A New Brooklyn Art Fair With a Global Outlook Debuts This Spring
A new art fair called Conductor: Art Fair of the Global Majority will hold its inaugural edition in Brooklyn from April 30 to May 3, 2026. Organized by Powerhouse Arts, it will feature 27 galleries and 17 special projects, bringing together artists and galleries from Africa, Latin America, Asia, the Caribbean, the Middle East, Oceania, and Indigenous nations.
Haroutiun Galentz: The Form of Colour
A new English-language monograph, *Haroutiun Galentz: The Form of Colour*, repositions the Armenian-Lebanese painter as a major cosmopolitan modernist. The book assembles his work from international collections, arguing his career—spanning formative years in Beirut's pre-war art scene and a later period in the Soviet Union—must be understood beyond national art historical frameworks.
A new exhibition titled “Picasso: Clay, Line and Legacy” has opened at the Ann Norton Sculpture Gardens in West Palm Beach, produced in collaboration with Kahan Gallery. The show features an expansive collection of Pablo Picasso’s ceramics, linocuts, prints, drawings, and tapestries from his Vallauris period (mid-1940s to early 1970s), when he worked with the Madoura pottery workshop and the printmaking studio of Hidalgo Arnéra in Vallauris, France. Works on view include pieces like *Femme (A.R. 301)* (1955) and *Quatre Profils Enclases (A.R.87)* (1949), highlighting his experimentation with medium, composition, and form.
Purat 'Chang' Osathanugrah, a longtime art collector, has taken over the leadership of Dib Bangkok, Thailand's first international contemporary art museum, following the death of his father Petch Osathanugrah in 2023. The museum, housed in a repurposed 75,000-square-foot warehouse in Bangkok's Khlong Toei district, is set to open on December 21. In an interview with Artnet News, Osathanugrah discusses the transition from private collector to institutional steward, recent acquisitions including works by Peihang Benoit and Frederic Anderson, and the museum's mission to make art accessible to the public while honoring his father's legacy.
Abu Dhabi Art returns in 2025 with 142 galleries from 34 countries, introducing two new Focus sectors: Focus: Nigeria Spotlight and Focus: Modern Türkiye. The Nigeria section, curated by Tola Akerele, features seven galleries including kò, SOTO Gallery, and O’DA Gallery, showcasing artists like Samuel Nnorom, Bara Sketchbook, and Rufus Ogundele. Focus: Modern Türkiye, curated by Doris Benhalegua Karako, presents modern masters such as Fahrelnissa Zeid, Burhan Doğançay, and Gülsün Karamustafa through Istanbul-based galleries including DG Art Gallery and Projects, Art on Istanbul Gallery, and BüroSarıgedik.
A London court heard that Edgar Davids, the former Netherlands soccer star known as “the Pitbull,” was defrauded by a trusted friend who allegedly stole his $255,000 art collection. Nabila Habiby, who had keys to Davids’ mansion, removed 37 artworks—including 33 pieces by Paul Insect and two by Ron English—and pawned them for loans totaling just $42,800. When she failed to repay, pawnbrokers sold the works at auction. Davids only discovered the theft in 2017 after a buyer in Hong Kong contacted him via Instagram. Habiby admitted to two counts of fraud and faces up to 34 months in prison.
The National Museum of Contemporary Art in Athens has opened "Why Look at Animals: A Case for the Rights of Non-Human Lives," a major exhibition curated by Katerina Gregos that spans seven floors and features over 60 artists. The show confronts animal exploitation through works such as Ang Siew Ching's video "High-Rise Pigs" (2025), depicting a 26-story factory farm in China, and Art Orienté Objet's charcoal map of endangered species slowly erased by a robotic arm. Other artists include Sue Coe, Igor Grubić, and Janis Rafa, with the exhibition taking its title from a John Berger essay.
The article previews the spring 2026 visual arts season in San Diego County, highlighting a diverse range of exhibitions and events. It announces the return of Art Gallery Month, a collaborative effort involving 11 local galleries aimed at boosting the visibility of the commercial gallery ecosystem and encouraging local art collecting. Key exhibitions featured include Ruben Ulises Rodriguez Montoya's first California solo museum show, 'In the Garden of Earthly Delights: I Bend to Paradise,' at the Institute of Contemporary Art, San Diego, and the La Jolla Historical Society's 'Space Maker,' which explores the intersection of art and architecture. The preview also notes Richard Allen Morris's work at R.B. Stevenson Gallery and lists numerous participating commercial galleries.
