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After 50 years, LA Louver is closing its gallery in Venice, California

LA Louver, the longest-running gallery in Los Angeles, is closing its Venice, California space after 50 years in business. Founder Peter Goulds, who turns 77 next month, is transitioning the gallery into a private dealing model with pop-up exhibitions from its Jefferson Boulevard warehouse in West Adams. The Venice space will be listed for sale but remain open by appointment to sell inventory. The gallery is also donating its extensive archive to the Huntington Library in San Marino, which includes papers of writers like Octavia Butler and Christopher Isherwood.

How the Studio Museum in Harlem Reshaped the Art World

The Studio Museum in Harlem, founded in 1968 in a rented loft above a liquor store, will open its first purpose-built 82,000-square-foot building on West 125th Street this fall, following a landmark $300 million capital campaign led by director and chief curator Thelma Golden. Designed by Adjaye Associates with Cooper Robertson, the new facility doubles the exhibition and studio space and includes dedicated areas for performance, education, and public programs. The museum, which has operated without a permanent space since 2018, has been a pioneering platform for artists of African descent, launching the careers of figures like David Hammons, Kerry James Marshall, Glenn Ligon, and Simone Leigh through its groundbreaking exhibitions and artist-in-residence program.

Portland Art Museum announces major gift to endow Museum’s top position from Portland’s “First Family of the Arts”

The Portland Art Museum announced a $13.5 million gift from the late Arlene Schnitzer and the Schnitzer family, the largest individual donation in the museum's 132-year history. The endowment names the museum's director position, currently held by Brian Ferriso, as the Arlene & Harold Schnitzer Director. The Schnitzers, known as Portland's 'First Family of the Arts,' have supported the museum for nearly half a century through acquisitions, exhibitions, capital campaigns, and the creation of the Arlene and Harold Schnitzer Center for Northwest Art and the Schnitzer Sculpture Court. The gift is part of the museum's Connection Campaign, which will culminate in a transformed campus opening November 20.

Crystal Bridges Museum of American Art Announces Historic Expansion Opening

Crystal Bridges Museum of American Art in Bentonville, Arkansas, has announced a historic expansion, increasing its size by 50 percent to 114,000 square feet, with a grand opening scheduled for June 6 and 7, 2026. The expansion, designed by Safdie Architects, includes fully reimagined galleries and is celebrated by two landmark gifts: 18 major works by women artists donated by chairperson Olivia Walton and her husband Tom Walton, and 200 artworks by over 100 artists donated by collectors Candace and Michael Humphreys. The Walton gift features artists such as Yayoi Kusama, Alice Neel, and Njideka Akunyili Crosby, while the Humphreys gift introduces many new artists to the museum's holdings.

Crystal Bridges Museum's expansion will open in June 2026

Crystal Bridges Museum of American Art in Bentonville, Arkansas, announced its expansion will open on June 6, 2026, adding 114,000 square feet—a 50% increase in size. Designed by Safdie Architects, the project began in 2022 and includes hundreds of newly donated works, the largest gift in the museum's history: over 200 pieces from Dallas-based collectors Candace and Michael Humphreys. Additional donations from board chair Olivia Walton and her husband Tom include 18 works by women artists, honoring her late mother, gallerist Monique Knowlton.

Global Icons, Local Spotlight: Contemporary Art from the Collections of Jordan D. Schnitzer

The Portland Art Museum (PAM) will open "Global Icons, Local Spotlight: Contemporary Art from the Collections of Jordan D. Schnitzer" in September 2025, featuring over 75 works from the collections of Oregon collector Jordan D. Schnitzer and his Family Foundation. The exhibition includes pieces by major 20th-century artists like Jasper Johns, Helen Frankenthaler, and Robert Rauschenberg, as well as contemporary figures such as Nick Cave, Mickalene Thomas, and Jeffrey Gibson, many shown publicly for the first time. Highlights include Christopher Myers' installation "Let the Mermaids Flirt with Me," debuting at PAM after its 2022 Art Basel Miami premiere.

