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In a new biography, Vanessa Bell is cast as the Bloomsbury Group's leading light—and as central to 20th-century visual culture

Wendy Hitchmough’s new biography, *Vanessa Bell: The Life and Art of a Bloomsbury Radical*, argues that Vanessa Bell (1879–1961) was a central figure in 20th-century visual culture, both as an artist and designer. The book details how Bell navigated sexism through collaboration and anonymity, with works like *Dancing Couple* only attributed to her in 1999. Hitchmough, a former curator of Charleston, presents Bell’s life with a matter-of-fact tone, weaving in the complex personal and professional entanglements of the Bloomsbury Group, including her relationships with Clive Bell, Roger Fry, and Molly MacCarthy.

Daegu Photo Biennale tackles the Anthropocene

The Daegu Photo Biennale in South Korea, now in its 10th edition, tackles the Anthropocene through the lens of symbiosis, featuring three main exhibitions: 'The Pulse of Life', 'The Origin of the World', and a solo show by Rinko Kawauchi titled 'M/E On this Sphere Endlessly Interlinking'. Artistic director Emmanuelle de l’Ecotais, a former curator at Centre Pompidou and Musée d’Art Moderne de Paris, leads the biennale, which includes 80 artists in the main exhibition and 75 in the special exhibition, alongside emerging artist showcases, a symposium, a photobook exhibition, and a portfolio review, all spread across 4,000 square meters at the Daegu Culture and Arts Center.

New Museum’s longtime director to retire after building expansion opens

Lisa Phillips, the director of the New Museum in Manhattan since 1999, will retire in April 2026 after the completion of an $82 million expansion designed by OMA and Cooper Robertson. The expansion, which doubles the museum's exhibition space, is set to reopen this autumn, marking the culmination of Phillips's transformative 26-year tenure. She will become director emeritus and curate an exhibition on the Bowery's artistic history.

Princeton University Art Museum Announces Inaugural Exhibitions in New Building

Princeton University Art Museum will open its new building on October 31, 2025, with two inaugural exhibitions: *Princeton Collects* and *Toshiko Takaezu: Dialogues in Clay*. *Princeton Collects*, curated by director James Steward and the museum’s curatorial team, features approximately 150 works donated during a “campaign for art” that began in 2021, including pieces by Sean Scully, Willem de Kooning, Joan Mitchell, and Zanele Muholi. *Toshiko Takaezu: Dialogues in Clay* highlights the pioneering ceramic artist and longtime Princeton professor, showcasing her “closed forms” alongside works by her teachers and contemporaries.

13 Art Exhibitions You Don’t Want To Miss This Fall

This fall, galleries and museums across the United States are presenting a series of exhibitions centered on Black life, ranging from historic pioneers to contemporary voices. Highlights include Athi-Patra Ruga's immersive installation 'Lord, I gotta keep on (movin')' at the Leslie-Lohman Museum of Art, which imagines a queer Black nation called Azania; 'Edmonia Lewis: Indelible Impressions' at Stanford's Cantor Arts Center, showcasing the 19th-century sculptor's Neoclassical works; and 'Data Consciousness: Reframing Blackness in Contemporary Print' in New York, inspired by W. E. B. Du Bois's data visualizations. Other notable shows include 'A Taste of Beauty' at the Crocker Art Museum, featuring carved African spoons, and the reopening of the Studio Museum in Harlem, alongside the global energy of Art Basel Miami Beach.

Fra Angelico masterworks reunited for two-venue Florence exhibition

Florence is opening a comprehensive double-venue exhibition of over 140 works by Fra Angelico, the early Renaissance master. The show, titled simply "Fra Angelico," runs at the Museo di San Marco and the Palazzo Strozzi, reuniting dispersed altarpieces and panels for the first time in over two centuries. It traces his evolution from late Gothic to early Renaissance, featuring reconstructed altarpieces with panels gathered from major European and American museums, alongside works by his influences like Masaccio, Lorenzo Ghiberti, and Lorenzo Monaco.

