Lee Ufan, the renowned Korean artist known for his meditative single brushstroke paintings, is the subject of a feature article in Monopol. The piece visits his home in Kamakura, Japan, where he lives and works in a simple wooden cube house, reflecting the minimalist philosophy that defines his art. The article explores how Lee finds the entire universe in a single brushstroke, and how the art world is increasingly captivated by his serene, contemplative works.
Art Basel has announced the 33 nominees for the second edition of the Art Basel Awards, held in partnership with the fashion brand BOSS. The diverse shortlist features high-profile contemporary artists such as Jenny Holzer, Arthur Jafa, and Barbara Kruger, alongside multidisciplinary figures including architect Kulapat Yantrasast and critic Hilton Als.
charles bronson art auction
A collection of 500 artworks by Charles Bronson, one of the United Kingdom’s most notorious prisoners, is scheduled for auction at David Duggleby Auctioneers on March 11. The works, created using crayon, ink, and pencil on prison documents, will be sold as a single lot. The collection explores themes of isolation and endurance, reflecting Bronson’s decades of incarceration and solitary confinement.
Peggy Robinson, a graduate of the Elam School of Fine Arts and a former staffer at Page Galleries, has launched her own contemporary art space, PEG Gallery, in Wellington's Newtown district. The gallery debuted in November with a focus on national artists, including the estate of the late Selwyn Muru, fulfilling a long-held professional ambition for Robinson after years of working in the commercial art sector.
Chinese dissident artist Badiucao has opened his first solo gallery show, titled “Disagree Where We Must,” at Goldstone Gallery in Melbourne, Australia, his adopted hometown. The exhibition features nearly three dozen works, including canvases and conceptual pieces that critique developments in mainland China and Hong Kong, as well as geopolitical tensions involving Russia and the Middle East. Badiucao, who has faced threats and censorship for his criticism of the Chinese Communist Party, previously held institutional exhibitions in Europe but had never before had a solo show at a commercial venue.
Artexpo New York has returned to Pier 36 for its 49th annual edition, featuring over 70,000 square feet of exhibition space. Hosted by Redwood Art Group, the fair showcases a diverse range of media from more than 20 countries, divided into the main Artexpo Pavilion for established galleries and the [SOLO] Pavilion for independent artists. The 2026 program includes interactive Art Labs, the affordable Discoveries Collection, and the prestigious Spotlight Program, which honors six selected artists and galleries.
Amelia Winata reviews three concurrent group exhibitions in Melbourne galleries: 'Black.2' at Void_Melbourne (15 Nov–20 Dec 2025), 'Family Values' at Futures (6 Dec–20 Dec 2025), and 'Studio Exhibition' at Haydens (6 Dec 2025). The article opens with a metaphor comparing the gallery-goer's experience to the rescue ship Carpathia navigating icebergs, reflecting the glut of end-of-year group shows in Melbourne's commercial spaces. Winata visits each space, describing the deco-chic building housing Void_, the formalist black-themed works by artists like Nick Devlin, Elvis Richardson, Sarah Goffman, and Suzie Idiens, and the broader context of Melbourne's gallery scene.
Hyperallergic's coverage of Frieze New York and concurrent art fairs in the city frames the experience as overwhelming yet punctuated by standout works. Senior Editor Valentina Di Liscia compares the fair to an assembly-line salad, finding reprieve in art that evokes lush canopies, diaphanous portraiture, and ancestral gardens. The issue also includes dispatches from Future Fair, 1-54, TEFAF, NADA, and Independent Art Fair, alongside a tribute to Austrian performance artist Valie Export, who died at age 85, remembered for her radical feminist guerrilla performances that challenged the male gaze.
The European Fine Art Foundation (TEFAF) and its managing director Dominique Savelkoul have parted ways after just over a year, making her the fourth managing director in six years (counting an interim). Savelkoul, a Belgian arts administrator who took up the post in September 2024, had never run an art fair before. TEFAF cited “differing views on the organisation’s future strategic direction” in a statement. Savelkoul succeeded Bart Drenth, who resigned in May 2023 after controversial social media posts. She previously held roles at the London Philharmonic Orchestra, the National Gallery in London, and Mu.Zee in Ostend.
The Tang Chang Private Museum opened on May 1 in Nakhon Pathom, Thailand, dedicated to preserving the legacy of the late Thai-Chinese artist Tang Chang. The museum was established by his grandson, Nawapooh Sae-tang, who inherited the responsibility of managing the artist's vast archive, a duty originally passed to his father, Thip, by the artist himself.
