‘Of course I accepted!’ Angel Otero on Bad Bunny – and bringing some Puerto Rican flair to Somerset

Angel Otero, a Puerto Rican artist based in Somerset, discusses his emotional collaboration with musician Bad Bunny on the stage set "La Casita" for his 31-show residency in Puerto Rico. Otero's new solo exhibition at Hauser & Wirth Somerset features large-scale, semi-abstract paintings that draw from his childhood memories in Santurce, San Juan, including motifs like a pink vanity cabinet, birdcages, and a turbulent sea. His signature technique involves applying paint skins—dried sheets of oil paint on Perspex—to canvas, creating layered, sculptural surfaces. The show includes a diptych based on a photograph of Otero and his grandmother, marking his most figurative work to date.

There will be mud! Could my child (and buggy) survive a day at a sculpture park?

A parent takes their toddler to Yorkshire Sculpture Park (YSP) in West Yorkshire, UK, during a rainy February day. Despite the mud and drizzle, the child engages with outdoor artworks by Barbara Hepworth, Henry Moore, Bharti Kher, Sol LeWitt, Vanessa da Silva, and Damien Hirst, treating the sculptures as playgrounds and objects of discovery. The park offers free activity packs, a Hidden Forest designed for under-fives, and a family-friendly environment that encourages children to explore art and nature without the constraints of indoor galleries.

From Lee Cronin’s The Mummy to Zayn: your complete entertainment guide to the week ahead

From Lee Cronin’s The Mummy to Zayn: your complete entertainment guide to the week ahead

British artist Michaela Yearwood-Dan is launching her first UK institutional solo exhibition at The Whitworth in Manchester. The immersive installation blends painting, ceramics, sound, and poetry to explore complex themes of colonial history, religious institutions, and the journey toward personal and collective liberation.

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Tate has announced an ambitious plan to build a £150 million ($201 million) endowment by 2030, launching the Tate Future Fund in June with over £43 million ($58 million) pledged. The initiative, unveiled at a high-profile gala that raised £1 million ($1.34 million), has sparked debate across the UK museum sector about the viability of endowment models for long-term sustainability. Meanwhile, the Baltic Centre for Contemporary Art in Gateshead launched a £10 million ($13 million) endowment, bolstered by a gift from musician Sting, and other UK museums like the British Museum and V&A have quietly built similar reserves. In a separate story, Matthiesen Gallery has filed a lawsuit in US District Court against convicted fraudster Thomas Austin Doyle, artist Shalva Sarukhanishvili, Jill Newhouse Gallery, and art collector Jon Landau over the alleged mishandling of Gustave Courbet's painting *Mother and Child on a Hammock* (ca. 1844), claiming fraud and breach of contract after the painting was sold far below its market value.

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Jean-Michel Basquiat’s monumental 1983 painting, 'Museum Security (Broadway Meltdown)', is set to headline Sotheby’s marquee contemporary evening auction this May with an estimate of $45 million. The seven-foot canvas was created during the artist's pivotal year in Los Angeles and features his signature blend of text and symbols, including wry commentaries on the institutionalization and commercial value of art. The work previously sold at Christie’s in 2013 for $14.5 million.

Is Hong Kong Back? The GRAND PRIX de Basel 2026

Hong Kong’s art scene experienced a massive surge of activity in March 2026, anchored by Art Basel Hong Kong and Art Central. The city hosted 240 galleries at the main fair, drawing over 91,000 visitors, alongside numerous boutique fairs, auction previews, and major institutional exhibitions. Highlights included a reassembled 1964 Yayoi Kusama installation at Art Intelligence Global, a lecture by Zhang Xiaogang at Asia Art Archive, and a poignant solo show by artist duo Chow and Lin at SC Gallery.

Turner prize shortlist announced

The Turner Prize shortlist for 2026 has been announced, featuring four artists: Simeon Barclay, nominated for his spoken-word performance 'The Ruin'; Tanoa Sasraku, recognized for her solo exhibition 'Morale Patch' exploring the political history of oil; Kira Freije, shortlisted for her first major solo show 'Unspeak the Chorus'; and Marguerite Humeau, nominated for her exhibition 'Torches'. The shortlist was selected by a jury chaired by Alex Farquharson, director of Tate Britain, who praised the diverse range of work spanning installation, performance, and sculpture. An exhibition of the shortlisted artists will be held at Teesside University's Middlesbrough Institute of Modern Art (Mima) from September 2026 to March 2027, with the winner announced on December 10, 2026, receiving £25,000.

