The pioneer of organic textile sculptures, Magdalena Abakanowicz, is taking over Helsinki Art Museum

Helsinki Art Museum (HAM) presents "Magdalena Abakanowicz: Crossing Boundaries," the first Finnish exhibition of the Polish artist's monumental fiber works, running from May 6 to August 30, 2026, at the Tennis Palace. The show features 58 works spanning six decades, including her iconic Abakans—suspended woven forms—and headless burlap figures, along with documentary screenings and a new Finnish-language publication.

Boxing News: WBC Honors Rocky Exhibition & Joe Frazier Legacy At Philadelphia Museum Of Art » May 13, 2026

The World Boxing Council (WBC) presented two commemorative championship belts at the Philadelphia Museum of Art in connection with the exhibition "Rising Up: Rocky and the Making of Monuments," which marks the 50th anniversary of the film "Rocky." On April 23, 2026, Rasheen Farlow of the WBC gave a belt to the family of Joe Frazier, accepted by his daughter Jacquelyn Frazier-Lyde. The following evening, a second belt was presented to the exhibition itself, accepted by guest curator Paul Farber. The belts honor boxing figures Joe Frazier, Muhammad Ali, and Jose Sulaiman, and one also features the film character Rocky.

FAD News: Sarah Lucas unveils new public sculpture commission for New Museum plaza

The New Museum has unveiled a major public sculpture by Sarah Lucas titled "VENUS VICTORIA," installed on its new outdoor plaza as part of the OMA-designed expansion on the Bowery. The large-scale work, which opened on May 12, 2026, and will remain on view for two years, inaugurates a long-term commission series dedicated to public sculpture by women artists. Lucas was selected by an all-artist jury including Teresita Fernández, Joan Jonas, Julie Mehretu, Cindy Sherman, and Kiki Smith, and is the first of five artists to be commissioned over the next decade. The sculpture extends Lucas's Bunny series, placing a reclining figure atop a giant washing machine to subvert traditional monumental statues.

Cleveland Museum of Art hosting ‘France in the Time of Manet and Morisot’

The Cleveland Museum of Art (CMA) has opened a free companion exhibition titled "France in the Time of Manet and Morisot," running through August 23 in the Mark Schwartz and Bettina Katz Photography Galleries. The show features 50 photographs from the museum's holdings of mid-1800s France, including works by Charles Marville and Édouard Baldus, who were commissioned by Emperor Napoleon III and the Louvre to document historic monuments and new architectural projects. Curated by Barbara Tannenbaum, CMA chair of prints, drawings, and photographs, the exhibition complements the museum's ticketed show "Manet & Morisot," which explores the artistic exchange between Édouard Manet and Berthe Morisot. Highlights include André-Adolphe-Eugène Disdéri's 1861 portrait "Monsieur Merlen," which is noted as an early precursor to the selfie, and a photograph of the Arc de Triomphe under construction.

‘Drift’ Invites Reverie at the Parrish

Sanford Biggers's first major solo exhibition on the East End, "Drift," opens at the Parrish Art Museum on Sunday and runs through September 13. The show features new works and site-responsive installations, including the monumental "Unsui (Cloud Forest)" (2025), a series of illuminated cloud sculptures suspended from the museum's arched ceiling. Co-curated by Corinne Erni and Scout Hutchinson, the exhibition spans Biggers's multidisciplinary practice—painting, sculpture, video, performance, and textile works—drawing on influences from Buddhism to graffiti culture and Gee's Bend quilts. Highlights include examples from his "Codex" series, made from repurposed antique quilts with spray-painted cloud forms, and a new sand installation inspired by prayer rugs and Japanese Buddhist mandalas.

