Artist Lawrence Buttigieg's exhibition 'Desire & its Excess' is on view at Spazju Kreattiv in Valletta until March 1, curated by Gloria Lauri-Lucente. The show brings together painting, box-assemblage, and film to explore desire as an embodied, relational force that resists closure, focusing on the reciprocal exchange between artist and female subject within the studio space.
The ARTS at King Street Station in Seattle has announced its 2026 exhibition calendar, featuring a diverse lineup of 13 shows from November 2025 through February 2027. Highlights include "Welcome to Paradise: ¡Viva Puerto Rico Libre!" by Jo Cosme, which critiques colonial narratives of Puerto Rico; "Living and Loving Under the Carceral State" by Alison Bremner; a South Indian kolam exhibition by Anuradha Samrat; and "Tết In Diaspora" by Nhi Vo celebrating Vietnamese New Year. Other exhibitions explore Afrofuturism, Black figuration, animation, augmented reality, the legacy of Black Arts West Theater, and themes of mothering and gender-based violence.
Kansas City's winter offers a perfect opportunity to explore seven local art exhibitions, as highlighted in KCUR's Adventure newsletter. Notable shows include "Speeding" at 100,000,000 Space, featuring works by Annie Woodfill, Charlie Crowell, Mario Cuellar Ocaña, and Shaza Umran that capture urgency and motion; "One Bedroom Apartment: The Second Installment" at Gallery Bogart, showcasing bite-sized artworks by artists like Napoleón Aguilera, Monica Figueroa, and Madeline Brice to encourage accessible art collecting; and "What Work Is" at Vulpes Bastille, curated by Adams Puryear and Nina Littrell, where over 40 local artists transform factory coveralls to explore art and labor.
Lynn University hosted the Lynn NFT Art Museum 2025 Opening and All Hands on Deck Skateboard Deck Design Competition at the Boca Raton Innovation Campus (BRiC). Organized by the College of Communication and Design under Dean Cesar Santalo, the event featured a panel titled "Collecting Culture: How Toys and Comics Shape Our Stories" moderated by Michael Williams, with participants including toy designer Matt Nuccio, illustrator Mark Sparacio, and others. Exhibitions included Digitalism 2025, curated by Pixar RenderMan specialist Leif Pedersen; Stolen Data, featuring net-artists Vuk Ćosić, Rodolfo Peraza, and Rhea Myers; and the Fugitive Commons AI Animation and Video Art Contest, won by Tery Spataro. The skateboard deck competition showcased over 450 boards from students across eight countries.
The Revolt Art Fair is staging its second edition in Miami at Ice Palace Studios, featuring over 50 Black artists and digital creators. Titled "Dual Currency: Defiance by Design," the fair allows visitors to purchase works via QR code through the Ujamaa art-market app. Curators Amy Andrieux and Zindzi Harley have focused on celebrating Black art in 2025, with highlights including works by Chire “VantaBlack” Regans, Lex Marie, and Daveed Baptiste. A digital open call was announced for an LED presentation during the closing party, reflecting the fair's connection to hip-hop culture through its parent company Revolt.
An exhibition titled "Art Deco: A Modern Vision" has opened, featuring a series of social photographs capturing attendees at the event. The images show various pairs and groups of visitors, including Mary Abbott and Katie Abbott, Penelope Curtin and Janet Worth, and others, documenting the opening night's social scene.
Hervey Bay Regional Gallery in Queensland is closing out 2025 with three new exhibitions by local artists, opening November 28. The shows include a solo exhibition by Alywarr artist Dion Beasley, titled "Six Dogs," featuring his playful drawings of camp dogs inspired by his hometown of Tennant Creek and his children's books. Also on view are Brisbane-based Tyza Hart's "Appearing," a decade-spanning installation of ceramics and self-portraits, and the collaborative project "Weeds to Paper" led by papermaker Zela Bissett, which transforms invasive plants into handmade paper artworks in partnership with Butchulla Traditional Custodians.
