Creative Loafing Tampa Bay's 2026 Spring Arts Issue highlights seven emerging visual artists from the Tampa Bay area, identified through recommendations from local curators. The artists include Clancy Riehm, Zack Wittman, Jesi Cason, Patrick Carew, Mary-Helen Horne, Tatiana Mesa Paján, and Fary Charles (aka Junkyrd), each with distinct practices and upcoming projects.
Sarasota Art Museum presents "Radical Softness," a retrospective exhibition spanning visual artist Janet Echelman's 40-year career. The show features her signature large-scale mesh sculptures suspended in cities worldwide, including the temporarily closed "Bending Arc" in St. Petersburg, alongside full-scale pieces and scale models. Echelman's work originated from a 1997 Fulbright lectureship in India, where lost paints led her to create art with fishing nets. The exhibition also includes her computer-programmed sculptures, which calculate angles, weight, and wind forces.
The Trout Museum of Art in Appleton, Wisconsin, opened a retrospective exhibition and named a lecture hall in honor of Li Hu, the late UW-Oshkosh emeritus art professor. The event, titled "A Tribute to Li Hu: Celebrating a Visionary Legacy," included a ribbon cutting for the Li Hu Lecture Hall, a panel discussion featuring former students and colleagues, and an exhibition of Hu's sculptural and painted works spanning his career. Hu, who died in 2016, was born in Shanghai, survived the Cultural Revolution, earned a degree from Shanghai University Fine Arts College, and moved to the U.S. in the early 1990s before teaching at UW-Oshkosh for nearly two decades. The exhibition is on view through January 4, 2026.
Little Rock artist Aj Smith has been selected to have their work exhibited at the newly renovated Studio Museum in Harlem. The exhibition marks a significant milestone in Smith's career, bringing their art to one of the most prestigious institutions dedicated to artists of African descent. The Studio Museum recently completed a major renovation, expanding its gallery spaces and programming capacity.
Collective Gallery on Calton Hill in Edinburgh has announced its 2026 exhibition programme, featuring solo shows by Paloma Proudfoot and Katie Paterson in the City Dome Gallery. Proudfoot's exhibition, running from March to May 2026, will include new sculptures and a performance exploring the female voice and body, while Paterson's 'Afterlife' presents nearly 200 amulets made from endangered materials, previously shown at Folkestone Triennial 2025. The gallery also launched a new career-development programme called Time + Space, inviting early-career artists to apply by 14 December 2025, with the first edition featuring Alberta Whittle and Aqsa Arif.
Each October, the Chateau Show takes over the historic Aldredge House on Swiss Avenue in Dallas, a Gilded Age home built in 1915-17. Founded by artists Joel Murray and Clint Bargers, the four-year-old exhibition invites a select crowd of curators, museum directors, and art world insiders to view envelope-pushing works by emerging, mid-career, and established artists. This year’s edition features 21 participants, including Alicia Eggert, Luke Harnden, Virginia L. Montgomery, and Arthur Peña, with installations ranging from site-specific pieces to more commercial works. The show is free and open by appointment from Oct. 19-25.
Local artist Sam Farmer, a former primary school teacher from Pembrokeshire, will hold her first-ever art exhibition at the Joanna Field Gallery inside the Torch Theatre in Milford Haven this October. Titled "Under Pembrokeshire Skies: Seascapes and Stones," the show features paintings inspired by the Welsh landscape and the concept of Cynefin—a sense of rootedness and belonging. Many of the works also appear in her recently published children's book, "Little Puffin’s Pembrokeshire Home." The exhibition runs from October 4 through the end of the month.
The Maui Arts & Cultural Center will present "Satoru Abe: Reaching for the Sun," a retrospective exhibition showcasing over seven decades of work by the late Hawaiʻi-based artist Satoru Abe (1926–2025). Running from September 16 to November 22, 2025, at the Schaefer International Gallery, the show features more than 70 paintings, sculptures, and works on paper drawn from the Honolulu Museum of Art’s permanent collection and private lenders. Co-curated by HoMA curators Katherine Love and Alejandra Rojas Silva, the exhibition traces Abe’s evolution from figurative works in the 1950s through abstract explorations of natural forms, marking his first solo exhibition on Maui.