17 NYC art exhibitions we’re most excited about in fall 2025

The article highlights 17 New York City art exhibitions opening in fall 2025, with six previewed in detail. Major events include the long-awaited reopening of the Studio Museum in Harlem on November 15 with a new seven-floor building and shows featuring Tom Lloyd and works from its collection; the New Museum's reopening after renovation with the inaugural exhibition "New Humans: Memories of the Future"; and the Whitney Museum's "Sixties Surreal" exhibition surveying American art from 1958 to 1972. Other notable shows include a Robert Rauschenberg centennial exhibition at the Guggenheim Museum, Ai Weiwei's public installation "Camouflage" on Roosevelt Island, and a fashion-focused exhibition at the Hispanic Society Museum & Library.

Minneapolis Institute of Art announces artists for its first juried crop art exhibition

Minneapolis Institute of Art (Mia) has announced the artists for its first juried crop art exhibition, "Cream of the Crop," opening September 6, 2025. The exhibition features winners and honorable mentions selected from crop art entries at the Minnesota State Fair. Jeanne Morales won best interpretation of a Minnesota landmark, story or tradition with "My Chagall Dream," while Amy and Steve Saupe won best interpretation of an artwork at Mia with "The Treachery of a Pronto Pup." The selections were made by Mia director Katie Luber, associate curator Galina Olmsted, and associate curator Leslie Ureña. Honorable mentions include works by Jill Osiecki, Jill Moe, Amanda Cashman, and Ursula Murray Husted.

Allen Rosenbaum, former director of Princeton University Art Museum with a keen curatorial eye and astute administrative foresight, dies at 88

Allen Rosenbaum, the former director of the Princeton University Art Museum who led the institution from 1980 to 1999, died on August 3, 2025, at Calvary Hospital in New York City at age 88. Rosenbaum joined Princeton in 1974 as assistant director under Peter Bunnell, and during his 25-year tenure as director, he significantly expanded the museum's collections, adding major works such as Giulio Cesare Procaccini's "The Martyrdom of Saint Justina," Pinturicchio's "Saint Bartholomew," and Pietro da Cortona's "Saint Martina Refuses to Adore the Idols." He also oversaw the 1989 opening of the Mitchell Wolfson Jr. Wing, which added 27,000 square feet of exhibition space.

The 7 Best Art Shows to See This Fall, From N.Y.C. to San Francisco

The article previews seven major art exhibitions opening across the United States this fall, from New York City to San Francisco. Highlights include a rare U.S. retrospective of Finnish painter Helene Schjerfbeck at the Metropolitan Museum of Art, the first comprehensive U.S. survey of Afro-Cuban surrealist Wifredo Lam at the Museum of Modern Art, and a long-overdue museum retrospective for multimedia artist Suzanne Jackson at the San Francisco Museum of Modern Art. Other featured shows include Yoko Ono's traveling retrospective at the Museum of Contemporary Art Chicago.

Meet the Lawyer-Turned-Dealer Opening a Jewel-Box Gallery Uptown—and More Juicy Art World Gossip

Artnet News's Wet Paint column reports that former David Zwirner director Felix Rödder is opening his own gallery, Rodder (no umlaut), on September 18 at 22 East 80th Street on the Upper East Side, in the same building as Sprüth Magers. The jewel-box space, formerly Barbara Mathes Gallery, will debut with a solo show of sculptural paintings by Wyatt Kahn. Rödder, a lawyer-turned-dealer, plans to mix contemporary programming with historical exhibitions, keeping overhead low and avoiding art fairs for now. The column also teases a mention of Aby Rosen's involvement in the New York mayoral race.

Grand Rapids Art Museum’s big David Hockney exhibition is worth the day trip from Detroit

The Grand Rapids Art Museum (GRAM) has opened "David Hockney: Perspective Should Be Reversed," billed as the largest-ever retrospective of the British artist's prints. Featuring some 170 works across two floors, the exhibition spans six decades of Hockney's career, from early Xerox experiments to recent iPad drawings. The show is drawn from the collection of Jordan D. Schnitzer, a prominent Portland-based collector and philanthropist, and his Jordan Schnitzer Family Foundation. It opened on May 31 and is organized into five thematic sections including "Portraits of Self and Others" and "Tradition and Innovation."

