Venice Biennale Jury Resigns in the Wake of Controversial Prize Ban

The jury for the 2026 Venice Biennale has resigned just days before the public opening on May 9, after announcing on April 22 that it would not consider artists from countries accused of crimes against humanity for the Golden and Silver Lion prizes. The jury, consisting of Solange Oliveira Farks (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, cited its earlier statement of intention in its resignation, which directly impacted the participation of Russia and Israel—both subject to International Criminal Court warrants. In response, the Biennale postponed the awards ceremony from May 9 to November 22 and replaced the traditional jury with a public vote for best participant and best national participation, framing the move as upholding openness and rejecting censorship.

Five Independent Souls: The Signers from New Jersey

Morven Museum & Garden in Princeton, New Jersey, is presenting "Five Independent Souls: The Signers from New Jersey," an exhibition opening May 3, 2026, through January 17, 2027. The show examines the lives of five lesser-known signers of the Declaration of Independence—Abraham Clark, John Hart, Francis Hopkinson, Richard Stockton, and John Witherspoon—through over 100 historic artifacts including manuscripts, paintings, furniture, and personal objects. It confronts the paradox that these men fought for liberty while enslaving people, and also addresses the impact of American independence on New Jersey's indigenous population. Highlights include the painting "Congress Voting Independence" (1796-1817), the first known American depiction of the vote for Independence.

Parallax(e): Perspectives on the Canada–US Border

The exhibition "Parallax(e): Perspectives on the Canada–US Border" at The Reach Gallery Museum in Abbotsford, British Columbia, brings together archival materials from the Northwest Boundary Survey (1857–62) with new works by five Indigenous artists. The show features photographs, maps, and watercolors from British and American surveyors alongside commissions by Dr. Shawn Brigman, Dr. Michelle Jack, Deb Silver, Xémóntalot Carrielynn Victor, and Dr. T’uy’t’tanat Cease Wyss, who respond to the legacy of the border's creation through canoe culture, transboundary identity, and place-based knowledge.

Tale of a Riderless Horse

The National Gallery in London is hosting an exhibition titled "Stubbs: Portrait of a Horse," focusing on the 18th-century artist George Stubbs and his masterful equine paintings. The show features studies, drawings, and key works like "Whistlejacket" (c. 1762) and "Scrub" (c. 1762), highlighting Stubbs's unique anatomical knowledge gained from dissecting horses.

In the Studio With Rama Duwaji

Syrian-American artist Rama Duwaji discusses her evolving art practice and her new role as the First Lady of New York City following her husband Zohran Mamdani’s mayoral victory. Known for her distinct illustrations and animations for major institutions like the Tate Modern and the New Yorker, Duwaji is now transitioning into a more public-facing life while maintaining a studio practice at Gracie Mansion. Her work, which spans hand-drawn animation, ceramics, and paintings on found materials like cardboard, continues to blur the lines between commercial illustration and fine art.

Large Roman Villa Uncovered in the U.K. During Wind Farm Survey

Archaeologists conducting surveys for an offshore wind farm project in Norfolk, England, have discovered a significant Roman villa dating back to the 1st through 3rd centuries C.E. The expansive estate, which measures over 100 feet in length, featured a bathhouse, a covered porch, and ancillary buildings for crop processing. Excavations also yielded high-status artifacts including an ornate bronze door handle, a lion-headed furniture foot, and imported pottery, alongside evidence of a Roman road and two lost medieval villages.

Trustees of Renowned West Coast Artist Residency Visited Epstein’s Island

Two trustees of the prestigious Djerassi Resident Artists Program, Alexander Maxwell Djerassi and Michael Molesky, were identified in recently released Department of Justice files as visitors to Jeffrey Epstein’s private island in 2011. The pair attended the "Mindshift Conference," a gathering of academics and professionals held two years after Epstein’s first conviction. The residency program, located in California's Santa Cruz Mountains, clarified that the visit occurred years before either individual joined the board and emphasized that neither Epstein nor Ghislaine Maxwell ever had any formal ties or donor history with the institution.