Cleveland Museum of Art presents 19th-century photo exhibit 'France in the Time of Manet and Morisot'

The Cleveland Museum of Art (CMA) has opened a new photography exhibition, "France in the Time of Manet and Morisot," running through August 23 in the Mark Schwartz and Bettina Katz Photography Galleries. The free show features 50 photographs from CMA's holdings of mid-1800s France, complementing the museum's ticketed Impressionist display "Manet & Morisot." Curator Barbara Tannenbaum selected works by photographers such as Charles Marville, Édouard Baldus, and André-Adolphe-Eugène Disdéri, including Disdéri's 1861 portrait "Monsieur Merlen," which is noted as an early precursor to the modern selfie. The photographs document historic monuments, new architecture, and figures like Sarah Bernhardt, offering a visual context for the era of painters Édouard Manet and Berthe Morisot.

Exhibition commemorates Frederic Church 200th

The Olana Partnership opens "Frederic Church: Global Artist" on May 17 at Olana State Historic Site in Hudson, New York, commemorating the 200th anniversary of Frederic Church's birth (1826–1900). The exhibition brings together monumental oil paintings, drawings, oil sketches, and photographs from Church's global travels, with loans from major institutions including the Cooper Hewitt, Smithsonian Design Museum, The New York Historical, and the Terra Foundation for American Art. It is organized by Elizabeth Kornhauser, Tim Barringer, and Jennifer Raab, and is part of the broader Frederic Church 200 initiative.

Woody De Othello Celebrates First Major Solo Public Exhibition in New York with Public Art Fund

Woody De Othello's first major solo public exhibition in New York, titled "Guardian Spirit," has opened at Brooklyn Bridge Park, presented by Public Art Fund. The exhibition features monumental redwood totems standing 20 to 22 feet tall, carved with chainsaws and grinders, alongside bronze sculptures created between 2021 and 2025. The works explore themes of ritual, spirituality, and the elemental forces of wind and water, drawing inspiration from nkisi, ritual objects from Western and Central Africa. The exhibition runs from May 5, 2026, to March 8, 2027, with sculptures installed at Pier 1 and the Manhattan Bridge View.

Paris exhibition celebrates the visionary world of Hilma af Klint, an artist ahead of her time

A major exhibition at Paris's Grand Palais presents Hilma af Klint's visionary abstract series "Paintings for the Temple" (1906–1915) for the first time in France. The show features works like "The Ten Largest" (1907), which predate the abstract art of Kandinsky, Mondrian, and Malevich by several years. Curated by Pascal Rousseau, the exhibition highlights Af Klint's pioneering use of spirals, geometric forms, and spiritual themes, created in seclusion and long hidden from public view.

Alberto Aguilar’s Translational Rhythms at the Chicago Cultural Center

Alberto Aguilar's exhibition "I just really want to tell you this one thing" at the Chicago Cultural Center presents a sprawling, experimental installation that reinterprets his own work across decades. The show features eleven other artists who have each taken one of Aguilar's earlier paintings and created new versions, displayed alongside the originals. Curated by Elise Butterfield, the exhibition explores themes of translation, transformation, and artistic dialogue, with works spanning from 1997-2002 and 2020-2026.

Monumental Portrait of Late Biennale Curator Koyo Kouoh Unveiled in Venice

A monumental portrait of late Venice Biennale curator Koyo Kouoh, created by American artist Derrick Adams, has been unveiled in Venice ahead of the Biennale's public opening. The collage, titled *Heavy is the head that wears the crown* (2026), is displayed near the Arsenale until September 24. Kouoh, who died unexpectedly in May 2025 at age 57, was the first African woman to curate the Biennale. Adams' work uses golden hues and flattened forms to celebrate Kouoh's legacy, referencing the pressures of leadership and the joy she brought to the art world.

lina lapelytė fills hamburger bahnhof with 400,000 cubes, inviting visitors to build and sing

Lithuanian artist Lina Lapelytė has filled Berlin's Hamburger Bahnhof museum with 400,000 lightweight foam cubes, creating an interactive installation titled "The Singing Cube." Visitors are invited to stack, carry, and rebuild the cubes while participating in collective singing performances, transforming the museum into a participatory sound and sculpture environment. The installation evolves over time through the collaborative actions of participants, blending architecture, music, and social interaction.