Billings artist Jon Lodge opened his solo exhibition "Carbon Strata" at the Yellowstone Art Museum (YAM) on September 5, 2025. The sprawling multimedia show fills one of the museum's largest galleries with works climbing walls, filling skylights, and spilling onto windows and outdoor spaces, exploring abstraction and the elemental concept of carbon as a unifying thread in life and matter. Lodge, an 80-year-old multimedia creator with a decades-long career, has a long history with YAM as a supporter, donor, and collaborator, including a solo show in 1999.
Bemidji State University art professor Marley Kaul's fourth and final book, "Marley Kaul Paintings," will be released in September, featuring over 300 full-color paintings selected by Kaul and his family. The hardcover coffee table book is divided into 10 chapters that trace Kaul's artistic development from 1961 to 2021, including a final chapter titled "The Unfinished Series" from his last year. A retrospective exhibition of nearly 50 paintings will open at the Talley Gallery on September 4, followed by three book release events in Minneapolis, Bemidji, and Grand Forks.
Ceres Gallery, a pioneering feminist gallery in New York, opens its 43rd season with two exhibitions: "Marcy Bernstein: Evocative Abstractions" and Carlyle Upson's "Submerged," running from September 2 to September 27, 2025. Bernstein's mixed media paintings on recycled surfaces feature bold brushstrokes and layered textures exploring geometry, symbolism, and nature, while Upson's work is also on view. The season includes public programs such as an opening reception, an author talk and book signing with Michael G. Garber, and a closing reception.
York Public Library in York, Maine, is hosting 'Creative Joy,' a solo exhibition of works by artist Dustan Knight, running from September 4 through October 31, 2025. Knight, who holds an MFA from Pratt Institute and an MA in art history from Boston University, has over 40 years of creative exploration and a three-decade teaching career at institutions including the New Hampshire Institute of Art and Maine College of Art. The exhibition features her expressive, abstract landscapes inspired by New England's coastal light, alongside narrative and playful works, and includes a reception with the artist on September 16.
The Fairfield University Art Museum has announced its 2025-26 exhibition season, featuring three shows tied to the United States semiquincentennial. Two exhibitions open in fall 2025: "Stitching Time: Social Justice Collaboration Quilts Project" and "Give Me Life: CPA Prison Arts Program," showcasing art by incarcerated individuals from Louisiana State Penitentiary and York Correctional Institution; and "Monuments: Commemoration and Controversy," organized by The New York Historical, examining public monuments as sites of debate over national identity and race. In spring 2026, the museum will present "For Which it Stands…," curated by Executive Director Carey Mack Weber, focusing on depictions of the American flag across the last century.
Ferris State University's Kendall College of Art and Design (KCAD) alumni, faculty, and students have been recognized in the 2025 West Michigan Area Show, a juried exhibition hosted by the Kalamazoo Institute of Arts. The 64th annual competition drew nearly 500 entries from 14 Michigan counties, with 64 selected for inclusion. Eleven pieces by artists with KCAD connections were featured, and three received distinguished awards from juror Hubert Massey, a Detroit-based artist and educator. Notable winners include Lee Ann Frame, who won the Ward H. and Cora E. Nay Director’s Purchase Prize and the Southwest Michigan Printmakers Excellence in Printmaking Award, and Tatsuki Hakoyama, who received The Martin Maddox Prize for Imaginative Realism. Other participants include professor emeritus Jay Constantine, alumni Beth Purdy and Jackson Wrede, and students Sydney Donath and Kaylee Dirkmaat.
Emily Legleitner, a Detroit-based interdisciplinary artist working in print media and installation, presents her solo exhibition "My Life Is the Size of My Room" at the University Art Department Gallery from August 18 to September 26. The show includes a reception and welcome back party on September 4. Legleitner's work explores autobiographical experiences and emotions tied to anxiety, mortality, longing, and the human condition.