“Berthe Weill, Art Dealer of the Parisian Avant-garde” in Montreal

The Montreal Museum of Fine Arts (MMFA) has opened a major exhibition titled "Berthe Weill, Art Dealer of the Parisian Avant-garde," showcasing over 100 works that Weill exhibited in her Paris galleries between 1901 and 1940. The show highlights her role in launching the careers of artists such as Picasso, Matisse, Modigliani, and Suzanne Valadon, and includes paintings, drawings, sculptures, and archival materials. Weill, born to a poor Jewish family, opened her first gallery at age 36 using her mother's dowry, never charged for exhibitions, and often sold her own possessions to keep her spaces afloat. Despite her immense contributions, she died in poverty and has been largely omitted from art history.

The Big Review | David Hockney 25 at Fondation Louis Vuitton, Paris ★★★★

The Fondation Louis Vuitton in Paris has opened "David Hockney 25," a major retrospective billed as focusing on the past quarter-century of the British artist's work but actually spanning his entire career, from a 1955 portrait of his father to recent Yorkshire landscapes. The exhibition, curated by Norman Rosenthal and supported by the foundation's substantial budget, features loans from institutions worldwide and private collections, including the striking "Berlin: A Souvenir" (1962). It is the largest Hockney show ever staged, filling the Frank Gehry-designed museum with iconic swimming pool scenes, double portraits, vibrant landscapes, and densely hung salon-style galleries of family and friends.

Artists Decry Centre Pompidou’s Cancellation of Caribbean Art Exhibition

Nearly 150 artists, curators, and cultural figures signed an open letter denouncing the Centre Pompidou-Metz's abrupt cancellation of an exhibition centering on contemporary Franco-Creole, Caribbean French, and Guyanese art. The survey, titled "Van Lévé: Sovereign Visions from the Maroon and Creole Americas and Amazonia," was slated to run from October 2026 to April 2027 and would have featured artists including Julien Creuzet, Gaëlle Choisne, and the late Hervé Télémaque. Guest curator Claire Tancons had raised concerns about a scheduling overlap with Maurizio Cattelan's ongoing exhibition, leading to tense exchanges with museum director Chiara Parisi before the museum formally canceled the show on June 10, citing a "particularly difficult budgetary context."

The Modern Art Museum of Fort Worth announces the exhibition - David-Jeremiah: The Fire This Time

The Modern Art Museum of Fort Worth will present "David-Jeremiah: The Fire This Time," a solo exhibition organized by guest curator Christopher Blay, running from August 17 to November 2, 2025. The show features new works by multidisciplinary conceptual artist David-Jeremiah, including the final polychromatic EE (Emma Esse) series of seven paintings, and continues his exploration of Black identity, humanity, and ritual through inverted-performance installations centered on the Lamborghini as a symbol of beauty and violence.

Review: Cleveland Museum of Art's Murakami show is big and bold but maybe too much of a good thing

The Cleveland Museum of Art has opened a sprawling retrospective exhibition of Takashi Murakami, one of Japan's leading contemporary artists, showcasing his signature "Superflat" style that blends fine art with pop culture. The show features vast wallpaper designs, sculptures with plastic-like smoothness, and immense mural-sized paintings that combine cartoon characters, acid-hued colors, and traditional Japanese ink-and-brush techniques. The exhibition runs through September 7 and costs $30 for adult non-member tickets.

What Role Do Galleries Play in the Art World?

Maxwell Rabb's article explains the fundamental role of commercial art galleries in the art world, tracing their evolution from 19th-century Parisian storefronts like Goupil & Cie to contemporary spaces. It highlights how galleries function as private businesses that showcase and sell artworks, support artists, organize exhibitions, and connect with collectors, curators, and institutions. The piece also addresses the perception of galleries as exclusive spaces while noting they are often free and open to the public, serving as a bridge between the art world and curious visitors.

