A luxury condominium development in Miami's Wynwood neighborhood, branded with Frida Kahlo's name and image, has begun selling units despite construction not yet starting. The project, called the Frida Kahlo Wynwood Residences, features a 14-story tower designed by architect Carlos Ott with a massive portrait of the artist on its facade and plans for 244 furnished units priced from $500,000 to $1.6 million.
A 36-foot-tall stainless steel sculpture by Jaume Plensa, titled *Endless*, collapsed outside the Raclin Murphy Museum of Art at the University of Notre Dame on December 10, 2024. The work was found broken into two pieces after standing for nearly three years; no injuries occurred and only minor damage to the surrounding concrete was reported. Museum director Joseph Becherer stated the cause remains unknown, with no evidence of external force, and the remaining portion was dismantled as a precaution. The sculpture, installed in 2023 as a permanent outdoor commission, was donated by alumnus Charles Hayes and reflects Plensa's signature motif of letters exploring language and shared humanity.
Artist Ai Weiwei returned to his native China after 10 years in exile, making a quiet three-week trip to Beijing last month. It was his first visit since authorities returned his confiscated passport in 2015, allowing him to leave China and live in Europe. During the trip, Ai was briefly interrogated at the airport but otherwise faced no interference. He shared photos and videos on Instagram, and told CNN the visit felt like a reconnection after a decade-long disconnection. The trip was partly motivated by a desire for his 17-year-old son and 93-year-old mother to meet.
The United Kingdom has imposed a temporary export bar on Claude Lorrain's masterpiece "Landscape with Rural Dance" (c. 1640), valued at £9 million ($12 million), to prevent it from leaving the country. The painting, which has hung at Woburn Abbey for over 250 years, is being sold by the Duke of Bedford to fund a major renovation project. The export bar, recommended by a reviewing committee that deemed the work of "outstanding aesthetic importance," gives UK institutions until April 15 to express intent to acquire the painting for the nation.
The di Rosa Center for Contemporary Art in Napa, California, has listed its 217-acre estate for $10.9 million amid ongoing financial struggles. The property, which houses a significant collection of postwar Northern California art including works by Mark di Suvero, Peter Saul, and Jay DeFeo, was founded by collector Rene di Rosa and his wife Veronica. The center has been seeking financial stability since 2019, when it briefly attempted to sell its holdings before reversing course after local backlash. Director Kate Eilertsen hopes a wealthy philanthropist will purchase the estate and lease it back to the center, or that Napa County may acquire the land for public use while preserving the sculptures.
A fake listing on Zillow claimed that Frank Lloyd Wright's Walser House in Chicago was for sale for $350,000, prompting widespread attention. The Frank Lloyd Wright Building Conservancy investigated and confirmed the listing was fraudulent, warning it may have been an attempt to defraud potential buyers. The 123-year-old house, which is uninhabitable and requires at least $2 million in restoration, is actually owned by Fannie Mae after a foreclosure and is not currently on the market.
Dorothy Waugh, a pioneering Modernist designer who created the U.S. government's first in-house National Parks poster campaign during the Great Depression, is the subject of her first-ever solo exhibition at New York's Poster House. Titled "Blazing a Trail: Dorothy Waugh's National Parks Posters," the show reunites all 17 posters Waugh designed for the National Park Service between 1934 and 1936, bold experimental works that helped define a new visual language for federal design. Guest curator Mark Resnick spent three decades tracking down Waugh's story, locating documents across the National Archives, the Library of Congress, the School of the Art Institute of Chicago, and the Jones Library in Amherst, Massachusetts.
French artist Claire Tabouret is presenting her full-scale maquettes for Notre-Dame Cathedral's new stained glass windows at the Grand Palais in Paris, in an exhibition titled "In a Single Breath." The six windows, each over 20 feet tall, were selected by a committee from over 100 submissions last December, replacing 19th-century designs by Eugène Viollet-le-Duc. The project has sparked controversy: conservation group Sites and Monuments launched a petition with over 328,000 signatures and a legal case arguing the replacement violates the 1964 Venice Charter and French historic monuments law. A Paris administrative court ruled in favor of the state in late November, but the group plans to appeal. Tabouret's designs are now being fabricated by the historic Atelier Simon-Marq glass workshop.
