Eugenio Viola, former artistic director of the Bogotá Museum of Modern Art (MAMBO), argues that museums must evolve from authoritative cultural temples into critical civic spaces. He contends that in polarized societies marked by inequality and contested histories, museums are essential infrastructures for hosting discomfort, divergent memories, and unresolved tensions, fostering collective dialogue and visibility for excluded narratives.
A major exhibition titled 'Lillian Pitt: Art, Memory, Home' opens at The Museum at Warm Springs on May 21, featuring the contemporary art of celebrated Pacific Northwest Native artist Lillian Pitt alongside works from her personal collection and other institutions. The show, curated by Angela Anne Smith with contributions from Rebecca Dobkins, explores six themes in Pitt's life and work and includes an opening reception sponsored by The Ford Family Foundation.
London-based artist Zazou Roddam explores the intersection of pop culture nostalgia and historical trauma through the manipulation of found objects and archival media. Her practice, rooted in a long-standing fascination with the 'detritus of history' found in London’s Portobello Road Market, gained significant attention following her debut solo exhibition at Brunette Coleman. Central to her recent work is the video piece 'Pop Inflection (The City)', which meticulously edits footage from 'Sex and the City' to track the architectural and psychological shifts in New York City before and after the 9/11 attacks.
A new group exhibition, "That Lovely Land of Might-Have-Been," opened at The Falstaff Project in El Paso, featuring works by over twenty artists including Haydee Alonso, Diamond Stingily, and Edward Thomasson. Curated by artist Miguel Bendaña, the show presents a diverse range of media, from video installations to other contemporary forms, and will run from January 29 through March 8, 2026.
The Museum of Cycladic Art in Athens presents "Jeff Koons: Venus Lespugue," an exhibition pairing Jeff Koons' monumental stainless steel sculpture *Balloon Venus Lespugue (Orange)* (2013–2019) with ten certified copies of Paleolithic Venus figurines from major European museums. The Koons work, on public display for the first time, is loaned from the Homem Sonnabend Collection and directly references the 28,000-year-old Venus of Lespugue carved from mammoth tusk ivory.
The Utah Museum of Fine Arts (UMFA) is hosting "Storywork: The Prints of Marie Watt from the Collections of Jordan D. Schnitzer and His Family Foundation," an exhibition running through June 21. It features over 60 works by Marie Watt, an enrolled member of the Seneca Nation's Turtle Clan, including prints, monumental blanket stacks, hanging textiles, and small-scale sculptures. The show is drawn from the collections of Jordan D. Schnitzer, a top 200 collector recognized by ARTNews, whose foundation has supported more than 180 exhibitions and loaned works to over 130 museums at no cost.
The Jumex Museum in Mexico City has launched a major exhibition titled "Football & Art: A Shared Emotion," timed to coincide with the city's role as a host for the 2026 FIFA World Cup. Curated by Guillermo Santamarina, the show features a diverse array of media including sculpture, photography, and commissioned installations from renowned artists such as Jeff Koons, Graciela Iturbide, and Marta Minujín. Notable works include a sculptural installation by the collective Tercerunquinto using salvaged seats from the Azteca Stadium and an embroidered piece by Sofía Echeverri honoring the 1971 Mexico Women’s National Team.
Russian contemporary artist Pavel Otdelnov has established a home studio in London, where his domestic environment serves as an extension of his artistic practice. Following his relocation in 2022, Otdelnov has integrated Soviet-era motifs—such as wall carpets and television color grids—into his English terraced house to explore themes of memory and the 'uncanny.' His recent works, including 'Unheimlich' and 'No Signal,' utilize these familiar objects to critique how nostalgia can be weaponized and how violence often hides within the mundane.
SLEEK Art Space in Berlin is presenting 'Nostalgia of the Image,' a solo exhibition of photographer Michel Comte's work from the 1980s to the present. The show features iconic portraits of cultural figures like Miles Davis, Naomi Campbell, and Gary Oldman, alongside his more recent contemplative and environmentally-focused projects.