New Jersey Museum makes TIME's World’s Greatest Places of 2026 list

TIME magazine has named the Princeton University Art Museum to its 2026 list of World's Greatest Places, specifically in the 'Places to Visit' category. The museum, which opened in October 2025 on the Princeton University campus, features a new 146,000-square-foot building with 32 galleries designed by Adjaye Associates. Its collection spans over 5,000 years of global art, including works by Rodin, Manet, Monet, Degas, Kandinsky, and Andy Warhol, alongside contemporary commissions by artists such as Diana Al-Hadid and a monumental Nick Cave mosaic at the entrance.

Charlottesville's Confederate statues are centerstage in West Coast art exhibition rooted in tragedy and trauma

The remains of Charlottesville's melted Confederate statue of General Robert E. Lee are now on display at the Museum of Contemporary Art (MOCA) in Los Angeles as part of the 'Monuments' exhibition. The statue, originally standing in Market Street Park, was acquired by the Jefferson School African American Heritage Center (JSAAHC) in 2021, melted down at a secret location, and shipped to Los Angeles. The exhibition, presented in partnership with The Brick, also features artist Kara Walker's reconstruction of the Thomas Jackson statue. The bronze ingots and slag from the melting process are displayed alongside other works that reimagine Confederate monuments.

Why Jaume Plensa’s New Exhibition at Denver Botanic Gardens Is a Must-See This Summer

Spanish artist Jaume Plensa has opened a major exhibition at the Denver Botanic Gardens, titled *Jaume Plensa: A New Humanism*, which includes both outdoor sculptures and indoor gallery works. The show features iconic pieces like the 11-foot-tall steel sphere "Self-Portrait with Music" and a retrospective spanning from 2002 to the present, including portrait heads, a door inscribed with the Universal Declaration of Human Rights, and letter-based sculptures. Plensa describes the hybrid setting as a first for him, where children interact freely with the art.

Robert Longo: Angels of the Maelstrom | Pace Gallery | Art in Tokyo

Robert Longo, the New York-based artist known for monumental charcoal drawings, returns to Japan after thirty years with the solo exhibition 'Angels of the Maelstrom' at Pace Gallery Tokyo, on view until June 17. The show presents recent drawings and sculptures that juxtapose allegorical images of crashing waves, whales, tigers, and peonies with portraits of 20th-century American icons, centered on a large-scale depiction of Japanese baseball star Shohei Ohtani titled *Untitled (American Samurai)*, which Longo frames as a symbol of cultural convergence.

From Rocky to Rizzo: Monument Expert Paul Farber Talks Statues and Public Spaces

Paul Farber, founder of Monument Lab, discusses his new exhibition "Rising Up: Rocky and the Making of Monuments" at the Philadelphia Museum of Art. The show moves the iconic Rocky statue inside the museum and examines how a fictional boxer's statue became Philadelphia's most famous work of art, exploring broader questions about collective memory and public commemoration. Farber also reflects on the dismantling of the Frank Rizzo statue and how unintentional monuments like the Berlin Wall shape cultural discourse.

The 'Rocky' anniversary year starts with the Philadelphia Museum of Art's “Rising Up”

The Philadelphia Museum of Art has opened a new exhibition titled “Rising Up: Rocky & the Making of Monuments” to mark the 50th anniversary of the original Rocky film (1976) and the 250th anniversary of the United States. The show examines the Rocky statue as a monument tied to the museum and Philadelphia, featuring works by artists such as Keith Haring, Rashid Johnson, Delilah Montoya, Tavares Strachan, Hank Willis Thomas, Kara Walker, Andy Warhol, and Carrie Mae Weems. It also highlights Philadelphia's boxing history, including Joe Frazier and the Blue Horizon venue.

