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Week in art: 0417

The Boulder area is hosting a diverse array of art exhibitions and events across various local institutions and galleries. Highlights include Rodney Carswell’s lithographs at 15th Street Gallery, Jorge Vinent’s eco-conscious works at Ana’s Art Gallery, and the group exhibition "Yes &…" at the Boulder Museum of Contemporary Art. Other notable shows include a historical examination of racism at the Lafayette Swimming Pool and a student showcase from the Boulder Valley School District at the Canyon Gallery.

Aspen exhibit brings an internationally known painter back to his home state

Keith Mayerson returns to his home state for his first major Colorado exhibition, "My American Dream (Rocky Mountain High)," at the Aspen Art Museum. The show features works from his long-running "My American Dream" series, a project consisting of over 140 oil paintings that blend cultural icons, personal history, and landscapes into nonlinear narratives. This specific iteration draws heavily on Mayerson's childhood memories of Aspen as a bohemian utopia and incorporates imagery ranging from vintage ski passes to civil rights heroes.

Week in art: Boulder County art exhibits and gallery displays

The Boulder County arts scene is currently hosting a wide array of exhibitions across its galleries and museums, ranging from contemporary lithographs and multimedia installations to community-focused craft displays. Key highlights include the Boulder Museum of Contemporary Art’s eclectic group show "Yes &…" and the Dairy Arts Center’s exploration of Indigenous ecological identity in "Native Niches." Other notable presentations include Albert Chong’s Jamaican portraits at East Window and Jessica Rohrer’s solo exhibition at Nick Ryan Gallery.

Humid Traces

Humid Traces, curated by Federico Pérez Villoro, is an exhibition at an unnamed New York venue that examines how bodies of water are weaponized as borders amid climate change and extreme weather. The show features international artists—including Dele Adeyemo, Natalia Lassalle-Morillo, Zishaan A Latif, Caio Reisewitz, Susan Schuppli, Marisa Srijunpleang, Studio Folder, and Leonel Vásquez—whose works in installation, sound, photography, video, and data visualization reveal the violent effects of migration-control technologies and water's material memory.

Ronny Quevedo Connects Sites of Cosmovisions at Krannert Art Museum

Ronny Quevedo's first institutional solo exhibition in the Midwest, "a l l s t a r s," has opened at the Krannert Art Museum in Champaign-Urbana. The show features works from the Ecuadorian-born, New York-based artist's recent past alongside a new site-driven installation, "a mother's hand" (2025), which incorporates objects from the museum's reinstalled Andean art collection. Using materials like wax, drywall, muslin, carbon paper, and gold-silver leaves, Quevedo creates abstract fields that evoke cartographies, constellations, dressmaking diagrams, and sports playbooks, weaving together autobiographical references to his seamstress mother and soccer-playing father with broader themes of cultural inheritance, duality, and cosmovisions.

New Orleans artists mark 20 years since Hurricane Katrina

An ongoing group exhibition titled "This City Holds Us" at Ferrara Showman Gallery in New Orleans marks the 20th anniversary of Hurricane Katrina. The show, which opened on White Linen Night, features work by ten artists affected by the storm and focuses on the city's recovery and artistic reinvestment rather than the destruction. Gallery founder Jonathan Ferrara and director Matthew Weldon Showman curated the exhibition to honor the past while celebrating progress, with artists submitting written testimonies about how the storm shaped their lives and practices.

NEXT in the Gallery: See Pittsburgh-made art in the streets, coffeehouses and a warehouse in Brooklyn

NEXTpittsburgh's August gallery guide highlights a wave of Pittsburgh-made art appearing in streets, coffeehouses, open studios, and even a warehouse in Brooklyn. Featured exhibitions include the Pittsburgh Photography Club's 140-year retrospective at Manos Gallery, Monica Matthews' graphite pencil drawings at Ruckus Coffee Gallery & Café, the juried group show "Living Canvas III" at Studio 4, Kristin Divers' pastel solo show at Mark Rengers Gallery, the multimedia group exhibition "Horizons" at Castle Consortia, and Annie Heisey's paintings at Sweetwater Center for the Arts. The month also includes a one-night solo show by New Orleans muralist Dago at Studio 4.