Ferris State University Kendall College of Art and Design alum Jackson Wrede held his first solo exhibition, "Menagerie," at the Birmingham Bloomfield Art Center earlier this year. The show featured 25 recent paintings spanning realist portraits, landscapes, still lifes, and symbolist works inspired by Japanese art and pop culture. Wrede, who earned his MFA in 2021, has quickly gained recognition, winning the Quinquagenary Grand Prize at the Swope Art Museum’s 79th Wabash Valley Exhibition and the Grand Prize at the 44th Michigan Fine Arts Competition, which led to this solo opportunity. He also received a Certificate of Excellence in the Portrait Society of America’s International Portrait Competition and first place in the PSA’s 2024 Members Only competition.
The Mori Art Museum in Tokyo has opened "The Architecture of Sou Fujimoto: Primordial Future Forest," the first major survey of the Japanese architect's thirty-year career. Running from July 2 to November 9, 2025, the exhibition spans eight thematic sections, featuring over 1,000 models, sketches, videos, installations, and even stuffed toys. Highlights include a large-scale installation of Fujimoto's key projects, a timeline by architectural historian Kurakata Shunsuke, full-scale mock-ups of his Grand Ring for Expo 2025 Osaka, and a futuristic city proposal developed with data scientist Miyata Hiroaki. The show aims to be accessible to all visitors, not just architects.
Ceramicist Lou Billinghurst opened her first solo exhibition at Timaru’s York Street Gallery of Fine Arts on Friday. The show features a range of ceramic works including wall art and three totem poles, which Billinghurst describes as bringing out whimsical elements and offering light relief from the world. She rekindled her pottery practice about 10 years ago after moving to Timaru to care for her late mother, and has since taught hand-building with the South Canterbury Pottery Group.
Hattie Grimm, artist-in-residence at the Charles Allis Art Museum in Milwaukee, has created a new exhibition titled "BIRD BODY" featuring 20 original wooden paintings and sculptures. Inspired by her personal relationship with birds formed during a difficult time, the works explore birds as symbols of freedom, intuition, and bodily wisdom. The exhibit includes interactive elements such as drawing activities and storytelling stations, encouraging visitors to reflect on their own connections to birds and their bodies.
This article highlights nine visual art exhibitions in Seattle for June, curated as staff picks to embrace themes of change, regeneration, and healing. Featured shows include "Taking Care: Embrace with Tenderness" at Seattle University's Hedreen Gallery, which closes next year when the building is razed for a new museum; "Jill Kyong: Between Spaces" at SlipStitch Studio; "Mel Carter: bitter, the mourning" at Gallery 4Culture; "Gina Ariko: Ikebana and the Art of Resilience" at Gallery 110; "Healing Our Roots" at The Fishbowl gallery; and "Third Eye" at Base Camp Studios, among others. The exhibitions span photography, glass art, floral arrangements, and group shows, all free and open to the public.
Calvin Hui, a Hong Kong native who began collecting art as a student with a print by Joan Miró, has turned his passion into a career. After buying his first 'serious' work—Jar with Horizontal Colour Bars (2005) by Farhad Moshiri—he expanded his collection and eventually opened 3812 Gallery in Hong Kong in 2011, specializing in Chinese contemporary art and ink works. In 2018, he and a co-founder opened a second gallery in London’s Mayfair, which is set to relocate to The Whiteley London. Hui previously ran his own public relations, events, and marketing firm before transitioning to the art world.
Cayman Art Week returns for its fifth edition from 20-25 May 2025, featuring over 40 events including pop-up exhibitions, studio visits, and extended gallery hours across all three Cayman Islands. New additions this year include the CAW Little Cayman Bike Around and CAW East curated bus tours. The National Gallery is hosting three distinct exhibitions: 'TimeBack' with archival photographs, 'Evolutions: Continuity & Change in Caymanian Art', and 'From the Mind's Eye' exploring dreams and the subconscious. The event was founded in 2021 to stimulate the commercial art market and support artists post-COVID-19.
