Matthew Wong, a troubled painter whose star was on the rise, died at age 35. His mother, Monita Wong, is now actively working to protect and promote his artistic legacy, ensuring that his work continues to be seen by the public.
The Surrey Art Gallery has launched "In the Shadow of the Pavilions," an exhibition exploring the complex artistic legacy of Vancouver’s Expo 86. Curated by Jordan Strom, the show features works and archival materials from over 50 artists, including those officially commissioned for the world’s fair and those who were excluded or responded critically to the event. Highlights include documentation of Michael Snow’s pioneering holography and Bill Reid’s Haida canoe, Loo Taas, alongside works by Stan Douglas and Rodney Graham.
On January 8, 2026, Asia Society Seattle will host a private tour of the exhibition "Spirit House" at the Henry Art Gallery at the University of Washington, led by Associate Curator Swagato Chakravorty. The event is invite-only for the society's Advisory Council, Corporate Members, Groundbreaker and Innovator members, and donors. The exhibition, organized by the Cantor Arts Center at Stanford University, features 34 contemporary artists of Asian descent exploring themes of life, death, spirituality, and diaspora through works that engage with spirit houses and ancestral connections.
Hyperallergic reviews Martin Wong's posthumous exhibition "Popeye" at PPOW gallery, featuring six motorized plywood panels that reimagine the cartoon character Popeye as curving brickwork. The show includes smaller works like "Sacred Shroud of Pepe Turcel" (1989–90) and paintings of vintage cartoon characters Mutt and Jeff, Little Lulu and Tubby, all rendered in Wong's signature brick style. The review highlights Wong's queer, magpie sensibility and his ability to cross boundaries between high and low culture.
A guide highlights several art exhibitions currently on view in Bangkok for February 2026. Key shows include 'Minsterwood' by Belgian artist Director Jacq (Wayn Traub) at River City Bangkok, featuring hand-embroidered textile works; 'Roots & Rituals', the inaugural exhibition at the newly relaunched AGNI gallery, featuring artists Swatchrokorn Wannasorn and Dishon Yuldash; and 'Undo Planet: Part 2', a large-scale group exhibition addressing climate change at the Bangkok Art and Culture Centre (BACC).
The article highlights five must-see fall art exhibitions in Whatcom and Skagit counties in Washington state. Featured shows include Mary Ann Peters' solo exhibition "myself inside your story" at the Whatcom Museum, Barbara Sternberger's abstract painting survey "At the Core" at Western Gallery, Joy Olney's "Pure Joy" at Cordata Gallery, and Voxel Gallery's first anniversary celebration with its "World Famous" exhibition. The piece also notes a photo exhibition on broadcasting pioneer Elaine Horn curated by archivist Jeff Jewell at the Whatcom Museum's Old City Hall.
Theo Christelis reports from the opening week of the 2024 Venice Biennale, describing it as one of the most dramatic editions in recent memory. Key events include the death of main curator Koyo Kouoh and German Pavilion artist Henrike Naumann, the resignation of the prize jury over the participation of Israel and Russia, a protest by Pussy Riot, and a boycott by half the participating artists. Amid the turmoil, Christelis highlights unmissable shows including the Indian Pavilion (returning after seven years), Jenny Saville at Ca' Pesaro, Michael Armitage at Palazzo Grassi, and presentations at the British, Japanese, and Saudi Arabian Pavilions.
The 2026 Venice Biennale is plagued by controversy and structural issues. Curator Koyo Kouoh died of cancer in 2025, leaving her team to execute the main exhibition "In Minor Keys" without her. The Biennale's jury resigned after refusing to judge entries from countries charged with war crimes, and media coverage during preview week focused on protests against the Israeli and Russian pavilions rather than the art. The sprawling exhibition features 96 national pavilions and 110 artists, with works ranging from Daniel Lind-Ramos's found-material figures to María Magdalena Campos-Pons's tribute to Toni Morrison and Kouoh.
The exhibition "Flesh and Bones: The Art of Anatomy" at Singapore's ArtScience Museum explores the history of anatomical representation as a cultural construct rather than a universal scientific truth. It juxtaposes Western anatomical atlases from the Renaissance with Chinese meridian (jingluo) systems, featuring works by artist Chiharu Shiota and other historical pieces that reveal how different cultures have visualized the human body through both scientific and spiritual lenses.
Boston Art Review (BAR) has published an article titled “Persona” Crafts a Lineage of Performed Identity, exploring how contemporary artists use persona and self-performance to trace a lineage of identity construction. The piece examines works by artists who adopt alter egos or theatrical roles to challenge fixed notions of selfhood, drawing connections to historical precedents in art and culture.
