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Noah Davis, a Painter Gone Too Soon, Takes a Seat in Posterity

Noah Davis, a painter who died at age 32 in 2015, is the subject of a posthumous retrospective at the Museum of Contemporary Art, Los Angeles, and a concurrent exhibition at the Underground Museum, the institution he co-founded with his wife, artist Karon Davis. The article traces his brief but influential career, highlighting his figurative paintings that blend everyday Black life with surrealist and spiritual undertones, and his role as a community builder in the Los Angeles art scene.

Exhibition Tour—Arts of the Ancient Americas | Michael C. Rockefeller Wing

The Metropolitan Museum of Art celebrated the renovation and reopening of the Arts of the Ancient Americas galleries in the Michael C. Rockefeller Wing with a special exhibition tour. Curators Joanne Pillsbury and Laura Filloy Nadal, along with museum director Max Hollein and special guest Alejandro de Avila, led the event, highlighting new scholarship on the Mesoamerican ballgame, the roles of women of power, and Moche metalworking technology.

Sicily's new anti-mafia museum honours ‘strength of the vulnerable over fear’

Sicily has inaugurated the Museum of the Present (Museo del Presente) inside Palermo's historic Palazzo Jung on 23 May, marking 33 years since the assassination of anti-Mafia judge Giovanni Falcone. The museum commemorates Mafia victims and confronts the ongoing threat of Cosa Nostra through personal artifacts, multimedia installations, and historical documentation, including items from Falcone and his colleague Paolo Borsellino. The opening was attended by Italy's interior, justice, and culture ministers, and entry remains free until 19 July.

Richard Hunt’s life is on exhibit in Chicago — and it’s a walk through Civil Rights history

A new exhibition titled “Freedom in Form: Richard Hunt” opens at the Loyola University Museum of Art in Chicago, exploring the 70-year career of the late sculptor Richard Hunt, who died in 2023 at age 88. The show includes his tools, workbench, personal books and photos, alongside key works such as “Hero’s Head” (1956), a welded bust created in response to the murder of Emmett Till, who was Hunt’s neighbor. The exhibition originated at the Abraham Lincoln Presidential Library Museum in Springfield and was conceived in 2019, with curator Ross Stanton Jordan and director Lance Tawzer aiming to present Hunt as a young artist deeply engaged with Civil Rights history.

As an Emily Kam Kngwarray survey opens at Tate Modern this week, contemporary Indigenous artists are finally taking centre stage in the UK

Tate Modern opens its first major exhibition of Indigenous Australian artist Emily Kam Kngwarray (c. 1914–96), featuring over 70 works including early batiks and vast late-career paintings. The show, adapted from a presentation at the National Gallery of Australia, is co-curated by Hetti Perkins and Kelli Cole, who emphasize presenting Kngwarray's work within its Anmatyerr cultural context rather than through a Western abstraction lens. Concurrently, London's Camden Art Centre hosts an exhibition of Duane Linklater and his family, and a Manchester show features Santiago Yahuarcani, signaling a broader UK focus on contemporary Indigenous artists.

Tate chair floats selling Turbine Hall naming rights for ‘a minimum of £50m’

Tate chair of trustees Roland Rudd has suggested that naming rights for the Turbine Hall at Tate Modern could cost a minimum of £50 million. The proposal, reported by The Telegraph, is tied to the institution's new Tate Future Fund, launched last week with a goal of reaching £150 million by 2030. Rudd stated that endowing curators, directors, or naming the iconic space are all potential options for donors, though a Tate spokesperson emphasized the comments were hypothetical and the fundraising campaign is just beginning.

Toledo Museum of Art exhibition to explore landscape of digital and generative art

The Toledo Museum of Art will open "Infinite Images: The Art of the Algorithm," a special exhibition curated by Julia Kaganskiy that explores digital and generative art from the 1960s to the present. The show features works created using custom software, algorithms, and machine learning models developed by the artists themselves, emphasizing rule-based systems and automation as part of the creative process. Associate Curator Paige Rozanski notes that the exhibition contextualizes generative art within a longer tradition of analog algorithmic processes, distinguishing it from AI-generated images produced by large language models like ChatGPT.

A first look inside LACMA’s Zumthor-designed David Geffen Galleries as museum hosts preview opening

The Los Angeles County Museum of Art (LACMA) has released new photographs of its David Geffen Galleries, designed by architect Peter Zumthor with SOM as collaborating architect. The building, a long horizontal glass and concrete structure curving along Hancock Park and Wilshire Boulevard, opened temporarily for a three-day preview last week and is scheduled to open to the public in April 2026. The 347,500-square-foot wing includes 110,000 square feet of gallery space, along with street-level pavilions housing a theater, store, bar, and education center. To mark the preview, LACMA hosted three "sonic previews" featuring composer Kamasi Washington leading over 100 musicians in a performance of his work Harmony of Difference. Architectural critic Christopher Hawthorne described the wing as "bold and compromised in nearly equal measure," while Zumthor noted that curators initially critical of the spatial layout have begun to appreciate the space and the beauty of the handmade concrete structure.