'Age alone does not guarantee value': Thomas S. Kaplan is showing his Dutch Old Master collection in US for first time

Collector Thomas S. Kaplan and his wife Daphne Recanati Kaplan are bringing their Leiden Collection, one of the world's largest private holdings of 17th-century Dutch art, to the US for the first time. Around a third of the collection's 220-plus works will be shown in "Art and Life in Rembrandt’s Time: Masterpieces from The Leiden Collection" at the Norton Museum of Art in West Palm Beach from 25 October 2025 to 29 March 2026. Kaplan is also in discussions to fractionalise the collection into shares and float it as an IPO.

Is This the Breaking Point for Museums?

Museums across the West are facing a severe funding crisis as governments slash public support. In the U.S., President Donald Trump’s deep cuts to the National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), and the Institute for Museum and Library Services (IMLS) have resulted in hundreds of millions of dollars in lost funding, while stock market volatility and increased endowment taxes further strain budgets. In Europe, Berlin cut €130 million from cultural funding in December 2024, and other countries face similar pressures, forcing museums to confront dwindling subsidies and shifting philanthropy.

Olafur Eliasson: Your curious journey | June 21 - September 21, 2025

The article announces Olafur Eliasson's traveling exhibition 'Your curious journey,' running from June 21 to September 21, 2025, at the Taipei Fine Arts Museum. Featuring 17 works spanning installation, painting, sculpture, and photography, the show reflects on the Icelandic-Danish artist's three-decade career and marks his first major presentation in the Asia-Pacific region. The exhibition will later travel to the Singapore Art Museum, Auckland Art Gallery Toi o Tāmaki, Taipei Fine Arts Museum, Museum MACAN in Jakarta, and MCAD Manila - Museum of Contemporary Art and Design.

In Xie Lei’s Work, the Uncanny Becomes Painting

Chinese-born, Paris-based painter Xie Lei has spent nearly two decades perfecting what he calls a 'poetics of the strange' in his canvases, which feature ghostly, gender-ambiguous figures in ambiguous situations—such as a kiss that could also be an act of suffocation. His works, which draw on memory rather than live models, will be exhibited at the Musée d’Art Moderne de Paris in September 2025. Xie cites influences ranging from classical Western painters like Delacroix and Goya to French authors Albert Camus and Jean Genet, as well as psychoanalyst Julia Kristeva and Chinese writers Zhuang Zhou and Pu Songling.

Ten essential works of art to see at the Museum of Modern Art, New York

The article presents a curated list of ten essential artworks at the Museum of Modern Art (MoMA) in New York, coinciding with the departure of longtime director Glenn Lowry after 30 years and the appointment of Christophe Cherix as his successor. It highlights iconic pieces such as Picasso's "Les Demoiselles d'Avignon" (1907) and Matisse's "The Red Studio" (1911), while reflecting on MoMA's history, its founding vision by Alfred Barr, and its evolution through expansions including the incorporation of PS1 and the $450 million renovation of its 53rd Street building.

Jamea Richmond-Edwards: Another World and Yet the Same September 13, 2025 — June 14, 2026 - Wellin Museum

The Ruth and Elmer Wellin Museum of Art at Hamilton College will present "Jamea Richmond-Edwards: Another World and Yet the Same" from September 13, 2025, to June 14, 2026. Curated by Alexander Jarman, the exhibition features a large body of newly created work alongside mixed-media paintings from the past seven years, exploring race, class, and identity. Richmond-Edwards draws on her Detroit roots, incorporating music genres like jazz, soul, Motown, techno, and hip hop, as well as imagery from school marching bands. The title references a 17th-century dystopian novel by Joseph Hall, and the artist adapts its narrative through a fictional character, Iceberg, who leads a voyage to Antarctica to establish an egalitarian society, addressing themes of climate change and self-determination.

