A new biography of James Baldwin, titled "Baldwin: A Love Story" by Nicholas Boggs, frames the writer's life through his relationships with four key figures: the painter Beauford Delaney, Lucien Happersberger, Engin Cezzar, and Yoran Cazac. The article focuses on Baldwin's formative bond with Delaney, who served as mentor and artistic inspiration, teaching Baldwin about light, music, and cultural heritage in his Greenwich Village studio.
Ari Aster's upcoming film *Eddington*, premiering at Cannes, uses David Wojnarowicz's 1988–89 artwork *Untitled (Buffalos)* as its poster image. The film, set in May 2020, follows a sheriff and mayor clashing over face masks during the COVID-19 pandemic. Wojnarowicz's work, originally a critique of U.S. government indifference during the AIDS crisis, depicts bison falling off a cliff—a metaphor for societal collapse. The poster slightly alters the image, and A24, the production company, has not commented on the design.
Phillips auction house has filed a lawsuit against David Mimran, a film producer and son of billionaire Jean Claude Mimran, alleging he failed to pay $14.5 million for a Jackson Pollock drip painting (ca. 1948) that sold at a New York auction in November 2024. Mimran had agreed to a third-party guarantee for the work, which sold for $15.3 million with fees, but according to Phillips, he sought an extension and then claimed he could not pay. The auction house is seeking nearly $15 million including interest.
A revealing photograph of singer Lorde from the vinyl edition of her new album *Virgin* has gone viral, sparking debate on social media. The image, credited to artist Talia Chetrit, shows Lorde in see-through pants without underwear, echoing the album's cover—an X-ray of her pelvis by Heji Shin. Chetrit, known for exploring power dynamics and sexuality in her work, previously photographed Lorde for a single cover. The photo has drawn comparisons to Chetrit's earlier self-portraits and has been discussed in the context of nudity and illusion in art.
The article critiques the current art market frenzy in New York, where fairs and auctions dominate the scene, and argues that the relationship between art and money is being misrepresented in mainstream media. It cites recent op-eds by David Brooks, Tyler Cowen, and Matthew Yglesias, who suggest that wealth inequality benefits artists by boosting the financial returns of fine art. The author counters that these commentators conflate the art market with artists' livelihoods, ignoring the precarious reality most artists face.
Phillips held its marquee May auction in New York, achieving $52 million in total sales, down from $86.3 million the previous year. The top lot was a Jean-Michel Basquiat work owned by David Bowie, which sold for $6.59 million. Four lots were withdrawn before the sale, five failed to sell, and the sell-through rate was 77.5 percent. Despite a low-energy room, five artist records were set, including four for women artists: Ilana Savdie, Olga de Amaral, Kiki Kogelnik, and Grace Hartigan, and one for James Turrell.
Casa Batlló, Antoni Gaudí’s iconic Barcelona landmark, has completed a €3.5 million ($4 million) restoration of its long-neglected back façade and courtyard. The project involved stratigraphic paint analysis to uncover original colors—revealing that the now-cream stucco was once deep gray and the windows originally green—along with restoration of trencadís mosaics, ironwork, wooden elements, and an 85,000-piece Nolla mosaic. The courtyard’s custom planters and parabola-shaped pergola were also rebuilt, returning the rear of the house to Gaudí’s original vision for the first time in over a century.
A collection of 450 objects owned by the late filmmaker David Lynch was auctioned by Julien's Auctions, achieving a white-glove sale totaling $4.25 million. The top lot was a group of scripts from Lynch's unrealized film project *Ronnie Rocket: The Absurd Mystery of the Strange Forces of Existence*, which sold for $195,000. Other notable sales included scripts for *Mulholland Drive* ($104,000), *Twin Peaks* pilot ($91,000), and *Twin Peaks: Fire Walk with Me* ($78,000), as well as Lynch's director chair ($91,000), a personal 35mm print of *Eraserhead* ($52,000), and his La Marzocco espresso machine ($45,500).