A Testimony to Survival and Hope Amid Chaos and Destruction

Vian Sora's first solo museum exhibition in the United States, 'Outerworlds,' is on view at the Santa Barbara Museum of Art (SBMA) through September 7. The exhibition features vibrant, layered abstract paintings that the artist describes as deeply personal, including 'Forest Remains,' a 2023 SBMA acquisition that she considers a self-portrait about migration and assimilation. Sora, born in Baghdad and a survivor of the Iran–Iraq War, Gulf War, and the 2003 invasion, discussed her work in a conversation with SBMA Chief Curator James Glisson, explaining how a 2015 hysterectomy led to a dramatic shift in her style toward bold, colorful compositions. The show will travel to the Speed Art Museum in Louisville and the Asia Society Texas Center after its Santa Barbara run.

Newport Art Museum to present ‘Howard Gardiner Cushing: A Harmony of Line and Color’

The Newport Art Museum will present 'Howard Gardiner Cushing: A Harmony of Line and Color' from July 12 to December 31, 2025, the first major retrospective in decades of the Gilded Age artist. Curated by Ricardo Mercado, the exhibition features over 55 paintings, many unseen publicly for over 60 years, and will be held in the museum's Cushing Gallery, named after the artist and funded by his patron Gertrude Vanderbilt Whitney.

The legacy of the Baghdad Modern Art Group is explored in first major US show

The Hessel Museum of Art at Bard College in New York State has opened "All Manner of Experiments: Legacies of the Baghdad Modern Art Group," the first major US survey of the influential Iraqi collective. Organized by curators Nada Shabout, Tiffany Floyd, and Lauren Cornell, the exhibition brings together 64 works by 30 artists—including Dia al-Azzawi, Jewad Selim, and Mohammed Ghani Hikmat—spanning from 1951 to 2023. Many pieces have not been publicly displayed in decades, and the show draws from private collections and major Arab institutions such as the Barjeel Art Foundation, the Dalloul Art Foundation, the Ibrahimi Collection, and Qatar Museums. The exhibition also addresses the devastating loss of modern Iraqi art during the Iraq War, with an estimated 85% of 8,000 works from the Saddam Arts Centre looted or damaged.

Pompidou moves in as Grand Palais reopens after £395m revamp

The Grand Palais in Paris reopens after a €466m (£395m) four-year restoration led by Chatillon Architectes, the most significant transformation since its 1900 inauguration. The building will serve as a temporary venue for the Centre Pompidou while the museum undergoes its own renovation until 2030. The project restored original sightlines, added over 40 lifts and 30 staircases, and created modular exhibition spaces to meet contemporary curatorial demands.

Renowned Chicago Sculptor’s Work Comes Home to Chicago this Summer

Loyola University Museum of Art (LUMA) in Chicago will host "Freedom in Form: Richard Hunt" from July 11 to November 15, 2025, a major exhibition celebrating the late sculptor Richard Hunt (1935–2023). The show features sculptures, maquettes, tools, books, photographs, prints, and video interviews, tracing Hunt’s 70-year career from his early days at the School of the Art Institute of Chicago to international renown. For the first time, it pairs two pivotal works: "Hero’s Head" (1956), created after the funeral of Emmett Till, and "Hero Ascending," a monument designed for Till’s childhood home. The exhibition includes a catalogue with contributions from Christina Shutt, Rev. Michael J. Garanzini, curator Ross Stanton Jordan, biographer Jon Ott, and historian Timothy J. Gilfoyle.

What We’ve Been Up To: Landscape

The Denver Art Museum has published a feature titled "What We’ve Been Up To: Landscape," showcasing a selection of recent photographic acquisitions focused on the American landscape. The featured works span from the late 19th century to the present, including images by Steve Fitch, Henry Wessel, Jr., Yamamoto Masao, Marion Post Wolcott, William Henry Jackson, John Ganis, Terri Weifenbach, Christina Fernandez, Linda Connor, and Patrick Nagatani. The photographs document diverse terrains—from New Mexico and Colorado to New Jersey and Hawai'i—and employ a range of processes, from albumen and gelatin silver prints to inkjet and pigment prints.

Māori art returns to New York’s Met museum in reimagined exhibition

The Metropolitan Museum of Art in New York City has reopened its Oceania galleries after an extensive renovation and reimagining from an Indigenous perspective. The new Arts of Oceania installation features over 650 works representing 140 cultures from across the region, including Australia, New Guinea, and New Zealand. Curated by Maia Nuku, the exhibition took eight years to plan and showcases artworks created in the last 500 years, emphasizing the ocean as a connective highway rather than a barrier. The reopening continues the legacy of the landmark 1984 exhibition Te Māori: Māori Art from New Zealand Collections, which set a benchmark for shared decision-making between museums and Indigenous communities.

