Artist Mark Leckey piloted a free month-long art course called Music and Video Lab this summer in Redruth, Cornwall, aimed at attracting people aged 18 to 25 who lack access to formal art education. The course, costing £15,000 with support from Arts Council England, was initiated by curator Teresa Gleadowe of CAST and artist Liam Jolly of Auction House, with final works screened at CAST from August 5 through September 3.
The Hamptons Jewelry Show (HJS) returns July 24–27, 2025, in Southampton, New York, for its eighth edition. The event brings together 80 brands, dealers, and artisans from around the world, offering high-end jewelry including signed pieces from Cartier, Bulgari, Van Cleef & Arpels, and David Webb. Curator Hilary Joy Diaz and founder Rick Friedman emphasize the show's direct-to-customer model, where collectors meet makers and dealers face-to-face, contrasting with traditional retail and art fair models.
Valentina Akerman, an art director and architect, opened Sardine gallery in a weathered Amagansett rental last summer with her husband, artist Joe Bradley. What began as an improvised experiment has grown into a Hamptons success story, now in its second season with a Summer 2025 program featuring film series, residencies, dinners, and four exhibitions pairing painters with sculptors. The gallery also hosted a pop-up in Paris during Art Basel Paris and is organizing a group show at Le Consortium Museum’s summer space in Burgundy.
Cultured magazine interviews Brazilian artist Solange Pessoa about her new exhibition "Catch the sun with your hand" at the Aspen Art Museum, on view through October 26. The conversation explores parallels between Aspen's mining history and her home region of Minas Gerais, Brazil, her use of organic materials like blood and hair, her stone collection, and the sense of incompleteness in her process-based work. The exhibition features carved soapstone sculptures on the museum's roof and works inside that engage with crystals and silver.
British sculptor Joanna Allen is the subject of her debut solo exhibition, “Subconscious Playground,” at London’s Bowman Sculpture, on view through May 30, 2025. The show features works in bronze, marble, clay, and plaster that explore the terrain between conscious and unconscious mind, moving between morphed figuration and pure abstraction. Allen discusses the influence of Surrealism, particularly the 100th anniversary of André Breton’s Surrealist Manifesto, and cites mid-century artists like Picasso, Bacon, and Giacometti as inspirations for her raw, psychologically rooted practice.
Israel’s participation in the 2026 Venice Biennale is at risk due to government delays in renovating its pavilion. According to a Haaretz report, the Israeli culture ministry and foreign ministry, which co-manage the pavilion, have struggled to agree on a budget and schedule for the renovation, with the foreign ministry citing budgetary issues and the culture ministry awaiting a timeline. This follows the 2024 Biennale, where artist Ruth Patir shuttered the pavilion on opening day in protest of the Gaza war, and Israel’s absence from the 2025 Architecture Biennale.
Galerie Buchholz in New York is presenting "Projects for Outside — ISA USA," a solo exhibition by the influential German artist Isa Genzken. Running from March 11 through April 25, 2026, the show focuses on Genzken's outdoor proposals and large-scale sculptural projects, documenting her career-long engagement with public space and urban architecture through a comprehensive selection of works.
A major group exhibition titled *Pharmakon* has opened at Galerie Chantal Crousel in Paris, featuring works by over twenty international artists. The show includes both historical and contemporary figures, from Marcel Broodthaers and Felix Gonzalez-Torres to emerging artists, exploring the dual nature of substances that can be both remedy and poison. It presents a diverse range of media, including painting, sculpture, and installation, curated around this central, ambiguous theme.
Mark Manders presents his sixth solo exhibition at Tanya Bonakdar Gallery in New York, featuring new works that include monumental bronze busts, abstract sculptural landscapes, and discrete paintings and works on paper. The pieces are described as dreamlike and fragmented, populating the gallery like a series of thoughts given form and frozen in time.
Museion in Bolzano, Italy, presents the first institutional solo exhibition in Italy by Evelyn Taocheng Wang, a Rotterdam-based artist born in 1981 in Chengdu. The exhibition, titled "Sweet Landscape," showcases her work across painting, writing, installation, performance, and fashion, featuring a visual language that blends poetry, subtle humor, and critical depth while intertwining art historical traditions and fragments.
Merlin Carpenter presents "Warning Signs" at Karma International in Zurich, featuring his latest paintings that evolve from his earlier "anti-painting" style. The artist reflects on how his early 2000s work, characterized by a semi-finished, indifferent aesthetic, had become decorative by the time of his 2013 POLICE show, prompting him to update his approach.
Arghavan Khosravi's solo exhibition "What Remains" opens today at Uffner & Liu in New York, presenting a new body of sculptural paintings that fuse Persian architecture with Christian altarpieces. The works explore women's fight for equality under censorship and religious dogma in Iran, featuring figures restricted by domestic objects, hinged shutters, and suspended cords, with fragments of limbs or faces visible. Key pieces include "Suspended" (2026), "Bearing" (2026), and "The Whisper" (2026), running through July 2.