Neo-Impressionism makes its thoroughly Modernist point at National Gallery in London

The National Gallery in London is presenting 'Radical Harmony: Helene Kröller-Müller’s Neo-Impressionists,' an exhibition that brings together 58 works from the Kröller-Müller Museum in the Netherlands. The show centers on Georges Seurat’s 'Le Chahut' (1889-90) and features artists such as Paul Signac, Anna Boch, Jan Toorop, and Théo Van Rysselberghe, highlighting the movement's radical, dot-based pointillist technique and its ties to anarchism. Co-curator Julien Domercq frames Neo-Impressionism as the first international Modern art movement, a precursor to abstraction and Fauvism.

Huge fashion photography archive heads this month’s acquisition round-up

The New York Historical has acquired the vast archive of legendary New York Times fashion photographer Bill Cunningham, nearly a decade after his death in 2016. The collection includes tens of thousands of images, negatives, slides, contact sheets, and correspondence documenting Manhattan street style and high-society events over 50 years. Separately, the J. Paul Getty Museum received a gift of 38 Italian manuscript illuminations from T. Robert Burke and Katherine States Burke, doubling its holdings in that area. The Hamburger Kunsthalle purchased René Magritte's painting *Le Palais de Rideaux* (1928) for €2.4 million from a Belgian private collection.

The Armory Show jumpstarts New York art market after summer of hand-wringing

The Armory Show opened its 2024 edition in New York with solid sales during the VIP preview on September 4, providing a positive signal for the city's art market after a summer marked by gallery closures and economic uncertainty. The fair saw the return of over 20 galleries that had previously taken a hiatus, including Andrew Kreps, Uffner and Liu, Instituto de Visión, and White Cube for the first time since 1994. Fair director Kyla McMillan emphasized the importance of rooting the fair in New York and praised exhibitors for taking risks with experimental works, such as Nikita Gale's installation 'Interceptor' (2025), which sold for $60,000 before the preview began.

Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum—podcast

The Art Newspaper's podcast 'The Week in Art' returns with three major stories. Ben Luke hosts a discussion with Ben Sutton, the publication's editor-in-chief in the Americas, about the Trump administration's announced comprehensive internal review of eight Smithsonian museums and artist Amy Sherald's cancellation of a long-scheduled exhibition at the National Portrait Gallery, citing censorship and institutional fear. The episode also covers Frieze Seoul 2024, the season's first major art fair, with correspondent Lisa Movius reporting from the South Korean capital amid political turmoil. The Work of the Week segment features Dara Birnbaum's landmark video artwork 'Technology/Transformation: Wonder Woman (1978-79)', part of a new exhibition 'The Quantum Effect' at the San Marco Art Centre in Venice, curated by Daniel Birnbaum and Jacqui Davies with physicist Ulf Danielsson.

Antony Gormley: ‘Everything I make now is a surprise to me’

Antony Gormley, the British sculptor best known for public works like *Angel of the North* and *Another Place*, is opening his first solo exhibition in Seoul this September, titled *Inextricable*, simultaneously at White Cube and Thaddaeus Ropac. The shows coincide with Frieze Seoul and explore how urban infrastructure shapes human consciousness. Gormley also discusses his ongoing collaboration with Japanese architect Tadao Ando at Museum SAN, where their permanent installation *Ground* (2025) is on view, and reflects on past unrealized projects in Korea, including a utopian proposal with the Kim Dae-jung Foundation.

See ‘Shattered Glass: The Women Who Elevated American Art’ in Canton

The Canton Museum of Art in Ohio is presenting 'Shattered Glass: The Women Who Elevated American Art,' an exhibition running from November 25, 2025, through March 1, 2026. Curated by Christy Davis and Kaleigh Pisani, the show spans all museum galleries and features over 120 works by 76 female American artists from the 1780s to the present day. Highlights include Audrey Flack's 1977 photorealist painting 'Marilyn,' still-life trompe-l'oeil works by Claude Hirst (born Claudine in 1855), Sister Corita Kent's 'Circus Alphabet' print series, and a photograph of Lee Miller in Adolf Hitler's abandoned apartment. The exhibition aims to spotlight underrecognized women who persevered despite barriers in the art world.