The Met opens reimagined Arts of Oceania galleries showcasing works from the Pacific

New York's Metropolitan Museum of Art is reopening its Galleries of the Arts of Oceania to the public for the first time since 2021, following a major renovation that allowed curators to reimagine the presentation of art from the vast Pacific region. The galleries feature more than 600 artworks from Melanesia, Polynesia, Micronesia, Australia, and New Zealand, including the iconic Kwoma ceiling installation from Papua New Guinea, which has been reconfigured with input from the artists' descendants to accurately reflect clan groupings. The renovation is part of a broader $70 million overhaul of the Michael C. Rockefeller Wing, which also houses collections from the ancient Americas and Africa.

Fire-damaged room at Castle Howard brought back to life by meticulous restoration

The Tapestry Drawing Room at Castle Howard, a historic stately home in Yorkshire, England, has been meticulously restored after being gutted by a fire in 1940. The room, originally adorned with early 18th-century tapestries woven by John Vanderbank and based on scenes by David Teniers, was reduced to a scorched shell. Nick Howard, whose family has lived in the house for three centuries, oversaw the restoration, which involved reinstalling the original tapestries—found rolled up in the attic—after conservation by Alison Stanton. The centerpiece, a painting by Marco Ricci titled *Judgment of Paris*, and a newly built fireplace based on archival photographs complete the revival.

The Walters Art Museum: New leadership and a new exhibition

The Walters Art Museum in Baltimore has appointed Kate Burgin as its new director, succeeding Dr. Julia Alexander, who left the museum after 11 years to run a foundation in New York and passed away suddenly at age 57 earlier this month. Burgin, previously the museum's deputy director, now leads the institution while the community mourns Alexander's loss. Meanwhile, the museum has opened its first permanent exhibition of Latin American art, featuring works from over 40 cultures across North, Central, and South America and the Caribbean.

2025 MFA Thesis Exhibition Transforms the Miriam and Ira D. Wallach Art Gallery

On April 26, 2025, the School of the Arts held its annual MFA Thesis Exhibition at the Miriam and Ira D. Wallach Art Gallery, featuring twenty-nine emerging and established artists. Curated by Amal Issa, the show spans a wide range of mediums including installations, videos, paintings, drawings, and sculptures, with many works exploring themes of memory, ancestry, and identity. Notable pieces include Maya Dixon's immersive installation using gourds and found objects, Daniel Castro's surreal cityscapes, and Ridwana Rahman's interactive carpet piece that invites reflection on direction and prayer.

The Michael C. Rockefeller Wing

The Metropolitan Museum of Art's Michael C. Rockefeller Wing reopened in May 2025 after a multiyear renovation, presenting reimagined galleries for the arts of Africa, the ancient Americas, and Oceania. The 40,000-square-foot space, designed by Kulapat Yantrasast of WHY Architecture, now houses the three collections as independent entities, featuring digital features, commissioned films, new wall text, and objects on view for the first time—including major acquisitions of historic and contemporary works, a gallery for light-sensitive ancient Andean textiles, and contemporary commissions by Indigenous Pacific artists.

Refurb and rehang at London's National Gallery, Tate Modern turns 25 and Inge Mahn's ‘Balancing Towers’—podcast

This episode of The Art Newspaper's 'The Week in Art' podcast, hosted by Ben Luke, covers three major stories. First, the National Gallery in London reopens its Sainsbury Wing after a two-year closure, featuring a major architectural overhaul by Annabelle Selldorf and a complete rehang of the collection; Luke tours the space with director Gabriele Finaldi. Second, Tate Modern celebrates its 25th anniversary, with Luke discussing its impact and future with Louisa Buck and Dale Berning Sawa. Third, the Work of the Week segment highlights Inge Mahn's sculpture 'Balancing Towers' (1989), featured in the exhibition 'Are we still up to it?' – Art & Democracy at Herrenchiemsee Palace, discussed with co-curator Oliver Kase.

The Big Review | Caravaggio 2025 at Palazzo Barberini, Rome ★★★

The article reviews the "Caravaggio 2025" exhibition at Palazzo Barberini in Rome, which brings together 24 paintings by the Baroque master Michelangelo Merisi da Caravaggio. Curated by Francesca Cappelletti, Maria Cristina Terzaghi, and Thomas Clement Salomon, the show is accompanied by a heavy marketing campaign tied to the Catholic Church's Jubilee year. The review notes that while any gathering of Caravaggio's works guarantees a beautiful experience, the exhibition's title and scope remain unclear, and the curatorial approach—divided into four thematic sections—feels disjointed. Highlights include the reunion of three paintings from Cardinal Francesco Maria del Monte's collection and the public display of the recently identified portrait of Maffeo Barberini.