The Nasher Museum of Art at Duke University is presenting 'Everything Now All At Once,' an exhibition drawn entirely from its permanent collection that features works by over a dozen contemporary artists including Nick Cave, Ai Weiwei, Nina Chanel Abney, Wangechi Mutu, Jeffrey Gibson, Amy Sherald, and Barbara Chase-Riboud. The show focuses on painting and sculpture—deliberately analog mediums in an era of rapid technological change—and highlights pieces acquired over the past twenty years that center artists from historically marginalized backgrounds. Running since August 2025, the exhibition will rotate new works next month and continue through November 1 in Durham, North Carolina.
Sakshi Gallery, a Mumbai-based gallery founded in 1986 by Geetha Mehra, is presenting a contemporary art show titled 'Unfolding Narratives: Perspectives in Contemporary Indian Art' at London's Mall Galleries from June 30 to July 8, 2026, marking its 40th anniversary. The exhibition features works by six artists—Amit Ambalal, Manjunath Kamath, Ravinder Reddy, Rekha Rodwittiya, Shine Shivan, and Surendran Nair—with several pieces created specifically for the show. It serves as a prelude to a larger institutional exhibition planned for 2027 in London.
Sakshi Gallery is marking its 40th anniversary with an exhibition titled "Unfolding narratives: perspectives in contemporary Indian art" at the Mall Galleries in London, opening June 30, 2026. The show features works by six artists—Amit Ambalal, Manjunath Kamath, Ravinder Reddy, Rekha Rodwittiya, Shine Shivan, and Surendran Nair—who have significantly shaped Indian contemporary art. Many works were created specifically for the exhibition, offering insight into the artists' current directions. The presentation serves as a prelude to a larger institutional exhibition planned for 2027 in London.
SFMOMA has opened "Matisse's Femme au chapeau: A Modern Scandal," a new exhibition centered on Henri Matisse's iconic 1905 painting "Femme au chapeau" (Woman with a Hat). The show recreates the atmosphere of the 1905 Salon d'Automne in Paris, where the painting first caused a scandal for its bold, fauvist colors. It reunites the work with three other Matisse paintings from that debut, alongside pieces by contemporaries like André Derain, Albert Marquet, and Jelka Rosen, and later artists inspired by the painting, such as Mickalene Thomas. The exhibition also includes a gallery dedicated to the Haas bequest, which brought the painting to SFMOMA in 1991.
The Petit Palais in Paris is hosting the second edition of its free urban art exhibition, "We are (still) here," from June 20 to September 20, 2026. Organized in collaboration with the Itinerrance Gallery, the show features nearly 200 works by leading French and international street artists, including Seth and Inti, displayed in the Concorde Hall and throughout the museum's permanent collections, creating a dialogue between contemporary street art and classical masterpieces.
Swizz Beatz and Alicia Keys, the musician power couple, have built a major art collection known as the Dean Collection, now touring as the exhibition "Giants" at the San Diego Museum of Contemporary Art. The show, which debuted at the Brooklyn Museum in 2024, features works by Gordon Parks, Jean-Michel Basquiat, Malick Sidibé, and a new multimedia installation by Mickalene Thomas. In an interview with GQ's Frazier Tharpe, the couple discusses their philosophy of collecting art based on emotional connection rather than investment or social status, and how their passion for art has deepened over their 15-year marriage.
This article, published by La Rédac with photos by Audrey de Sortiraparis, presents a curated selection of exhibitions opening in Paris and the Île-de-France region in May 2026. Highlights include a Giovanni Segantini retrospective at the Marmottan Monet Museum, a porcelain exhibition titled "Sèvres, a Rothschild Passion" at the Mobilier National, a comparative show of Michelangelo and Rodin at the Louvre Museum, the return of the Colors Festival with a street-art exhibition called Colors Light, a historical tribute to Madame de Sévigné at the Carnavalet Museum, a major Lee Miller retrospective at the Musée d'Art Moderne, a family-friendly Lego brick exhibition by Dirk Denoyelle at Espace Champerret, and a video game music exhibition at the Philharmonie de Paris.
The Contact Photography Festival, Canada's largest photography event, opens Friday in Toronto with over 160 exhibitions across eclectic venues including artist-run centers, commercial galleries, cafes, and a laundromat. Highlights include a towering portrait by Haitian-born artist Thandiwe Muriu on Spadina Ave., and a multi-site exhibition by Turner Prize-nominee Sin Wai Kin, featuring billboards and a two-channel video titled 'The Time of Our Lives.' The festival lost its long-time lead sponsor Scotiabank in 2024, resulting in a reduced budget and less public programming, but organizers remain committed to championing lens-based art.