Taiwanese Mandopop superstar Jay Chou has curated two simultaneous auctions on Pharrell Williams's platform Joopiter: one featuring 14 personal memorabilia items from his three-decade career, and another titled "The Contemporary Take: A Look With Jay Chou" offering 25 paintings and prints by international artists. Highlights include works by Oscar Yi Hou, Young-il Ahn, Daniel Richter, Hajime Sorayama, Diane Dal-Pra, Ernie Barnes, and Yoshitomo Nara. Bidding closes on October 31 for the art sale and November 4 for the memorabilia. Proceeds from the memorabilia sale will support a charitable initiative backed by Chou.
Spanish artist Juan Saliquet opened a solo exhibition titled "Archaeology of a City: Almaty" at Esentai Gallery in Almaty, Kazakhstan, on September 5, running until October 15. The show, organized by the Embassy of Spain in Kazakhstan and ART FUTURE, culminates Saliquet's international residency with the Spanish Agency for International Development Cooperation (AECID). Through photography, Saliquet captures Almaty's urban details—architecture, graffiti, reflections, and street fragments—treating the city as a living archive layered with memory and identity.
Hera Büyüktaşçıyan Channels Istanbul’s Haunted Histories
Hera Büyüktaşçıyan has opened a major solo exhibition, 'I Know You As Her', at Istanbul's Arter museum. The show features new and existing works, including sculptures, installations, and watercolors, that explore submerged histories and spectral presences within the city's urban fabric, particularly around the historic Pera district.
Performance artist Maria De Victoria spent Tuesday chanting the last words of Renee Nicole Good—a poet and mother killed by an ICE agent in Minneapolis—outside the ICE field office in New York City's Jacob K. Javits Federal Building. Dressed in a coat bearing Good's phrase "I'm not mad at you, dude," De Victoria performed the endurance piece from sunrise to sunset as an act of dissent against federal immigration crackdowns. The work concluded with a silent vigil, and De Victoria, an immigrant from Peru represented by Desnivel Gallery, has a history of politically charged endurance performances.
Peggy Ahwesh's solo exhibition "The Wayfinders," recently on view at New York's Microscope Gallery, marks a new direction for the experimental filmmaker. For the first time, she incorporates footage from an early-2000s flight simulator alongside original video and animation to create a large-scale installation. The work serves as an elegy for the abandoned Qalandia/Atarot airport, situated between Qalandia and Jerusalem, which operated as a civilian airport from 1948 to 1967 before Israel annexed the site. Through poetic voiceover and imagery of travel and navigation, Ahwesh reflects on Palestine's thwarted right to the sky, the history of wayfinding by the stars, and the porous borders of the past contrasted with today's restrictions.
The article lists current and upcoming art exhibitions in the Fort Wayne, Indiana area, including shows at The Orchard Gallery of Fine Art, Garrett Museum of Art, Clark Gallery, ArtSpace/Lima, Fort Wayne Museum of Art, Artlink, Ruth Koomler Art Gallery, Foellinger-Freimann Botanical Conservatory, Visual Arts Gallery at Purdue University Fort Wayne, Allen County Public Library, Langhinrichs Art Gallery, and Atelier. Featured artists include Heidi Malott, Hope Wallace, Greg Lookerse, Jim Gabbard, Angela Green, Chuck Sperry, Jeff Schofield, Katherine Kratzer, Julie Wall, Andrea Granger, and KristinA, with exhibitions ranging from oil paintings and mixed-media to photography, printmaking, and electric vehicle art.
The Institute for Primary Facts has transformed New York's Mriya Gallery into the Donald J. Trump and Jeffrey Epstein Reading Room, a pop-up exhibition displaying all 3.5 million pages of the released Epstein files in 3,437 bound volumes. Open from May 8 to May 21 in Tribeca, the installation is the group's first live project, requiring visitors aged 16 and over to book appointments via a platform called Trumpsonian. Only accredited press, Congress, law enforcement, and victims' advocates may open the volumes, due to the Department of Justice's failure to properly redact victims' names.
