The Asian Art Museum in San Francisco has opened 'Chiharu Shiota: Two Home Countries,' the first solo exhibition in the Bay Area for the Japanese-born, Berlin-based artist. The show features her signature immersive installations of red thread, weaving together personal objects and exploring themes of memory, displacement, and identity.
The Asian Art Museum of San Francisco has opened "Chiharu Shiota: Two Home Countries," a major exhibition featuring the Japanese-German artist’s signature large-scale yarn installations. The show centers on immersive works like "Diary," which utilizes 20 miles of red thread to suspend historical documents and personal ephemera, and the title installation which explores the artist's dual identity between Japan and Germany. Through sculptures and performance videos, the exhibition navigates themes of memory, trauma, and the biological realities of the human body, including Shiota’s personal battles with cancer.
The Cleveland Museum of Art has launched "Martin Puryear: Nexus," the most comprehensive survey of the 84-year-old American sculptor’s work in nearly two decades. Co-organized with the Museum of Fine Arts, Boston, the exhibition features approximately 50 pieces, including large-scale sculptures, drawings, and maquettes spanning 50 years of Puryear’s career. A unique feature of the show is the inclusion of diverse interpretations from various artists and architects, though many works are left intentionally open-ended to encourage personal viewer connection.
The High Museum of Art has launched the first solo museum exhibition for American photographer Mimi Plumb, titled "Blazing Light." Spanning five decades of work, the exhibition features over 100 photographs across three major series: "The White Sky," "Landfall and The Golden City," and "The Reservoir." These gritty, black-and-white images document the evolving landscape of the American West, specifically California, while capturing the psychological tension of a society grappling with environmental decay and economic instability.
The National Trust has unveiled a new exhibition titled "Churchill the Artist" at Chartwell, the former home of Winston Churchill. The show features personal artifacts including his paint-spattered Savile Row overalls and spectacles, alongside the painting "Quiet Waters" (c. 1920s), which is being exhibited in the U.K. for the first time. The work, an impressionistic river scene, was originally a gift from Churchill to the press baron Lord Beaverbrook.
Marie-Laure Bernadac’s new biography, 'Knife-Woman: The Life of Louise Bourgeois', provides a comprehensive look at the French-American artist’s prolific career and traumatic upbringing. The book explores how Bourgeois transformed childhood wounds—specifically her father’s infidelity and psychological cruelty—into a radical body of work spanning sculpture, installation, and textiles. From her early encouragement by Fernand Léger to her late-career fame with the 'Maman' spider sculptures, the biography traces her evolution from a painter to a boundary-defying sculptor who utilized materials ranging from latex to marble.
British artist Cathie Pilkington has created a new exhibition, 'Housekeeper,' at London's Freud Museum. The installation features sculptural interventions placed among Sigmund Freud's preserved study and home, channeling the spirit of the family's long-serving housekeeper, Paula Fichtl, as a 'poltergeist' subtly disrupting the order of Freud's antiquities and inserting subversive, uncanny figures.
A blog post examines Van Gogh's lesser-known self-portrait, *Self-portrait with bandaged Ear and Pipe* (January 1889), held in a private collection and rarely exhibited—last lent outside Switzerland in 1990. The painting shows the artist clean-shaven, smoking a pipe, with a striking orange-red background, painted just weeks after he mutilated his ear following a row with Paul Gauguin. The post contrasts it with the more famous version in London's Courtauld Gallery, analyzing compositional details and the artist's psychological state.
Myles Connor, an experienced career criminal, stole Rembrandt's "Portrait of Elsbeth van Rijn" from the Museum of Fine Arts, Boston on April 14, 1975, using the painting as leverage in another crime. In his new book "The Rembrandt Heist," Anthony Amore—director of security at the Isabella Stewart Gardner Museum—analyzes Connor's motivations and methods, presenting five key takeaways from the heist.
The film *Moss & Freud*, directed by James Lucas, explores the unlikely friendship between supermodel Kate Moss (played by Ellie Bamber) and painter Lucian Freud (Derek Jacobi) in 2001 London. The story centers on Moss's desire to sit for the reclusive portraitist, culminating in Freud's unflattering *Naked Portrait 2002*. However, the film glosses over Freud's darker reputation—his punishingly long sittings, cruelty, and violent tendencies—portraying him instead as a benign, eccentric old man. It also fails to deeply investigate Moss's character or the exploitation within the fashion industry, relying on weak scripting and forced parallels between Moss and Freud's ex-wife Lady Caroline Blackwood.