San Francisco museums are navigating a mix of upcoming exhibitions and financial challenges in May 2026. SFMOMA is closing "KAWS: Family" on May 3 and opening "Matisse’s Femme au chapeau: A Modern Scandal" from May 16 to September 13. The Mission Cultural Center for Latino Arts has suspended operations due to funding issues, and SOMArts is also facing a budget gap. Meanwhile, the Museum of Craft and Design presents "Video Craft" through August 16, and the Letterform Archive hosts "Black Memory Scholar: The Language of Storytellers" and "Piet Zwart: Brand Architect." SFMOMA has announced three SECA award winners—CrossLypka, Em Kettner, and Chanell Stone—who will exhibit from December 2026 to May 2027, and the museum continues to showcase "Reimagined: The Fisher Collection at 10" and new installations by Alexander Calder, Claes Oldenburg + Coosje van Bruggen, and Rose B Simpson.
The University of Colorado Boulder's Department of Art and Art History has announced a series of spring events, including the 'Art History Showcase' featuring scholarship by Tylyn King, Bella Malherbe, and Felicity Wong. The program also highlights the second group of the 2026 MFA Thesis Exhibition featuring Ethan Cherry, Brionna Garcia, and Cal Young, alongside a visiting artist lecture by Rutgers professor Barbara Madsen and a symposium on Black Queer Aesthetics.
The Wrightwood 659 museum in Chicago has launched "Martin Wong: Chinatown USA," the first major monographic exhibition of the artist's work since 2017. Featuring over 100 paintings, sculptures, and drawings, the show explores Wong’s complex relationship with his Chinese-American identity, his life in New York’s Lower East Side, and his fascination with urban landscapes, sign language, and queer intimacy. The exhibition includes significant loans such as the triptych "Tai Ping Tien Kuo" and the record-breaking "Portrait of Mikey Piñero at Ridge Street and Stanton."
The Surrey Art Gallery is launching "In the Shadow of the Pavilions: Expo 86 and Contemporary Art," a multidisciplinary exhibition running from April 18 to June 7. Curated by Jordan Strom, the show features archival works and documentation from over 40 artists created between 1984 and 1988. It brings together official commissions from the world’s fair alongside unofficial, parallel art initiatives that emerged during Vancouver’s Centennial celebrations, covering media ranging from kinetic sculpture to performance art.
The Venice Biennale has officially announced the list of invited artists for its 61st edition in 2026. The selection features a diverse global cohort including established figures like Laurie Anderson, Nick Cave, and Carsten Höller, alongside influential collectives such as fierce pussy and blaxTARLINES KUMASI. The list also includes significant posthumous inclusions like Marcel Duchamp and Beverly Buchanan, signaling a curatorial approach that bridges contemporary practice with historical legacies.
The Institute of Contemporary Art San Francisco (ICA SF) has abandoned plans for a permanent physical space, instead adopting a nomadic model focused on site-specific exhibitions. Its first project under this new approach launches during San Francisco Art Week at the Transamerica Pyramid Center, featuring installations by artists Lily Kwong and Tara Donovan. Kwong's EARTHSEED DOME is a 3D-printed soil structure embedded with native seeds that will bloom in the adjacent redwood grove, while Donovan's Stratagem series uses recycled CDs to create light-scattering columns inside the building's Annex Gallery.
Dib Bangkok, a long-anticipated contemporary art museum, opens this weekend in a former steel warehouse near Bangkok's port area. Founded from the vision of the late collector Petch Osathanugrah and realized by his son Purat 'Chang' Osathanugrah, the museum houses over 1,000 works amassed over 40 years, including pieces by James Turrell, Alicja Kwade, Pinaree Sanpitak, and Subodh Gupta. Its opening exhibition, (In)visible Presence, features 81 works by 40 international and Thai artists, positioning the museum as a major new cultural institution in Asia.
Sotheby's held three back-to-back evening sales in New York on November 20, achieving a combined total of $252.9 million ($304.5 million with fees). The highlight was Frida Kahlo's self-portrait *El sueño (La cama)* (1940), which sold for $54.6 million with fees, setting a new auction record for the artist, for a Latin American artist, and for a female artist. The sales included 13 lots from the estate of Cindy and Jay Pritzker, a group of Surrealist works from an unnamed collection, and a multiple-owner Modern art sale featuring collections from the Bucksbaum family and Geri Brawerman.
The World Economic Forum and the J. Paul Getty Trust co-hosted a "cultural table" dinner for art world leaders on 23 October at the Hotel Le Meurice in Paris, themed "Bridging Worlds: Culture as a Force for Connection in Times of Division." The event, held in the Pompadour Room—where Pablo Picasso celebrated his 1918 wedding—was co-hosted by Getty president Katherine Fleming and WEF arts head Joseph Fowler, and marked the first collaboration between the two organizations. Fowler described the initiative as a global movement to place culture at the heart of systemic change, while Fleming emphasized art's unifying power and its measurable health benefits.
