The Santa Clarita Artists Association Gallery in Old Town Newhall is presenting "Go Figure," a month-long art exhibit running May 1-31 that explores the human form through a variety of styles and mediums. An opening reception on May 2 from 5-8 p.m. will feature live music by Isabella Bazler and live art demonstrations by Mardilan Georgio and Meressa Naftulin, with free admission and light refreshments.
Shippensburg University senior art students presented their capstone exhibition at the Huber Art Center, featuring works in printmaking, digital art, ceramics, and charcoal drawings. Artists Luke Lindvall, Gerald Pratt, Kaylee Will, Alayna Mandich, and Lily Bramucci explored themes including censorship, artificial intelligence, horror, and personal transformation. Lindvall pushed printmaking onto unconventional surfaces like skateboards and furniture, Pratt addressed over-censorship in politics, Will warned against over-reliance on technology and AI in raising children, Mandich used horror imagery to examine beauty, and Bramucci connected pit-fired ceramics to life choices and hardship.
Lisa Homann, an Associate Art & Art History Professor at UNC Charlotte, will participate in the 2024 Venice Biennale (May 9–Nov. 22) alongside West African Masquerade artist David Sanou. Homann co-curated the traveling exhibition "New African Masquerades: Artistic Innovations and Collaborations," which opened in New Orleans and will conclude at the Smithsonian National Museum of African Art. She was invited by Kevin Dumouchelle, the museum's main curator, to join the African Art in Venice Forum, a critical dialogue aimed at giving voice to contemporary African artists often excluded from mainstream contemporary art narratives. Homann's work with the Sanou family spans nearly two decades, beginning with David's father, Andre Sanou, in 2008.
The 53rd Riversdale Mixed Media Arts Exhibition will take place in June at the Riversdale Community Centre in New Zealand, featuring a $1,000 emerging artist award for artists aged 13-25 from Southland, Queenstown-Lakes, and West Otago. The award received a record 44 entries in 2025, with judges Marcella and Jim Geddes selecting the top 10 artworks for display on opening day. Last year's winner, 18-year-old Finn Young from Southland Boys' High School, won with a woodcut printmaking piece depicting native birds and the extinction of the huia.
Schreyer Honors College at Penn State has opened a new art gallery called “Illuminate” on the ground floor of Atherton Hall, featuring artwork from four Schreyer Scholars. The inaugural exhibition includes pieces by Olivia Knoechel, Jessica Matinchek, Paige Rishel, and Lisa Wang, selected by a panel of staff, students, and alumni artist Kaleigh Quinnan. The gallery opened on April 10 with a celebration attended by family, friends, and college staff.
The Katonah Museum of Art (KMA) will present Young Artists 2026, its annual exhibition of high school senior artwork, from May 3-24, 2026. Now in its 43rd year, the show features over 350 works from 40 high schools across New York and Connecticut. Participating students collaborate with museum professionals to plan and produce the exhibition, taking on roles as artists, curators, graphic designers, and installers. This year’s winning marketing image was created by Hailey Nazario of Lakeland High School in Shrub Oak.
Residents of Surrey Heights Dementia Care Centre, part of CHD Living, visited a dementia-friendly art exhibition and sculpture trail hosted by King Edward School, Witley, in partnership with appART. Wellbeing Coordinator Karen accompanied residents on short walks to the school, where they engaged with artworks including Beatles-themed pieces and a tiger sculpture. One resident, Nick, was encouraged to apply to exhibit his own work at next year's event, while another resident, Karen, who had previously declined outings, participated calmly and enthusiastically.
Marquette University held its fourth annual Student Art Exhibition on April 23, 2026, at the Lemonis Center for Student Success, featuring ten student artists each awarded a $500 stipend to create works around themes such as “Culture & Career,” “Defining Success,” “Belonging at Marquette,” and “Expanding Horizons.” The event, organized by Career Center director Courtney Hanson, included pieces by Jessica Wrobel and Salo Aristizabal, among others, and was sponsored by the Career Center, the Division of Belonging and Student Affairs, the Lemonis Center, Raynor Library, and Enterprise Mobility.
The Los Alamos Arts Council and the Plein Air Painters of New Mexico present 'Let’s Go Fly A Kite', a paint-out and exhibition opening Friday, May 1 at the Fuller Lodge Art Center Gallery. The show features works created by 28 local and regional artists who painted outdoors at the 30th Annual Kite Festival and around the community, with many pieces depicting kites and their fliers at Overlook Park. A reception for LAAC members runs from 4:30-5:30 PM, followed by a public reception from 5:30-7 PM; the exhibition continues through May 29th.
Cairo-based artist Mariem Akmal opened her second solo exhibition, 'Visual Diaries', at Samak Laban Creative Studio in Downtown Cairo. The show features 16 works in oil, acrylics, pastels, spray paint, and glass, capturing emotional snapshots from the past four years of her life, including her graduation from the Faculty of Fine Arts in Zamalek. The exhibition runs until May 25th, 2026.