NEXT in the Gallery: June art brings John Lennon, the Fiberart International and a moral compass

NEXTpittsburgh's June gallery guide highlights a packed month of art events across Pittsburgh, including the Dollar Bank Three Rivers Arts Festival (June 5-8) with 191 artists, a Juried Visual Arts Exhibition at SPACE Gallery, and a rare photography exhibit by May Pang documenting John Lennon's "lost weekend" at Atithi Studios. Other openings include ceramicist Philip Soucy's solo show, painter Caroline Heckman's portraits at Revel, Stephanie Gonzalez's cosmic "Nebulas" at BoxHeart Gallery, the Fiberart International 2025 triennial at Contemporary Craft and Brew House Arts, and Natalie Westbrook's "Corners of My Mind" at ZYNKA Gallery.

Untitled Art reveals exhibitors for inaugural Houston fair

Untitled Art has announced the 84 exhibitors for its inaugural fair in Houston, set to take place September 18–21 at the George R. Brown Convention Center. Originally planned for around 50 participants, the fair expanded due to overwhelming interest from galleries worldwide. The event will feature a curated, boutique format and will donate a portion of ticket sales to the Rothko Chapel.

What to See in “Spectrosynthesis Seoul 2026”

The 'Spectrosynthesis Seoul 2026' exhibition, opening March 20 at the Art Sonje Center, is the fourth installment of the Sunpride Foundation's series showcasing LGBTQ+ art across Asia. It features over 70 artists, including new commissions, and focuses on the experiences of marginalized communities during Korea's modernization and the queer histories of specific Seoul neighborhoods.

The Burlington Magazine - n°1478 vol CLXVIII - May 2026

The May 2026 issue of The Burlington Magazine (n°1478, vol. CLXVIII) presents a rich array of scholarly articles, exhibition reviews, and book reviews covering European art from the medieval period to the 20th century. Highlights include Laure Boyer's study of two photographs of Victorine Meurent linked to Manet's 'Le Déjeuner sur l'herbe' and 'Olympia', Axel Moulinier's analysis of Watteau's copies after old masters, and Richard Thomson's essay on a century of Monet in print. Exhibition reviews cover shows on Monet's Étretat coast, Orazio Gentileschi, Cornelius Jonson van Ceulen, Gainsborough, Seurat, Italian Symbolism, and Iliazd. Book reviews range from medieval art and Pietro Bellotti to Helene Schjerfbeck, Roberto Matta, and contemporary jewelry at the Dallas Museum of Art.

Quatre Moreau le Jeune pour Versailles

The French state has preempted four drawings by Jean-Michel Moreau le Jeune at a Christie's Paris auction, securing them for the Palace of Versailles. The works, sold in two lots, depict the festivities in Paris following the birth of the Dauphin Louis Joseph in autumn 1781, including the arrival of the Queen at the Hôtel de Ville and a fireworks display. The drawings were commissioned by the City of Paris and were intended to be engraved, marking a high point of public commissions under the ancien régime. The preemption was made possible through the support of the Friends of the Louvre, echoing a similar acquisition of Hubert Robert works from the same Veil-Picard sale.

Post-Mortemism: An Autopsy of “Nigerian Modernism: Art and Independence” at Tate Modern.

A critical essay by Ayọ̀ Akínwándé performs a forensic 'autopsy' of the Tate Modern exhibition 'Nigerian Modernism: Art and Independence.' The review dissects the show's structure, arguing it fails in its curatorial framework by isolating Nigerian artists within a regional category, using ethnographic display methods, relying on incomplete research, and excluding key artists and historical context.

‘These are artifacts from history’: exhibition celebrates objects of sporting victory

A new exhibition at the American Museum of Natural History in New York, titled "For the Win," showcases championship rings, trophies, medals, and jewelry spanning nearly 150 years of US sports history. Highlights include Jesse Owens's 1936 Olympic gold medal, Breanna Stewart's 2024 WNBA championship ring, the 1877 NYPD Medal of Valor, and items from Kevin Durant and the Seattle Seahawks. The exhibition, timed to the upcoming World Cup, is housed in the museum's gems and minerals space to emphasize craftsmanship.