Wausau, WI Prepares To Celebrate 50 Years Of ‘Birds In Art’

The Leigh Yawkey Woodson Art Museum in Wausau, Wisconsin, is preparing to open the 50th annual 'Birds in Art' exhibition over Labor Day weekend. The show features 102 juried artists from 16 countries, selected from over 700 applicants, and includes paintings, sculptures, and works on paper. Museum director Matt Foss notes that the exhibition has evolved from traditional realism toward more diverse, contemporary interpretations of birds, with artists experimenting with new styles and mediums.

Van Gogh Museum claims it could be ‘forced to close’ amid funding feud with Dutch state

Amsterdam's Van Gogh Museum has publicly warned it could be forced to close unless the Dutch government increases its annual subsidy from €8.5m to €11m to fund essential renovations. Director Emilie Gordenker announced the museum cannot guarantee the safety of its collection, visitors, and staff without the additional funding for climate control, elevators, fire safety, security, and sustainability upgrades. The museum has filed a legal complaint against the state, arguing it is in breach of a 1962 agreement that committed the government to fund the museum's construction and maintenance in exchange for the Van Gogh family's collection. The case is set to be heard on 19 February 2026.

Meet Elizabeth Catlett in 11 Facts

Elizabeth Catlett (1915–2012) was a sculptor, printmaker, feminist, and social activist whose art was inseparable from her life and politics. Born in Washington, DC, to parents who worked in education, she faced racial discrimination early on—denied a scholarship to the Carnegie Institute of Technology and paid less than white colleagues as a teacher. She became the first Black woman to earn an MFA from the University of Iowa, studying under Grant Wood, and later taught at the George Washington Carver School in Harlem, where she connected with Harlem Renaissance figures. Catlett moved to Mexico, married artist Francisco Mora, and created woodblock and linocut prints for 20 years. She was investigated by the House Un-American Activities Committee, declared an "undesirable alien," and became a Mexican citizen in 1962. Her work centered on Black and Mexican women, and she famously stated, "We have to create an art for liberation and for life."

Artists and scholars respond to White House’s list of Smithsonian grievances

Over the weekend, artists, scholars, and concerned citizens responded to the White House's list of objectionable Smithsonian Institution exhibits and texts, released under the heading 'President Trump Is Right About the Smithsonian.' The list includes bullet points targeting exhibits on white culture, LGBTQ+ history, Afrofuturism, and works by artists such as Ibram X. Kendi, Ayana V. Jackson, Hugo Crosthwaite, Rigoberto A. Gonzalez, and Amy Sherald. Those singled out defended their work, with some comparing the administration's actions to Jim Crow-era censorship or Nazi Germany's 'degenerate art' campaigns, while others expressed pride in being included and vowed to continue making political art.

Step into the fire. A new exhibition ignites the Modern Art Museum of Fort Worth

Dallas-based artist David-Jeremiah presents his solo exhibition "The Fire This Time" at the Modern Art Museum of Fort Worth, featuring 27 shaped paintings created between 2020 and 2024. The paintings are shaped like Lamborghini hoods and arranged in clusters that invite visitors to stand at the center, becoming the focal point of an "inverted performance installation." Curated by Christopher Blay, the show spans four rooms and explores themes of beauty, violence, identity, and transformation, drawing inspiration from James Baldwin's "The Fire Next Time." The exhibition also includes works from the museum's permanent collection by John Chamberlain, Anselm Kiefer, and Mark Rothko that resonate with the show's themes.

Person of the Day | Chase Quinn Adopts Multi-Discipline Approach to Art-Museum Exhibits, Programs

Chase Quinn has been appointed as the inaugural creative director and curator of special projects at the Mississippi Museum of Art (MMA) in Jackson, starting in January 2025. In this newly created role, he oversees both curatorial and education departments, focusing on inclusive, cohesive content development and storytelling. Quinn, previously co-director of education and programs and curator of special projects at the Gibbes Museum of Art in Charleston, South Carolina, was inspired by Carrie Mae Weems’ series “From Here I Saw What Happened and I Cried” at Tate Modern in the mid-1990s, which shaped his approach to complicating narratives around race in museum exhibitions.

