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Uovo planning second, larger art storage facility in Brooklyn

Uovo, an art logistics and storage company, is planning to build a second, larger facility in Brooklyn. The proposed 240,000-square-foot building at 74 Bogart Street in Bushwick would complement its existing 150,000-square-foot space nearby, offering climate-controlled storage for art, wine, and fashion, along with private viewing galleries and project spaces. The company is seeking municipal approval to upzone a parking lot for the development and has received support from the local community board, though some residents oppose the project, citing concerns about housing shortages and rising rental costs.

Tate Liverpool receives £12m from UK government to support delayed revamp

Tate Liverpool has received a £12m grant from the UK government's Public Bodies Infrastructure Fund, bringing the Department of Culture, Media and Sport's total contribution to the gallery's redevelopment to £18.6m. The funding, combined with additional philanthropic donations from the Garfield Weston Foundation (£3m), the Wolfson Foundation (£1.25m), and the Ross Warburton Charitable Trust, plus a £10m award from the Ministry of Housing, Communities and Local Government, has raised a minimum of £32.85m toward the project, now costed at £35m. The gallery, closed since October 2023, had postponed its planned 2025 reopening to 2027 due to fundraising difficulties.

Major show of African American quilts opening at BAMPFA — despite federal funding cuts

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is opening "Routed West: Twentieth-Century African American Quilts in California" on June 8, the first major museum survey of its vast African American quilt collection. The collection, bequeathed by Oakland collector Eli Leon in 2018, includes over 3,000 quilts, with 100 featured in the exhibition. The show focuses on migration during the Second Great Migration (1940–1970) and highlights artists like National Heritage Fellow Laverne Brackens, Rosie Lee Tompkins, and Arbie Williams, alongside multi-generational quilting families. The exhibition opens despite recent federal funding cuts for conservation work on the quilts.

Chinese museum visitors accuse artist Heman Chong of ‘cyber harassment’

A group of Chinese museum visitors has filed a formal complaint against Singapore-based artist Heman Chong, accusing him of cyber harassment. The visitors allege that Chong reposted their selfies from his exhibition "The Endless Summer" at UCCA Dune on his Instagram account with captions that mocked them for narcissism and appropriating his work. The complaint cites China's portrait rights law, which prohibits using recognizable images of individuals without consent, and also accuses Chong of gender-based targeting for only reposting images of women. The visitors demand a formal apology from Chong and joint action from UCCA Dune and the Aranya resort.

NSIDER: Frist Art Museum Debuts ‘Venice and the Ottoman Empire’

The Frist Art Museum has debuted 'Venice and the Ottoman Empire,' an interactive exhibition exploring the cultural, artistic, and commercial exchanges between Venetians and Ottomans from 1400 to 1800. Featuring over 150 works from seven Venetian museums, the show includes ceramics, glass, metalwork, paintings, prints, and textiles by artists such as Gentile Bellini and Vittore Carpaccio, alongside anonymous craftspeople. Immersive elements like soundscapes, scent stations, and a video installation with Nashville chefs Paulette Licitra and Ilyas Bakla enhance the experience, with rooms dedicated to doges, sultans, shipwreck artifacts, and the spice trade.

Māori art returns to New York’s Met museum in reimagined exhibition

The Metropolitan Museum of Art in New York City has reopened its Oceania galleries after an extensive renovation and reimagining from an Indigenous perspective. The new Arts of Oceania installation features over 650 works representing 140 cultures from across the region, including Australia, New Guinea, and New Zealand. Curated by Maia Nuku, the exhibition took eight years to plan and showcases artworks created in the last 500 years, emphasizing the ocean as a connective highway rather than a barrier. The reopening continues the legacy of the landmark 1984 exhibition Te Māori: Māori Art from New Zealand Collections, which set a benchmark for shared decision-making between museums and Indigenous communities.