Chinese-born, Paris-based painter Xie Lei has spent nearly two decades perfecting what he calls a 'poetics of the strange' in his canvases, which feature ghostly, gender-ambiguous figures in ambiguous situations—such as a kiss that could also be an act of suffocation. His works, which draw on memory rather than live models, will be exhibited at the Musée d’Art Moderne de Paris in September 2025. Xie cites influences ranging from classical Western painters like Delacroix and Goya to French authors Albert Camus and Jean Genet, as well as psychoanalyst Julia Kristeva and Chinese writers Zhuang Zhou and Pu Songling.
Jane and Louise Wilson, identical twin artists born in Newcastle-upon-Tyne in 1967, are featured in a podcast interview where they discuss their collaborative practice since the late 1980s. Working primarily in video installation, photography, and sound, they explore duality and selfhood through loaded sites like abandoned military bases and borderlands. The podcast covers their early inspirations, including John Martin and Cindy Sherman, and the influence of filmmakers such as Rainer Werner Fassbinder, Jean Cocteau, and Stanley Kubrick. Their current exhibitions include 'Performance of Entrapment' at London Mithraeum Bloomberg SPACE (until 10 January 2026) and 'Dendrophiles' at Leadenhall Building as part of Sculpture in the City, London (until spring 2026).
Verge, a human-resources and recruiting agency, has launched a new membership program offering museums and art organizations a proprietary employee survey called the Workplace Advancement Instrument (WAI). The survey assesses organizational health across areas like communication, compensation, retention, and psychological safety. Members receive results, access to workshops, and an annual benchmarking report, with early adopters including the Dia Art Foundation, Corita Art Center, Helen Frankenthaler Foundation, and Denniston Hill. The program costs $5,000 per year and grew out of Verge's recruitment work, which found that many arts workers of color were leaving jobs due to unsupportive workplace cultures.
American artist Lisa Sanditz presents a suite of nine new works in her solo exhibition “Big Boy” at Huxley-Parlour in London, on view through May 31, 2025. The show, her third with the gallery, explores power dynamics within families and across generations through formal devices such as exaggerated scale, vibrant color, and playful imagery. Key works like "Big Boy/Big Gulp" (2025) and "Big Cat" (2025) use a hierarchy of scale rooted in medieval and ancient art traditions to reflect emotional and psychological tensions, while also commenting on broader societal and political shifts in America amid climate change.
Architect Luigi Alberto Cippini, founder of Armature Globale, engages in a provocative dialogue with Michael Abel and Nile Greenberg regarding the stagnation of contemporary architecture. Cippini calls for a radical departure from traditional disciplinary boundaries, advocating for a "punk" approach that embraces low-resolution aesthetics, hyper-specialized research, and a rejection of the pedantic communication standards that currently dominate the field.
British artist Louis Pohl Koseda is gaining attention for his intricate works that blend drawing, painting, and architectural theory to explore the city as a psychological structure. His practice, which he terms 'metafictionism,' utilizes fine-line drawing to create layered compositions where figures navigate unstable, theatrical urban environments. Influenced by his upbringing in an East London Hare Krishna community, Koseda’s work focuses on how belief systems and social fabrics are mapped onto the physical and imagined spaces of the city.
The author, an Iranian artist living in the diaspora, describes the profound psychological impact of the ongoing war on her homeland. She experiences a constant state of displacement and terror, feeling tethered to Tehran through news of bombings in the Alborz Mountains, which transforms her sense of geography and home into one of anxiety and helplessness.
Uffner & Liu in New York is presenting 'What Remains,' a solo exhibition by Iranian artist Arghavan Khosravi, running through July 2, 2026. The show features multi-paneled sculptural canvases, a freestanding sculpture, and intimate mixed-media works, including the debut of her 'Altar Series,' which reimagines medieval devotional altarpieces through a contemporary political and psychological lens.
French artist Pol Taburet has opened a solo exhibition titled *Paranoia as Method* at Villa Medici in Rome, on view through July 15. The show features sculptures, large-format paintings, and charcoal drawings created during his spring residency at the institution, transforming the villa’s gardens, loggias, and salons into tense psychic landscapes. Taburet’s figures drift between human and animal, evoking transformation, mortality, and spiritual tension, drawing on his Caribbean roots, voodoo traditions, contemporary culture, and classical painting.