Artist Sung Tieu has sold her work *Declaration of Donation* (2025) for €25,000 to fund a new board member at KW Institute of Contemporary Art in Berlin. The work, a contract engraved on four A4-sized mirrors, stipulates that the proceeds cover the five-year term of curator and academic Mi You, whom Tieu nominated to the board. The sale directly challenges KW’s board structure, which requires a €5,000 annual fee from each member—a key revenue stream for the institution amid Berlin’s arts funding cuts. Tieu’s piece argues that such fees perpetuate exclusion and economic gatekeeping, and that institutional change requires structural shifts, not mere declarations of inclusivity.
Miami Beach's city government runs 'No Vacancy,' an annual art exhibition that transforms around a dozen hotels and resorts across the city. Now in its fourth year, the program selects local and Miami-rooted artists—including Amanda Linares, Lee Pivnik, Pepe Mar, and Edison Peñafel—through a competitive open call to create site-specific works in public areas of participating properties such as Casa Faena, Miami Beach EDITION, and The Betsy Hotel. The exhibition has been extended from two weeks to four weeks this year, and visitors can explore the works via a self-guided tour, with over 200 artists submitting for the current edition.
A fire at South River Art Studios in Atlanta on November 12 destroyed or damaged over 50 works in "En Masse," a group exhibition of 21 regional printmakers that had opened just 11 days earlier in the Gogo Gallery. Curator Chloe Alexander and artists Maurice Evans, Grace Kisa, and Jamaal Barber describe the loss of unique, irreplaceable prints due to soot, smoke, and water damage, with many pieces on paper rendered unsalvageable despite appearing intact.
Artist George McCalman is preparing to launch his interactive exhibition “A March Through Time” on November 22 at Pier 29 in San Francisco. The exhibition is housed within a curtained-off section of the 122,000-square-foot pier, which McCalman describes as a timeworn space that reflects his belief that the past and present are intertwined. He has worked for nine years from a studio in an Outer Sunset home, a stripped-down, weathered building owned by architect Douglas Jacuzzi and ceramicist Georgia Hodges, which embodies a philosophy of material purity and reverence for process. The studio itself is filled with projects in various stages, including the 155 portraits of Black pioneers that make up his book “Illustrated Black History.”
Mona (Museum of Old and New Art) in Hobart, Tasmania, has accumulated $408 million in losses since opening in 2011, with $63 million lost in 2023-24 alone. Founder David Walsh, who is completing a $100 million expansion, stated he is "completely happy with the finances" and never intended the museum to be profitable. Walsh outlined potential cost-saving measures like raising ticket prices and scaling back festivals, but said he won't implement them himself, leaving that to future leadership.
The Gallery at Equinox Village in Manchester, Vermont, will host an exhibition titled "Blind Sight" by local resident and artist Jane Johnson. The opening reception on November 20 will feature live music by Mark LaChac, appetizers, and refreshments, and the show runs through January 6. Johnson, who became legally blind in October 2024, presents a whimsical collection including "Vermont Impressions" paintings, pierced portraits, and floral arrangements, inspired by her journey before and after losing her sight.
Pepperdine University, a private Christian institution in Malibu, California, censored and closed an art exhibition titled "Hold My Hand in Yours" at its Frederick R. Weisman Museum of Art. The exhibition, curated by museum director Andrea Gyorody, featured works centered on hands as symbols of labor, identity, care, and connection. On October 1, administrators Lauren Cosentino and Nicole Singer visited the museum, leading to the shutdown of artist Elena Mann's video "Call to Arms 2015-2022," which included references to Donald Trump's policies, the overturning of Roe v. Wade, the Brett Kavanaugh hearings, and the George Floyd protests. Another work, "Con Nuestras Manos Construimos Deidades" by Natalie Godinez and the nonprofit AMBOS, was also censored after officials objected to text reading "Save the Children" and "Abolish ICE."
A Blueprint of Resonance: Building Detroit’s Artistic Future is a multimedia exhibition presented by DETROIT SALON, running from October 18 to November 9, 2025. Curated by Juana Williams, the show highlights 18 Detroit-based artists who build on the city's legacy of collaboration and community care, drawing from historic institutions like Pewabic Pottery and the Scarab Club as well as artist-led movements such as the Cass Corridor and Gallery 7. The exhibition marks DETROIT SALON's official launch in Paris and the start of its global roadshows, ahead of its flagship event in Detroit in 2028.