Sophie Rivera's first survey focuses on experimentation

El Museo del Barrio in New York has opened "Sophie Rivera: Double Exposures," the first career survey of the Puerto Rican American photographer (1938-2021). The exhibition reassesses Rivera's practice, highlighting her experimental work beyond her well-known 1978 series "Nuyorican Portraits," which depicted Puerto Rican sitters in Manhattan's Morningside Heights. Curated by Susanna V. Temkin, the show features works across portraiture, photojournalism, and experimental image-making, including the color photograph "Alternators" (1975, printed 1986), which Rivera donated to the museum in the late 1980s.

UK’s Palestinian Ambassador Calls on Government to Have British Museum Reinstate the Word ‘Palestinian’

The Palestinian ambassador to the UK, Husam Zomlot, has called on the British government to intervene in a dispute with the British Museum over the removal of the word “Palestinian” from wall texts in its Middle East galleries. Zomlot raised the complaint with the Foreign & Commonwealth Office after reports that the museum had stripped the term from maps and didactics, following lobbying by UK Lawyers for Israel. The museum denies removing the word entirely, stating it still appears elsewhere, but photographic evidence suggests otherwise. Zomlot declined a tour with director Nicholas Cullinan, calling the issue “existential.”

Hundreds of ‘Piss Bottles’ Left at the Met Gala in Protest of Jeff Bezos

Hundreds of bottles filled with what appeared to be urine were discovered at the Metropolitan Museum of Art during the Met Gala on May 5, 2026, according to the New York Post. The protest was claimed by the anti-billionaire group Everybody Hates Elon, which targeted the event over Jeff Bezos serving as the gala's chair. The group left the bottles with signs labeling them a "Met Gala VIP toilet" and criticizing Bezos for alleged labor practices at Amazon, where workers reportedly feel forced to urinate in bottles due to lack of bathroom breaks. The group later clarified on Instagram that the bottles did not contain real urine.

Mark Gerson obituary

Mark Gerson, a British photographer renowned for his intimate portraits of literary figures, has died at age 104. Over a career spanning half a century, Gerson captured iconic images of authors including Evelyn Waugh, Doris Lessing, William Golding, Tom Stoppard, and Martin Amis, often photographing them in their own homes to put them at ease. His most famous picture is of a grumpy Waugh on his 60th birthday, taken after Gerson was plied with wine. Gerson's work was championed by National Portrait Gallery director Roy Strong, and in 1996 the gallery held a major exhibition of his portraits titled "Literati."

Five Independent Souls: The Signers from New Jersey

Morven Museum & Garden in Princeton, New Jersey, is presenting "Five Independent Souls: The Signers from New Jersey," an exhibition opening May 3, 2026, through January 17, 2027. The show examines the lives of five lesser-known signers of the Declaration of Independence—Abraham Clark, John Hart, Francis Hopkinson, Richard Stockton, and John Witherspoon—through over 100 historic artifacts including manuscripts, paintings, furniture, and personal objects. It confronts the paradox that these men fought for liberty while enslaving people, and also addresses the impact of American independence on New Jersey's indigenous population. Highlights include the painting "Congress Voting Independence" (1796-1817), the first known American depiction of the vote for Independence.

Lee ShinJa's Handwoven Portals

Hyperallergic profiles the work of South Korean textile artist Lee ShinJa, whose handwoven artworks are described as 'portals' that bridge traditional craft and contemporary abstraction. The article highlights her use of traditional Korean weaving techniques to create layered, ethereal pieces that evoke both physical and metaphysical spaces.

Dance Your Way to the Museum

Curator Naz Cuguoğlu argues in an opinion essay that museums should embrace the ethos of rave culture to become more welcoming and inclusive spaces, suggesting they can foster new forms of belonging. The article also covers several other art stories, including the discovery of pre-Hispanic rock art in Mexico that led to the rerouting of a train line, an exhibition of Genesis P-Orridge's mail art in Toronto, and artist Jean Shin's memorial project at Green-Wood Cemetery.

How did a 16th-century European basin end up as a sacred object in West Africa?