Don LePan, a novelist, book publisher, and painter, argues that public art galleries across Canada are failing to display their permanent collections, using the MacKenzie Art Gallery in Regina as a prime example. During a visit in early March, LePan found that none of the gallery's extensive permanent collection—which includes works by Group of Seven artists, European masters like Picasso and Gauguin, and modernists such as Agnes Martin—was on view. Instead, the entire exhibition space was devoted to three special shows: a photographic and conceptual art exhibition by Plains Cree artist Joi T. Arcand, a selection of works by 2025 Governor General’s Awards in Visual and Media Arts recipients, and an Indigenous art exhibition. LePan praises these exhibits but criticizes the gallery's decision to completely exclude its permanent collection.
The Kunsthalle Wien has revived its recurring exhibition format "Lebt und arbeitet in Wien" (Lives and Works in Vienna) for the fifth time since 2000, presenting 56 artists selected from a pool of 700 local practitioners. Curated by Daniel Baumann, Monika Georgieva, and Michelle Cotton, the show spans two venues—the Museumsquartier and Karlsplatz—featuring works in painting, sculpture, installation, film, and video that reflect the city's diverse artistic landscape. The exhibition marks a return after a decade-long hiatus, filling gaps left since the previous edition under the curatorial collective WHW.
Gesichter der russischen Kunst
On the Venice Biennale, the Russian Pavilion presents itself as a space for dialogue, while simultaneously a major exhibition in St. Petersburg titled "Russischer Imperativ" (Russian Imperative) opened on May 8 at the Manezh exhibition hall, glorifying war as a historical imperative of Russian identity. Curated by Anton Belikov, a Moscow artist and former Russian soldier who fought in Ukraine, the show features works from state museums like the Tretyakov Gallery, blending historical battles with the current war in Ukraine, and includes a monumental, fascistoid design with a ten-meter-tall installation of a soldier's head. The exhibition has sparked outrage on social media and in Russian exile media for its militaristic propaganda.
Ausstellung im Schloss Bellevue: Ansturm legt Server lahm
Berlin's Schloss Bellevue, the official residence of German President Frank-Walter Steinmeier, is being transformed into a pop-up art gallery from June 13 to 28 before undergoing a multi-year renovation. The exhibition, titled "Freiraum Kunst," features works by artists including Katharina Grosse, Wolfgang Tillmans, and Monica Bonvicini. However, the ticket booking system crashed due to overwhelming demand, causing delays and prompting the Akademie der Künste to work on resolving the technical issues, assuring the public that tickets are still available.
German painter Harald Metzkes has died at the age of 97 in Wegendorf, Brandenburg, surrounded by his family. His son, sculptor Robert Metzkes, confirmed the news to the German Press Agency. Metzkes, who grew up in East Germany, was a leading figure of the Berlin School of painting and resisted the official doctrine of socialist realism, instead creating a personal "world theatre" of harlequins, circus scenes, and theatrical figures inspired by Rembrandt, Velázquez, and Paul Cézanne. His best-known work includes "Der Abtransport der sechsarmigen Göttin." After training as a stonemason and studying at the Dresden Academy of Fine Arts, he worked as a freelance artist in Berlin, supporting himself with book illustrations. His work gained international attention when one of his paintings was sent to the Venice Biennale in 1984, and after the fall of the Berlin Wall he built connections with Western collectors.
Valie Export, the pioneering Austrian media and performance artist, has died at age 85 in Vienna. Born Waltraud Lehner in Linz in 1940, she adopted the name Valie Export in the late 1960s, derived from a cigarette brand, and became internationally known for provocative works such as "Tapp- und Tastkino" (1968) and "Aktionshose: Genitalpanik." Her practice critically examined gender roles, power structures, and the representation of the female body through film, video, photography, and performance. She participated in major exhibitions including Documenta, the Centre Pompidou, and the Museum of Modern Art, and represented Austria at the Venice Biennale in 1980 alongside Maria Lassnig. She also taught as a professor of media and performance art in Berlin and Cologne, and the VALIE EXPORT Center opened in Linz in 2017.
