ArtRage Gallery in Syracuse is hosting a new exhibition titled 'A Rising Tide of Plastic in Art,' featuring works by members of the international collective Project Vortex. The show includes sculptures, photographs, and installations created from reclaimed plastic waste, with artists like Alejandro Durán, Nicole Hixon, Anne Percoco, and Blue McRight transforming debris into commentary on pollution.
Former IndyStar reporter Will Higgins has opened a new exhibition titled "The Speedway's Attic" at the Contemporary Art Museum of Indianapolis (CAMi), running until August 16. The show presents nine quirky, true stories from the margins of the Indianapolis 500, featuring artifacts recreated by Higgins based on his own research. One highlighted tale involves a fake 1938 Mercedes Benz convertible linked to Adolf Hitler, which appeared at the 1949 Indy 500 with mannequins and alleged "Hitler's wife's underwear." Higgins, known for his gonzo journalism style, previously created exhibits like "The American Society of Presidential Urine Collectors" and "The Museum of Fabulosity."
Courtney Saunders, a graphic designer and digital artist, has returned to Tallahassee after accepting a position with Grova Creative in early 2025. Her digital painting "Watch Us" earned Third Place in COCA's 2026 Creative Tallahassee exhibition, currently on view at City Hall Gallery through June 8. Saunders, who attended the School of Arts and Sciences in Tallahassee during middle school, credits the city's creative community and her supportive teachers for nurturing her artistic voice. She holds a BFA in graphic design from Andrews University and works across multiple mediums including acrylic, watercolor, collage, and digital illustration.
971 Art Gallery, a new luxury contemporary art space, has opened in Dubai, positioning the city as a growing hub for high-end art and investment. The gallery aims to attract international collectors and investors by showcasing blue-chip contemporary artists and offering a curated experience that blends art with luxury lifestyle.
The article covers the exhibition 'Auntiescapes' at Load Gallery in Barcelona, featuring the work of Singaporean artist Wenhui Lim, who works under the moniker niceaunties. The show includes a central AI-powered mirror that transforms viewers into the face of an Asian auntie, offering blunt, loving remarks, alongside surreal digital landscapes like Auntlantis and Auntiecity that reimagine aunties as protagonists in fantastical worlds. Lim, a former architect, uses AI and editing software to create these hyperreal, expansive works.
Slanted Art Co-Op in Montrose hosted its fourth annual student art show, featuring high school artists from four of the six school districts in the county. Students displayed works in acrylic, oil, pastels, ceramics, and mixed media, with some pieces available for sale. Notable participants included Forest City senior Amanda Borsheski, whose acrylic painting "Mandarin" and other works won multiple awards, and Blue Ridge senior Madison Gaylord, who exhibited a paint-dotted vinyl record and a relief sculpture. The event was curated by the students themselves and included awards such as Judges Delight and People's Choice.
Yelena Popova's solo exhibition 'Moments of Grace' opens at Osnova gallery's new space in Valencia, Spain, marking a decade of collaboration between the artist and the gallery. The show brings together works from several of Popova's major series, including 'Painting Installations' (2012-2017), 'Evaporating Paintings', 'Post-Petrochemical Paintings', and three jacquard-woven tapestries, tracing her practice over the past fifteen years. Popova approaches each project as part of an interconnected body of work, comparing her logic to garden cultivation—a layered, cyclical process. Her cross-disciplinary research focuses on the material conditions of painting, exploring temporal transformations like evaporation, oxidation, and decay, as well as the dynamics between image, surface, and space.
Stained glass artists Kurt and Lorraine Wendling have officially opened The Gallery on Gambier in downtown Mount Vernon, Ohio. The new creative hub serves as the permanent home for their business, Wendling Glass Creations, while also showcasing the work of approximately 20 other artists specializing in mediums ranging from photography to oil painting. The space is designed as a multi-functional venue, incorporating a retail gallery, a custom framing center, and a dedicated classroom for art instruction.
Bluffton High School is set to host its annual senior art exhibition at Gallery 323, showcasing the creative achievements of its graduating class. The event kicks off with an opening reception on April 23, 2026, and will remain on public display through early May.
The Laband Art Gallery at Loyola Marymount University is hosting a retrospective titled "Noni Olabisi: When Lightning Strikes," showcasing over 40 works by the late Los Angeles muralist and painter. The exhibition, curated by Karen Rapp, spans Olabisi’s career from 1984 to 2022, featuring her powerful political murals and personal canvases that document Black culture and the struggle against systemic racism. This marks the first major posthumous survey of her work since her unexpected passing in 2022.
The Hope Art Machine is set to launch its annual exhibition, "Retrospective 17," running from March 1 to March 27 across two venues: the Hope Art Gallery and the Blue Moose Coffee House. The showcase features diverse works from over 20 artists, including teachers and students, spanning mediums such as ceramics, watercolors, acrylics, and paper art. An opening reception is scheduled for March 7, providing a platform for the community to engage with local creators and learn about the studio's educational offerings.