The Met opens reimagined Arts of Oceania galleries showcasing works from the Pacific

New York's Metropolitan Museum of Art is reopening its Galleries of the Arts of Oceania to the public for the first time since 2021, following a major renovation that allowed curators to reimagine the presentation of art from the vast Pacific region. The galleries feature more than 600 artworks from Melanesia, Polynesia, Micronesia, Australia, and New Zealand, including the iconic Kwoma ceiling installation from Papua New Guinea, which has been reconfigured with input from the artists' descendants to accurately reflect clan groupings. The renovation is part of a broader $70 million overhaul of the Michael C. Rockefeller Wing, which also houses collections from the ancient Americas and Africa.

See Inside The Met's New $70M Wing Ahead Of Grand Opening

The Metropolitan Museum of Art's Michael C. Rockefeller Wing will reopen to the public on May 31 after a $70 million renovation. The wing houses the museum's collections of art from Africa, the Ancient Americas, and Oceania, and features a new sloped glass wall, a dedicated gallery for light-sensitive Andean textiles, and over 1,800 works spanning five continents. The reopening day celebration includes live music, art-making activities, and a conversation between Met director Max Hollein and architect Kulapat Yantrasast.

The art of being Pope Leo: from a Raphael portrait to the first pontiff to be captured on film

The article examines the artistic and historical legacy of popes named Leo, following the election of Robert Prevost as Pope Leo XIV on 8 May. It traces the name through figures like Leo I (Leo the Great), Leo IX, and Leo X, focusing on Raphael's iconic 1518-20 portrait of Pope Leo X with cardinals Giulio de' Medici and Luigi de Rossi. The piece also discusses Raphael's frescoes in the Vatican's Stanze and Loggia, which depict earlier Leonine popes, and highlights the Medici family's role in bankrolling the Renaissance.

Water leaks into the Louvre’s Cimabue exhibition, landing close to the master’s greatest early painting

On May 3, a hailstorm caused water to leak into the Musée du Louvre in Paris, nearly damaging Cimabue's "Maestà" (1280-85), the centerpiece of the exhibition "A New Look at Cimabue: At the Origins of Italian Painting." Drops fell close to the painting, which is displayed without glass protection, and also landed on the base of a nearby sculpture by Nicola Pisano's studio. Guards initially struggled to respond, but the exhibition was closed within half an hour, and the Louvre confirmed no works were damaged.

Masterworks from Jacob Rothschild collection go to London's National Gallery and V&A under acceptance in lieu scheme

Two masterworks from the collection of the late Jacob Rothschild—Guercino's *King David* (1651) and John Deare's *Edward and Eleanor* (1790)—have been allocated to London's National Gallery and the Victoria and Albert Museum (V&A) respectively under the UK's acceptance in lieu (AIL) scheme. The Guercino painting settles £5.6 million in inheritance tax, and will be reunited with two related Guercino works already at the National Gallery. The marble relief by Deare enters the V&A's collection.

The Big Review | Caravaggio 2025 at Palazzo Barberini, Rome ★★★

The article reviews the "Caravaggio 2025" exhibition at Palazzo Barberini in Rome, which brings together 24 paintings by the Baroque master Michelangelo Merisi da Caravaggio. Curated by Francesca Cappelletti, Maria Cristina Terzaghi, and Thomas Clement Salomon, the show is accompanied by a heavy marketing campaign tied to the Catholic Church's Jubilee year. The review notes that while any gathering of Caravaggio's works guarantees a beautiful experience, the exhibition's title and scope remain unclear, and the curatorial approach—divided into four thematic sections—feels disjointed. Highlights include the reunion of three paintings from Cardinal Francesco Maria del Monte's collection and the public display of the recently identified portrait of Maffeo Barberini.

To make up for NEH grants cancelled by Trump, Mellon Foundation gives $15m to US humanities organisations

The Mellon Foundation has announced $15 million in emergency funding for humanities councils in all 50 US states and six territories, after the Trump administration and the Department of Government Efficiency (DOGE) cancelled approximately $65 million in grants from the National Endowment for the Humanities (NEH). The NEH cuts, which affected over 6,600 local organizations, were redirected toward presidential priorities including a planned patriotic sculpture park called the "National Garden of American Heroes" and a new "Celebrate America!" grant program for the 250th anniversary of the Declaration of Independence. The Mellon Foundation's president, Elizabeth Alexander, stated the funds aim to preserve the operational integrity of museums, libraries, and historical societies nationwide.

