The Carnegie Museum of Art in Pittsburgh, Pennsylvania, has unveiled the 59th edition of its Carnegie International exhibition, featuring a monumental series of murals titled *Orogenic* (2026) by Abraham González Pacheco. The newly commissioned work, made of concrete, metal, and pigment, depicts a maelstrom of archaeological objects inspired by the museum’s collection and sets the tone for the exhibition.
A new exhibition titled “Modern British: Modern & Contemporary British Sculpture” has opened at Bowman Sculpture in London, tracing the evolution of British sculpture from Modernism to the present day. The show features iconic figures such as Henry Moore, Eduardo Paolozzi, and Lynn Chadwick alongside emerging talents like Rufus Martin and Joanna Allen, creating cross-generational dialogues. Highlights include Moore’s *Small Seated Figure* (ca. 1936) and Paolozzi’s *Richard Rogers as Newton* (1990). The exhibition runs through May 29, 2026, and reflects the gallery’s shift from focusing on Modern masters to embracing contemporary voices.
The 30th edition of miart opened its doors at the Allianz MiCo convention center in Milan, marking a significant milestone for Italy’s premier international modern and contemporary art fair. As the city continues its ascent as a global art capital, the 2026 fair attracted a diverse continental crowd of collectors and professionals ahead of the upcoming Venice Biennale.
Chicago's annual art week unfolded with gallerist Daisy Sanchez documenting the scene for Artnet News's 'Wet Paint in the Wild' column. Sanchez, who recently co-opened Hans Goodrich gallery with Peter Anastos, attended the Renaissance Society's annual benefit, EXPO Chicago, and after-parties. The week featured artists including Joanne Greenbaum, Leah Ke Yi Zhang, B. Ingrid Olsen, and Isabelle Frances McGuire, with appearances by curators Myriam Ben Salah, Karsten Lund, and Giampaolo Bianconi, among others.
President Donald Trump has proposed eliminating the National Endowment for the Arts (NEA), and arts organizations across the U.S. are already feeling the impact. After a White House budget request in May that excluded the NEA, dozens of institutions received abrupt termination notices for their grant applications, with the NEA citing a shift in policy priorities to focus on projects reflecting the nation's artistic heritage as prioritized by the President. In protest, many senior NEA staff resigned or were asked to retire, leaving the agency in disarray. The cuts are part of broader federal efforts to defund cultural agencies, including the Kennedy Center, the Smithsonian, and the National Endowment for the Humanities, which has seen a 70-80 percent staff reduction and canceled over a thousand grants. Private foundations like the Mellon Foundation and the Helen Frankenthaler and Andy Warhol Foundations have launched emergency funding programs, but the consequences for artists, educators, and community organizations are immediate and destabilizing.
Pope Francis died on Easter Monday at his home in Casa Santa Marta at age 88, the Vatican announced. During his 12-year papacy, the first Jesuit and Latin American pontiff showed strong support for artists, becoming the first pope to visit the Venice Biennale last year, where he spoke at the Vatican's pavilion held in a women's prison. He emphasized the importance of contemporary art and women creators, citing Frida Kahlo and Louise Bourgeois, and urged artists to keep questioning and taking risks.
Ruth Angus, associate curator of the Department of Astrophysics at the American Museum of Natural History, leads a tour of the exhibition "Cosmic Splendor: Jewelry from the Collections of Van Cleef & Arpels," running through January 4, 2026, in the Melissa and Keith Meister Gallery. The show features over 60 pieces from the Parisian maison's archives and private collections, each inspired by cosmic phenomena such as galaxies, stars, and planetary nebulae. Angus served as curatorial advisor alongside Denton Ebel, Kate Kiseeva, and Alexandrine Maviel-Sonet, with thematic sections covering the Moon, Sun, distant galaxies, meteorites, and the Zodiac. Highlights include the Trappist transformable necklace (2021) inspired by the TRAPPIST-1 star system and the Explosion Stellaire necklace (2021) depicting a supernova.
