artemisia gentileschi masterpiece restored beruit bombing getty debut

The J. Paul Getty Museum unveils Artemisia Gentileschi's long-lost painting *Hercules and Omphale* (ca. 1635–37) after three years of restoration. The work was nearly destroyed in the August 2020 Beirut port explosion, which caused severe damage to the Sursock Palace where it was housed. Senior conservator Ulrich Birkmaier led the delicate process of reassembling the canvas, removing glass shards and debris, and restoring the original colors.

marsha p johnson biography art tourmaline tiny reparations

This excerpt from Tourmaline's forthcoming book "Marsha: the Joy and Defiance of Marsha P. Johnson" (Tiny Reparations, May 20) focuses on Marsha P. Johnson's use of hand-sewn banners and textile art as tools of activism and joy within the gay liberation movement. It describes her creation of banners reading "GAY POOOR PEOPLE" and "Gay Love," the latter borrowed by the Hot Peaches theater troupe, and her broader artistic practice spanning acting, performance, fashion, and songwriting. The text also notes artist Tuesday Smilie's 2018 recreation of Johnson's STAR banner for an exhibit at the Rose Art Museum.

hilmas ghost feminist witch collective

At the Armory Show in New York, psychic medium Sarah Potter is offering tarot card readings at the booth of Chicago's Carrie Secrist Gallery using a deck designed by the feminist art collective Hilma's Ghost. The collective, formed during lockdown by abstract artists Dannielle Tegeder and Sharmistha Ray, created "Abstract Futures Tarot," a series of 78 gouache, ink, and colored pencil paintings inspired by pioneering abstractionist Hilma af Klint and the Rider–Waite tarot deck by Pamela Colman Smith. The works, priced at $4,000 each, are the result of 500 hours of collaborative painting, and the deck is also sold in a limited edition of 300, with 215 already sold.

spring break art show surprises 2025

New York's Spring Break Art Show has returned to its namesake season, opening alongside Frieze New York after abruptly canceling its Los Angeles edition due to January's devastating fires. Founded by artist duo Andrew Gori and Ambre Kelly, the fair is now held in a former book printing office on Varick Street, featuring offbeat emerging art and boundary-pushing installations. Roughly a third of the presentations were already planned under the theme "Paradise Lost and Found," but the accelerated timeline led to last-minute additions, with some artists joining just the night before. Standout works include Louis Sarowsky's carved stone food sculptures, Kate Rusek's zero-waste porcelain pieces molded from trash, and Colin J. Radcliffe's ceramic sculptures reimagining queer figures in classical iconography.

new taipei city art museum interview

The New Taipei City Art Museum (NTCAM) opened to the public last weekend with fireworks and light installations after nearly eight years of development. Located in Yingge District, about 30 minutes from Taipei, the publicly funded museum cost 3 billion NTD (approximately $93 million) and spans 38 acres. Designed by Taiwanese architect Kris Yao, the 11-story building houses eight exhibition halls, a 500-seat auditorium, a public plaza, and a park for public art. Inaugural director Lai Hsiang-ling outlined the museum's vision to serve local audiences and the arts community while fostering international and regional collaboration. The opening includes the inaugural exhibition featuring the local art collective Xindian Boys and their commission "Don't Worry, Baby," which addresses ecological change, global politics, and artificial intelligence.

takahashi mizuki textile art

In a recent edition of Artnet Pro's newsletter 'The Asia Pivot', the director of CHAT (Centre for Heritage, Arts and Textile) in Hong Kong reflects on highlights from Art Basel Hong Kong, including textile-based works by Movana Chen, Huan Po-Chi, and Ade Darmawan. The article discusses the growing engagement of contemporary artists with traditional craft practices like weaving, embroidery, and dyeing, particularly during the pandemic, and notes the distinct lineage of fiber art in Asia compared to the West, where it emerged as a subgenre of Modernism in the 1960s.

water leaks from louvres roof and misses prized cimabue painting

A powerful hailstorm caused water to leak through the Louvre's roof into the Salle Rosa room, where the exhibition "A New Look at Cimabue: At the Origins of Italian Painting" is on view. The water narrowly missed Giovanni Cimabue's unprotected "Maestà" panel painting (circa 1280), but drips hit the base of Nicola Pisano's "Three Acolytes" (1264-67) on loan from Florence's Museo Nazionale del Bargello. Another near miss occurred near Duccio di Buoninsegna's "Madonna of the Franciscans" (1285-88), which was protected by glass. The museum closed the exhibition early for firefighter inspection, identified a damaged glass seal as the cause, and reopened the next morning after repairs.