A blockbuster Gerhard Richter retrospective, co-organised by Nicholas Serota, is coming to Paris

A major retrospective of German artist Gerhard Richter, co-curated by former Tate director Nicholas Serota, will open at the Fondation Louis Vuitton in Paris from 17 October 2025 to 2 March 2026. The exhibition features 270 works spanning 1962 to 2024, including paintings, drawings, watercolours, overpainted photographs, glass works, and digitally generated Strip images. It is organized chronologically, with sections devoted to Richter's early photo-based works, his 1972 Venice Biennale pieces, abstract explorations, sombre reflections including the October 18, 1977 series, and his later experiments beyond painting. Key loans come from the Museum of Modern Art in New York, the Tate, the Hirshhorn Museum, and Museum Ludwig, Cologne, alongside works from the Fondation's own collection.

Gustave Caillebotte blockbuster that sparked controversy in France opens in Chicago—with one key difference

A major Gustave Caillebotte survey exhibition, originally titled *Gustave Caillebotte: Painting Men* (in French, *Caillebotte: Peindre Les Hommes*), has opened at the Art Institute of Chicago with a revised title: *Gustave Caillebotte: Painting His World*. The change was made after an internal focus group found the original title too narrow, and before the show even debuted in Paris. The exhibition, co-curated by Gloria Groom (AIC), Paul Perrin (Musée d’Orsay), and Scott Allan (Getty), explores Caillebotte’s preference for male subjects—such as rowers, soldiers, and card players—without asserting that the artist had same-sex relationships. It previously sparked controversy in France, where critics accused the curators of imposing an American-influenced, reductive queer reading on the artist.

Ten essential works of art to see at the National Gallery in London

The National Gallery in London, home to over 2,300 paintings spanning Western European art from Giotto to Cézanne and including early modernism by Picasso, has recently completed a comprehensive rehang of its collection at its Trafalgar Square site. This coincides with the reopening of the Sainsbury Wing after a two-year renovation. The article highlights ten essential works to see, including Jan van Eyck's *The Arnolfini Portrait* (1434), Leonardo da Vinci's *The Burlington House Cartoon* (around 1506-08), and Paolo Veronese's *The Adoration of the Kings* (1573), emphasizing the gallery's free admission and its role as a cultural treasure.

A first glimpse (and listen) inside Lacma’s $720m new building

The Los Angeles County Museum of Art (Lacma) opened its new $720 million David Geffen Galleries building to 2,000 members and guests for previews on June 27, 2025, before its official opening in April 2026. Designed by Swiss architect Peter Zumthor, the elevated concrete structure spans Wilshire Boulevard with 110,000 square feet of gallery space, floor-to-ceiling windows, and a 300-seat theater. Musician Kamasi Washington organized a "sonic preview" with 100 jazz musicians performing his six-part suite *Harmony of Difference* throughout the empty space. The building sits adjacent to the preserved Japanese Pavilion (designed by Bruce Goff, 1988) and features Tony Smith's sculpture *Smoke* (1967) in a courtyard.

LACMA opens its new building for a sneak peek: Photos from the first preview

The Los Angeles County Museum of Art (LACMA) held its first public event inside the new Peter Zumthor-designed David Geffen Galleries on Thursday evening, offering a sneak peek before art is installed. The preview featured a site-specific concert by composer Kamasi Washington, with multiple bands and a choir performing throughout the empty concrete galleries. The building, which has been under construction for five years, is targeted to open in April 2026, though some construction details remain unfinished and landscaping is still settling.

Column: The new LACMA is sleek, splotchy, powerful, jarring, monotonous, appealing and absurd

The Los Angeles County Museum of Art (LACMA) is nearing completion of its new Brutalist building designed by Swiss architect Peter Zumthor, known as the David Geffen Galleries. Museum members will get a sneak peek at the empty interior spaces starting July 3, though the fully finished project with art installed won't open until April 2026. The poured-in-place concrete structure spans 347,500 square feet, including 110,000 square feet of exhibition space across 90 galleries, elevated 30 feet above ground on seven massive piers crossing Wilshire Boulevard. The article offers a critical preview of the building's aesthetics, noting the overwhelming monotony of concrete across floors, walls, and ceilings, while acknowledging some appealing views and powerful visual impact.