Ye, formerly known as Kanye West, revealed the cover of his new album "Cuck" earlier this month, featuring an unauthorized photograph by acclaimed photojournalist Peter van Agtmael. The image depicts two Ku Klux Klan members in full regalia embracing, with one holding a bouquet, originally titled "The wedding of two members of the KKK in a barn in rural America." West altered the photo to make one Klansman appear Black and removed a dog with a "White Power" cape. Van Agtmael confirmed that neither West nor his team sought permission, and a legal process is now underway.
The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.
The In Between Art Film Foundation has announced "Canicula," the final installment of its "Trilogy of Uncertainties," set to open at the Ospedaletto Complex during the 2026 Venice Biennale. Curated by Alessandro Rabottini and Leonardo Bigazzi, the exhibition features eight international artists, including Peruvian video artist Maya Watanabe, whose work investigates memory and the politics of representation. The show utilizes the unique architecture of the Ospedaletto’s church and music hall to create immersive environments exploring themes of environmental and political pressure.
Lista dei piccoli musei d’Italia dedicati alla scrittura. Tra diari, macchine da scrivere e memorie
The article highlights the phenomenon of cultural overbooking, where major museums like the Louvre, Vatican Museums, and British Museum attract millions of visitors, turning art appreciation into a physical endurance test. It then pivots to a series of small, specialized museums across Italy dedicated to writing, diaries, and memory, offering a quieter, more intimate alternative. Featured institutions include the Piccolo Museo del Diario in Pieve Santo Stefano, which houses over 10,000 personal diaries and letters, and the Museo della Lettera d’Amore in Torrevecchia Teatina, with 25,000 love letters. Other stops include the Parco Poesia Pascoli in San Mauro Pascoli, dedicated to the poet Giovanni Pascoli.
In Casamassella, in the heart of Salento, Red Lab Gallery's residency program has produced "Chiedete al vento, all’onda, alla stella, all’uccello," a project by artists Agata Ferrari Bravo and Thomas Michael Saccuman with an intervention by Flavio Favelli, curated by Leonardo Regano. The centerpiece is a large bird-cart, a hybrid sculpture and performative device made from papier-mâché, fragments of festive lights, and objects collected from the local area, designed to be disassembled and reactivated. Favelli's installation transforms decommissioned luminarie into a suspended environment that amplifies the work's ambiguous, almost ritualistic quality.
Un artista ha raccontato l’incredibile storia di un borgo della Calabria che non c’è più. L’intervista
Italian artist Martin Errichiello has created [campanamuta], a six-part audio work broadcast on RAI Radio 3's Zazà program in late 2025 and now available on RaiPlay Sound. The piece tells the story of Eranova, a farming community founded in 1896 near Reggio Calabria that was destroyed by 1980 after the Christian Democratic party planned—but never built—a steel center on its land, now the site of the Port of Gioia Tauro. Errichiello weaves together interviews with former residents and his own original texts, using non-linear narration to explore the village's utopian origins and forced disappearance.
Arte, spazio pubblico e rigenerazione urbana: arriva il nuovo numero della newsletter Render (iscrivetevi!)
Artribune has announced the release of the 55th edition of its bi-weekly newsletter, Render, which focuses on public art, urban regeneration, and contemporary architecture. This latest issue features a deep dive by researcher Fabio Ciaravella into the role of public monuments in shaping societal views on peace versus war, alongside an interview with Mohamed Khalifa Al Mubarak regarding the Zayed National Museum in Abu Dhabi. Additionally, the newsletter highlights Italian urban renewal projects, the trend of repurposing abandoned cinemas, and upcoming events like Milan Design Week.