Theresa Hak Kyung Cha Made Human Again

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is hosting "Theresa Hak Kyung Cha: Multiple Offerings," a comprehensive exhibition that draws from the artist’s complete archives. The show highlights Cha’s multidisciplinary practice, spanning film experiments, performance documentation, and her signature linguistic explorations. By pairing finished artworks with archival materials and personal ephemera, the exhibition reveals a playful, puckish side of the artist that is often obscured by the tragic circumstances of her death and the heavy themes of exile and dislocation in her work.

At 250, America Must Reframe Its Founding Icons

The Princeton University Art Museum has reopened after a five-year construction hiatus, returning Charles Willson Peale's iconic 1783 painting, *George Washington at the Battle of Princeton*, to public view. The painting, which had been on continuous display for 236 years prior to the closure, is being presented with a new interpretive framework that highlights the complex history of its ornate frame—originally made for a portrait of King George II, with its crown physically removed—and the painting's timing for the nation's 250th anniversary.

How Mumok’s New Director Plans to Make Museums Feel Alive Again

Fatima Hellberg, the newly appointed director of Vienna's mumok (Museum Moderner Kunst Stiftung Ludwig), has outlined her inaugural exhibition program and curatorial philosophy. Her first season, launching in June, will feature Kate Millett's newly acquired 1972 installation 'Terminal Piece,' an installation by scenographer Anna Viebrock, and a project by artist Tolia Astakhishvili.

Ancient Egyptian Papyrus Reveals 3,300-Year-Old White-Out Fluid

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Researchers at the Fitzwilliam Museum have discovered evidence of 3,300-year-old "white-out" used to correct an artistic error on an ancient Egyptian papyrus. While preparing for an upcoming exhibition, curators identified a modification on a copy of the Book of the Dead belonging to the royal scribe Ramose, where a mixture of calcite and huntite was applied to slim down the figure of a jackal deity.

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Scottish sculptor Andy Scott, renowned for his massive 300-ton steel horse heads known as The Kelpies, is the subject of a new solo exhibition titled “Monumental” at VEFA Gallery in Torrance, California. The show shifts the focus from his colossal public landmarks to a more intimate human scale, featuring maquettes, sketches, and a ten-foot steel horse head. By showcasing the evolution of his work from initial drawings to complex engineering feats, the exhibition highlights the technical precision and emotional depth behind Scott’s animal forms.

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The College of Visual Arts and Design Galleries at the University of North Texas abruptly canceled the solo exhibition "Ni de Aquí, Ni de Allá (Not From Here, Not From There)" by artist Victor "Marka27" Quiñonez after it had been fully installed. The show, which includes works from his "I.C.E. Scream" series critically rebranding Immigration and Customs Enforcement as "Inhumane and Cruelty Enforcement," was removed without explanation, and gallery staff ceased communication with the artist.

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The British Museum has opened a major exhibition titled "Samurai" that challenges popular perceptions of the warrior class. It reveals that after 1615, half of all samurai were women, though they did not engage in combat, and explores the evolution of samurai from medieval fighters to Edo-period bureaucrats and cultural figures. The show features over 280 objects, from armor and weapons to everyday items like a woman's dressing set, and examines the contrast between historical reality and modern pop culture portrayals.

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The Philadelphia Museum of Art is reversing its controversial rebranding decision, abandoning the name "Philadelphia Art Museum" and the acronym "PhAM" after widespread backlash. The museum will retain its new griffin logo but restore the original name, Philadelphia Museum of Art, across all platforms. The rebrand, developed with Brooklyn design studio Gretel at a cost of $1 million, was rolled out less than four months ago but met with public mockery and internal turmoil. The reversal follows the firing of CEO Sasha Suda, who filed a lawsuit over her ouster, and the appointment of Daniel Weiss, former CEO of the Metropolitan Museum of Art, as her successor. Chief marketing officer Paul Dien also resigned amid the fallout. The board voted unanimously to undo the name change after a survey commissioned by an interdisciplinary task force.