Wonderstruck: an art exhibition that will make even weary adults feel like kids again

Queensland's Gallery of Modern Art (QAGOMA) in Meanjin/Brisbane has opened 'Wonderstruck', a major free exhibition featuring over 100 works from its collection. The show includes large-scale installations by artists such as Patricia Piccinini, Ron Mueck, Michael Parekōwhai, Yayoi Kusama, and Tobias Putrih, with interactive elements encouraging visitors to touch the art. Highlights include Kusama's 'The Obliteration Room', a participatory installation where visitors cover a white space with colorful stickers, and works created by local high school students in a workshop with artist Gemma Smith.

Lacma will plant towering, flowering Jeff Koons sculpture outside new building

The Los Angeles County Museum of Art (Lacma) has acquired Jeff Koons's monumental floral sculpture *Split-Rocker* (2000), a 37-foot-tall work featuring two halves of children's rocking toys embedded with over 50,000 flowering plants. Donated by collectors Lynda and Stewart Resnick through their foundation, the sculpture will be installed outdoors later this year, ahead of the museum's $715 million David Geffen Galleries opening in 2025. The work has previously been displayed at the Palais des Papes in Avignon, Château de Versailles, Fondation Beyeler, Glenstone, and Rockefeller Center.

Taxidermists—prized by Damien Hirst—open museum in Amsterdam

Two artist-taxidermists, Ferry van Tongeren and Jaap Sinke, have opened the Art Zoo Museum in a restored canal house in Amsterdam, in partnership with the Vrije Academie cultural education institute. The museum, opening on 26 June, is described as a "modern wunderkammer"—a contemporary cabinet of curiosities—featuring taxidermied animals that died natural deaths, arranged in surreal poses alongside preserved flowers and ornate interiors. Van Tongeren, a former advertising agency owner who retrained as a taxidermist, gained international fame after he and Sinke sold their first collection to Damien Hirst in 2016. Their collective is named Darwin, Sinke & Van Tongeren, reflecting the influence of Charles Darwin.

John Middleton’s secret art collection is coming out of the shadows in a blockbuster two-museum show

John Middleton, managing partner of the Philadelphia Phillies, and his wife Leigh are revealing their previously secret art collection in a major two-museum exhibition titled "A Nation of Artists," opening in Philadelphia in 2026. About 120 paintings, furniture, and decorative arts from the Middleton Family Collection will be split between the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts, surrounded by over a thousand other objects from both institutions. The show, billed as the most expansive presentation of American art ever mounted in Philadelphia, coincides with the nation's Semiquincentennial celebration and is being promoted as a cultural highlight of the anniversary.

Orange County Museum of Art in talks to merge with University of California, Irvine

The University of California, Irvine (UCI) has entered talks to take over the Orange County Museum of Art (OCMA), a move announced last week. The discussions come shortly after OCMA director Heidi Zuckerman revealed she will leave when her contract expires in December. If an agreement is reached, the proposal will go to the University of California Board of Regents this autumn. The potential merger follows OCMA's reopening in a new $94 million building in 2022 and the upcoming edition of its California art biennial.

Everywhere All at Once: A Review of “David Hockney—Perspective Should Be Reversed” at Grand Rapids Art Museum

The Grand Rapids Art Museum has opened "David Hockney: Perspective Should Be Reversed," a comprehensive exhibition of 145 prints and multiples spanning the British artist's six-decade career from 1954 to the present. Sourced from the Jordan Schnitzer Family Foundation's collection, the show is organized thematically rather than chronologically, highlighting Hockney's diaristic subjects and his restless experimentation with print and photographic technologies, from hand-colored lithographs to iPad drawings.