The National Gallery of Australia has officially opened the 'Ngura Pulka – Epic Country' exhibition, a major showcase of works by 52 artists from the APY Art Centre Collective. The show was originally postponed in 2023 following allegations published in The Australian that white staff members had improperly interfered with the creation of the paintings. After multiple investigations by government bodies and a review by the NGA cleared the artworks of creative interference, the collective is moving forward with the exhibition while pursuing a $4.4 million defamation lawsuit against the newspaper.
Yasmin Smith, an Australian artist described as an 'archaeological ceramicist,' presents her solo exhibition *Elemental Life* at the Museum of Contemporary Art Australia (MCA) in Sydney, running until June 8. The show features sculptural installations that use ceramics and glaze technologies to decode environmental and human histories. Key works include *Seine River Basin (2019)*, commissioned by the Centre Pompidou, which uses ash-glazed stoneware replicas of tree branches to reflect the chemical history of the River Seine, and *Chicxulub (2025)*, which draws on samples from the asteroid impact crater in Mexico to explore mass extinction. Smith’s practice involves extensive field research and collaboration with ecologists, archaeologists, and local communities, creating site-specific glazes that act as chemical records of place and time.
Diné (Navajo) artist Eric-Paul Riege has opened a new exhibition, “ojo|-|ólǫ́,” at Brown University’s David Winton Bell Gallery, on view through December 7. The show features large soft sculptures and weavings that engage with Diné mythology, Euro-American trading posts, and the concept of authenticity in Indigenous art. Riege also selected five objects from Brown’s Haffenreffer Museum of Anthropology, including a loom with an unfinished textile, which he recontextualized by separating the loom from the textile and adding handwritten notes. The exhibition is co-curated by Thea Quiray Tagle and Nina Bozicnik, and will travel to the Henry Art Gallery in 2026.
Sotheby's has announced that its new headquarters in the iconic Breuer Building at 945 Madison Avenue will open on November 8. Originally designed by Marcel Breuer for the Whitney Museum of American Art in 1966, the building later housed the Met Breuer and the Frick Collection during its renovation. Sotheby's purchased the Brutalist landmark from the Whitney two years ago and has renovated it with Pritzker Prize-winning architects Herzog & de Meuron and PBDW Architects, adding auction rooms and state-of-the-art gallery spaces while preserving original features like bluestone floors and concrete walls. The opening will coincide with a major modern and contemporary art exhibition, followed by fall marquee sales the week of November 17.
The article reviews the "Caravaggio 2025" exhibition at Palazzo Barberini in Rome, which brings together 24 paintings by the Baroque master Michelangelo Merisi da Caravaggio. Curated by Francesca Cappelletti, Maria Cristina Terzaghi, and Thomas Clement Salomon, the show is accompanied by a heavy marketing campaign tied to the Catholic Church's Jubilee year. The review notes that while any gathering of Caravaggio's works guarantees a beautiful experience, the exhibition's title and scope remain unclear, and the curatorial approach—divided into four thematic sections—feels disjointed. Highlights include the reunion of three paintings from Cardinal Francesco Maria del Monte's collection and the public display of the recently identified portrait of Maffeo Barberini.
Tennants Auctioneers in North Yorkshire achieved a total of £215,990 during its Modern and Contemporary Art Sale on February 28. The auction was led by works from LS Lowry, including the signed print 'Going to the Match' which fetched £35,000 and the drawing 'Children in a Crowd' which sold for £25,000. Other significant results included works by Brian ‘Braaq’ Shields, Geoffrey Key, and a David Hockney etching, contributing to a high 96 per cent sell-through rate.
EXPO Chicago 2026 serves as the backdrop for a series of compelling exhibitions across the city, ranging from Josh Brainin’s frantic two-channel video installation at Tala to a group show at the Chicago Cultural Center exploring the city's physical and social infrastructure. These curated highlights showcase a mix of local talent and conceptual rigor, emphasizing Chicago's diverse contemporary art landscape during the major international fair.
Meriem Bennani, a Moroccan-born, New York–based multimedia artist, has been awarded the inaugural Boss Award for Outstanding Achievement at Art Basel Miami Beach. The award, presented by Hugo Boss and its Creative Director Marco Falcioni, includes a $50,000 grant. Bennani is known for her fantasy-driven installations and films, such as the 'Life on the CAPS' series and the public sculpture 'Windy' on the High Line. In an interview, she discusses her plans to donate the grant to Bilna’es, an organization founded by Palestinian artists that funds cultural projects in Gaza and the West Bank.
Miltos Manetas, a Greek-born artist, has adopted a life of Franciscan poverty as both a personal practice and an artistic project called "Francesco_2026." His work is featured in the exhibition "Vita minore. San Francesco e la santità dell’arte contemporanea" at Palazzo Collicola in Spoleto, curated by Gianni and Giuseppe Garrera. Manetas has also launched the tenth Internet Pavilion at the Venice Biennale, inviting Saint Francis as the artist, using AI conversations and a monastery in the Venetian lagoon to create an informal community of "Fratelli e Sorelle" who follow a shared rule based on poverty, absence of preparation, and divine providence.