national gallery mysterious altarpiece 20 million

London's National Gallery has acquired a mysterious altarpiece painted by an unknown artist around 1510, paying £16.4 million ($21.8 million) for the work titled *The Virgin and Child with Saints Louis and Margaret*. The painting, arranged via a private sale by Sotheby's and funded by the American Friends of the National Gallery London, features unusual details including a uniquely expressive dragon beneath baby Jesus's feet, playful angels, and subtle symbolic references. The acquisition marks the museum's bicentennial and will go on public display on May 10 in the rehung Sainsbury Wing.

tefaf restores black book of hours

TEFAF has selected the Black Book of Hours, a rare 15th-century illuminated manuscript from the Hispanic Society Museum and Library in New York, as the recipient of its 2025 Museum Restoration Fund. The manuscript, one of only seven known black vellum books of hours, will be displayed at TEFAF New York at the Park Avenue Armory before undergoing conservation treatment by the Conservation Center for Art and Historic Artifacts in Philadelphia. The work involves disbinding the 149-folio volume, high-resolution imaging, and addressing centuries of wear.

king charles royal tour art buckingham palace

An exhibition titled "The King's Tour Artists" will open at Buckingham Palace on July 10, showcasing over 70 works created by 42 artists who accompanied King Charles on international royal tours over the past four decades. The tradition began in 1985 when the then-Prince of Charles invited artist John Ward to join his tour of Italy, and has continued unbroken ever since, with artists capturing landscapes, figure studies, and historic moments such as the British handover of Hong Kong in 1997. Featured works include Richard Foster's depiction of Charles and Camilla on North Seymour Island in the Galápagos, and Susannah Fiennes's painting of sailors lowering the flag on HMY Britannia.

dar kuen wu taiwan digital art

The article examines the rise of Taiwanese contemporary art on the international stage, focusing on its growing prominence in digital and technological art. It traces the evolution of digital art in Taiwan through three phases: video art in the 1990s with pioneers like Wang Jun-Jieh and Yuan Goang-Ming, digital media experimentation in the 2000s driven by the tech sector, and a recent phase of internationalization and interdisciplinary integration fueled by the semiconductor industry and government support. Key factors include Taiwan's hardware industry, cultural liberalization after the lifting of martial law in 1987, and sustained policy support from institutions like the National Culture and Arts Foundation (NCAF), the Taiwan Contemporary Culture Lab (C-LAB), and the Taiwan Creative Content Agency (TAICCA).

ei arakawa nash japan 2026 venice biennale pavilion

Ei Arakawa-Nash, a Los Angeles–based performance artist, has been selected to represent Japan at the 2026 Venice Biennale, as announced by the Japan Foundation. He will create a new installation for the Japan Pavilion that explores his perspective as a queer parent of newborn twins, aiming to “dissect nationalism and patriarchy.” Arakawa-Nash, who gave up his Japanese nationality a few years ago, draws on post-war avant-garde movements like Gutai and Tokyo Fluxus, and his recent works include a large-scale participatory performance at Tate Modern's Turbine Hall in 2021.

“Iter Subterraneum” / Bergen Kunsthall, Bergen by Adele Seip

Bergen Kunsthall has launched "Iter Subterraneum," a group exhibition inspired by Ludvig Holberg’s 1741 satirical novel about a man who falls through a cave in Bergen into a subterranean world. The show features ten international artists, including Robert Gabris, Anicka Yi, and Cecilia Fiona, whose works span video, sculpture, and performance. By pairing historical editions of Holberg’s book with contemporary installations, the exhibition explores themes of displacement, collective existence, and the blurring of lines between human and non-human life.

CARTIER FOUNDATION. A THIN LINE BETWEEN EXTRACTIVISM AND CULTURAL RECLAMATION

FUNDACIÓN CARTIER. UNA DELGADA LÍNEA ENTRE EXTRACTIVISMO Y REIVINDICACIÓN CULTURAL

The Cartier Foundation inaugurated its new Paris headquarters on October 25 with the exhibition "Exposition Générale." The curatorial approach and, most notably, the labyrinthine architectural design by Jean Nouvel have drawn criticism from the specialized press, described as disappointing and patchwork. The new space, a dense black cube in central Paris, represents a radical departure from the foundation's previous luminous, glass-walled hall, forcing a complete rethinking of how to present its 40-year collection.