The Chicago Bears are collaborating with UK artist Christian Jeffery and OOF Gallery to celebrate the 40th anniversary of the 1985 Super Bowl XX championship team. A free exhibition at OOF Gallery inside Tottenham Hotspur Stadium in London will run from October 10-12, featuring a one-of-a-kind art piece by Jeffery, limited-edition t-shirts with his bespoke design, and appearances by former Bears defensive end Israel Idonije. The collaboration marks the Bears' continued push into the UK lifestyle market following their London game last season.
Guy Gerber, a well-known electronic music DJ, made his fine art debut with a photography exhibition titled "Separate Ways" in Tribeca, New York. The show features 21 photographs where subjects' faces are obscured by mirrors, inspired by self-reflection. Curated by Katie Lister, the exhibition opened on September 9, attracting VIPs including Sergey Brin, Richie Akiva, and others. Gerber also performed a DJ set at a NYLON Membership party to celebrate the launch.
Frieze is opening a permanent exhibition space in Seoul called Frieze Seoul House, set to debut alongside Frieze Seoul 2025. Located in a former home in the Yaksu-dong neighborhood, the venue will model itself after Frieze's No. 9 Cork Street in London, offering temporary selling spaces for galleries from out of town. The space will also host non-commercial programming, including exhibitions by architects, film-makers, and fashion designers, as well as talks and lectures. Frieze will relocate its Seoul office to the building, which was designed in 1988 and renovated by local studio Samuso Hyoja.
Sotheby's will hold its first auction week in Abu Dhabi this December, partnering with the Abu Dhabi Investment Office (ADIO). The event, which includes auctions, exhibitions, and events from October through December, focuses on luxury goods such as cars, jewelry, and watches, targeting ultra-high net worth individuals. Highlights include the sale of the 31.86-carat 'Desert Rose' diamond and a 'Triple Crown' car collection in collaboration with McLaren Racing. The move follows ADQ's $1 billion minority stake in Sotheby's in October 2024.
New Mexico State University's Art Museum (UAM) will open three exhibitions on September 19, 2025: “Necessary Futures,” featuring New Mexico-based artists sheri crider, Haley Greenfeather English, and Szu-Han Ho; “Greetings from Tijuana,” a solo show by Mexican artist Georgina Treviño; and “Jennifer Ling Datchuk: RIPENING,” which examines women's labor and Asian American histories. A free public reception will be held from 5:30 to 7:30 p.m. on opening night, and all exhibitions run through March 7, 2026.
The Faizi Rahmeen Art Gallery in Karachi, Pakistan, remains unfinished over 35 years after its inception, despite being initiated during the tenure of former MQM Mayor Dr. Farooq Sattar. Construction of the ground-plus-three-storey structure was completed by 1992 at an estimated cost of Rs80 million, but work stalled after the launch of "Operation Clean-Up" against the MQM and the dissolution of the local government. A brief revival in 2007 only saw installation of glass panels and floor tiling; core civil works are only 70% complete, and key systems like electrical, mechanical, revolving stage, and sound system are still pending. The site, formerly the residence of renowned author Atiya Begum and artist Faizi Rahmeen, was donated to the Karachi Metropolitan Corporation (KMC) in trust with the explicit intention of establishing an art gallery. KMC's Culture, Sports and Recreation office now operates from the property, but the gallery itself remains stalled due to lack of political priority for arts and culture.
Yad Vashem – The World Holocaust Remembrance Center in Jerusalem has unveiled a new exhibition titled "Journey in the Wake of Catastrophe" by Israeli artist Tal Mazliach. The exhibition features eleven original works commissioned specifically for the show, which draw a visual and emotional connection between the Holocaust and the October 7th Hamas attack. Mazliach, a resident of Kibbutz Kfar Aza who survived the attack by barricading herself in her home for over 20 hours, is the second artist selected for Yad Vashem's 'Residency' Project. Her paintings incorporate tribal motifs, bold colors, and layered text, blending personal testimony with collective memory by drawing on Yad Vashem's archival collections.
Ladies Compartment, an exhibition by Method (India) now showing at Galerie Melike Bilir in Hamburg, features six Indian women artists—Anushree Fadnavis, Avani Rai, Darshika Singh, Keerthana Kunnath, Krithika Sriram, and Shaheen Peer—who reframe the gendered space of a Mumbai local train's ladies compartment through photography, pigment, video, and self-portraiture. The show coincides with India Week Hamburg 2025 and marks Method's debut in Germany, curated by Sahil Arora.