Cincinnati Art Museum curator of fashion showcases women designers

This episode of WYSO's Studio Visit series takes listeners to the Cincinnati Art Museum to meet Cynthia Amnéus, the museum's Chief Curator and Curator of Fashion and Textile Arts. Amnéus discusses her focus on women fashion designers, highlighting iconic figures such as Rei Kawakubo (Comme des Garçons), Bonnie Cashin (Coach), Ann Lowe (who designed Jackie Kennedy's wedding dress), and the lesser-known 1930s designer Elizabeth Hawes, whose progressive views on comfort and gender-neutral clothing were ahead of her time. Amnéus also reflects on past exhibitions, including a 2017 show on Iris Van Herpen's 3D-printed sculptural fashion, and her current interest in sustainable designers like Collina Strada and Chopova Lowena.

Daniel Johnston: I Think, I Draw, I Am

Daniel Johnston: I Think, I Draw, I Am is the largest New York solo exhibition of work by musician and artist Daniel Johnston (1961-2019). Curated by Lee Foster, co-owner of Electric Lady Studios and Curatorial Advisor for the Daniel Johnston Trust, the show features over 300 drawings that reveal the psychological depth and formal inventiveness of Johnston's comic-inspired art. Johnston first gained fame as a lo-fi musician in Austin, Texas, in the 1980s, and his graphic art reached a national audience when Kurt Cobain wore his Hi, How Are You? T-shirt at the 1992 MTV Music Awards.

Latter-day Saint artists ‘Lift Up the Hands Which Hang Down’ in new exhibit

The Church History Museum in Salt Lake City has unveiled 150 artworks selected for the 13th International Art Competition of The Church of Jesus Christ of Latter-day Saints, themed "Lift Up the Hands Which Hang Down" after Doctrine and Covenants 81:5. The exhibition opened on April 24, 2025, featuring works by 584 artists from 26 countries, including pieces like "Deposition" by Sarah Hawkes and "The Parable of the Gardner: The Garden of the Lord" by Pamela Salinas Bernal. Curator Laura Paulsen Howe and BYU art history professor James Swensen, a juror, highlighted how artists visualized themes of succoring the weak and strengthening others through diverse media and personal testimony.

Speed Art Museum discusses 'Brilliant Exiles: American Women in Paris, 1900-1939' exhibit

Erika Holmquist-Wall, chief curator of the Speed Art Museum in Louisville, Kentucky, discussed the museum's new exhibition "Brilliant Exiles: American Women in Paris, 1900-1939" in a televised interview. The show, on loan from the Smithsonian Institution's National Portrait Gallery, features nearly 80 works including paintings, photographs, works on paper, and sculptures that portray American women who moved to Paris during the early 20th century to pursue careers in the arts. The exhibition includes portraits of figures such as singer Ethel Waters, and offers interactive elements like a participatory portrait-making room and curated Spotify playlists.

Royal exhibition to recount 40 years of Charles on tour in 70 artworks | King Charles III

Buckingham Palace will host a special exhibition titled "The King’s Tour Artists," showcasing 70 artworks created by 42 artists who accompanied King Charles III (then Prince of Wales) on official tours over the past 40 years. The tradition began in 1985 when Charles invited artist John Ward to join a visit to Italy, and has since spanned 95 countries across 69 tours, with many works being displayed to the public for the first time. The exhibition includes pieces by artists such as Susannah Fiennes, Mary Anne Aytoun Ellis, Richard Foster, and Phillip Butah, capturing moments from tours to Hong Kong, Guyana, the Galápagos, and beyond.

A Landmark Show Returns, Looking for Blackness in a PersonalWay

The sixth edition of the Studio Museum in Harlem’s landmark group survey exhibition has returned, taking a deeply personal and introspective approach to exploring Blackness. The show is described as political yet inwardly focused, operating at a quieter metabolism than previous iterations, emphasizing individual perspectives over broad declarations.

Art Abounds on Campuses Outside of New York City

Academic museums at Princeton, Yale, Cornell, and Skidmore have organized several standout exhibitions worth visiting beyond TEFAF New York. These shows highlight the rich programming happening on campuses outside the city, offering diverse artistic perspectives and scholarly depth.

Wisconsin’s Chazen Museum of Art Explores New Ways to Display Its Collection

The Chazen Museum of Art at the University of Wisconsin–Madison is implementing a radical reinstallation of its permanent collection galleries. This new curatorial strategy centers each gallery around a single "focus object," which is then surrounded by a "constellation" of supporting artworks designed to highlight specific thematic, historical, or technical connections rather than following a traditional chronological or geographical layout.