The Muzeum Sztuki in Łódź is opening an exhibition titled "Gifts of Friendship" on 15 May, featuring nearly 150 works donated to the museum between 2024 and 2026 by some 80 artists from dozens of countries. The exhibition, curated by Barbara Piwowarska, traces the museum's origins to the 1920s when avant-garde artists like Władysław Strzemiński and Katarzyna Kobro built the International Collection of Modern Art through artist-to-artist gifts, bypassing market logic. The current show responds to the institution's recent crisis by turning again to the artistic community for support, resulting in a wave of donations that reaffirm the museum's founding ethos.
Sonia Borrell has launched StudioToGallery, a new platform designed to bridge the gap between independent artists and the commercial art market. A survey conducted by the initiative revealed a striking consensus among creators, with 90% of independent artists stating that professional networking and industry connections are more influential to career success than raw artistic talent.
Guillermo del Toro received a rare painting of Frankenstein's Monster by the late British artist Josh Kirby as a gift from collaborators during Oscars festivities, despite his film not winning Best Picture. The painting, which depicts Boris Karloff's iconic portrayal, was previously owned by famed horror collector Forrest J. Ackerman and was sourced through a gallery specializing in pop culture art.
Choreographer Florentina Holzinger, known for her extreme and provocative performances, has joined the roster of the Thaddaeus Ropac gallery. This move coincides with her preparation to represent Austria at the 61st Venice Biennale in 2026 with a site-specific performance project titled SEAWORLD VENICE.
Director Steven Soderbergh is set to release 'The Christophers', a new film centered on the London art world starring Ian McKellen and Michaela Coel. The plot follows a faded 1960s Pop Art star whose estranged children hire a former art forger to secretly complete his unfinished canvases to secure a future inheritance. Following its premiere at the Toronto Film Festival, the movie is scheduled for a theatrical release in April.
Rome has introduced a €2.35 entry fee for the Trevi Fountain, one of the world's most famous monuments, effective February 1 during daylight hours (9am to 9pm). The measure, announced by Mayor Roberto Gualtieri, aims to curb overtourism by limiting viewership to 400 people at a time. The fountain currently welcomes up to 70,000 visitors per day, and the fee could raise an estimated $7.6 million annually for maintenance. Similar fees will apply to four other city sites, while Roman citizens retain free access.
Snoop Dogg's art collection, titled 'Ashes to Art,' sold for $148,100 at auction. The top lot, 'Snoop Doggy Dogg Genesis Burn,' featuring the rapper's signed and burned 1993 LAPD mugshot with a partially smoked blunt, fetched $70,000. Other works included 'DoggyStyle Decoded' with an original CD and joint tip, which sold for $16,500. The seven original pieces were created in collaboration with artist Erica Kovitz and coated in epoxy and marijuana resin.
The Museum of Art and Photography (MAP) in Bengaluru is hosting 'Paper Gardens,' an exhibition that re-examines the history of botanical art through the lens of British colonialism. While the show features visually stunning hand-coloured lithographs of rhododendrons and medicinal plants, it juxtaposes these aesthetics with the harsh realities of the East India Company’s surveys. The exhibition highlights how local Indian artists and knowledge keepers were often marginalized or left anonymous, even as their expertise was essential to the scientific and commercial success of the British Empire.
Art a path to conservation
Dunedin-based artist Clare Reilly is celebrating her 50th year of exhibiting with a practice that merges vibrant depictions of New Zealand’s native flora and fauna with active environmental advocacy. Her work, which frequently features birds in flight as symbols of spiritual uplift, serves as both a tribute to the natural world and a warning about habitat loss. Through her career, she has collaborated with her late husband Max Podstolski under the Primitive Bird Group banner and participated in hands-on conservation efforts, such as the tūī relocation project to Banks Peninsula.
A Salvador Dalí metal bas-relief titled "Don Quixote" is being offered for bidding through Palm Beach Modern Auctions. The work is a limited edition sculpture in metal with platinum patina, signed and numbered 111/175, published by Martin Lawrence Ltd. Editions. The listing appears on Artsy's platform and includes details on dimensions, condition, and auction terms.
Kayem, a New England-based hot dog brand, has partnered with the Museum of Fine Arts, Boston (MFA) to create an exhibition exploring the cultural significance of hot dogs in American history. The collaboration uses artworks and artifacts from the museum's collection to trace the hot dog's journey from its European origins to its status as a quintessential American food, highlighting its presence at events like baseball games, state fairs, and presidential inaugurations.