California College of the Arts (CCA), the Bay Area's last private art and design school, will close after the 2026–27 academic year, ending 116 years of operation. Vanderbilt University will acquire CCA's San Francisco campus and open a West Coast outpost in 2027, continuing some art and design programs. The closure follows years of financial struggles, including a $20 million deficit, declining enrollment from 1,800 to 1,295 students, and emergency fundraising that raised nearly $45 million—including a $22.5 million matching gift from the Jen-Hsun and Lori Huang Foundation and a $20 million state grant—but proved insufficient to ensure long-term independence.
The Joan Mitchell Foundation has announced the 31 artists selected for its 2026 residency program at the Joan Mitchell Center in New Orleans. The residencies, lasting six or 14 weeks across three seasons, will host no more than nine artists at a time, beginning February 2. The cohort includes 17 local New Orleans artists and participants from cities such as New York, San Francisco, Chicago, Boston, and Atlanta, ranging in age from 27 to 75. Notable participants include Edra Soto, who also won a United States Artists Fellowship, and two leaders of New Orleans’s Black Masking Indian tradition, Kelly Pearson Boles and Efrem Z. Boles. The selection was made by a jury of artists, curators, and academics.
Artnet's Price Database reveals signs of recovery at the top end of the art market in 2025, following three years of contraction. The article highlights gains in high-value sales, exemplified by Gustav Klimt's "Bildnis Elisabeth Lederer" pictured at Sotheby's Marquee Sales Series in New York. It also notes a growing trend of small and emerging galleries working with artists' estates, and reports that roughly half of art-backed loans by non-bank businesses defaulted in 2024.
Sotheby's announced that $1 billion worth of fine art and luxury goods will be unveiled during Abu Dhabi Collectors' Week, running from December 2 to 5. The event includes non-selling exhibitions of high-value artworks, such as a Rembrandt drawing and Gustav Klimt's 'Dame mit Fächer,' while luxury items like McLaren racing cars, a Jane Birkin handbag, diamonds, and real estate will be offered at auction or privately, with over $150 million going to auction and $100 million in private sales.
Daisy Rockwell, granddaughter of Norman Rockwell, stated in an interview with the Bulwark that her grandfather was "antifa," pushing back against recent uses of his paintings by the Department of Homeland Security (DHS). Over the summer, DHS posted cropped and edited versions of Rockwell's works, including "Salute the Flag" (1971) and "Working on the Statue of Liberty" (1946), with captions urging readers to "protect your homeland" and "defend your culture." The Rockwell family had already publicly rebutted these posts in a USA Today op-ed, arguing that Rockwell would have been "devastated" to see his art used to promote persecution of immigrant communities and people of color.
Cecilia Giménez Zueco, the amateur painter behind the infamous "Beast Jesus" fresco restoration, has died at age 94. In 2012, at 81, Giménez attempted to restore Elías García Martínez's 1930 fresco *Ecce Homo* at the Santuario de Misericordia church in Borja, Spain. Her unskilled repainting transformed Christ's face into a distorted, ape-like image that went viral under nicknames like "Potato Jesus" and "Monkey Christ," spawning thousands of memes across Reddit, 4chan, and Twitter before mainstream media coverage. Initially devastated by the global ridicule, Giménez later found her work celebrated as a cultural phenomenon and tourist attraction.
Conservative religious groups in Austria have launched a campaign against the exhibition “You Shall Make For Yourself An Image” at Vienna’s Künstlerhaus contemporary art museum, which explores Christian iconography from critical, feminist, and queer perspectives. The backlash, including an online petition and a “prayer of atonement” protest outside the museum, has been linked to a prior attack on another religious-themed exhibition at a Jesuit Church in Vienna. The show features over 30 artists, including Martin Kippenberger, Andres Serrano, and Marina Abramović, and has drawn particular ire for works like Kippenberger’s crucified frog and Anouk Lamm Anouk’s depiction of the Virgin Mary as a transgender woman.