Collectors and philanthropists Igor and Mojca Lah are opening a new contemporary art museum called Muzej Lah in Bled, Slovenia, set to debut next year. Designed by David Chipperfield Architects, the 55,000-square-foot museum will be built into a hillside beneath Bled Castle and will house the Fundacija Lah art collection of around 800 works, including pieces by Joseph Beuys, Anselm Kiefer, William Kentridge, Anne Imhof, and Theaster Gates, many never before publicly displayed.
Hundreds of items from filmmaker David Lynch’s personal estate are being auctioned by Julien’s in Los Angeles, with online bidding already exceeding $56,000. The nearly 450 lots include movie props, musical gear, Polaroids, and more, spanning Lynch’s career. Top-performing items include his personalized director’s chair (bidding at $15,000), a red curtain from Twin Peaks ($2,750), a photo of a nuclear explosion from Twin Peaks: The Return ($6,000), a personal 35mm print of Eraserhead ($7,000), a vintage boomerang sofa ($4,500), and a signed Man Ray photograph ($3,500). The sale also features musical instruments from his home studio, such as a custom five-neck Ferrington guitar and a Roland synthesizer. The auction officially ends on June 18 and is held in collaboration with Turner Classic Movies.
Chris Reitz, an art historian and chair of Louisville’s Commission on Public Art, has resigned in protest over the city’s plan to restore a statue of King Louis XVI that was damaged by protesters in May 2020 following the police killing of Breonna Taylor. In an op-ed, Reitz argued that the $200,000 restoration cost is unjustified for a statue he deems beyond repair, and accused city officials of trying to erase evidence of the protests. The statue, created by Achille Valois, was originally erected in France in 1829 and gifted to Louisville in 1966; it was vandalized on the same day the city released 911 calls from Taylor’s killing.
Brian Eno, the English musician and artist who composed the iconic startup sound for Windows 95, has publicly called out Microsoft for its business relationship with the Israeli Ministry of Defense amid the ongoing war in Gaza. In an open letter titled “Not in My Name” posted to Instagram, Eno expressed dismay that the company he once associated with a promising technological future is now providing cloud and AI services to the Israeli military, which he and human rights organizations accuse of committing genocide and war crimes. He urged Microsoft to suspend all services that contribute to violations of international law and announced he would donate his original fee for the Windows 95 chime to Gaza victims.
A 1955 bronze bust by Alberto Giacometti, estimated at $70 million, failed to sell at Sotheby's modern evening auction in New York on May 13, 2025. The sculpture, from the estate of real estate magnate Sheldon Solow, was offered without a guarantee and bidding reached $64 million before the lot was pulled after four minutes, likely because the reserve price was set above that amount. Auctioneer Oliver Barker presided over the sale, which Sotheby's CEO Charles Stewart described as an organic auction moment despite the lack of a sale.
Crypto billionaire Justin Sun and entertainment mogul David Geffen are locked in an escalating legal battle over Alberto Giacometti's sculpture *Le Nez*. Sun purchased the work for $78.4 million at Sotheby's in 2021, but claims his former art adviser Sydney Xiong fraudulently sold it to Geffen for $10.5 million in cash and two paintings, using forged documents and fictitious lawyers. Sun filed suit in New York in February; Geffen countersued in April, calling the allegations "bizarre and baseless" and accusing Sun of "seller's remorse." Sun's legal team now asserts that Xiong has been detained in China since February, while Geffen's camp points to inconsistencies in Sun's story and his broader financial and legal troubles.
Yoko Ono will install seven digital billboards across Los Angeles bearing peace messages like "THINK PEACE" and "IMAGINE PEACE," as part of her upcoming exhibition "Yoko Ono: Music of the Mind" at the Broad museum opening May 23. The billboards echo her 1969 "WAR IS OVER!" campaign with John Lennon. Ancillary programming includes re-creations of her performance works "Cut Piece" (1964) and "Sky Piece to Jesus Christ" (1965), plus a concert series "Yoko Only" guest-curated by Yuka Honda featuring Yo La Tengo, Nels Cline, Sleater-Kinney, and others.