Alexandria Biennale—third-oldest after Venice and São Paulo—announces return following 12-year hiatus

The Alexandria Biennale, the third-oldest biennial in the world after Venice and São Paulo, is relaunching in September 2026 after a 12-year hiatus. Curated by Egyptian artist Moataz Nasr under the title "This Too Shall Pass," the event will feature artists mainly from the Mediterranean basin, along with performances, music, and lectures. In a shift from its previous state-funded model, the biennial now operates as a private-public partnership, with seed money from the Egyptian and Alexandria governments and pledges from local businesses. The exhibition will take place at historic venues across Alexandria, including the Roman amphitheatre, the Alexandria Library, and the Qaitbay Citadel.

Art brings ideas about ocean to landlocked place

The Spencer Museum of Art at the University of Kansas has opened "Soundings: Making Culture at Sea," an exhibition exploring connections to the ocean from the landlocked state of Kansas. Curated by Emily Casey and Celka Straughn, the show runs through December 14 and features works from the museum's collection, including a Winslow Homer watercolor, a carved wooden mermaid, and photographs of Greenland glaciers, alongside a video by Isaac Julien. The exhibition is organized into four sections covering maps, ocean crossings, ecological threats, and maritime trade.

Comment | US museums are finally going bilingual: here's why it matters

US museums are increasingly adopting bilingual and multilingual programming, primarily adding Spanish translations to wall texts, websites, and catalogs. Institutions like the Museum of Contemporary Art Chicago (MCA) and MoMA PS1 in New York have led this shift, with MCA hiring bilingual staff and developing a bilingual website, while MoMA PS1 offers texts in Spanish, simplified Chinese, Arabic, Tagalog, and Bisaya for specific exhibitions. This trend responds to the fact that 14% of the US population speaks Spanish at home, and Latinx people represent a growing demographic in cities like Chicago.

Artists who didn’t make Minnesota State Fair get second chance in ‘Rejects’ show

The article reports on the 2025 'State Fair Rejects' show at Douglas Flanders & Associates Gallery in Minneapolis, which accepts artworks that were not selected for the Minnesota State Fair's juried fine arts exhibition. Artist Attila Ray Dabasi, who had been accepted regularly in the past but was rejected this year, is among about 75 participants displaying works like his sculpture 'Armageddon.' The gallery, led by owner Doug Flanders, started the show last year to give rejected artists a second chance to exhibit and sell their work, with all drop-offs accepted. The State Fair received 2,834 submissions but only 337 were chosen, highlighting the competitive nature of the fair.

Mexico City’s Muac damaged during anti-gentrification protest

On 20 July, Mexico City’s second anti-gentrification protest caused damage to the Museo Universitario Arte Contemporáneo (Muac) and the nearby Julio Torri bookstore, including broken glass, graffiti, and burnt books. The protest, part of a growing movement demanding housing access and rent regulation, was marked by anti-foreign sentiment and vandalism likely carried out by infiltrated black bloc groups. Protesters diverted to the University Cultural Centre, where Muac is located, shattering its glass façade and spray-painting slogans such as “Muac welcomes gringos” and “Gringo go home.” The museum was closed for summer break at the time.

New book offers a suitably poetic vision of Blake and his legacy

A new book titled "William Blake and the Sea Monsters of Love" by biographer and critic Philip Hoare explores the life and work of William Blake, focusing on the three years the artist spent in Felpham, a coastal village in England, starting in 1800. Hoare argues that the ocean profoundly influenced Blake's art and poetry, using the sea as a metaphor to examine Blake's visionary prints, poems like "Milton," and his androgynous, fluid figures. The book also weaves in a cast of other historical figures—including Herman Melville, Paul Nash, and Nancy Cunard—whom Hoare dubs "sea monsters" for their rebellious, queer, and amphibious spirits.