Daring and Dazzling, a New LACMA Floats Above Los Angeles

The Los Angeles County Museum of Art (LACMA) has unveiled its new $724 million David Geffen Galleries, a long-awaited and controversial expansion designed by Swiss architect Peter Zumthor. The structure, which spans Wilshire Boulevard with its distinctive horizontal, glass-walled design, marks the culmination of a decade-long effort to modernize the campus and replace several aging buildings.

The Show the Art World Loves to Hate Gets a Soul

The 60th Venice Biennale, titled "Stranieri Ovunque – Foreigners Everywhere," has opened to a polarized reception. Curated by Adriano Pedrosa, it is the first Biennale led by a Latin American curator and heavily features artists from the Global South, Indigenous creators, and queer artists, marking a significant departure from the Eurocentric focus of past editions.

Amanda Heng Walks the Walk

Singaporean artist Amanda Heng, now 74, is representing Singapore at this year's Venice Biennale with her exhibition titled *A Pause*, featuring a site-specific installation and durational performance. Known for her decades-long performance *Let's Chat* (1996–), in which she cleans mung bean sprouts with participants to foster casual conversation, Heng transforms everyday domestic gestures into feminist acts. Her work reclaims the body, labor, and relationships as sites of personal autonomy. She was part of the pioneering, male-dominated generation of Singaporean contemporary artists in The Artists Village, but left due to its hierarchical structure to pursue collaborations with women artists and further studies.

Watch: Wallace Chan returns to the Venice Biennale with ‘Vessels of Other Worlds’

Wallace Chan returns to the Venice Biennale for the fourth time with 'Vessels of Other Worlds', a two-city exhibition opening at the Chapel of Santa Maria della Pietà in Venice on 8 May 2026 and continuing at the Long Museum West Bund in Shanghai from 18 July, coinciding with the artist's 70th birthday. Curated by James Putnam, the project features large-scale titanium sculptures that explore material transformation, perception, and metaphysical space, including a live video link between the two venues and an inhabitable mirrored sculpture at the Long Museum.

Centre Pompidou to open Seoul outpost

The Centre Pompidou Hanwha is set to open in Seoul this June, housed in a renovated four-story former aquarium in the Yeouido district. Designed by French architect Jean-Michel Wilmotte, the new outpost is the result of a four-year partnership between the Hanwha Foundation of Culture and the Parisian institution. The museum will launch with the exhibition "The Cubists: Inventing Modern Vision," which explores the evolution of Cubism and its specific intersections with Korean art history.

A Muddy History of Plant-Hunting

The exhibition "Seeds of Exchange" at London's Garden Museum highlights a 1773 botanical collaboration between British amateur plant hunter John Bradby Blake and Cantonese painter Mak Sau. Centered on Blake’s unpublished "Flora Sinensis," the project attempted to systematically catalogue Chinese flora, including the Camellia japonica, through detailed watercolors that blended Western objective illustration with Chinese artistic expertise. These works served as the primary medium for introducing Chinese plant species to the West long before live specimens could survive the journey.

Chobi Mela XI Review: Can We Start Over?

The 11th edition of the Chobi Mela photography festival has opened in Dhaka, Bangladesh, under the curatorial direction of artists Munem Wasif and Sarker Protick. With the theme 'Re,' the festival presents work from 58 artists across nine exhibitions, aiming to explore renewal and tenacity in lens-based storytelling following the disruptions of the COVID-19 pandemic and the July 2024 uprising.

Local Collections Shine at Sarasota Art Museum's Latest Exhibition

Sarasota Art Museum (SAM) has opened a new exhibition titled "Something Borrowed, Something New," featuring works from private collectors across Southwest Florida. The show includes pieces by renowned artists such as Chuck Close, KAWS, Richard Serra, Yoko Ono, Ai Weiwei, and Louise Bourgeois, spanning paintings, prints, sculptures, and mixed media from the 20th and 21st centuries. The exhibition was inspired by a museum trip program, during which executive director Virginia Shearer noticed that local collectors owned significant works by artists featured in major institutions like the Renwick Gallery and Glenstone.

