‘Taking Flight’: Joe Overstreet’s Art Exhibits Encapsulate Geometry and Immersion

The Mississippi Museum of Art in Jackson is presenting 'Joe Overstreet: Taking Flight,' a major exhibition featuring three collections of the late artist's work, including his 'Flight Patterns' series. The show, organized by The Menil Collection in Houston and running through Jan. 25, 2026, highlights Overstreet's abstract phase with works from the 1960s, 1970s, and 1990s that use ropes and metal grommets to create multi-dimensional pieces exploring themes of flight and movement. The exhibition includes loans from private collections, other museums, and the Eric Firestone Gallery, which represents Overstreet's estate.

'ARTnews' Names 'Confessions of Fire' by Isaiah Davis '25 One of New York's Best Art Exhibitions of 2025

Isaiah Davis '25, a visual arts alumnus of Columbia School of the Arts, opened his third solo exhibition, 'Confessions of Fire,' at King's Leap gallery in Chinatown this fall. The exhibition, which runs through December 20, 2025, features steel sculptures and enamel paintings on metal that explore Black masculinity through the motifs of leather culture and steel, inspired by rapper Cam'ron's debut album. ARTnews named it one of New York's best exhibitions of 2025, with senior editor Alex Greenberger praising the sculpture 'Slave (2025)' as the most surprising work of the year. The New York Times critic Travis Diehl and Frieze critic George Egerton-Warburton also gave it positive reviews.

At London's Barbican, Lucy Raven chronicles the destruction of a California dam

Lucy Raven's video installation "Murderers Bar" (2025) has its European premiere at the Barbican's Curve gallery in London. The work documents the 2023-2024 demolition of four dams on the Klamath River in Oregon and California, focusing on the destruction of the Copco No. 1 dam built in 1918. The film is the final part of Raven's trilogy "The Drumfire," exploring themes of pressure, release, and material transformation. It uses aerial photography, drones, lidar, and sonar animations to capture the river's reclamation of its course after the dam's removal, following decades of activism by Indigenous communities including the Yurok, Karuk, Klamath, Hoopa, and Shasta Indian Nation. The exhibition also includes a new kinetic sculpture, "Hardpan" (2025), that physically manifests ideas of force and pressure.

Courtney Love inspires Liza Jo Eilers New York exhibition

Liza Jo Eilers presents her first solo exhibition in New York, 'Starland Silver Sash', at Grimm gallery, running through 1st November. The show features paintings that splice together scenes from a Hole concert, including the work 'The trickle down effect (mint)', which explores the relationship between frontwoman Courtney Love and her fans. Other cultural icons such as Nina Simone and Gena Rowlands appear in split-screen paintings, reflecting Eilers' interest in pop culture's double bind regarding representations of women. The artist, who earned her MFA from the School of the Art Institute Chicago and works with hydrochromic and thermochromic inks, discusses themes of gender, performance, and societal beauty standards.

Ronny Quevedo Connects Sites of Cosmovisions at Krannert Art Museum

Ronny Quevedo's first institutional solo exhibition in the Midwest, "a l l s t a r s," has opened at the Krannert Art Museum in Champaign-Urbana. The show features works from the Ecuadorian-born, New York-based artist's recent past alongside a new site-driven installation, "a mother's hand" (2025), which incorporates objects from the museum's reinstalled Andean art collection. Using materials like wax, drywall, muslin, carbon paper, and gold-silver leaves, Quevedo creates abstract fields that evoke cartographies, constellations, dressmaking diagrams, and sports playbooks, weaving together autobiographical references to his seamstress mother and soccer-playing father with broader themes of cultural inheritance, duality, and cosmovisions.

SAM Opens Its First Solo Exhibition By a Pakistani-American Artist

Seattle Asian Art Museum (SAM) has opened "Anila Quayyum Agha: Geometry of Light," the institution's first solo exhibition by a Pakistani-American artist. The show, running from August 26, 2025 through April 19, 2026, features Agha's intricate laser-cut steel light sculptures, beadwork, and embroidered pieces that explore cultural identity, gender, and spirituality. Curated by José Carlos Diaz, SAM's Susan Brotman deputy director for art, the exhibition marks Agha's first presentation in the Pacific Northwest and includes works such as the 2021 piece "Liminal Space."