The Fairfield University Art Museum's Bellarmine Hall Galleries will host 'Famous & Family: Through the Lens of Trude Fleischmann' from May 2 through July 26, 2025. This is the first American solo museum exhibition dedicated to the Austrian-born photographer Trude Fleischmann (1895-1990), featuring over 100 photographs that span her groundbreaking career in 1920s-30s Vienna and her influential work in the United States after fleeing Nazi persecution in 1938. The show includes portraits of cultural figures such as Eleanor Roosevelt, Marian Anderson, and Albert Einstein, alongside never-before-exhibited works from family collections and a documentary film.
Local artist Joseph Gargasz will hold an art exhibition titled "A Familiar Place" at the Eulalia Building in Monroe on Saturday, May 3, 2025, from 6 to 9 p.m. The show features over 30 original oil paintings and drawings, all available for purchase. Gargasz, a Lorain, Ohio native with a BFA from the Columbus College of Art and Design, has studied in Japan and participated in international stone carving symposia. His work has been exhibited in China, Germany, and Japan, and is held in collections including the City of Hillsborough, North Carolina, and the Michael C. Carlos Museum at Emory University, where he currently serves as Director of Exhibition Design.
Fairfield University Art Museum will present "Famous & Family: Through the Lens of Trude Fleischmann" from May 2 to July 26, 2025, marking the first solo museum exhibition of the Austrian-born photographer's work in the United States. The show features over 100 photographs spanning Fleischmann's career, including her early studio work in 1920s and 1930s Vienna capturing cultural figures, and her later portraits of luminaries such as Eleanor Roosevelt, Marian Anderson, and Albert Einstein after she emigrated to New York in 1940. The exhibition includes never-before-exhibited works from family collections and a documentary film, and is curated by museum executive director Carey Weber alongside Fleischmann's cousin Barbara Loss.
A survey of 329 museum directors in the UK, published in the Art Fund's Museum Directors Research 2026 report, reveals that staff shortages have overtaken building maintenance as the top concern for cultural institutions. Conducted by Wafer Hadley between January and March 2026, the study shows that 85% of directors cite team size and capacity as the main barrier to programming, ahead of budget constraints (67%) and lack of specialized expertise (23%). The National Gallery in London launched a voluntary redundancy plan in February 2026 to address a projected deficit of £8.2 million, while the Museum of Cambridge cut a third of its staff and reduced opening hours. Local authority grants have decreased or ceased for 45% of institutions between 2024-2025 and 2025-2026, and over a third of museums have reduced or plan to reduce opening hours and annual exhibitions.
Lynda Roscoe Hartigan, 75, will become the director of the Smithsonian American Art Museum (SAAM) in Washington, D.C., on September 8, ending a 17-month vacancy. Hartigan, currently the director of the Peabody Essex Museum in Salem, began her career at SAAM as chief curator, where she developed collections of modern, contemporary, African American, and self-taught art.
Victoria Colmegna has opened a solo exhibition titled "Play Technique" at the Aspen Art Museum. The show, which features 53 documented works, will be on view from December 12, 2025, through March 29, 2026.
The Daily Herald reports on a new exhibition in Glen Ellyn celebrating the six-decade career of artist Peter Robinson, whose work spans from his art school training to unexpected subjects like soccer pitches. The show highlights the breadth of his practice and his enduring creative output over sixty years.
From May 30 to June 30, 2026, Blocco 13 in Rome hosts "Qb," the first Roman solo exhibition of Sardinian artist Ruggero Baragliu (born 1987). Curated by Antonello Cuccu and Chiara Manca, the show presents oils, papers, and bas-reliefs that explore the boundary between painting and sculpture through an essential, layered language. Works include small-format oils on panel such as "Colossus" (2026), the multi-year "Untitled with Checkers" (2019–2024), and the bas-relief "Garbata," which transforms brushstroke into volume. The exhibition is part of Blocco 13's "Guests" section, which has previously hosted artists like Pierluigi Fresia and Alessandro Finocchiaro.