Montclair Art Museum Hires New Chief Curator Kate Kraczon

The Montclair Art Museum in New Jersey has hired Kate Kraczon as its new chief curator, replacing Gail Stavitsky. Kraczon previously served as director of exhibitions and chief curator at the David Winton Bell Gallery at Brown University, where she was terminated last December amid university layoffs. At the Bell, she organized the only US screening of "Prisoners of Love, 2025" by Palestinian artists Basel Abbas and Ruanne Abou-Rahme, and an exhibition of Julien Creuzet's work originally shown at the French Pavilion in the 2024 Venice Biennale. Before Brown, she worked as a curator at the Institute of Contemporary Art (ICA) in Philadelphia, where she organized the 2018 show "Ree Morton: The Plant That Heals May Also Poison."

The Met Hires Star Photography Curator for the Museum’s New Wing

The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as a curator in the Department of Photographs, poaching her from the Museum of Modern Art (MoMA). Onabanjo, formerly the Peter Schub Curator at MoMA, will be tasked with managing the landmark gift of over 6,500 photographs from the Walther Family Foundation and curating exhibitions with a focus on twentieth-century media.

Paris’s Centre Pompidou to Welcome Seoul Outpost in June

The Centre Pompidou is expanding its global footprint with the opening of a new satellite museum in Seoul this June. Housed in a former aquarium within the Hanwha Group's headquarters in the Yeouido financial district, the Centre Pompidou Hanwha is the result of a four-year partnership between the French institution and the Hanwha Foundation of Culture. The renovated 108,000-square-foot space, designed by architect Jean-Michel Wilmotte, will debut with an exhibition titled "The Cubists: Inventing Modern Vision," which explores the evolution of Cubism and its intersections with Korean art.

Kengo Kuma Architects Chosen to Design New Wing of London’s National Gallery

Kengo Kuma and Associates has been selected to lead the design of a massive £750 million extension to London’s National Gallery, titled Project Domani. The Tokyo-based firm won the commission over sixty-four other competitors and will collaborate with UK firms BDP and MICA to develop the new wing on land currently occupied by a hotel and office complex. The design features a dual-level approach, utilizing vaults and arches on the main floor to harmonize with existing galleries while introducing a modern geometric aesthetic on the upper level.

Shoot and branch: new photography book highlights the enduring majesty of trees

A new photography book, *Trees of Great Britain and Ireland*, reproduces over 60 photographs originally taken between 1906 and 1913 for Henry John Elwes and Augustine Henry's ambitious seven-volume catalogue of tree species. The images, mostly by uncredited photographers, were printed using a collotype process by the Autotype Company and are now newly lithoprinted to preserve their tonal subtlety. The book includes an introduction by Michael Pritchard and notes by photographic historian Björn Andersson, highlighting the historical and aesthetic significance of these botanical photographs.

In Performance Series, Artists Tackle the Nature of Images, and Reality, in the Face of AI

At Giorno Poetry Systems (GPS) in New York, a three-day program titled “Exert: The Physics of Metaphysics” featured performances and readings by artists including Mark Leckey, Hari Kunzru, and Gideon Jacobs. The works explored how emerging technologies like AI, VR, and AR are reshaping perceptions of reality and simulation, with Kunzru reading from a novel-in-progress about a man navigating a world where simulation encroaches on everyday life, and Jacobs presenting a performance lecture blending theater, essay, and AI-generated video.

Interview with the great sculptor Charles Ray who shows in two different galleries in Los Angeles

Intervista al grande scultore Charles Ray che a Los Angeles si mostra in due diverse gallerie

Charles Ray, the renowned American sculptor, opened two simultaneous solo exhibitions in Los Angeles on April 18, one at Matthew Marks Gallery and the other at Jeffrey Deitch Gallery, located about a mile apart. The Matthew Marks show features three new works, including "Junk 2" (2026) and "The Animation of Pandora" (2026), while the Deitch exhibition presents three older iconic pieces such as "Firetruck" (1993), "Pepto-Bismol in a Marble Box" (1988), and "Table" (1990). Ray, who has lived in Los Angeles for four decades, is known for his meticulous, slow-working process and his exploration of the human body and everyday objects at altered scales.

Mind the baby! Visitors to the Japanese Venice Biennale pavilion will be asked to look after dolls

Ei Arakawa-Nash, a Japanese-born artist who no longer holds Japanese citizenship, will represent Japan at the Venice Biennale with an exhibition titled "Grass Babies, Moon Babies." The pavilion will feature over 100 baby dolls that visitors are invited to adopt and carry, engaging in caregiving tasks such as changing a nappy. Each doll corresponds to a historically significant date tied to minority communities, linking intimate acts of care to broader historical narratives. The project also includes a collaboration with the Korean Pavilion, marking the first such partnership between the two national pavilions in Biennale history.