Three exhibitions in the Texas Panhandle and Concho Valley showcased the work of artists Cody Arnall, Daryl Meador, and Ezra Tucker. At the Charles Adams Studio Project (CASP) Satellite Gallery in Lubbock, Arnall's show "Boredom and Failure (v.II)" featured sculptures and videos exploring imperfection, including an awning projecting a mirrored sky. In the same city, Daryl Meador's "Big Empty Blues" at Co-Opt Research + Projects presented textile art and quilts addressing labor, incorporating text from musicians and materials like waffle knit. The San Angelo Museum of Fine Arts hosted "The Art of Ezra Tucker," a survey of the artist's transition from illustration to fine art, focusing on wildlife paintings with masterful light and color.
"In meinem Auntieversum sind alle frei, es gibt keine Regeln"
Wenhui Lim, a Singapore-raised artist and former architecture designer, creates AI-generated images and videos featuring older Asian women she calls 'Aunties.' Her surreal 'Auntieversum' depicts these figures bathing in oversized ramen bowls, playing with pastel jellyfish, and driving sushi cars—a fantastical parallel universe where they are free from societal and familial expectations. Lim began the project in early 2023 as a personal exploration to reconcile her own feelings toward the aunties in her life, who often made blunt comments about her appearance while also plying her with food.
Peter Licht, a German musician, author, and playwright, appears as a guest on the 82nd episode of the "Fantasiemuskel" podcast, where he discusses his view of the world as a sound phenomenon. He reflects on his 2006 song "Lied vom Ende des Kapitalismus," which preceded the 2008 financial crisis, and explores how language, fear, and utopian moments manifest through sound in his work—whether in pop songs, theater pieces, or novels. Licht also describes a recent "problem-solving show" at Schauspiel Köln, where audience members submit problems that are collectively sung, turning singing into an act of resistance and community-building.
This article is a local events calendar for Savannah, Georgia, covering the week of May 12–21, 2026. Highlights include a SCAD Jewelry Trunk Show, a Telfair Museums anniversary preview of Impressionism and Modernity: French and American Painting with a lecture by National Gallery of Art curator Mary Morton, the opening of the Seven Ladies Exhibit at the Davenport House Museum, the 15th annual TEDxSavannah, a country concert by Ella Langley, a brewery anniversary party, a jazz fundraiser, and several preservation-focused lectures including one by National Preservation Partners Network CEO Kim Trent and a talk on landscape architect Clermont Lee. The Courtyard Concert Series at SCAD MOA concludes with local bluegrass band Swamptooth.
William & Mary students showcased their handmade artworks in the Hart Gallery's "Handmade" exhibit, held in conjunction with the Ampersand International Arts Festival. Curated by alumna Zara Fina Stasi '12, a Richmond-based artist and founder of Good for the Bees, the multimedia exhibition featured approximately a dozen student submissions including assemblage, collage, sculpture, sewn hangings, and traditional painting. Student curators Gibran Adnan '27 and Rebecca Graber '27 collaborated with Stasi to select and install the works, which explored themes of experimentation, self-expression, and the human process of creating by hand.
John Bramblitt, a Dallas native and Denton-based artist who lost his eyesight about 20 years ago while studying at the University of North Texas, opened Yellow Dog Art Bar and Gallery in mid-2023. The venue combines a bar with a gallery space, exhibiting and selling work from local artists, hosting open mic nights for live music and poetry, painting workshops, bad movie screenings, trivia, and karaoke. Bramblitt, who continued painting after losing his sight from complications with epilepsy and Lyme disease, also travels for speaking engagements, teaches painting to the visually impaired, and consults museums on accessibility. The gallery's name is partly inspired by the Blue Dog gallery in New Orleans and by Bramblitt's service dog, a yellow Labrador named Zuke.
Historian and lifelong collector Jason Blumklotz is opening an exhibition titled "The History of Portland Concert Posters" at Mint Gallery Records on November 14. The show features over 40 posters from his personal archive, spanning 1962 to 1996, many of which are for sale. The exhibition highlights Portland's rich concert poster tradition, including works from venues like Satyricon, the Masonic Temple, and La Luna, and includes posters for bands such as Heatmiser, King Bee, and Wipers.
Artist Pebofatso Mokoena opened his latest exhibition, "Diamond Dust Apostrophes," at The Blue House in Parkwood on July 19, hosted by David Krut Projects. The show draws on his recent residency in Oranjemund, Namibia, where the landscape, history, and soundscapes influenced his creative direction. During the residency, Mokoena began creating ink drawings on A4 paper while waiting for oil paints, a limitation that shaped the exhibition's meditative tone. He also collaborated with fellow resident Ericke Tjiueza, using music—particularly the album "Floating Points" by Pharoah Sanders and the London Symphony Orchestra—as a tool to understand the town. The exhibition marks a shift from his 2020 solo show "Internal Probes," which focused on Johannesburg's urban chaos, toward stillness and reflection.