L.A. Metro opened the first phase of its D Line extension on Friday, May 1, 2026, adding three new underground stations connecting downtown Los Angeles to Beverly Hills: Wilshire/La Brea, Wilshire/Fairfax, and Wilshire/La Cienega. The stations feature nine site-specific public artworks by artists including Mariana Castillo Deball, Eamon Ore-Giron, Ken Gonzales-Day, Todd Gray, Karl Haendel, Soo Kim, Fran Siegel, Susan Silton, and Mark Dean Veca. The competitive selection process began a decade ago, drawing over 1,200 applicants, with finalists judged by a panel of art professionals including curators from Miracle Mile museums. Metro deputy executive officer Zipporah Yamamoto leads the agency's public art program, which is funded by a 0.5% construction budget set-aside.
David Zwirner in Los Angeles is presenting an exhibition of works by Magdalena Suarez Frimkess, organized by artist Shio Kusaka, running from April 11 to May 22, 2026. The show includes a press release, checklist, and venue details, with images courtesy of the artist and the gallery, photographed by Elon Schoenholz and Marten Elder.
Artist Walter Price is presenting a solo exhibition titled "Pearl Lines" at David Zwirner’s Hong Kong gallery. Running from March 24 through May 9, 2026, the show features a new body of work that continues Price’s exploration of the boundaries between figuration and abstraction through his signature use of vibrant color and psychological depth.
The article is an interview with Ramuntcho Matta about the exhibition "Brion Gysin: The Last Museum" at the Musée d’Art Moderne de Paris. It explores the life and work of Brion Gysin, a multifaceted artist associated with Surrealism, the Beat Generation, and the invention of the Dreamachine. The exhibition traces Gysin's career through his calligraphy, painting, and multimedia works, including collaborations with William S. Burroughs and Ian Sommerville. A complementary show, "Underwood 2246449-5 (Les diables de Brion)," organized by Matta at New Galerie, features Burroughs's typewriter and related instruments.
Bottega Veneta's creative director Louise Trotter has launched 'Bottega Veneta for the Arts,' a new collaborative series aimed at connecting the fashion house with the art world. The inaugural project features British photographer Peter Fraser, who documented Trotter's debut collection in Italy's Veneto region, the brand's birthplace. This follows previous art collaborations with photographer Duane Michals and painter Poppy Jones.
The Peabody Essex Museum (PEM) in Salem is highlighting the work of its curatorial team, specifically focusing on how Lydia Peabody, Lan Morgan, and Ruthie Dibble are revitalizing the institution's collections. A primary focus is the exhibition 'Edmonia Lewis: Said in Stone,' where Peabody integrated contemporary photography and video by artist Gisella Torres to create a dialogue with Lewis’s 19th-century neoclassical marble sculptures. Other initiatives include Lan Morgan’s 'Beyond the Broom' project, which uses short films to showcase a community-focused perspective of Salem beyond its 'witch city' reputation.
The Princeton University Art Museum has unveiled "Photography as a Way of Life," a major exhibition running from April 19 through September 7. The show examines the interconnected careers of Minor White, Aaron Siskind, and Harry Callahan, three titans of mid-20th-century American photography. Drawing heavily from the museum’s Minor White Archive, the exhibition features unpublished color and black-and-white prints, archival documents, and a reconstruction of White’s slide projection piece, "Slow Dance."
The National Portrait Gallery in London has opened a major exhibition dedicated to Lucian Freud's works on paper, featuring 170 drawings, etchings, and paintings. The show, drawing heavily from the Lucian Freud Archive acquired by the gallery after the artist's death, includes 48 sketchbooks, unfinished works, and childhood drawings, alongside 12 new acquisitions from the estate.
Berkeleyside has published a guide to 17 museums and galleries in Berkeley, California, highlighting free and affordable arts and culture destinations. The list includes major institutions like the Berkeley Art Museum and Pacific Film Archive (BAMPFA), the Kala Art Institute, the Berkeley Art Center, the Magnes Collection of Jewish Life and Art, and the Lawrence Hall of Science, as well as smaller venues such as the Arts and Crafts Cooperative (ACCI), Shoh Gallery, 120710, and the Lacis Museum of Lace and Textiles. Each entry includes hours, admission details, and notable features, with an emphasis on free access and local artists.