Debbie Lawson presents a solo exhibition, "In a Cowslip's Bell I Lie," at Sargent's Daughters in New York, featuring her signature large-scale sculptures of life-size animals cloaked in ornamental Persian carpets. Using wire mesh, masking tape, and Jesmonite resin, she meticulously wraps each limb in carpet, creating the illusion that the animals have emerged from the textiles themselves. The show includes works such as "Wild Dog Sundown" (2025), "Red Eagle" (2026), and "Black Cougar" (2025), and draws its title from Shakespeare's *The Tempest*.
A pair of New York dealers, Rachel Carle Cohen of Shelter Gallery and David Fierman of Fierman, are launching Open Studio, a downtown gallery on Henry Street in the Lower East Side devoted entirely to artists with disabilities. The gallery will feature work from progressive art studios—supportive environments that began with Creative Growth in 1974—and opens July 10 with a solo show of John Tursi, an artist from the Living Museum at Creedmoor Psychiatric Center. A complementary group show, “Introducing Open Studio: New Art by Artists with Disabilities,” will run at Fierman’s gallery around the corner, featuring artists including Montrel Beverly, Chantel Donwell, Taneya Lovelace, and William Scott.
Earlier this spring, artist Julia Isídrez led a guided tour at São Paulo's Gomide & Co. gallery for a joint exhibition with Maria Lira. The show highlights two artists from different generations and mediums—Lira from Brazil (painting) and Isídrez from Paraguay (sculpture, featured in the 2024 Venice Biennale)—who both engage Indigenous and Afro-Indigenous traditions from a contemporary perspective. Gallerist Thiago Gomide rejects labels like 'folk' or 'popular,' insisting it is simply an art exhibition. The article profiles a network of Brazilian dealers, including Vilma Eid of Galeria Estação and Antonio Almeida of Almeida & Dale, who have worked to revive interest in arte popular, a category historically applied to self-taught, Indigenous, and Black artists.
A new exhibition titled “Couples” at Eric Firestone Gallery in New York features the work of 26 artist-partners, exploring how they navigate material, color, and form in complementary ways. The show runs through May 2. CULTURED magazine brought together five duos from the exhibition to answer questions about mixing professional and personal lives, with each artist responding without seeing their partner’s answers. Featured couples include Caitlin Lonegan and Spencer Lewis, who discuss topics such as sharing studios, jealousy, and role models like Charline von Heyl and Christopher Wool.
Marcel Duchamp remains one of the most influential figures in contemporary art, a century after his readymades like *Fountain* (1917) challenged definitions of art. MoMA is opening a major retrospective on April 9, co-organized by Ann Temkin and Michelle Kuo, exploring Duchamp's conceptual legacy. The article profiles four contemporary artists—including Cory Arcangel—who are extending Duchamp's ideas into digital and conceptual realms, such as Arcangel's modified Nintendo game *Super Mario Clouds* (2002).
Harrison Kinnane Smith's exhibition "Tracings and Arrangements" is on view at Emmelines, a small gallery tucked inside a former newsstand in the Fifth Avenue & 53rd Street MTA station in New York, directly beneath the Museum of Modern Art and the building formerly known as 666 Fifth Avenue. The show features two works by Louise Lawler on consignment from Sprüth Magers—"Bulbs (traced), 2005/06/19" and "(Bunny) Sculpture and Painting (traced), 1999/2019"—which are black-and-white traced decals of her earlier photographs, displayed in the gritty, fluorescent-lit subway mezzanine. Kinnane Smith, at 28, frames Lawler's works as his opening gesture in a conceptually recursive chain that extends her critique of art's circulation through commerce, collecting, and institutional contexts.
Cultured magazine's article rounds up seven new art exhibitions opening in the Hamptons this summer, each running for a limited time. Highlights include "Unbreakable" at Onna House featuring mother-daughter artist duos, Shirin Neshat's first New York-area museum show in two decades at the Parrish Art Museum, Almond Zigmund's immersive "Wading Room" at Guild Hall, a Rosalyn Drexler retrospective at the Pollock-Krasner House, and "The Ark" at The Church curated by Eric Fischl with animal sculptures by over 40 international artists. Other shows include "Veronica Veronica" at Hesse Flatow's former potato barn and a ceramic-focused exhibition at Onna House.