Philadelphia Museum welcomes Rocky statue with new exhibition | Daily Sabah

The Philadelphia Museum of Art is opening a new exhibition titled "Rising Up: Rocky and the Making of Monuments," which explores the cultural and artistic significance of the Rocky Balboa statue that sits at the museum's steps. Guest curator Paul Farber organized the show, which spans over 2,000 years of boxing imagery and includes works by Keith Haring, Jean-Michel Basquiat, and Andy Warhol. The exhibition marks a shift in the museum's long-standing ambivalent relationship with the statue, which was originally placed on the steps during filming of the "Rocky" movies and later relocated before returning in 2006. After the exhibition closes in August, the statue will be permanently installed at the top of the museum's steps for the first time.

Iconic 'Rocky' statue outside Philadelphia Museum of Art will now get its own exhibit -- and be moved indoors

The iconic Rocky Balboa statue, long stationed outside the Philadelphia Museum of Art (PMA), is being moved indoors for a new exhibition titled "Rising Up: Rocky and the Making of Monuments." Opening this weekend, the show examines how the fictional boxer and his statue became a symbol of Philadelphia's identity, tracing over two millennia of artists' engagement with boxing and celebrity. The exhibition includes works by Jean-Michel Basquiat and Andy Warhol alongside the bronze statue, which attracts roughly 4 million visitors annually. After the exhibit ends in August, the city's statue will be permanently relocated to the top of the museum steps, replacing a temporary loan from Sylvester Stallone's private collection. A new statue honoring legendary Philadelphia boxer "Smokin'" Joe Frazier is being built at the statue's original location.

Philadelphia Museum of Art exhibit featuring Rocky Balboa statue gets underway

The Philadelphia Museum of Art has opened a new exhibition titled "Rising Up: Rocky and the Making of Monuments," centered on the iconic bronze statue of fictional boxer Rocky Balboa that sits at the bottom of the museum's steps. Guest-curated by Paul Farber, the show explores the statue's transformation from a movie prop into a real-world symbol of perseverance and public devotion, tracing over 2,000 years of boxing imagery through works by artists such as Keith Haring, Jean-Michel Basquiat, and Andy Warhol. The museum, which once fought to have the statue removed, now embraces it as part of Philadelphia's identity.

Nick Cave’s “Mammoth” Collection of Objects Is a Public Deep Dive Into Personal History

Nick Cave's immersive solo exhibition "Mammoth" is on view at the Smithsonian American Art Museum through January 3, 2027. The show features a vast, illuminated table covered with hundreds of everyday objects—faux fruits, bejeweled vegetables, wooden canes, glass fish, toy trucks, and leather slippers—arranged with deliberate purpose. Alongside these collected items, Cave has constructed mammoth hides and bones, and a video projection brings the ancient creatures to life. The exhibition draws deeply on Cave's personal history growing up in Missouri, with memories of his grandparents' farm and his family's traditions of making, quilting, and craftsmanship informing the assemblage.

Museum of Art brings Rocky statue inside

The Philadelphia Museum of Art is opening a new exhibition titled "Rising Up: Rocky and the Making of Monuments" that brings the iconic bronze statue of fictional boxer Rocky Balboa inside the museum for the first time. Guest curator Paul Farber organized the show, which spans over 2,000 years of boxing imagery and places the statue within art history and Philadelphia's identity. The museum, which had a historically rocky relationship with the statue—initially fighting to have it removed from its steps—has now embraced it, with plans to permanently install the statue at the top of the museum's steps after the exhibition closes in August.

Philadelphia Museum of Art Launches Rocky Exhibition: A New Look at Monuments, Culture, and Legacy

The Philadelphia Museum of Art has opened a new exhibition titled “Rising Up: Rocky and the Making of Monuments” in April 2026, which examines the cultural significance of public monuments through the lens of the fictional boxer Rocky Balboa. Curated by Paul Farber and drawing on the work of Monument Lab, the show brings the iconic Rocky Statue inside the museum, placing it alongside classical and contemporary artworks by artists such as Jean-Michel Basquiat and Andy Warhol, as well as historical objects spanning 2,000 years.

Did Zurbarán Believe What He Painted?