London-based artist Nnena Kalu (b. 1966) won the Turner Prize 2025 at a ceremony in Bradford on December 9, becoming the first artist with a learning disability to receive the prestigious award since its inception in 1984. Kalu’s practice spans sculpture, installation, and works on paper, featuring cocoon-like hanging sculptures made from unconventional materials like masking tape and VHS ribbon, as well as large-scale drawings of spiraling vortexes. She was selected from a shortlist that included Rene Matić, Mohammed Sami, and Zadie Xa, and was recognized for her presentation in the group exhibition “Conversations” at the Walker Art Gallery and her work at Manifesta 15 in Barcelona. The prize includes a £25,000 award.
The Studio Museum in Harlem officially opens its purpose-built new home on West 125th Street on November 15, 2025, marking the first time the institution has had a building designed specifically for its program. Designed by Adjaye Associates with architect Pascale Sablan, the 82,000-square-foot museum features a double-height street-level window, a 'reverse stoop' entrance, expanded exhibition and public spaces, artist-in-residence studios, and a roof terrace. The facade uses dark-grey precast concrete and bronze-toned glass to reference Harlem's masonry architecture while signaling a refined contemporary presence.
Prague Art Week 2025 (PAW25) took place from September 25 to 28 across multiple venues in Prague, including the Mánes Exhibition Hall, galleries in Prague 1 and Prague 7, and the Trade Fair Palace of the National Gallery. The program featured exhibitions such as HAC#2 celebrating the 10th anniversary of the Havrlant Art Collection, group shows like Interlude at C12 gallery and IT at HYB4, solo exhibitions by Lenka Glisnikova and Stanislav Zábrodský, the Jindřich Chalupecký Award exhibition, and the duo show With Feathers and Flesh. Activities included guided tours, artist talks, and open studios, with works by Czech and international artists exploring themes of digital transformation, corporeality, identity, environmental crisis, and spirituality.
Pilar Ordovas opens an exhibition at her Mayfair gallery titled *Dialogues: European, American, African and Oceanic Art from the 20th and 21st Centuries*, running from 9 October to 12 December. The show is a collaboration with Jean Fritts, former international chairman of African & Oceanic Art at Sotheby’s, and Pierre Mollfulleda, formerly head of Sotheby’s African & Oceanic Art department in Paris. It pairs Modern and contemporary Western works with African and Oceanic objects that inspired them, including pieces from the landmark 1984 MoMA exhibition "Primitivism" in 20th Century Art.
The Los Angeles County Museum of Art (LACMA) opened its new David Geffen Galleries, designed by Swiss architect Peter Zumthor in collaboration with SOM, for a summer preview before the building's official opening in April 2026. The 110,000-square-foot exhibition space, elevated on seven pavilions and made of concrete and glass, was opened to the public for three days with performances by 120 musicians. The preview also includes outdoor sculptures, commissioned artworks by Mariana Castillo Deball and Sarah Rosalena, and new dining and retail spaces.
The LOOK25 Gala in Calgary, held on May 31 and presented by MAWER, raised over $1.2 million for Contemporary Calgary. Themed “Noir Nouveau” after textile artist Simone Elizabeth Saunders, the event featured a VIP dinner by Holt Renfrew, performances by Justine Tyrell and Timothonius, and a live auction led by Heather Edwards that included works by Saunders, June Clark, Evan Penny, and a circa-1960 Jean-Paul Riopelle. An after party sponsored by Masters Gallery drew 600 guests. Separately, the Butterfly Ball in Toronto, now in its 26th year, raised $1.27 million for Boost Child & Youth Advocacy Centre, with co-chairs Claire MacNamara and Trish Del Sorbo, and an auction handled by Christie’s consultant Brett Sherlock.