London's 2026 exhibition season is anchored by major retrospectives and career-spanning surveys across the city's premier institutions. Highlights include a 40-year retrospective of Tracey Emin's provocative career at the Royal Academy, a significant solo exhibition of Hurvin Anderson’s vibrant paintings at Tate Britain, and a celebratory nine-room exhibition marking the 40th anniversary of the Saatchi Gallery.
Denver’s art scene is preparing for a busy spring and summer season with a series of exhibition openings, market events, and institutional announcements. Key highlights include the selection of six fellows for the 2026 Clyfford Still Museum Institute Residential Fellowship, a nationwide open call for the Dairy Arts Center’s 2027 season, and several new gallery shows featuring artists such as Stacey Steers, Kim Dickey, and Deanne Gertner. Local advocacy is also in focus as the RiNo Art District supports Colorado Senate Bill 26-133, which aims to establish a formal legal structure for artist-led companies.
The New Museum's latest exhibition explores the evolving definition of humanity through the lens of technological advancement and ancestral wisdom. The show juxtaposes the anxieties of modern machine labor—exemplified by Simon Denny’s Amazon worker cage—with Indigenous epistemologies and animist traditions that offer alternative ways of inhabiting the world. By featuring artists like Jaider Esbell and Santiago Yahuarcani, the exhibition highlights how hybridity and relationality can resist the rigid hierarchies of Western modernity.
The Egyptian art scene is hosting a diverse array of exhibitions this April, headlined by the Egyptian debut of the global blockbuster "Beyond Van Gogh: The Immersive Experience" at District 5 in New Cairo. This digital spectacle, directed by Mathieu Saint-Arnaud, utilizes 360-degree projections to bring over 300 of Vincent van Gogh's masterpieces to life. Simultaneously, local institutions like the Sharjah Art Gallery at AUC and the Italian Cultural Institute are showcasing contemporary talent, including the graduating class of AUC and a solo exhibition by Italian-Egyptian artist Sarah Zaki.
A new wave of gallery exhibitions is championing analog physicality and personal intimacy as a direct counter-response to the rise of AI-generated imagery. Artists like Ben Wolf Noam and Joseph Geagan are utilizing traditional mediums such as charcoal, lithography, and oil paint to capture spontaneous, sentimental moments of human connection, from family dinners to portraits of friends. These works emphasize the "hospitable mess" of real life, prioritizing the recognizable faces and tangible textures that AI often flattens.
The annual Artexpo New York returns to the city's cultural calendar this week, serving as a major highlight among a diverse array of local events. The fair joins other significant spring activations including the New Directors/New Films festival at Lincoln Center and MoMA, the Big Umbrella Festival, and the seasonal reopening of major outdoor markets like Smorgasburg.
The Los Angeles-based collective Diva Corp is challenging traditional art world hierarchies through a series of provocative interventions and exhibitions. Their recent solo show at Pio Pico, titled 'The Meeting,' gained notoriety for requiring visitors to surrender their phones before viewing a single painting, 'Untitled (Young adults are having less sex than ever), 2026.' This practice, alongside performances designed to circulate through digital retelling and social rumor, highlights the group's focus on the 'afterlife' of an artwork and the social friction it generates.
The New Museum has officially reopened its downtown New York campus following a significant expansion designed by the architectural firm OMA. The renovation introduces a massive internal staircase that connects all four floors, resolving long-standing circulation issues previously caused by a reliance on elevators. To mark the reopening, the museum debuted a site-specific facade sculpture by Tschabalala Self titled "Art Lovers" and a massive inaugural group exhibition, "New Humans: Memories of the Future," featuring over 150 international contributors.
Pittsburgh’s art scene is preparing for a busy spring season with a diverse array of exhibitions opening across the city’s galleries and public spaces. Highlights include Hugh Watkins’ multi-disciplinary retrospective at Christine Fréchard Gallery, Dale Lewis’s massive "Scraposaurs" sculptures made from recycled metal at the Pittsburgh Botanic Garden, and a unique exhibition of hand-painted baseballs by the late umpire George Sosnak. These shows serve as a creative prelude to major upcoming regional events like the 59th Carnegie International and the Three Rivers Arts Festival.
The global art calendar for March 2026 features a surge of major openings, with Istanbul emerging as a significant hub alongside traditional art capitals. Key highlights in Istanbul include a retrospective of Ottoman painter Halil Paşa at the Pera Museum, Bedri Baykam’s dialogue with Picasso at Piramid Sanat, and a politically charged group show curated by Vahap Avşar at G-Art Gallery. Simultaneously, major European institutions are launching high-profile exhibitions, including a Nan Goldin retrospective at the Grand Palais and Jenny Saville’s large-scale figurative works in Venice.