Christie's specialists highlight key works from their upcoming 'Post-War to Present and Photographs' sale, including Joan Mitchell's 'Peinture II' (1964) from the collection of Vivian Fusillo, Matthew Wong's '5:22 PM', Alejandro Obregón's 'Chivo expiatorio', and a lifetime print by Francesca Woodman. The sale coincides with Mitchell's centennial and a landmark Jack Whitten exhibition, with the auction scheduled for 18 September 2025.
NYU’s Grey Art Museum will present the exhibition ‘June Leaf: Shooting From the Heart’ from September 9 to December 13. The show focuses on the work of American artist June Leaf, known for her expressive drawings, paintings, and sculptures that explore the human figure and emotional states.
The Cultural Affairs Bureau of Macao has announced the six exhibition proposals selected for the "Local Curatorial Project" of "Art Macao: Macao International Art Biennale 2025." Chosen from 34 submissions by a panel including chief curator Feng Boyi, Wang Xiaosong, Song Dong, Marcel Feil, and Van Pou Lon, the winning proposals are: "Genetic Duration" (curated by Ung Vai Meng), "After Oriental Garden" (Cheong Weng Lam), "The Sea of Languages: Macao Language Research Program" (He Yan Jun and Zhang Ke), "A Speakable Position for Women" (Cheong Cheng Wa and Wang Jing), "Beneath the Wetware Peninsula" (Daisy Di Wang and Wong Mei Teng), and "Jacone's Tower" (Feng Yan and Ng Sio Ieng). These exhibitions will be part of the biennale and will also be shortlisted for the 61st International Art Exhibition of La Biennale di Venezia – Collateral Event from Macao, China.
This article highlights several must-see art installations and events in New York City for June 2025. Highlights include "Van Gogh's Flowers" at the New York Botanical Garden, featuring floral displays inspired by van Gogh's paintings; Photoville, a citywide pop-up photography festival with over 80 international exhibits; Pigeon Fest on the High Line, celebrating Iván Argote's pigeon sculpture "Dinosaur"; AMPLIFIED, an immersive rock 'n' roll experience at ARTECHOUSE NYC presented by Rolling Stone; and Lily Kwong's living installation "Gardens of Renewal" in Madison Square Park.
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A growing number of "super advisory" firms are being founded by former top-level auction house executives, offering leaner, more discreet art advisory services without the high overheads of major auction houses and galleries. Notable examples include Art Intelligence Global (AIG), launched by Amy Cappellazzo and Yuki Terase after leaving Sotheby's, and Patti Wong & Associates, founded by former Sotheby's Asia chair Patti Wong. These firms leverage decades of experience and personal client relationships to compete in a cautious market where major auction houses have cut staff and digitized operations.
Toby Milstein Schulman, a 32-year-old New York-based consultant and advisory board member of RxArt, discusses her art collection in an interview. She recounts her first purchase of Tracey Emin's 'Be Brave,' a rookie mistake bidding on a work attributed 'after Keith Haring' at a charity auction, and highlights pieces by Camille Henrot and Louise Bourgeois in her home. She names Mickalene Thomas, Hilary Pecis, and Shara Hughes as three artists she is excited about, all involved with RxArt projects.
This article is a comprehensive listing of art exhibitions and events across Marin County, California, from May through August 2025. It includes details on dozens of shows at venues such as the Belvedere Tiburon Library, Anthony Meier, Blunk Space, Bolinas Museum, Gallery Route One, and many others, featuring works by artists like Carol Thomas, Saif Azzuz, Ian Collings, and Drew Frazier. The listings cover photography, painting, sculpture, and mixed-media exhibits, with opening receptions, artist talks, and benefit events noted.
Khaled Sabsabi, a Lebanese Australian artist, presents his installation 'conference of one's self' at the Australia Pavilion of the Venice Biennale, alongside a second work 'khalil' in the main exhibition 'In Minor Keys' curated by Koyo Kouoh. His participation follows a tumultuous period in February 2025 when he was initially appointed to represent Australia, then controversially sacked by Creative Australia's board after a political dispute triggered by Senator Claire Chandler's comments, and later reinstated. Sabsabi is now one of only three artists in the Biennale's 131-year history to show in both a national pavilion and the main exhibition.
The article highlights five new or relocated gallery openings across the UK, from London to rural Wiltshire, that are generating buzz alongside the Frieze London art fair. These include Brink in Notting Hill, which pairs architecture with art in a former temperance hall; Huxley-Parlour's new rural outpost in the North Wessex Downs; Monument, an archival objects gallery expanding in Leyton; 3812 Gallery relocating to The Whiteley in Queensway with a focus on Chinese contemporary art; and Cobogó Gallery's first physical London space in Chelsea Harbour, specializing in Brazilian design.