Digital Art Pioneer Nancy Burson Collapses the Border Between Mysticism and Quantum Physics

Nancy Burson, a pioneering digital artist, presents her latest solo exhibition "Light Matter" at Heft Gallery in New York, featuring "Quantum Entanglement" paintings that appear as white dots on black canvases but reveal jittering forms and depth when viewed through a phone camera. The 78-year-old artist, known for her 1980s composite portraits blending faces of businessmen and movie stars, continues her exploration of perception and technology, claiming a special gift to perceive the universe's emergent energy grid. The exhibition runs through May 2.

South Carolina Artist Aldwyth Dies, The Box Closes in LA, and More: Morning Links for April 27, 2026

A New York federal jury has awarded the Morgan Art Foundation $102.2 million in damages after finding that art publisher Michael McKenzie isolated artist Robert Indiana near the end of his life and created unauthorized versions of his iconic "LOVE" works. Separately, South Carolina collage artist Aldwyth (Mary Aldwyth Dickman) has died at age 90, known for intricate assemblages made in a treehouse studio. In Los Angeles, influential gallery The Box, founded by Mara McCarthy with her father Paul McCarthy, announced it will close after 19 years. Other news includes the dismantling of the Armand Vaillancourt fountain in San Francisco, preservationist concerns over Trump's Lincoln Memorial Reflecting Pool project, and a new JR installation in Venice inspired by Veronese's "The Wedding at Cana."

The $53 M. Wingate Collection Comes to Sotheby’s, Led by a $25 M. Giacometti

The collection of modern and contemporary art assembled by David and Shoshanna Wingate over seven decades will be sold at Sotheby's in New York and London on May 19 and 20. The sale, comprising over 50 works by artists like Alberto Giacometti, Mark Rothko, and Wassily Kandinsky, is estimated to fetch between $37 million and $53 million, led by Giacometti's sculpture "La Clairière (Composition avec neuf figures)" with an estimate of $18 million to $25 million.

Christie’s to Offer $35 M. Renoir Painting Owned by Whitney Family For Nearly a Century

Christie's will auction Pierre-Auguste Renoir's 1876-77 painting 'La femme aux lilas (Portrait de Nini Lopez)' in its 20th Century Evening Sale on May 18, with an estimate of $25 million to $35 million. The work has been owned by the Whitney Payson family since 1929 and is being sold from the collection of the late Lorinda Payson de Roulet, daughter of the original buyers, Joan Whitney Payson and Charles Payson.

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Melvin Edwards, the pioneering sculptor known for his powerful steel assemblages and "Lynch Fragments" series, has died at the age of 88 in Baltimore. Edwards was a trailblazer who reframed Minimalism by infusing it with political and cultural weight, becoming the first Black sculptor to have a solo exhibition at the Whitney Museum in 1970. His work utilized industrial materials like chains and barbed wire to address histories of enslavement, anti-Black violence, and global conflict while maintaining a sophisticated abstract language.

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Thaddeus Mosley, the acclaimed American sculptor known for his monumental wood abstractions, has died at the age of 99 in Pittsburgh. Throughout a career spanning seven decades, Mosley transformed salvaged walnut, sycamore, and cherry wood into curvaceous, gravity-defying forms that balanced immense weight with a sense of lightness. Though he was a long-standing pillar of the Pittsburgh creative community, he achieved widespread national recognition and major museum representation only in his 90s.

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Thaddaeus Ropac has announced global representation of the Martha Diamond Trust in collaboration with David Kordansky Gallery. The late New York painter, who passed away in 2023, is known for her expressive, gestural cityscapes of Manhattan that balance abstraction and figuration. The partnership aims to elevate Diamond’s international profile, beginning with her first European museum survey at the Sara Hildén Art Museum in Finland in 2026, followed by a solo exhibition at Ropac’s Paris gallery in 2027.

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Stephen Friedman Gallery has announced it will close its New York location in Tribeca by the end of February 2026, less than 30 months after its high-profile opening. The gallery framed the decision as a "strategic evolution" intended to consolidate resources at its London headquarters while maintaining a presence at major international art fairs. Despite the closure, the gallery maintains that its artist roster remains unchanged and its influence in the U.S. will continue through institutional exhibitions.

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The UK government has issued a temporary export ban on Howard Hodgkin’s painting "Mrs Acton in Delhi" (1967–71) following its record-breaking £1.7 million sale at Bonhams. The Department for Culture, Media, and Sport (DCMS) intervened after the buyer applied for an export license, triggering a deferral period that allows British museums or galleries until June 4 to match the auction price and keep the work within the country.