Kistefos presents *Fish, Fish, Duck*, the first solo exhibition in the Nordic region by London-based painter Issy Wood, opened at Nybruket Gallery on 9 May 2026. The show features psychologically charged paintings on velvet and linen, self-portraits, animals, household objects, and a painted chaise longue, organized around the thematic frameworks "Ways of Seeing" and "The Artist as Archivist." Curated by Live Drønen and Kate Smith-Raabe, the exhibition draws on sources from the internet, advertising, and auction catalogues to explore desire, power, vulnerability, and objectification.
The article reviews "The Adventure of Domenico Gnoli," a retrospective at Lévy Gorvy Dayan in New York, focusing on the Italian artist's 1967 painting *L'inverno (Couple au lit)* and other works featuring intimate, fabric-rich domestic scenes. Gnoli (1933–1970), born into an art-world family, is often associated with Pop Art, but the author argues his work depicts a private, almost childlike world of memory and longing, contrasting with Pop's mass-produced commodities.
Arario Gallery Seoul presents 'Discarded Host', a solo exhibition by South Korean artist Kang Cheolgyu (b. 1990), running from May 1 to June 20, 2026. The show features new paintings that transform personal emotions and psychological sensations into visual narratives, exploring themes of anxiety, tension, identity, and transformation through fictional environments and indirect self-confrontation.
Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.
Anna Park makes her United Kingdom solo debut at Lehmann Maupin London with 'Hot Honey,' an exhibition of large-scale charcoal works running from April 30 to May 30. The show features Park’s signature fractured, cinematic compositions that explore female archetypes like the 'vixen' and the 'bombshell.' For the first time, the artist introduces shaped supports that turn her drawings into sculptural reliefs, alongside restrained passages of color that heighten the psychological intensity of her social critiques.
Acclaimed Norwegian artist and writer Lars Elling is set to debut his first South African exhibition, "Dreams of Reason," at the Everard Read Gallery in Franschhoek on April 11, 2026. The collection features works created during his annual five-month residencies at the De Rust farm in Elgin, home of Paul Clüver Family Wines. The exhibition marks a significant shift in Elling’s palette, moving from the muted greys of Norway to the vibrant ochres and blues of the Western Cape, while exploring the liminal psychological space between sleep and wakefulness.
Hayv Kahraman's latest solo show, "Ghost Fires," at Jack Shainman Gallery in New York City features paintings of women with smoke rising from their fingertips and pupil-less eyes, using scorched textures and marbled pigments. The body of work is her first since the January wildfires in Los Angeles displaced her and her family from their Altadena home, and it explores trauma, memory, and healing without directly depicting flames.
Yuan Fang presents a new series of visceral abstract paintings at Skarstedt Chelsea, created after she was diagnosed with cancer. The works mark a shift from her earlier gestural abstraction, confronting the fragility and resilience of the body through intuitive, layered processes that evoke cycles of generation, decay, and rebirth. Fang, who gained international attention during the pandemic, joined Skarstedt last year and continues to attract collectors in Hong Kong and beyond.
VIPs attended the opening of Tefaf New York at the Park Avenue Armory on 8 May, where a surprising number of dark, oppressive works stood out amid the usual luxury offerings. Highlights include Anne Imhof's entire stand at Sprüth Magers, featuring her painting *Untitled* (2024) showing figures holding hands before an atomic bomb (sold for €250,000), Fernando Botero's *El Nuncio* (1987) critiquing clerical power, Paula Rego's *The Bullfighter's Godmother* (1990-91) exploring dominance and loss, and George Grosz's interwar depictions of Berlin's social decay.
Larissa Pham’s debut novel, Discipline, follows Christina, a young writer and former painter grappling with the psychological aftermath of a formative affair with her art professor, Richard. Set against the backdrop of a book tour for her own autofictional novel, the narrative uses Christina’s observations of art—ranging from Helen Frankenthaler to Edward Hopper—to slowly peel back the layers of a relationship defined by power imbalances and predatory mentorship.
Alexandra Noel presents a solo exhibition of new works at Derosia in New York, running from March 14 through April 25, 2026. The exhibition showcases the artist’s signature small-scale paintings, which often utilize intimate dimensions to explore complex psychological landscapes and domestic tensions.