Russia’s justice ministry has officially designated Pussy Riot, the feminist punk rock band and art collective co-founded by Nadya Tolokonnikova, as an “extremist organization.” The ruling follows a December 15 closed-door hearing at Moscow’s Tverskoy Court, where prosecutor general Alexander Gutsan filed a lawsuit against the group. The designation bans all Pussy Riot activities in Russia and allows the state to seize property of members and their families, and to prosecute anyone supporting the group. Tolokonnikova told ARTnews the group will appeal, calling the decision a source of “anxiety and bureaucratic nonsense.” In September, five members were sentenced to 8–13 years for spreading “fakes” about the Russian military, and Tolokonnikova was placed on Russia’s wanted list in 2023 after her performance *Putin’s Ashes*.
A Moscow court designated the feminist art collective Pussy Riot as an extremist organization on December 15, following a lawsuit from Russia's Ministry of Justice. Founder Nadya Tolokonnikova, currently living in exile, condemned the ruling, warning that owning a balaclava, having a song on a computer, or liking a post could lead to prison time. She learned of the lawsuit while finishing her durational performance "Police State" at the Museum of Contemporary Art Chicago, which she described as a warning about surveillance authoritarianism. Tolokonnikova co-founded Pussy Riot in 2011 and was previously imprisoned for performing anti-Putin songs at a Moscow cathedral.
British artist Stuart Semple has announced the winner of his public vote for "Color of the Year," a direct challenge to Pantone's annual color selection. After collecting 4,063 votes online, the winning shade is a purple called Anarchic Venom (hex #B17DAC), now available for $9.99 through Semple's art materials brand Culture Hustle. Semple has a history of democratizing trademarked colors, having previously created alternatives to Tiffany blue, Barbie pink, and Vantablack in a long-running feud with Anish Kapoor. He also released a variant of Pantone's 2025 color Cloud Dancer, which he dubbed Proud Chancer.
In 1995, artist Red Grooms created the Tennessee Foxtrot Carousel, a working carousel featuring 36 figures from Tennessee history, installed at the base of Nashville's Broadway. After financial troubles forced its closure in 2003, the Tennessee State Museum acquired and dismantled it in 2004, storing it for years. Though the museum moved to a new $160 million building in 2018, the carousel remained in storage. Now, the museum has issued a request for information seeking partners to restore and operate the carousel, as reported by the New York Times.
A conservation plan is underway to protect 26 square kilometers of New Mexico desert near Abiquiu that inspired Georgia O’Keeffe’s iconic paintings. The land, owned by a charitable arm of the Presbyterian Church, is being safeguarded through a partnership with the New Mexico Land Conservancy and the state government, with a $920,000 award from a state conservation trust. The protected area includes sandstone bluffs, grasslands, and views of Cerro Pedernal, while preserving access for film productions and ranchers.
Nairy Baghramian's exhibition "nameless" at Wiels in Brussels engages in a sculptural dialogue with the Polish avant-garde artist Katarzyna Kobro, whose work was largely destroyed during and after World War II. Baghramian riffs on Kobro's forms with unpainted steel variations that double as plinths for her own works, while also referencing other displaced sculptors such as Isamu Noguchi, Louise Bourgeois, and Jean Arp. The show deliberately leaves works untitled and undated, inviting viewers to discover art-historical references while enjoying the material playfulness of the sculptures.
An exhibition of work by late Arte Povera artist Marisa Merz, planned for the Fridericianum museum in Kassel, Germany, has been canceled by her daughter Beatrice Merz. Beatrice, president of the Fondazione Merz, called off the show in protest of Documenta's newly adopted Code of Conduct, which uses the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism. The exhibition was originally scheduled to open in August 2025 and was replaced with a Robert Grosvenor survey. The cancellation was confirmed by Andreas Hoffmann, managing director of Documenta and the Fridericianum.