The Providence Chalk Art Festival will take place on Saturday, May 16, 2026, at the Providence Rink in Rhode Island. For one day, the rink's concrete surface becomes an open-air gallery where artists of all ages and skill levels create chalk artworks in designated squares. Visitors can watch professional chalk artists at work, walk among the colorful street art, and even participate by creating their own chalk designs in special areas set aside for kids and amateurs. The event also features live music, food vendors, and family-friendly activities, all free to attend.
Pierson High School in Sag Harbor hosted its IB Visual Arts Exhibition Open, showcasing the two-year creative journey of Diploma Programme students. The exhibition featured a diverse range of media including fashion design, photography, digital art, oil painting, drawing, mixed media, sculpture, and unconventional pieces like decorated surfboards, with each student presenting a cohesive collection reflecting their artistic development and personal themes.
Art Center East in La Grande, Oregon, opens a solo exhibition titled “The Warmth Within My Shadow” featuring self-reflective paintings by Pendleton-based mixed-media artist Jason Hogge. The show runs from May 1 through June 27 in ACE’s Main Gallery, with a free opening reception on May 1 from 6-8 p.m., including an artist talk at 6:30 p.m. Raffle tickets for Hogge’s original acrylic painting “Emerging” (valued at $700) will be sold to support the center’s gallery programs, and a virtual tour is available online.
Local artist Shauna McChesney will host a solo exhibition titled “Colors of Nature” from June 5th to June 30th at the Cranberry Township Municipal Center in Cranberry Township, Pennsylvania. The opening reception runs from 6 to 8 p.m. on June 5th, and McChesney is the Cranberry Artists Network’s featured artist for June. Her work draws inspiration from the colors and textures of the natural world and incorporates a variety of media.
The Owatonna Arts Center (OAC) is calling for submissions for its 73rd annual Steele County Arts Exhibition, with the submission period open through April 30 and the exhibition running from May 3 to May 31. Artistic Director Silvan Durban, who has been with the center for 48 years, notes that all forms of physical media are accepted and there is no specified theme, encouraging broad participation from both returning and new artists. The exhibition continues a local tradition that began in the 1930s with the Owatonna Arts Project supported by the University of Minnesota and the Carnegie Foundation.
Sertoma Arts Center in Raleigh, North Carolina, presents its May–June Exhibition from May 4 through June 21, 2026, featuring regional artists across multiple gallery spaces. The Raleigh Room highlights Adam Cooley's "Boro Land: Layered Worlds," while the Hall Gallery displays works by Natacha Sochat and Rachel Stewart, and the Lobby Gallery showcases Beverly Lovelace, Heather Lee McLelland, and Linette Knight. An opening reception is scheduled for May 16.
The inaugural Ripple Effect Arts Festival will take place April 16–26 across Santa Cruz County, featuring 11 days of performances, exhibitions, workshops, and interactive events spanning visual art, music, dance, theater, film, fashion, and spoken word. The festival includes two concurrent exhibitions at M.K. Contemporary Art in downtown Santa Cruz: 'The Anatomy of Wonder: Photo Sculptures' by Michael Garlington and 'Rochambeau' featuring eight local and Bay Area artists. Major hubs include Santa Cruz and Watsonville, with a grand finale near the Santa Cruz Beach Boardwalk featuring musician Helado Negro.
Art Center Sarasota is hosting the 71st Annual North Sarasota County Schools Spring Art Show from April 28 to May 9, 2026, featuring over 1,500 student artists from kindergarten through 12th grade. The exhibition includes paintings, sculptures, mixed media, photography, and experimental works, with a High School Awards Ceremony awarding more than $20,000 in scholarships and prizes. The show is organized by coordinators Angela Hartvigsen and Debra Markley, and coincides with Art Center Sarasota's 100th anniversary.
Vieillir moins vite grâce aux musées ? La science le confirme
A study published on May 11 in Innovation in Aging by University College London analyzed data from 3,556 adults in the UK, measuring their cultural engagement against biological age using epigenetic clocks. Researchers found that those who visit museums, exhibitions, concerts, or libraries at least once a week age approximately 4% more slowly than those who rarely participate. Even three cultural outings per year correlate with a 2% slowdown in biological aging, with monthly visits yielding a 3% effect—comparable to the benefits of physical exercise.
Florence is undertaking a major restoration of Giotto's Campanile, the first comprehensive conservation of the 14th-century bell tower since its construction. The project, budgeted at over €7 million, addresses decades of damage from pollution, acid rain, and natural aging, including detached stone slabs, darkened facades, and microfractures. The four-year scaffolding will be designed to minimize visual impact and gradually reveal restored sections. Separately, the Opera di Santa Maria del Fiore is executing a €60 million program to restore the Collegio Eugeniano (which will become its new headquarters) and expand the Museo dell'Opera del Duomo to 11,000 square meters by 2030. The Ponte Vecchio will also undergo summer cleaning and consolidation of its piles, funded equally by the municipality and the Antinori family.