The Aya Kese, a massive 16th-century northern European brass basin, is currently on display at the British Museum while its complex history remains under scrutiny. Looted by British officer Robert Baden-Powell in 1896 from the Asante kingdom’s royal mausoleum in present-day Ghana, the object was long sensationalized by colonial accounts as a vessel for human sacrifice. Recent scholarship and historical records from Asante King Prempeh I contest these claims, asserting the basin’s sacred role as a spiritual repository for the souls of the Asante people.

France’s new restitution law passes final vote

The French parliament has officially passed framework legislation establishing a legal pathway for the restitution of cultural artifacts looted from former colonies. This landmark law, inspired by a report from former Louvre director Jean-Luc Martinez, allows for the deaccession of items taken by force or under duress between 1815 and 1972. While the law fulfills a 2017 pledge by President Emmanuel Macron, it remains strictly supervised, requiring bilateral scientific committees to verify claims and excluding military archives and archaeological shares.

How I Shop with Michelle Ogundehin: ‘We grownups have enough stuff already’

Michelle Ogundehin, the former editor-in-chief of Elle Decoration and current head judge on BBC’s Interior Design Masters, shares her personal shopping philosophy and favorite sources for design and art supplies. The interview highlights her preference for tactile, high-quality essentials over mass consumerism, citing her love for artist-grade watercolor paper from L. Cornelissen & Son, vintage tapestries from Larusi, and curated items from Japan House London.

One Last Chance to See Dürer's Monumental Print in NYC

Albrecht Dürer’s monumental "Triumphal Arch," a 13-foot-tall woodcut commissioned by Holy Roman Emperor Maximilian I in 1512, is entering long-term storage at the New York Public Library this fall. The work has been a centerpiece of the library’s Polonsky Treasures exhibition since 2021, but its extreme fragility and age necessitate its removal from public view on October 18.

Dartmouth Students Renew Calls to Remove Leon Black’s Name From Arts Center

Students at Dartmouth College have intensified their campaign to remove billionaire collector Leon Black’s name from the school’s visual arts center. The renewed push follows the release of Department of Justice files detailing Black’s extensive financial ties to the late sex offender Jeffrey Epstein, including $170 million in payments for tax and estate advice. While Black has denied all allegations of misconduct and his legal team maintains he was unaware of Epstein’s criminal activities, student leaders are citing the college's recent decision to strip César Chávez’s name from a fellowship as a precedent for moral accountability.

Modern heroes and a ravaged Earth: reboot of 1950s space comic Dan Dare has liftoff

The legendary British space hero Dan Dare is set for a 21st-century revival with the upcoming graphic novel "Dan Dare: First Contact." Created by writer Alex de Campi and artist Marc Laming under B7 Comics, the project reimagines the 1950s icon for a modern audience while retaining core characters like Digby and Professor Peabody. The reboot follows a successful Kickstarter campaign and aims to provide a fresh alternative to dominant sci-fi franchises like Star Wars and Star Trek.

How Mumok’s New Director Plans to Make Museums Feel Alive Again

Fatima Hellberg, the newly appointed director of Vienna's mumok (Museum Moderner Kunst Stiftung Ludwig), has outlined her inaugural exhibition program and curatorial philosophy. Her first season, launching in June, will feature Kate Millett's newly acquired 1972 installation 'Terminal Piece,' an installation by scenographer Anna Viebrock, and a project by artist Tolia Astakhishvili.

500-year-old Aztec ritual offering uncovered in Mexico City

Archaeologists from Mexico's National Institute of Anthropology and History have uncovered a 500-year-old Aztec ritual offering at the Templo Mayor site in Mexico City. The discovery consists of six volcanic stone boxes containing greenstone sculptures, thousands of marine shells, copal spheres, and pendants, all forming a complete ceremonial assemblage from the reign of Emperor Moctezuma I (1440-1469).

brooklyn museum pasternak leadership fired making their mark forum

Brooklyn Museum director Anne Pasternak sparked a critical conversation at the Making Their Mark Forum in Washington, D.C., highlighting a gendered disparity in museum leadership exits. Pasternak observed that while male directors are typically permitted to retire with dignity, female leaders are increasingly being fired or forced out, calling on the press to investigate the lack of formal data on this trend.