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Graham Wilson, founder of the Tribeca-based Swivel Gallery, has joined Marc Straus Gallery as a partner and senior director. As a result of this merger, Swivel will close its independent space, and its roster of emerging artists—including Amy Bravo and Kiah Celeste—will transition to Marc Straus. The partnership will be inaugurated with a group exhibition of Swivel artists at Marc Straus’s Lower East Side location on March 19.

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Digital artist Kevin Esherick's solo debut at New York’s Heft Gallery has sparked a legal confrontation with painter George Condo. The exhibition features AI-generated works trained to mimic the styles of prominent contemporary artists, including Beeple, Cindy Sherman, and Salman Toor. While most artists were receptive to the project, Condo’s legal team issued a cease-and-desist letter regarding three specific paintings, leading the gallery to shroud the disputed works in black velvet and display the redacted legal notice in their place.

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Christie's London will offer Wassily Kandinsky's painting *Le Rond Rouge* (1939) with a high estimate of £15.5 million ($21.3 million) in its 20th/21st Century evening sale on March 5. The work, a key piece from the artist's Paris period, has been in prominent collections and was last sold at Sotheby's New York in 2018 for $20.6 million. The sale will also feature a fresh-to-auction Henry Moore bronze sculpture, *King and Queen* (1952-53), estimated at up to £15 million.

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Three major artworks from the collection of the late philanthropist and collector Agnes Gund will be offered at Christie's marquee May sales in New York. The lots include Mark Rothko's 'No. 15 (Two Greens and Red Stripe)' (estimated around $80 million), Cy Twombly's 1961 'Untitled' (estimated $40-60 million), and Joseph Cornell's 'Untitled (Medici Princess)' (estimated $3-5 million), all being sold on the secondary market for the first time.

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The 2026 Winter Olympics are set to begin in Milan, Italy, with an opening ceremony featuring Mariah Carey at San Siro Stadium. While most events take place across northern Italy, the article provides a guide to Milan's top museums and galleries for art-loving visitors during the three-week games. Highlights include exhibitions at Fondazione Prada (with works by Mona Hatoum and Hito Steyerl), Pirelli HangarBicocca (Nan Goldin's "This Will Not End Well" and Benni Bosetto's "Rebecca"), Pinacoteca di Brera (Italian masterpieces plus Giorgio Armani garments), and Museo del Novecento (sports-themed posters by Armando Testa). Several commercial galleries also feature solo shows by artists such as Emily Sunblad, Claudia Losi, and Jonathan Lyndon Chase.

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The Louvre has released images of Empress Eugénie's crown for the first time since it was stolen and crushed during a heist of French crown jewels. Thieves used an angle grinder to cut into a display case, jammed the crown through a narrow opening, and dropped it while fleeing. Restorers, overseen by an expert committee, will repair the mostly intact crown without needing to reconstitute it. In other news, a rare Rembrandt drawing of a lion sold for $17.9 million at Sotheby's, breaking the artist's record for a work on paper, with proceeds benefiting the nonprofit Panthera. Thaddaeus Ropac is expanding to New York with a project space, hiring Emilio Steinberger as senior director. Calls are growing for former French culture minister Jack Lang to resign from the Institut du Monde Arabe over ties to Jeffrey Epstein. The historic Variety Arts Theater in Los Angeles reopened with a video art exhibition organized by collector Julia Stoschek and curator Udo Kittelmann.

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Tate Modern's upcoming exhibition "Frida: The Making of an Icon," opening in June, will feature only 36 works by Frida Kahlo, a significant drop from the 50-plus works shown in the museum's last major Kahlo exhibition in 2005. Curators cite the artist's soaring global popularity as a practical obstacle: her paintings have become scarcer, more valuable, and harder to borrow. A key example is Kahlo's 1940 painting "El sueño (La cama)," which sold at Sotheby's New York for $54.7 million last fall, setting a new auction record for a woman artist. Tate is still trying to secure that work for the show, but curator Tobias Ostrander says chances are slim. Notably, Madonna, who lent works in 2005, has declined to loan this time. The exhibition, which premieres at the Museum of Fine Arts Houston before traveling to London, will not be a traditional retrospective but will instead place Kahlo's work within a broader cultural context, including works by over 80 artists she influenced and a section examining "Fridamania" and the mass merchandising of her image.