The director of the Frac Bretagne (Regional Contemporary Art Fund of Brittany), Étienne Bernard, has been dismissed following an internal investigation into allegations of sexual violence. The case began in October 2025 when an anonymous testimony on the Instagram account #MeTooArtContemporain accused a former art professor of sexual assault; the post noted the accused had since become a Frac director. After graffiti appeared on the Frac Bretagne building, the institution hired the external consultancy Égaé to conduct an internal inquiry. Two reports submitted in February and April 2026 documented multiple serious allegations against Bernard, including harassment and assault. The board voted unanimously to revoke his position on May 4, 2026, and the public prosecutor's office in Rennes has opened a criminal investigation for moral harassment, sexual harassment, sexual assault, and aggravated rape. Bernard denies the allegations and has filed an appeal with the administrative court.
Le Musée de la Reddition de Reims rouvre ses portes après un an de travaux
The Musée de la Reddition de Reims (Museum of the Surrender of Reims) reopened on May 7, the 81st anniversary of the German surrender signed in its map room, after a year-long closure. The renovation, costing approximately €2 million, focused on conservation: protective glazing, improved ventilation and lighting, and anoxic treatment of collections to halt degradation of original maps, documents, and war room objects. The museum also overhauled its scenography, designed by Belgian agency Kascen, to present a clearer chronological narrative covering the occupation, Allied presence in Reims, liberation, postwar reconstruction, and reconciliation, rather than just the surrender itself. The museum now displays 17 uniforms, 130 objects and weapons, and 65 archival documents, including the act of capitulation and General McAuliffe's jacket.
A new experimental art gallery, the Founders Room, is launching in Brighton in May 2026 as part of the Brighton Festival. The inaugural exhibition, titled Act 0, is organized by The Adelaide Salon in collaboration with Brighton Dome & Brighton Festival. It features works by two artist couples—Isobel Smith and The Baron Gilvan, and Lucy Newman and Bob Dixon—exploring process-led, relational, and interdisciplinary practices. The exhibition questions the boundary between artist and artwork, presenting painting, drawing, and performance-led works that blur authorship and lived experience.
Contemporary Art Daily presents documentation of the exhibition "Strange Stranger at Timeshare," featuring 35 images and no videos. The page provides a visual record of the show without text descriptions or additional context about the artists, works, or venue involved.
Earlier this month, artist SpY installed "Halos," a large-scale installation of dozens of metallic discs suspended from the ceiling of a former railway factory in Florence. The work was part of the city's Bright Festival, transforming the brutalist industrial interior into a space of ethereal movement and reflection, with the discs interacting with natural breezes and glimmering light.
Bonu Deji's painting "The Watchful Savior" (2026) is being offered for sale through Art R us gallery in Naples, Florida. The acrylic and oil on canvas work, measuring 25 × 31 inches, is priced at US$1,400 and comes with a certificate of authenticity. Deji, a Nigerian contemporary visual artist born in 2003 and based in Lagos, creates figurative works exploring poverty, labor, resilience, and human dignity. The piece was previously exhibited in the gallery's 2026 solo presentation of the artist and in the 2025 group show "Faces of Us" at The Zebra Gallery.
The Imperfecta Gallery is presenting "Logo Stuff," a new exhibition featuring a series of paintings by artist Quire (aka Leah Hugon). The works depict contemporary commercial properties—some vacant, some occupied—paired with native plants that would have thrived in those locations, such as a closed pharmacy paired with medicinal Mullein. Quire draws on her religious upbringing and biblical stories to explore themes of societal choice, connection with nature, and what is lost in modern convenience. The show runs from June 4 to June 27, with an opening reception on June 4.
The Wayrick Wildlife Art Gallery at the Schermann Hoffman's Nature Center in Somerset County, New Jersey, is hosting the "Open Air/Open Space" juried art exhibition from February 6 through March 25. The show features works by professional and novice New Jersey Plein Air artists, celebrating the county's Open Space Preservation Program and its public park system.
The National Commission for Culture and the Arts (NCCA) invites the public to 'MANA', a contemporary art exhibition organized by the Silaw Artist Collective at the NCCA Gallery in Manila from May 7 to 30, 2026. Curated by Eghai Roxas, the show features works by 15 artists including Melvin Culaba, Henri Cainglet, and Derick Macutay, exploring the tension between commodification and environmental conservation, with a focus on the Masungi Georeserve landscape.
Visual artist Aly Roshdy will open his solo exhibition "Inside Out" at Sofia Green Gallery in Sofia, Bulgaria, with a vernissage on May 7. The show runs through May 21 and features a series of paintings and collages inspired by the artist's travels, each depicting a specific place seen through a window. Roshdy describes the window as both a literal frame for observing different cultures and a symbolic lens for documenting his journeys, capturing moments of silence and contemplation.