The New Museum has unveiled "VENUS VICTORIA," a new public sculpture by British artist Sarah Lucas, inaugurating the museum's outdoor plaza at the junction of Bowery and Prince Street in downtown Manhattan. The sculpture, which features Lucas's signature Bunny figure seated atop a giant washing machine, was selected by an all-artist jury including Teresita Fernández, Joan Jonas, Julie Mehretu, Cindy Sherman, and Kiki Smith. It opens on May 12, 2026, and will remain on view for two years as the first of five commissions dedicated to public sculpture by women artists.
10 Highlights, die Sie in Venedig nicht verpassen sollten
The article presents ten must-see highlights of the 61st Venice Biennale, curated by the editors of Monopol magazine. It covers the main exhibition at the Arsenale, national pavilions, and collateral events, including Sandra Knecht's beehouse installation, Isabel Nolan's Irish Pavilion exploring dreams and late medieval humanism, Chiara Camoni's Italian Pavilion blending ceramics and found materials, and Asim Waqif's bamboo construction in the Indian Pavilion. Other featured works include a church filled with surveillance cameras and the new Fondazione Dries Van Noten.
Wie Tech-Milliardäre Couture zu Content machen
The Met Gala, long considered the premier event for fashion and cultural influence, has become increasingly dominated by tech billionaires. This year, Jeff Bezos and Lauren Sánchez Bezos purchased their role as co-hosts, sparking protests in New York and raising questions about whether money alone now buys entry into the highest echelons of fashion. Individual tickets cost $10,000 and a table $350,000, with sponsors including OpenAI, Snapchat, and Meta. The event, organized by Anna Wintour to raise funds for the Costume Institute at the Metropolitan Museum of Art, raised $31 million last year but has transformed from a benefit into a spectacle optimized for viral moments and algorithmic appeal.
This week's art news roundup covers several stories: Jonathan Meese publishes an obituary for his mother Brigitte Meese in Der Spiegel, describing her as a central figure in his life and work. Pussy Riot seeks to take over the Russian Pavilion at the Venice Biennale. The European Media Art Festival (EMAF) in Osnabrück faces controversy over antisemitism allegations linked to Palestinian-American filmmaker Basma al-Sharif, leading the city and state government to distance themselves from the festival. In the NZZ, Christian Wildhagen reports on conflicts over official political portraits, citing examples like Swiss councilor Martin Neukom rejecting paintings and Donald Trump criticizing his portrait. Art historian Horst Bredekamp pays tribute to Italian philosopher Federico Vercellone (1955–2026) in the FAZ, highlighting his theory of the 'self-activity of form.'
Salon des Refusés 2.0
A group exhibition titled "we refuse_d" has opened at the Museum van Hedendaagse Kunst (M HKA) in Antwerp, bringing together 15 artists, many of whom faced cancellations or disinvitations from exhibitions following the October 7, 2023 attacks. The show, referencing the historic 1863 Salon des Refusés, aims to reclaim reputation and amplify marginalized voices, specifically focusing on Palestinian history and artists affected by the cultural fallout.
Der unterschätzte Architekt der Avantgarde
The Fondazione Antonio Dalle Nogare in Bolzano is hosting a comprehensive retrospective dedicated to Ilja Sdanewitsch, known as Iliazd, a Georgian-Russian-French avant-garde polymath. The exhibition, titled "Toutité Iliazd. Die Erforschung der Form," showcases his diverse output as a writer, designer, and publisher who viewed the book as a primary art object. The display includes architectural reliefs, textile designs for Coco Chanel, and his significant collaborations with icons like Picasso and Duchamp.
APC ART has announced the exclusive sale of a rare 1984 Andy Warhol screenprint titled "Kiku Flowers." The work originates from a limited edition of 1,500 produced for a landmark exhibition at the Gendai Hanga Center in Tokyo and is being offered as a comprehensive historical package. The sale includes the original cloth-bound exhibition catalog and primary source documents, such as the original "edition club" order forms used for the Kiku suite.