Gallery 1882, located in Chesterton, Indiana, is hosting a new exhibition featuring contemporary artists from across the United States. The show brings together a diverse range of works, highlighting emerging and established talents in a local gallery setting.
The Impressionist and Modern art category became the most lucrative market segment in 2025, generating $4.7 billion in sales—a 29.5% increase from 2024—as collectors favored established names amid a cautious market. The $10-million-plus bracket surged 68.6% to $1.5 billion, while the number of lots sold hit a decade high of 122,213. Postwar and contemporary art ranked second with $4.1 billion, but its average price per lot dropped to a decade low of $23,027. Old Masters saw a 41.2% rise to $708.6 million, partly driven by the Thomas A. Saunders III collection at Sotheby’s, though that sale fell short of estimates. Ultra-contemporary art continued its four-year decline, falling 26.5% to $229.9 million, with average prices tumbling 72.4% from their 2021 peak.
Archaeologists and geologists have uncovered a Postclassic Maya settlement at the Birds of Paradise field complex in the Rio Bravo floodplain of Belize. Utilizing LiDAR mapping and 20 years of field research, the team discovered exceptionally preserved wooden architecture, stone structures, and domestic artifacts dating from 800–1500 CE. These findings reveal that Maya communities successfully migrated to wetland environments after inland urban centers were abandoned due to prolonged droughts.
Masterworks, an art investment platform, has filed a lawsuit in New York State Supreme Court against its former chief product officer, Hai Min Tran. The company alleges Tran threatened to sue for wrongful termination after his paternity leave, while Masterworks contends he voluntarily resigned before taking leave and that no part-time contract work was available for him upon his return.
Researchers at Curtin University in Australia have published a study in Communications Earth and Environment providing geological evidence that humans, not glaciers, transported the massive stones used to build Stonehenge. The team tested sediments from streams near the monument and found no signs of glacial activity during the Pleistocene, ruling out the theory that ice sheets carried the megaliths. The stones, including sandstone boulders from the Marlborough Downs and bluestones from Wales, weigh up to 40 tons, but exactly how ancient peoples moved them remains unknown.
Glow Nanshan, a light-art festival in Shenzhen's Nanshan district, has transformed the city's coastline into an outdoor museum of light art through installations, projections, and interactive works. The event, which serves as the heart of the larger Glow Shenzhen festival, coincides with the 45th anniversary of the Shenzhen Special Economic Zone and the 15th Five-Year Plan. Highlights include 'Island of Light' by Even Space, 'Anooki: Les Complices' by French studio Inook, and 'COSMOS' by Heyl & Van Dam Studio, alongside works by SKGPLUS in collaboration with Epson. The festival runs through March 3, 2026.
A rare sapphire necklace known as the “Royal Blue” sold for HKD 125,450,000 ($16,131,051) at Christie’s Hong Kong on Tuesday, during the auction house’s Hong Kong Luxury Week Autumn 2025. The necklace, featuring 104.61 carats of Kashmir Royal Blue sapphires, was the highlight of the “Magnificent Jewels” sale and fell within its pre-sale estimate of HKD 100–150 million.
A rare blue diamond pendant known as the Mellon Blue, owned by art collector Rachel Lambert “Bunny” Mellon, sold for $25.5 million at Christie’s Magnificent Jewels auction in Geneva on Tuesday. The 9.51-carat fancy vivid blue, internally flawless pear-shaped diamond had a pre-sale estimate of $20–30 million. This price is 22 percent less than the $32.6 million it achieved at Sotheby’s in 2014 as part of Mellon’s collection sale, and nearly 60 percent less when adjusted for inflation. The buyer was not disclosed.
Researchers analyzing a stone from the Paleolithic site Mühlheim-Dietesheim in Germany have identified the earliest known use of blue mineral pigment in Europe. The study, published in the journal Antiquity, found traces of azurite on a roughly 13,000-year-old stone artifact, which is thought to have served as a palette for mixing pigments. This discovery challenges the long-held belief that Paleolithic art relied primarily on red and black pigments, as blue minerals like azurite had not been detected in Europe’s Paleolithic art until now.
Shinsuke Sakimoto, CEO of luxury reseller Valuence Holdings, revealed himself as the buyer of a Hermès Birkin bag that sold at Sotheby’s Paris for €8.6 million ($10 million). The handmade black leather bag, originally commissioned in 1984 for actress Jane Birkin by then-Hermès CEO Jean-Louis Dumas, had been in a private French collection since its last auction in 2000. Sakimoto, previously anonymous, told the Khaleej Times that winning the bag was a personal milestone and a defining moment for his company.
Artist Jehan Legac, originally from Paris and based in Bangkok, discusses his practice of oil painting and photorealistic surrealism in an interview. His work, which explores femininity, sensuality, and sci-fi or fantasy narratives, has been exhibited at Nave8 Gallery in Ibiza, Saba Gallery in Miami, and Chaiyos Gallery in Bangkok. Legac describes his creative process as a slow, intuitive dialogue with the medium, emphasizing patience and emotional depth over intellectual understanding.