Adam Lindemann, a collector-turned-dealer, announced he will close Venus Over Manhattan, the New York gallery he founded 14 years ago. The gallery's final exhibition, a solo show for painter Susumu Kamijo, will run until July 18. Lindemann revealed the decision in an opinion piece for Artnet News, citing the challenges of straddling the roles of collector and dealer, as well as the politics of art fairs. He plans to return to collecting full-time.
Expo Chicago 2025 wrapped on Sunday with upbeat energy and larger crowds than usual, thanks to a scheduling change that allowed VIPs earlier access. The fair, now in its second edition under Frieze ownership, featured 170 exhibitors, a new magazine with artist profiles of Caroline Kent and Nick Cave, and a partnership with KIAF and the Galleries Association of Korea that brought 20 Korean galleries. Dealers reported healthy sales, including a sold-out presentation by Jaylon Hicks at Maximilian Williams gallery, with works priced from $3,000 to $20,000. Frieze leaders attended major events, signaling continued commitment to Chicago nearly two years after acquiring the fair.
The Studio Museum in Harlem is set to inaugurate its new $160 million, purpose-built home on Manhattan’s 125th Street. Designed by Adjaye Associates in collaboration with Cooper Robertson, the 82,000-square-foot facility nearly doubles the museum's previous exhibition space and replaces a repurposed 1914 bank building that lacked essential infrastructure like loading docks and large elevators. This milestone marks the first time in the institution's history that it will operate out of a structure specifically designed to support its mission of championing artists of African descent.
A new arts institution called Canyon is set to open on Manhattan's Lower East Side in 2026, occupying a 40,000-square-foot former commercial space at the foot of the Williamsburg Bridge. Founded by philanthropist and art collector Robert Rosenkranz and Joe Thompson, the founding director of MASS MoCA, Canyon will focus on video art, sound art, and performance art. The venue will include 18,000 square feet of exhibition space, a 60-foot-tall performance area, and a 300-seat performance hall. Early programming plans include a retrospective of Japanese artist Ryoji Ikeda and an expanded iteration of the video game-themed group exhibition "Worldbuilding," curated by Hans Ulrich Obrist. The architecture firm New Affiliates is redesigning the space, and Sam Ozer has been appointed curator-at-large. Admission will be $30, with free access for school groups and library cardholders.
New York Art Week 2026 featured major art fairs including Frieze New York at The Shed, which drew 25,000 visitors from 75 countries and launched the Sherman Family Foundation Acquisition Fund, placing works by four artists into the Brooklyn Museum and Baltimore Museum of Art. TEFAF New York at the Park Avenue Armory presented over 90 international galleries across historic period rooms, while satellite fairs Independent, NADA New York, and 1-54 Contemporary African Art Fair offered focused alternatives. Auction houses Sotheby's, Christie's, and Phillips opened free spring sale previews featuring highlights such as Roy Lichtenstein's 'Anxious Girl' and the Lewis Collection.
The 2026 Venice Biennale is embroiled in controversy, with the US Pavilion at the center of a political storm. The Trump administration's State Department overhauled the selection process, bypassing the usual NEA panel and commissioning a nonprofit, the American Arts Conservancy, to organize the pavilion. Artist Alma Allen, who accepted the invitation despite threats from galleries and curators, presents a show that critics find politically muted. The Biennale's jury resigned days before the opening, and annual prizes were canceled, adding to the turmoil.
Vanity Fair art and style correspondents Nate Freeman and José Criales-Unzueta preview the Metropolitan Museum of Art's Costume Institute spring exhibition "Costume Art," which inaugurates the Condé M. Nast Galleries. The exhibition arrives amid controversy over the Met Gala being sponsored by Lauren Sánchez Bezos and Jeff Bezos, leading to boycott calls and New York Mayor Zohran Mamdani skipping the event. Despite this, Anna Wintour and Met director Max Hollein announced the gala raised a record $42 million. Head curator Andrew Bolton presents fashion as art, pairing garments with artworks like Warhol's Skull and Sarah Lucas's Nud Cycladic 9.
The article discusses the newly opened David Geffen Galleries at the Los Angeles County Museum of Art (LACMA), describing the viewing experience as seductive. The galleries are a major component of LACMA's ongoing transformation, designed by architect Peter Zumthor.