Wonders of Nature: New nature-themed art exhibition featuring Japanese artists like Go Yayanagi and more

New Art Museum Singapore has launched 'Wonders of Nature', its first immersive exhibition designed for children and families. Curated by local creative Warren Wee, the show features works from eight international and local artists including Go Yayanagi, Go Ogawa, Yuji Kanamaru, Masato Inagaki, Osamu Watanabe, Jackson Tan, and Jesse Franklin. The exhibition includes interactive zones such as the Animal Kingdom with candy-colored sculptures, a Canyon of Cuddles playground with inflatable cacti and a ball pit, a digital ocean with life-sized projected fish, and a Garden of Senses with augmented reality games. A pop-up by Waga Waga Labs offers matcha drinks inspired by the exhibition's colors and themes. The exhibition runs until October 5, 2025, at the museum's Tanjong Pagar Distripark location.

Weaving a history: Worcester Art Museum exhibits tapestries 'From the Vault'

The Worcester Art Museum is opening a new exhibition, "From the Vault: Collecting Tapestries at the Worcester Art Museum," on May 3, 2025, running through July 27. The show features nearly 30 works, including 12 large-scale tapestries and 18 fragments, many unseen for decades. The centerpiece is the museum's iconic 16th-century "The Last Judgment" tapestry, restored after 35 years in storage. Other highlights include a contemporary piece by Diedrick Brackens, a Flemish tapestry depicting Emperor Titus, and works by Jean Lurçat.

Speed Art Museum discusses 'Brilliant Exiles: American Women in Paris, 1900-1939' exhibit

Erika Holmquist-Wall, chief curator of the Speed Art Museum in Louisville, Kentucky, discussed the museum's new exhibition "Brilliant Exiles: American Women in Paris, 1900-1939" in a televised interview. The show, on loan from the Smithsonian Institution's National Portrait Gallery, features nearly 80 works including paintings, photographs, works on paper, and sculptures that portray American women who moved to Paris during the early 20th century to pursue careers in the arts. The exhibition includes portraits of figures such as singer Ethel Waters, and offers interactive elements like a participatory portrait-making room and curated Spotify playlists.

A Landmark Show Returns, Looking for Blackness in a PersonalWay

The sixth edition of the Studio Museum in Harlem’s landmark group survey exhibition has returned, taking a deeply personal and introspective approach to exploring Blackness. The show is described as political yet inwardly focused, operating at a quieter metabolism than previous iterations, emphasizing individual perspectives over broad declarations.

Who Owns These Artworks? Musée d’Orsay Hopes Visitors Can Help Find Out.

The Musée d’Orsay in Paris has opened a new room in its permanent display featuring 13 artworks recovered from Germany and Austria after World War II, whose provenance remains unknown. The museum is inviting visitors to help identify the original owners of these pieces, which were looted or displaced during the war and later restituted to France.

A Monument to Chocolate Is Wrapped in Layers of Mexican History

The article reports on the opening of the Museum of Cacao & Chocolate in Mexico City, which combines a colonial-era house with a contemporary architectural addition. The museum is built on a site that was once an Aztec monument, adding layers of historical significance to the institution dedicated to the history and culture of cacao.

Art Abounds on Campuses Outside of New York City

Academic museums at Princeton, Yale, Cornell, and Skidmore have organized several standout exhibitions worth visiting beyond TEFAF New York. These shows highlight the rich programming happening on campuses outside the city, offering diverse artistic perspectives and scholarly depth.

A Fashion Revolution at the Met

The New York Times reports that the Metropolitan Museum of Art's Costume Institute is undergoing a major transformation, moving from its basement location to become the museum's main entrance gallery. This shift, framed as "Costume Art," elevates fashion exhibitions to a central, welcoming role within the institution, signaling a new era for the department.

A New Museum in California Aims to Draw Children to Science

KidSTREAM, a new $7 million children's museum, has launched in Camarillo, California, transforming a former library site into an interactive educational hub. Founded by Kristie Akl, a former teacher, the museum focuses on hands-on learning across science, technology, engineering, arts, and mathematics (STEAM) to engage young learners through play.