Top Chicago Art Exhibitions to See: June 2025

This article lists top art exhibitions to see in Chicago during June 2025. Highlights include "Hokusai and Ukiyo-e: The Floating World" at the Cleve Carney Museum of Art, featuring seventeenth-century Japanese art with immersive experiences; Elsa Muñoz's "Dreamwork" at Goldfinch Gallery; "A Beautiful Experience: The Midwest Grotto Tradition" at the John Michael Kohler Arts Center, showcasing Madeline Buol's monumental grotto; Yvette Mayorga's "Pu$h Thru" at moniquemeloche; and "Nuth’n to Hyde: Gertrude Abercrombie and the Hyde Park Ethos 1935-1975" at Corbett vs. Dempsey.

NEXT in the Gallery: June art brings John Lennon, the Fiberart International and a moral compass

NEXTpittsburgh's June gallery guide highlights a packed month of art events across Pittsburgh, including the Dollar Bank Three Rivers Arts Festival (June 5-8) with 191 artists, a Juried Visual Arts Exhibition at SPACE Gallery, and a rare photography exhibit by May Pang documenting John Lennon's "lost weekend" at Atithi Studios. Other openings include ceramicist Philip Soucy's solo show, painter Caroline Heckman's portraits at Revel, Stephanie Gonzalez's cosmic "Nebulas" at BoxHeart Gallery, the Fiberart International 2025 triennial at Contemporary Craft and Brew House Arts, and Natalie Westbrook's "Corners of My Mind" at ZYNKA Gallery.

What to See in “Spectrosynthesis Seoul 2026”

The 'Spectrosynthesis Seoul 2026' exhibition, opening March 20 at the Art Sonje Center, is the fourth installment of the Sunpride Foundation's series showcasing LGBTQ+ art across Asia. It features over 70 artists, including new commissions, and focuses on the experiences of marginalized communities during Korea's modernization and the queer histories of specific Seoul neighborhoods.

Un grand dessin de Beckmann pour Stuttgart

The Staatsgalerie Stuttgart has acquired a monumental drawing by Max Beckmann titled *Resurrection*, measuring nearly five meters long and three and a half meters high. Executed between 1916 and 1918, it is the largest painting by the artist and a key work in his oeuvre, created after his traumatic experience as a volunteer medical orderly in World War I. Beckmann described the piece as expressing 'the terrifying cry of pain of deceived poor humanity,' marking a shift toward a new formal vocabulary influenced by the war.

Quatre Moreau le Jeune pour Versailles

The French state has preempted four drawings by Jean-Michel Moreau le Jeune at a Christie's Paris auction, securing them for the Palace of Versailles. The works, sold in two lots, depict the festivities in Paris following the birth of the Dauphin Louis Joseph in autumn 1781, including the arrival of the Queen at the Hôtel de Ville and a fireworks display. The drawings were commissioned by the City of Paris and were intended to be engraved, marking a high point of public commissions under the ancien régime. The preemption was made possible through the support of the Friends of the Louvre, echoing a similar acquisition of Hubert Robert works from the same Veil-Picard sale.

Two Hubert Robert paintings from Madame Geoffrin offered to the museum by the Friends of the Louvre

Deux Hubert Robert de Madame Geoffrin offerts au musée par les Amis du Louvre

Two paintings by Hubert Robert, once owned by Madame Geoffrin, were acquired by the Musée du Louvre through a preemptive purchase at Christie’s Paris on March 25. The works sold for €1,950,000 hammer (€2,439,000 with fees) and are being donated to the museum by the Société des Amis du Louvre. The paintings, described as 18th-century snapshots, were part of the historic Veil-Picard collection and will undergo restoration before being displayed.

Fifteen Works Donated to the Musée des Beaux-Arts d'Orléans

Quinze œuvres offertes au Musée des Beaux-Arts d'Orléans

The Musée des Beaux-Arts in Orléans has received a donation of fifteen artworks from art historian Françoise Heilbrun. The gift includes two drawings by Eugène Delacroix, which are immediate donations, and additional drawings, paintings, and a sculpture by artists like Louis Boulanger, which are given with a usufruct clause.

The Burlington Magazine - No. 1477 Vol. CLXVIII - April 2026

The Burlington Magazine - n°1477 vol CLXVIII - April 2026

The April 2026 issue of The Burlington Magazine presents a wealth of new scholarship, highlighted by significant discoveries regarding the 'Rainbow' portrait of Queen Elizabeth I and a previously unpublished portrait of Sarah Churchill by Godfrey Kneller. The edition spans centuries of art history, featuring research on 18th-century color theorist Mary Gartside, the pottery windows of William Bell Scott, and newly identified drawings by Marcellus Laroon the Younger.

