participation in the 2026 Whitney Biennial and a commission for John F. Kennedy International Airport's New Terminal One.

The Whitney Museum Raised $6.3 Million Last Night

The Whitney Museum of American Art raised $6.3 million at its annual benefit gala on Tuesday night, honoring artist Julie Mehretu, Board Chair Fern Kaye Tessler, and Director Emeritus Adam D. Weinberg. The event drew a crowd of artists, actors, musicians, and arts leaders, with a performance by Grammy winner Shaggy and a seated dinner at the museum's downtown flagship.

A New Show Explores the Cutting-Edge Designs of Fashion’s Mad Scientist, Iris van Herpen

Iris van Herpen's mid-career retrospective "Iris van Herpen: Sculpting the Senses" has opened at the Brooklyn Museum, marking the designer's first major museum presentation in the United States. Originally mounted at the Musée des Arts Décoratifs in Paris in 2023, the exhibition features over 140 haute couture looks alongside artworks, design objects, fossils, videos, and natural specimens. The show begins with a water-themed section and includes garments made from materials such as glass bubbles, bioluminescent algae, and 3D-printed polyamide, exploring themes of skeletal structures, primordial fear, and cosmic movements. A centerpiece room, the Atelier, displays swatches, prototypes, and experimental materials, highlighting van Herpen's scientific approach to fashion design.

Human Touch Wins Big With the 2026 Loewe Craft Prize

Jongjin Park won the 2026 Loewe Foundation Craft Prize and €50,000 for his work "Strata of Illusion, 2025," which combines glassblowing and bookbinding techniques using porcelain-coated paper layers. The ceremony took place at the National Gallery Singapore, with a jury led by Loewe's new creative directors Jack McCollough and Lazaro Hernandez, alongside architects Minsuk Cho, Frida Escobedo, Wang Shu, and Patricia Urquiola. Special mentions went to Graziano Visintin for his necklace "Collier" and a collaborative piece by Baba Tree Master Weavers and Álvaro Catalán de Ocón. The exhibition of 30 finalists, selected from over 5,100 applicants across 133 countries, runs at the National Gallery Singapore through June 14.

London exhibition explores untold history of how homelessness was criminalised

A new exhibition titled "Criminal: The Untold History of Homelessness" opens at the Museum of Homelessness in London, exploring the origins of homelessness in the UK and how it has been criminalized. The exhibition challenges the typical focus on the 19th-century Vagrancy Act, instead tracing the "Homelessness Big Bang" to the early 1600s, when land enclosures, economic shifts, and colonial expansion began penalizing unhoused people. Staged in a meadow at Finsbury Park, the show features artists and activists including the anonymous graffiti artist 10 Foot, designer Matt Bonner, and poet Gemma Lees, with works such as 10 Foot's first sculpture "Fairie Newbuild"—a skip-shaped object made from palisade fencing containing a hawthorn tree.

British Museum Unveils Elaborate Display for Bayeux Tapestry

The British Museum has revealed its plans for displaying the nearly 1,000-year-old Bayeux Tapestry when it arrives on loan from France later this year. For the first time in recent history, the 230-foot-long embroidered narrative of the Norman Conquest will be laid flat in a bespoke case, allowing visitors to view all 58 scenes in a single unbroken display. The exhibition, supported by a £5 million pledge from WorldQuant CEO Igor Tulchinsky, will also feature loans including the Junius II manuscript from Oxford's Bodleian Libraries and silver coins from the Chew Valley Hoard. Tickets for the ten-month show, opening September 10, cost £25–£33.

Finnish museum creates a new and radical support model for artists

Finland's largest art museum, the Espoo Museum of Modern Art (Emma), has launched a radical new artist support model under director Krist Gruijthuijsen. The program commits to four artists—P. Staff, Tarik Kiswanson, Jenna Sutela, and Eglė Budvytytė—over several years, providing financial backing through acquisitions, production support, a part-time stipend, and health insurance. It will culminate in mid-career survey exhibitions in 2029 and 2030, which the museum plans to tour with partner institutions. Three of the artists are currently showing at the Venice Biennale with Emma's support.

Latino community organisation opens $33m arts centre in Boston

On 15 May, Inquilinos Boricuas en Acción (IBA), a Latino-founded nonprofit community development corporation, will open La Casa, a $33 million, 26,000-square-foot cultural center in Boston's South End. The largest Latino cultural center in New England, La Casa is designed by local firms Studio Enée and Annum Architects and features a terracotta-colored facade, energy-efficient design, and flexible spaces for civic engagement, education, and artistic expression. Initial programming includes artist residencies, workshops, and a mural by local artist Alvin “Acóma” Colon honoring Boston’s Puerto Rican residents. The building incorporates salvaged elements from the original turn-of-the-century Lutheran church that IBA repurposed in the 1960s.