This episode of the Art Angle podcast, co-hosted by Ben Davis, features art critic and journalist Brian Boucher discussing the impact of Donald Trump's return to office on American culture. Since January, Trump has launched a cultural offensive through executive orders and policies, including canceling humanities grants to fund a 'heroes' sculpture garden, targeting the Institute of Museum and Library Services, taking personal control of the Kennedy Center, and shuttering DEI offices nationwide. Boucher, who has extensively covered these developments for Artnet, joins the podcast to analyze the administration's first 100 days and the risks posed to the arts.
Artist and teacher Jamie Jarka, creator of the popular Milo the Seagull mascot for Long Beach Island, has expanded her merchandise to Ron Jon Surf Shop in Ship Bottom, selling prints, stickers, magnets, and nightlights. Jarka will also teach weekly summer art classes at three Island venues: Bayview Park in Brant Beach, Firefly Gallery in Surf City, and Sea Shell Resort and Beach Club in Beach Haven, with schedules and pricing detailed for each location. Additionally, the article covers the 51st annual Art in Bloom movement, with events at Pine Shores Art Association's Stafford gallery and the Long Beach Island Foundation of the Arts and Sciences (LBIF), where garden club members create floral arrangements inspired by artworks. Other news includes the PSAA Tuckerton Art Center's "Blooming Spring" show, a "Glimpses of America" exhibition at Beach Haven Borough Gallery, and a call for South Jersey photographers to submit work for an LBIF photography exhibition and fundraiser celebrating LBI lifeguards.
A satirical workout video titled "20 minute workout" created by the Hawaiʻi-based artist initiative kekahi wahi is featured at the Whitney Biennial in New York. The video shows dancers in spandex stretching in front of the Captain Cook Monument at Kealakekua Bay on Hawaiʻi Island, set to electronic music. The project was part of a larger effort to reimagine public space and challenge commemorative monuments in Hawaiʻi, drawing on the energy of debates over Confederate statues in the continental U.S.
The Art Gallery of New South Wales in Sydney is presenting "Para verte mejor, en todo tiempo" (To see you better, at all times), a solo exhibition by Venezuelan-born artist Nadia Hernández. The show features an immersive textile collage, mural, and soundscape that draws on Venezuelan protest songs, musical traditions, and the artist's own diasporic experiences to explore memory, displacement, and resistance. It includes recent works such as "En todo tiempo (at all times)" 2024 and "El segundo verso (the second verse)" 2025, and is part of the gallery's Contemporary Projects series highlighting artists from New South Wales and wider Australia.
The Buddy Holly Center in Lubbock, Texas, will host a closing reception and gallery talk for 'Daybook,' an exhibition of mixed media works by DFW-based artist Ashley Stecenko, on Sunday, May 17, 2026. Stecenko will lead a guided tour discussing her creative process, which combines drawing, printmaking, and quilting techniques to explore domestic spaces and personal memory. The exhibition includes her ongoing 'Little Ditties' series, where small journal-like pieces are sometimes sewn into larger patchwork compositions.
On May 16, 2026, Museum Night celebrations will take place across Belarus and beyond, with cultural institutions offering extended hours and special programs. Highlights include the National Centre for Contemporary Arts in Minsk hosting lectures, artist talks, and exhibitions such as “Forms and Shadows: Feminine” and “Difficulties of Translation,” while the National Art Museum explores the color blue through its program “Blue of Blue.” Literary museums dedicated to Maksim Bahdanovich, Yakub Kolas, and Yanka Kupala will feature space-themed activities, reenactments, and fashion shows, and the “Sula” History Park will offer an interactive journey called “Hunting the Dragon.”
ShanghART Gallery presents Dai Chenlian's solo exhibition 'Waxing and Waning of the Augustness III' at its M50 space in Shanghai from April 10 to May 29, 2026. The show is the final chapter of the artist's 'Mother Trilogy,' centering on his mother's life from 1954 to 2025. Through a reconstructed old house made from loom parts, along with painting, installation, performance, sound narration, and shadow puppetry, the exhibition explores themes of memory, migration, and female resilience, drawing on a line by Tang dynasty poet Li Shangyin.