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The British Museum faced significant criticism from archaeologists and the public after posting images containing A.I.-generated content on its Instagram and Facebook accounts. The posts, which featured a young woman contemplating exhibits, were tagged to an A.I. model and a marketing agency. Following a wave of negative comments, the museum removed the posts approximately six hours later and reportedly unfollowed critics on social media.

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Soho Revue in London presents "Behind the Curtains," a group exhibition running from January 14 to February 29, 2026, featuring eight female artists—Lorena Lohr, Lucrezia Abatzoglu, Nettle Grellier, Drea Cofield, Kim Booker, Joline Kwakkenbos, Harriet Gillet, and Abigail McGinley—who reframe feminine sensuality outside the male gaze. The gallery is draped in deep red velvet, creating an intimate, private chamber that echoes Renaissance curtain conventions and the scale of 16th-century portrait miniatures, with each artist working in small formats to slow visual consumption and challenge who controls the frame.

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A late 18th- or early 19th-century Quran from Ottoman Syria, held by the New York Public Library's Schomburg Center for Research in Black Culture, was used to swear in Zohran Mamdani as New York City's first mayor to take the oath on the Muslim holy book. The ceremony took place just after midnight on New Year's Day 2026 at the decommissioned City Hall station, administered by New York Attorney General Letitia James. The Quran is now on display at the library's main branch in an exhibition titled "The People's Quran: Making History at City Hall."

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Several vivid frescoes have been uncovered during the ongoing excavation of Villa di Poppea, an ancient Roman villa in Oplontis near Naples that was buried by the eruption of Vesuvius in 79 A.D. The newly revealed decorations include an intact peacock fresco and fragments of a mask linked to the comedic character Pappus from the Atellan Farce. The discoveries were made in a room now called the Hall of the Peacock, part of the villa's western section, which is being excavated as part of a conservation project. Other finds include four new rooms, tree root casts showing an ornamental garden layout, and two richly decorated cubicula currently undergoing restoration.

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The British Museum has launched a new long-term lending program, transferring some 80 Greek and Egyptian antiquities to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) in Mumbai, India, for a three-year exhibition. Director Nicholas Cullinan presented the initiative as a collaborative alternative to the contentious debate over repatriation, aiming to share artifacts with former British colonies without permanently deaccessioning them. The loans are part of a 15-year partnership between the two museums, and Cullinan has signaled plans to negotiate similar arrangements with China, Nigeria, and Ghana.

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The Victoria and Albert Museum in London has opened a major exhibition titled "Marie Antoinette Style," showcasing items from the French queen's life and death, including her final letter, a guillotine blade, and a plain linen chemise she wore in prison. The exhibition explores her legacy as a style icon and the public's enduring fascination with her execution during the French Revolution, featuring objects linked to her imprisonment and the macabre history of Madame Tussauds' Chamber of Horrors.

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France returned an extremely rare 70-million-year-old Tarbosaurus bataar skeleton and 30 other paleontological finds to Mongolia on Monday. The fossils were looted from the Gobi Desert by a European trafficking network, smuggled via South Korea, and confiscated by French customs in 2015. At a ceremony in Paris, French Public Accounts Minister Amelie de Montchalin handed the items to Mongolia’s Culture Minister Undram Chinbat. The cache includes dinosaur eggs and the prized skeleton, worth over $800,000 at the time of seizure and now valued two to three times higher.

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Artnet News published an interview with Julia Cameron, author of the bestselling creativity guide *The Artist's Way*, originally released in 1992. Cameron discusses the origins of her 12-week program for overcoming artistic blocks, including the famous 'Morning Pages' ritual of writing three pages of unedited text each day. She also introduces her new book *The Daily Artist's Way*, which offers a fresh approach for fans. The interview, conducted by Ben Davis, revisits how Cameron's practical, spiritually-infused techniques have become a staple for artists, musicians, and writers worldwide.

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Archaeological excavations at the Palace of Westminster in London have uncovered Neolithic flint tools and flakes dating back over 6,000 years, predating the earliest mounds at Stonehenge. The digs, led by the Museum of London Archaeology and overseen by the Houses of Parliament Restoration and Renewal Delivery Authority (R&R), also revealed the remains of Lesser Hall, a 12th-century royal dining space, along with Roman altar fragments, medieval tiles, and 19th-century artifacts. The excavations, running through 2026, are part of a £13 billion restoration project addressing the Palace's deteriorating condition.