Art x Love, a creative agency owned by Allyse and Mac Love, has opened a new gallery called Forever Changes in downtown Akron, Ohio. The gallery offers local artists of all skill levels the opportunity to display and sell their work through both free and paid display options, with a community open house scheduled for July 11. The space at 35 S. Main St. features over 200 artworks by 22 local artists, including both newcomers like Boo Koch and Day Watajii, and established artists such as Karen Koch, Julienne Hogarth, and David Lile. The gallery operates on a non-curatorial model, accepting nearly all submissions suitable for public display, and aims to provide a zero-risk platform for artists who have never shown their work before.
The Tacoma Art Museum presents an exhibition curated by Kenji Stoll that traces the evolution of Japanese visual culture from traditional ukiyo-e woodblock prints to contemporary anime-inspired works. The show features a diverse range of artists, including Roger Shimomura, whose painting "Minidoka No.5 (442)" references the Japanese American 442nd regimental unit in World War II, alongside self-taught artists like VanVan, who contributes manga-style drawings. Stoll himself, a tattoo artist, exhibits a large mural titled "Nikkei Butterfly," which celebrates Japanese diaspora culture through patterns and a samurai warrior motif. Other artists include Ed Augai, Lauren Iida, Hanako O’Leary, and Yoshiko Yamamoto, whose works bridge historical ukiyo-e techniques with contemporary themes of identity, memory, and female empowerment.
Acne Studios has opened its first permanent art space in Paris, named Acne Paper Palais Royal, located beneath the historic arcades of the Palais Royal. The inaugural exhibition, titled '2025', features forty-two portraits of art students from Amsterdam's Gerrit Rietveld Academie by Dutch photographer Paul Kooiker, on view through July 27, 2025. The space is named after the brand's biannual magazine, Acne Paper, and will host art shows, talks, book signings, and cultural events.
Acne Studios will open its first standalone art gallery, Acne Paper Palais Royal, in Paris this June, replacing its boutique inside the Gardens of the Palais Royal. The gallery, curated by the team behind Acne Paper, will launch with a solo exhibition titled "2025 Paul Kooiker," featuring 42 portraits of art students from the Gerrit Rietveld Academy in Amsterdam. The opening will be celebrated with summer evening drinks on June 25.
The 13th edition of the Liverpool Biennial, titled 'Bedrock,' will run from June 7 to September 14, 2025, across 18 venues in the UK's largest city-wide contemporary art festival. Curated by Marie-Anne McQuay, the exhibition brings together 30 international artists and collectives with 22 new commissions, placing works in galleries, libraries, cathedrals, shopfronts, and public squares. The theme explores Liverpool's literal sandstone foundations as a metaphor for its layered histories—colonial empire, industry, civic resilience, and community life. Notable works include Amber Akaunu's film 'Dear Othermother' at Bluecoat, Linda Lamignan's triptych at FACT Liverpool, and Dawit L. Petros's installation at Liverpool Central Library.
NVIDIA GTC Paris, held June 10-12 at VivaTech, will feature a curated AI art gallery showcasing seven artists and fashion designers who use machine learning to create artwork. Exhibitors include aurèce vettier (Paul Mouginot), whose series 'le travail des rêves' and 'the light that is not seen' train AI on personal childhood photos to generate dreamlike oil paintings, and Senegalese artist Linda Dounia Rebeiz, whose project 'Once Upon a Garden' documents extinct flora from West Africa's Sahel region using AI-generated imagery. The gallery aims to demonstrate how AI can serve as a creative partner rather than just a tool.
The Frick Pittsburgh Museum and Gardens has opened a new exhibition in its 128-year-old greenhouse featuring abstract sculptures by local Pittsburgh artist Atticus Adams. Titled "Catching Sunbeams from the Porch Swing of Wisteria Castle," the show presents dozens of whimsical pieces made from metal mesh, wiring, and textile materials, hanging from the greenhouse roof. The free exhibit runs through October 26, Tuesday through Sunday from 9am to 5pm.