An exhibition of Francisco de Zurbarán's 17th-century religious paintings at London's National Gallery prompts a critic to question whether the artist's personal faith influenced his artistic skill. The show features monumental works from Spanish churches and monasteries, displayed dramatically against black walls, including crucifixion scenes, monks, and saints. The critic notes that no personal records of Zurbarán survive—only contracts—leaving his beliefs unknown, and compares him to Agnolo Bronzino, who painted pious scenes but wrote obscene verses. A small painting of a crucified Christ with a painter, possibly a self-portrait of Bronzino, is presented as ambiguous evidence of faith.

At the Venice Biennale there is also Taiwan. With a collateral event on melancholy

Alla Biennale di Venezia c’è anche Taiwan. Con un evento collaterale sulla malinconia

Taiwan will present a collateral event at the 2026 Venice Biennale titled "Screen Melancholy," curated by Raphael Fonseca and featuring artist Li Yi-Fan. The exhibition, organized by the Taipei Fine Arts Museum, will be held at Palazzo delle Prigioni and run until November 22, 2026. It explores anxieties of the digital age through a site-specific installation combining a single-channel video and monumental human sculptures, reflecting on information overload, fragmented perception, and the limits of human knowledge.

A Milano c’è una mostra di un importante artista australiano in cui si ragiona sul rumore

Marco Fusinato, the Australian artist who represented his country at the 59th Venice Biennale, returns to Italy with a solo exhibition at the Padiglione d’Arte Contemporanea (PAC) in Milan. Titled "The only true anarchy is that of Power," the show brings together installations, performances, and sound recordings from recent years, all centered on the concept of noise. Curated by Diego Sileo, the exhibition features three ongoing projects, including the monumental performance-installation DESASTRES, first presented at the Venice Biennale in 2022 and later staged at festivals such as Berlin Atonal and Unsound Krakow. The work combines randomized sound and images, using electric guitars, mass amplification, and intense feedback to create an immersive, hallucinatory experience where chaos and control coexist.

Pio Abad Explores Home and Diaspora for the 2026 Venice Biennale

Filipino artist Pio Abad is presenting a series of intricate, hand-drawn works at the 2026 Venice Biennale as part of the exhibition "In Minor Keys," conceived by the late curator Koyo Kouoh. The works, created over four years with a 0.3-millimeter pen, include pieces such as "I’m Singing a Song That Can Only Be Born After Losing a Country" (first shown at the Ashmolean Museum in 2024), "Banua" (his first drawing on fabric), and "1897.76.36.18.6," which reflects on the looting of the Benin Bronzes. Abad, born in the Philippines and based in London, explores themes of migration, memory, exile, and the itinerant nature of objects and language.

Exhibition | Daniel Crews-Chubb, 'The Belt of Venus' at Patricia Low Contemporary, Venezia, Venice, Italy

Daniel Crews-Chubb presents 'The Belt of Venus,' an exhibition of six new monumental paintings at Patricia Low Contemporary in Venice. The works draw inspiration from the atmospheric phenomenon of the same name, using its ethereal pinkish glow as a color palette. Crews-Chubb explores pareidolia—the brain's tendency to see faces in abstract forms—pushing his long-standing interrogation of the human figure into increasingly abstract territory. The paintings reference classical mythology, including the Roman goddess Venus, and incorporate fragmented forms reminiscent of ancient statuary, serving as memento mori.

Required Reading

This week's Required Reading roundup from Hyperallergic covers a diverse range of art-world stories. French photographer JR has unveiled "La Caverne du Pont Neuf Paris" (2026), an optical illusion installation that transforms the pathway across the Seine into a black-and-white mountain range cave, paying homage to Christo and Jeanne-Claude's 1985 wrapping of the same bridge. Other highlights include architecture scholar Karrie Jacobs investigating a New York waterfront walking initiative for The Nation, curator Tara Contractor writing in Apollo about James McNeill Whistler's use of metallic pigments influenced by Japanese traditions, and Rob Corsini interviewing Amelia Abraham about their new book celebrating photography of queer nightlife for Dazed.