Art Basel has announced new program highlights for its flagship fair in Basel this June, including a new initiative called Basel Exclusive. Developed in dialogue with galleries, Basel Exclusive requires participating exhibitors from the main Galleries sector to reserve at least one major work—or an entire presentation—from all pre-fair previews, online viewing rooms, and pre-sales, unveiling them publicly for the first time during the VIP opening on June 16. The fair also revealed the lineup for Unlimited, its platform for large-scale works, which will feature 59 projects by 66 international galleries, curated for the first time by Ruba Katrib of MoMA PS1. Unlimited Night returns on June 18 with extended hours and special performances.
Designboom has published its monthly 'Radar' feature, highlighting a curated selection of notable art and design exhibitions opening globally in April. The list serves as an international guide for enthusiasts and professionals, spanning various museums, galleries, and cultural institutions.
London’s cultural landscape sees a significant surge of activity this April with a diverse array of exhibitions spanning major institutions and commercial galleries. Key highlights include a recreation of Keith Haring’s 1980s subway chalk drawings at the Moco Museum, a retrospective of surrealist couturier Elsa Schiaparelli at the V&A, and a deep dive into the sculptural legacy of Guyanese-British artist Donald Locke at Camden Art Centre.
London's spring art season is anchored by several major institutional surveys, most notably Tracey Emin’s comprehensive exhibition "A Second Life" at Tate Modern. Other significant showcases include Hurvin Anderson’s exploration of Caribbean diaspora at Tate Britain, David Hockney’s new works at Serpentine North, and Cecily Brown’s long-awaited institutional homecoming at Serpentine South. The season also features diverse media, from Chiharu Shiota’s immersive yarn installations at the Hayward Gallery to Isaac Julien’s filmic explorations at the Cosmic House.
Chicago's cultural institutions are preparing a diverse slate of exhibitions and openings for 2026. Highlights include the Art Institute of Chicago presenting Henri Matisse's complete 'Jazz' book of cutouts for the first time, a survey of Dominican artist Firelei Báez at the Museum of Contemporary Art Chicago, the National Museum of Mexican Art exploring the history of Mexican railroad workers, and a costume design exhibition featuring Paul Tazewell's work at the Griffin Museum of Science and Industry. The year also features the grand opening of the Obama Presidential Center and a Barbara Nessim survey at the DePaul Art Museum.
Artsy has published a list of 11 must-see museum exhibitions scheduled for 2026, highlighting major retrospectives and biennials. The article opens by reflecting on 2025's trend of amplifying marginalized voices, citing exhibitions like "Paris Noir" at the Centre Pompidou and the Turner Prize win of neurodivergent artist Nnena Kalu. For 2026, the piece notes a shift toward large-scale retrospectives of established figures, including Tracey Emin's "A Second Life" at Tate Modern and "Raphael: Sublime Poetry" at the Metropolitan Museum of Art, alongside major biennials such as the 61st Venice Biennale, the 18th Lyon Biennale, and the 16th Gwangju Biennale.
This article from The Art Newspaper, published as 2026 begins, memorializes key figures from the art world who died in 2025. The list includes artist and activist Jaune Quick-to-See Smith, filmmaker and artist David Lynch, conceptual artist Mel Bochner, collector and patron Guy Ullens (co-founder of Beijing's UCCA), curator Koyo Kouoh (the first African woman to curate the Venice Biennale), photographer Sebastião Salgado, broadcaster Alan Yentob, and sculptor Joel Shapiro. Each entry summarizes their career highlights and contributions.
The Art Newspaper has published its 2025 Christmas gift guide, featuring a curated selection of art-related presents. Suggestions include art supplies from London's historic L. Cornelissen & Son, Japanese Irojiten color pencils, and cookbooks like "The Kitchen Studio: Culinary Creations by Artists" and the out-of-print "The Museum of Modern Art Artists' Cookbook." The guide also includes fantasy gift lists from Frieze and Art UK, with items such as Alexander Calder playing cards and a Tom of Finland cushion from House of Voltaire, alongside more unusual ideas like a sponsorship deal for a Victorian loo or a Lego Louvre heist set.