A New Luis Paret for the Prado

Un nouveau Luis Paret pour le Prado

The Museo del Prado in Madrid has expanded its 18th-century Spanish collection with the acquisition of a painting by Luis Paret y Alcázar titled 'María and Ludovica, the Painter’s Daughters'. The oil-on-copper work, dated 1783, depicts the artist's young daughters in a style reminiscent of nymphs. This acquisition was made possible through the significant bequest of Juan José Luna, which also recently funded the purchase of works by François Boucher.

The non-renewal of Sébastien Allard confirms the Louvre's metamorphosis

Le non renouvellement de Sébastien Allard confirme la métamorphose du Louvre

Christophe Leribault, the new president of the Louvre, has decided not to renew the contract of Sébastien Allard as director of the painting department, a position Allard held since 2014. This move is part of a broader shift in leadership style and institutional direction under Leribault, who is described as fostering genuine social dialogue and actively participating in meetings, in contrast to his predecessor.

Two Bouchers for the Prado

Deux Boucher pour le Prado

The Museo del Prado in Madrid has acquired two significant early pendant paintings by François Boucher, titled 'La Naissance et La Mort d'Adonis.' The works were purchased from a French private collection through the Madrid gallery Ana Chiclana, using funds from the bequest of the late department head Juan José Luna. The paintings have been restored and are currently on public display in the Goya's Majas room, awaiting the reopening of the museum's renovated 18th-century galleries.

Two Sales at Christie's

Deux ventes chez Christie's

Christie's in Paris is hosting two significant sales featuring masterpieces from the legendary Veil-Picard collection, which had been largely inaccessible to the public and scholars for decades. Highlights include a perfect Watteau drawing unseen on the market since 1900 and two major Hubert Robert paintings commissioned by the famed salonnière Madame Geoffrin, offering a rare glimpse into 18th-century Parisian interiors.

A Degas for London

Un Degas pour Londres

The National Gallery in London has acquired a pastel by Edgar Degas through the UK's 'acceptance in lieu' scheme, which allows heirs to settle inheritance taxes by transferring important works of art to public collections. The artwork depicts ballet dancers not in performance, but in a state of exhaustion and idleness backstage, capturing a raw, unglamorous moment.

The best looks from the 2026 Met Gala

The 2026 Met Gala, themed 'Costume Art,' took place at the Metropolitan Museum of Art, honoring the Costume Institute's spring exhibition on the role of the dressed body in art history. Co-chaired by Nicole Kidman, Venus Williams, Anna Wintour, and Beyoncé, the event featured A-list celebrities, pop stars, and tech titans on the museum's grand staircase, with a dress code of 'Fashion Is Art' encouraging guests to treat the body as a canvas. Notable attendees included Sabrina Carpenter, Doechii, Rosé, Gigi Hadid, Katy Perry, and Charli XCX, with many wearing custom designs from houses like Marc Jacobs, Saint Laurent, Thom Browne, and Jean Paul Gaultier.

Where Thoughts Provoke and Truths Take Form.

Henry Taylor's major exhibition 'Where Thoughts Provoke' has opened at the Musée national Picasso-Paris. The show is a survey of nearly four decades of his work, featuring paintings, sculpture, and installation that focus on portraiture, observation, and the politics of looking.

Derrick Adams: Glimpses of Black Leisure

The Institute of Contemporary Art, Boston, is hosting 'Derrick Adams: View Master,' the first mid-career survey dedicated to the multidisciplinary artist. Featuring over 100 works spanning two decades, the exhibition includes painting, collage, sculpture, video, and performance that highlight Adams's unique visual language of pattern and color.

The Music Is Black: Frequencies of Belonging in Britain

V&A East Museum is launching its inaugural exhibition, 'The Music is Black: A British Story,' a comprehensive exploration of Black British music spanning over a century. Curated by Jacqueline Springer, the show features more than 200 objects—including instruments, fashion, and personal artifacts—alongside significant artworks by figures such as Sonia Boyce and Frank Bowling. The exhibition traces the evolution of genres from early 20th-century compositions to contemporary grime and drill, framing them as vital expressions of migration, resistance, and cultural identity.

‘We refuse_d’: rehearsing refusal as method, memory, and possibility.