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New York's Metropolitan Opera is considering selling two monumental Marc Chagall murals, 'The Sources of Music' and 'The Triumphs of Music' (1966), valued at $55 million by Sotheby's, to address a severe financial crisis. The Met has already drawn $120 million from its endowment, reduced performances, and struck a controversial $100 million deal to perform in Saudi Arabia, which has drawn scrutiny over human rights abuses. The murals, which hang in the Grand Tier, would remain in place even if sold, and the Met is also exploring naming rights and theater leasing.

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The article reflects on the state of Latinx art in 2025, a year marked by devastating wildfires in Los Angeles and the start of the second Trump administration, which has intensified ICE raids and targeted communities of color. Amid this crisis, artists have created poignant responses, including AMBOS's ceramics project at Frieze Los Angeles benefiting migrants awaiting asylum hearings, and Consuelo Jimenez Underwood's solo exhibition at Artpace in San Antonio, which explored borders both literal and cosmic. The piece also highlights a two-person show by Beatriz Cortez and rafa esparza at the Americas Society, titled "Earth and Cosmos," featuring works that challenge time and space.

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This ARTnews industry moves roundup from December 30, 2025, reports that Fabienne Levy Gallery now represents Amit Berman, whose work is currently in a group show at the Haifa Museum of Art and was previously presented at the Jewish Museum of Venice during the 2024 Venice Biennale. Kevin Umaña has joined The Pit gallery; the New York-based artist had his first solo exhibition in Los Angeles in 2025 and received the Louis Comfort Tiffany Foundation Award that same year. Additionally, Qatar Museums and the Nita Mukesh Ambani Cultural Center have signed a five-year partnership to create educational programs in India and Qatar. The article also notes that the Bayeux Tapestry will be loaned to the British Museum in 2026, requiring a UK Treasury guarantee of $1 billion to insure the work while its French owner undergoes renovation.

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The Mattress Factory, a contemporary art museum and residency program in Pittsburgh, has appointed Anthony Elms as its artistic director, effective February 2024. Elms, who previously served as chief curator at the Institute of Contemporary Art, Philadelphia and as a director at Peter Freeman, Inc., will oversee all artistic programming, including exhibitions, commissions, and the residency program. He was also a cocurator of the 2014 Whitney Biennial and recently organized a solo exhibition for Rodney McMillian at the Henry Art Gallery.

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This week's art industry moves include South Arts appointing Doug Shipman as its next president and CEO, departing his role as Atlanta City Council president to lead the regional nonprofit across nine Southern states. London gallery Alison Jacques now represents Cape Town–born painter Gina Kuschke, with a debut solo exhibition opening January 15. Gallery Wendi Norris in San Francisco will represent the Marie Wilson estate, while Berlin's Galerie Judin adds Jorinde Voigt to its roster in partnership with David Nolan, Dirimart, and Sicardi | Ayers | Bacino. Thaddaeus Ropac appoints John Utterson as director in London, and Aperture secures $2 million in gifts toward its new permanent home. A record $31.4 million was paid for François-Xavier Lalanne's 'Hippopotame Bar' at Sotheby's New York, tripling its high estimate. The article also notes a growing trend of consultancies—mostly US- and European-based—being hired to help the UAE, Qatar, and Saudi Arabia build their cultural sectors.

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Jack Shainman Gallery has formally responded to a lawsuit filed by artist Odili Donald Odita, who accused the New York gallery of refusing to return his artworks. Odita, whose work has been shown at the Venice Biennale and who recently painted the atrium of the Museum of Modern Art, claimed the artworks were worth $1.12 million. In a late November filing, the gallery countered that it holds far less inventory than Odita alleges and that the artist still owes money for production costs. The gallery disclosed that it had paid Odita a monthly stipend starting in 2016—$14,000 per month at its peak—which stopped in 2024, and that Odita had received $586,000 in loans. The gallery claims it has the right to retain five works valued at $650,000, which were consigned to David Kordansky Gallery, and that Odita must repay over $292,000 in outstanding loans.

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The Portland Art Museum has completed a $116 million expansion and renovation, integrating two neighboring buildings and adding nearly 100,000 square feet of public and gallery space. The centerpiece is a 21,000-square-foot glass pavilion named after Mark Rothko, who grew up in Portland and attended the museum's art school. The project, largely privately funded, unites the original 1932 Belluschi building with the 1927 Mark Building (a former Masonic Temple) via a transparent, 24-hour pedestrian tunnel. Director Brian Ferriso led the capital campaign, which also raised $30 million for the endowment, and recruited Hennebery Eddy Architects and Vinci Hamp Architects as designers.