Wisconsin’s Chazen Museum of Art Explores New Ways to Display Its Collection

The Chazen Museum of Art at the University of Wisconsin–Madison is implementing a radical reinstallation of its permanent collection galleries. This new curatorial strategy centers each gallery around a single "focus object," which is then surrounded by a "constellation" of supporting artworks designed to highlight specific thematic, historical, or technical connections rather than following a traditional chronological or geographical layout.

After the Heists: Securing Museums Without Closing Them Off

Museums worldwide are grappling with the escalating need for heightened security measures following a series of high-profile thefts, including a recent bold robbery at the Louvre. Institutions are forced to re-evaluate their surveillance protocols and physical barriers to protect priceless cultural heritage from increasingly sophisticated criminal tactics.

The Contradictory Museum

Eugenio Viola, former artistic director of the Bogotá Museum of Modern Art (MAMBO), argues that museums must evolve from authoritative cultural temples into critical civic spaces. He contends that in polarized societies marked by inequality and contested histories, museums are essential infrastructures for hosting discomfort, divergent memories, and unresolved tensions, fostering collective dialogue and visibility for excluded narratives.

Wexner Center for the Arts Workers Call for Institution to Be Renamed Over Top Funder’s Epstein Ties

Unionized workers at the Wexner Center for the Arts in Columbus, Ohio, have demanded that the institution remove the name of top funder Les Wexner from its moniker, citing his close ties to convicted pedophile Jeffrey Epstein. In a letter to Ohio State University leadership, Wexner Workers United (WWU) argued that Wexner’s name on the building harms the center’s mission and community trust. Wexner, a billionaire retail magnate and art collector, donated $25 million to the center’s construction in the 1980s and has been mentioned over a thousand times in the Epstein Files; Epstein victim Virginia Giuffre named Wexner as among those she was trafficked to, though Wexner denies the allegations.

Seattle Art Museum Workers Announce Unionization

More than one hundred employees at the Seattle Art Museum (SAM) announced their intent to unionize on May 13, delivering a letter to museum director and CEO Scott Stulen. Organizing as Seattle Art Museum Workers United (SAMWU) under the Washington Federation of State Employees/AFSCME Council 28, the staff—spanning over twenty departments—cited unsustainable wages, subpar health benefits, and top-down decision-making as key issues. They filed for an election with the National Labor Relations Board but will withdraw the petition if the museum voluntarily recognizes the union by May 27. Stulen acknowledged receipt of the letter and committed to good-faith negotiations.

85% of All US Museums Need Repairs, Study Finds

A March survey by the US Government Accountability Office (GAO) found that 85% of all US museums need repairs, with 77% having at least one structural issue endangering their collections. Federal funding does not cover construction-related expenses, and 73% of the roughly 11,900 museums surveyed reported building system or facility problems posing health or safety risks. The American Alliance of Museums noted the data aligns with years of reports from museums struggling with aging infrastructure and unpredictable funding.

New Flagship Space for SAMoCA Announced As Part of Saudi Vision 2030

The Saudi Arabia Museum of Contemporary Art (SAMoCA) will receive a new flagship space as part of the government-backed Diriyah Company's Saudi Vision 2030 initiative. The museum, financed by a $490 million grant from the Diriyah Company (owned by the Public Investment Fund), will be designed by British architecture firm Godwin Austen Johnson and built by Albawani Company and Hassan Allam Construction – Saudi Arabia. Spanning 77,000 square meters, the project is part of the $63.2 billion Diriyah giga-project aimed at transforming the city into a premier cultural destination.

Institutions Across the US to Benefit from Transformative $116 Million Gift to National Gallery

Billionaire collector and National Gallery of Art trustee Mitchell P. Rales has donated $116 million to the museum. The gift, the largest programming endowment in the institution's history, will fund the 'Across the Nation' initiative, which loans works from the National Gallery's permanent collection to small and midsize museums across the United States for two-year periods at no cost to the borrowing institutions.