Marking the fifteenth anniversary of Mathaf: Arab Museum of Modern Art, the traveling exhibition ‘we refuse_d’ has opened at M HKA in Antwerp. Curated by Nadia Radwan and Vasif Kortun, the project draws on the intellectual lineage of Hannah Arendt’s reflections on displacement and the historical precedent of the Salon des Refusés. The exhibition features a constellation of works by artists including Khalil Rabah, Barış Doğrusöz, and Nour Shantout, exploring refusal not as a simple negation, but as a complex strategy for survival, dignity, and the preservation of memory.

The Sky Lives in Us Still, Resistance and Imagination Take Flight.

Vanessa German has unveiled a major new installation at the Speed Art Museum titled '…do you remember when you were the sky?', marking the inaugural project of the Sam Gilliam Visiting Artist Program. The exhibition features German’s signature assemblage sculptures, which utilize diverse materials like cowrie shells, quilts, and skateboards to create hybrid figures representing young girls in states of transformation. The body of work is the result of months of community engagement and research into local histories, specifically focusing on the narratives of the Colored Girls Dormitory in Louisville.

Hong Kong Artists Bring Quiet Reflection to Venice

The 61st Venice Biennale, themed “In Minor Keys” by late curator Koyo Kouoh, emphasizes quiet reflection over spectacle. A collateral exhibition titled “Fermata: Hong Kong in Venice,” curated by the Hong Kong Museum of Art (HKMoA), runs through November 22, 2026, and features two Hong Kong-born artists: Kingsley Ng and Angel Hui. Ng’s installation *Laundry Nocturne* (2026) uses projections and sound to connect the shared laundry-drying traditions of Venice and Hong Kong, while Hui’s *I Would Like to Open a Window for You* (2026) incorporates wrought-iron window frames crafted with local metalsmiths. Both artists explore everyday experiences, memory, and quiet emotions, aligning with the Biennale’s call for a slower, more reflective engagement with art.

Tough Stuff: Women in The American Glass Studio

The Corning Museum of Glass (CMoG) opened "Tough Stuff: Women in the American Glass Studio" on May 16, 2026, as part of its 75th anniversary celebration. This is the first survey exhibition dedicated to women artists who shaped the American Studio Glass Movement from the 1960s onward, featuring over 200 works by artists including Claire Falkenstein, Audrey Handler, Margie Jervis, Susie Krasnican, Kathleen Mulcahy, Ginny Ruffner, Ruth Tamura, and Toots Zynsky. The exhibition draws from CMoG’s permanent collection, the Rakow Research Library, and loans from the artists, and is complemented by an oral history initiative preserving first-person accounts.

EU imposes sanctions on Mikhail Piotrovsky, director of Russia's State Hermitage Museum

The European Union has imposed sanctions on Mikhail Piotrovsky, the director of Russia's State Hermitage Museum, as part of its 20th sanctions package adopted on 23 April. Piotrovsky, a vocal supporter of Russia's full-scale invasion of Ukraine, is cited for being a close associate of Vladimir Putin and for actively supporting the war, including justifying Russian cultural policies that incorporate Ukrainian museum items into Russia's State Museum Fund and enabling unauthorized archaeological excavations in occupied Crimea. The sanctions also target three other cultural officials involved in the Crimean digs. Meanwhile, Hermitage archaeologist Alexander Butyagin, arrested in Poland in December 2025 at Ukraine's request, was released in a prisoner exchange on 28 April.

Smithsonian’s American Art Museum Appoints New Director Amid Turbulent Moment

The Smithsonian American Art Museum (SAAM) has appointed Lynda Roscoe Hartigan as its new director, concluding a 17-month search. Hartigan, who is leaving her position as executive director and CEO of the Peabody Essex Museum, will begin her role in September, succeeding acting director Jane Carpenter-Rock. She previously worked at SAAM as a curator in the 1970s and has held senior leadership roles at the Peabody Essex Museum and the Royal Ontario Museum.

Luminous Tiffany Window Poised to Net $2 Million at Auction

A late 19th-century Tiffany stained-glass window, known as the Boyd Family Memorial Window (The Falls), is set to be auctioned at Christie's in June with an estimated price of $2 million. The window, depicting a waterfall and sunset landscape, has been installed in the Second Congregational Church in Winsted, Connecticut, for 125 years and was commissioned by Ellen Wright Boyd in memory of her parents.