Christine Ruiz-Picasso mit 97 gestorben
Christine Ruiz-Picasso, the daughter-in-law of Pablo Picasso and a pivotal figure in the establishment of the Museo Picasso Málaga, has passed away at the age of 97 in her home in Provence. As the widow of Picasso’s eldest son, Paul, she was instrumental in fulfilling the artist's wish to have a dedicated museum in his birthplace. Alongside her son Bernard, she donated over 230 works to form the core of the institution's permanent collection.
"Eines der größten fotografischen Dokumente des 20. Jahrhunderts"
A New York court has concluded an eleven-year legal battle by awarding Amedeo Modigliani’s 'Seated Man with a Cane' to the heirs of Jewish art dealer Oscar Stettiner. The ruling rejected the claims of the powerful Nahmad family, with the judge determining that Stettiner never voluntarily relinquished the work during the Nazi era. Additionally, a significant photographic archive belonging to darkroom technician Roland Haupt has surfaced, containing previously unseen World War II images by Lee Miller and Cecil Beaton.
A preview of major art exhibitions scheduled for 2026 in London and other UK locations has been released. The list highlights significant upcoming shows at major institutions, providing an early look at the cultural calendar for the year.
Christie’s Paris has announced two major contemporary art auctions scheduled for late 2023, consisting of a live sale on December 6 and an online sale running from November 28 to December 8. The auctions feature over 200 lots with a combined global estimate of €8.5 million to €12.3 million, highlighted by two previously unseen paintings by Pierre Soulages and works by Jean Dubuffet and Georges Mathieu. A significant portion of the online sale is dedicated to "A Lifetime Collection," a prestigious private Parisian collection featuring works by David Hockney, Sol LeWitt, and Robert Combas.
This comprehensive guide highlights the 21 premier art institutions across Australia, ranging from major state museums to specialized private galleries. The selection features iconic venues such as the National Gallery of Australia in Canberra, which houses the world’s largest collection of Indigenous art, and David Walsh’s subversive Museum of Old and New Art (MONA) in Tasmania. The list serves as a roadmap for navigating the country's diverse artistic landscape, including contemporary Chinese art at White Rabbit Gallery and significant Aboriginal works at the Araluen Arts Centre.
The article previews major art exhibitions scheduled for 2026, highlighting two standout shows. At Basel's Fondation Beyeler, a Cezanne exhibition from January to May will focus on the artist's later works, featuring around 60 oil paintings and 20 watercolours, half from private collections. Highlights include a privately owned oil study of 'The Bathers' (around 1902-06) and 'The Boy in the Red Vest' (1888-90), with curator Ulf Küster emphasizing Cezanne's fragmentary, radical perspective. Separately, the traveling exhibition 'Edmonia Lewis: Said in Stone' will premiere at the Peabody Essex Museum in February, showcasing 30 sculptures by the 19th-century Black and Indigenous artist, organized after a 2016 acquisition by the Georgia Museum of Art spurred curators to track down her works.
Annabelle Ténèze, now Director of the Musée du Louvre-Lens, has curated a new exhibition titled 'The Art of Dressing – Dressing like an Artist' at the museum. The show explores how artists from Rembrandt to Warhol use clothing and self-fashioning in their self-portraits and public personas, drawing on examples such as Niki de Saint Phalle's eccentric wardrobe and Rembrandt's deliberate sartorial choices. Ténèze was inspired by her earlier work on de Saint Phalle at Les Abattoirs in Toulouse and by Charlie Porter's book 'What Artists Wear'.
The National Gallery in London is celebrating its 200th anniversary, marking two centuries since its founding in 1824. The milestone is being commemorated with a series of special exhibitions, events, and public programs throughout the year, highlighting the museum's collection of over 2,300 paintings and its role as a cornerstone of British cultural heritage.
The Vatican has announced a star-studded lineup of musicians and artists for its pavilion at the 2026 Venice Biennale, titled "The Ear Is the Eye of the Soul." Curated by Hans Ulrich Obrist and Ben Vickers in collaboration with Soundwalk Collective, the exhibition features commissioned sound works from figures including Brian Eno, FKA Twigs, Patti Smith, and the late Alexander Kluge. The project is inspired by the 12th-century mystic Saint Hildegard of Bingen and will be staged across two historic Venetian locations: the Mystical Garden of the Discalced Carmelites and the Complesso di Santa Maria Ausiliatrice.