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Artnet News published its 'Museums in Crisis' series, a global investigation into pressures facing cultural institutions. Key takeaways include: Western museums face a funding and political crisis, with U.S. institutions losing hundreds of millions in federal support (including $428 million from the National Endowment for the Humanities) and European museums like those in Berlin facing cuts of €130 million. Corporate sponsorship is increasingly risky due to ethical scrutiny, with the U.K.'s Museums Association urging institutions to avoid ties to fossil fuels or human rights abuses. China's private museums are at risk of downsizing or disappearing due to economic slowdown and lack of public funding.

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British artist Lucy Sparrow will present her first U.S. museum exhibition, “The Beginning of Convenience,” at the Momentary, the contemporary art hub of Crystal Bridges Museum in Bentonville, Arkansas, opening in summer 2026. The immersive installation recreates an American supermarket entirely in felt, featuring approximately 20,000 hand-sewn plush products evoking the 1980s and 1990s. Sparrow researched Walmart’s archives to curate semi-vintage items, nodding to the museum’s founding family. Unlike her previous felt installations, nothing will be for sale, and the free exhibition will include a recreation of her studio and a documentary. Sparrow will also debut a candy shop titled “Sugar Rush” at Art Miami with TW Fine Art in December 2025.

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NADA Miami has announced its 23rd edition, taking place December 2–6, 2025, at Ice Palace Studios. The fair will feature 140 exhibitors from 30 countries and 65 cities, including 47 first-time participants such as Foundry Seoul, Post Times, and Brigitte Mulholland. The Curated Spotlight program, now in its sixth year and supported by TD Bank, will be organized by Vancouver-based curator Kate Wong, who selected seven galleries and artists—including Devin N. Morris, Ana Alenso, Alessandro Balteo-Yazbeck, Faith Icecold, Huey Lightbody, Mahari Chabwera, and Marissa Delano—to present works exploring power structures, identity, and collective histories. The fair will also host the ECOLOGIES public programming series.

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Felzmann auction house in Neuss, Germany, canceled its planned 'System of Terror Vol II' auction of Holocaust artifacts following international pressure from groups including the International Auschwitz Committee and the European Jewish Association. The sale, which included documents, letters, and Stars of David from Nazi victims between 1933 and 1945, was condemned as exploitative by critics such as executive vice president Christoph Heubner, who called it 'a cynical and shameless undertaking.' Polish Foreign Minister Radoslaw Sikorski and Culture Minister Marta Cienkowska also called for restitution of the items to Poland.

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A dedicated museum for French Art Nouveau architect Hector Guimard (1867–1942) will open in Paris at the Hôtel Mezzara, a building he designed in 1910. The project is led by the nonprofit Le Cercle Guimard, which secured a 50-year lease on the state-owned property after two decades of advocacy. The museum will be funded by Hector Guimard Diffusion, a company founded by collector Fabien Choné, and will house the Cercle archives and around 100 works from Choné's collection, including ceramics, Métro entrances, and cast iron pieces. A virtual reality experience recreating Guimard's 1901 Humbert de Romans concert hall is also planned.

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A new contemporary art triennial is set to launch in 2026 in Medina, a small village in Western New York with a population of about 6,000. The Medina Triennial will feature approximately 50 site-responsive works created by invited artists across indoor and outdoor locations, including former industrial buildings and spaces along the Erie Canal. The exhibition is co-directed by Kari Conte and Karin Laansoo, with associate curator Ekrem Serdar, and is conceived by the New York Power Authority and the New York State Canal Corporation to revitalize the canal and highlight its significance. A steering committee includes major regional institutions such as the Buffalo AKG Art Museum, the Burchfield Penney Art Center, the University at Buffalo, the Memorial Art Gallery, and the Corning Museum of Glass. The inaugural edition runs from June 6 to September 7, 2026, with a hub opening in September 2025 for public programs.