At Art Basel Miami Beach, digital artist Beeple (Mike Winkelmann) debuted a new installation titled "Regular Animals" in the fair's Zero10 digital art section. The work features a pen of robot dogs fitted with lifelike heads of Elon Musk, Mark Zuckerberg, Pablo Picasso, Andy Warhol, Jeff Bezos, and Beeple himself. The robots wander, twitch, and periodically tip backward to eject printed images from their backsides, satirizing the algorithmic nature of digital platforms. The installation drew large crowds, with visitors like Courtney Karnez describing it as a "guilty pleasure" and a communal spectacle. By the end of the first VIP day, all editions of the robots had sold for $100,000 each.
Russia’s justice ministry is seeking to have Pussy Riot, the feminist punk rock art collective, designated as an extremist organization, with a hearing set for December 15 at Moscow’s Tverskoy Court. The lawsuit, filed by prosecutor general Alexander Gutsan, aims to ban the group’s activities in Russia, marking the first time Pussy Riot faces official allegations of extremism. The move coincided with a performance of Police State by member Nadya Tolokonnikova at the Museum of Contemporary Art Chicago, where she transformed the theater into a replica Russian prison cell for a five-day immersive piece. Tolokonnikova, who was previously imprisoned by Russia on religious hatred charges, has been placed on the country’s wanted list, and other members have received lengthy prison sentences for spreading alleged "fakes" about the Russian military.
Collector Charles C. Cahn, Jr. has filed a lawsuit against Sotheby’s in the Supreme Court of the State of New York, alleging the auction house refuses to resell a painting attributed to Amedeo Modigliani that he purchased in 2003 for $1.55 million. The work, titled *Portrait de Leopold Zborowski* (1917), was consigned under a 2016 agreement allowing Cahn to resell it within 15 years, but Cahn claims Sotheby’s raised authenticity concerns and failed to respond to his recent attempts to consign the piece. He is seeking $2.67 million in damages.
Phillips held its modern and contemporary evening sale in New York on Wednesday, following Christie’s and Sotheby’s auctions that had already generated nearly $1.4 billion. The 33-lot sale achieved $67.3 million, a 24% increase from the equivalent sale last year, with a 94% sell-through rate. Headlining lots included an untitled Joan Mitchell painting ($14.3 million), a Francis Bacon diptych ($16 million), and a juvenile triceratops skeleton that sold for $5.3 million, exceeding its high estimate. Only two lots failed to sell, and notable results included works by Ruth Asawa, Firelei Báez, Jean-Michel Basquiat, and Max Ernst.
Coreen Simpson, an 83-year-old photographer born in Brooklyn in 1942, is the subject of a new eponymous monograph published by Aperture as part of its Vision and Justice Book Series. The book surveys five decades of her work, spanning street photography, fashion photography, studio portraits in Harlem, images of the early hip-hop scene, and later collage experiments. Simpson is known for merging fashion and social photography, capturing both celebrities like Muhammad Ali, Toni Morrison, and Jean-Michel Basquiat, as well as unnamed individuals in her series “Nitebirds/Nightlife,” all with a frontal, confident gaze that emphasizes the subject's self-presentation.
Newly released emails from Jeffrey Epstein, published by House Republicans, show the disgraced financier discussing Leonardo da Vinci's *Salvator Mundi* with journalist Michael Wolff. In a May 2019 exchange, Epstein referenced the $450.3 million painting—the most expensive artwork ever sold at auction—and suggested its sale was linked to a real estate deal involving a Russian billionaire and Saudi Crown Prince Mohammed bin Salman. Epstein also mentioned that his "art guy" thought the painting wasn't very good.
The descendants of Norman Rockwell have publicly condemned the U.S. Department of Homeland Security (DHS) for using reproductions of Rockwell's paintings on social media to promote anti-immigrant rhetoric. Since August, DHS posts on X, Instagram, and Facebook have featured Rockwell's works such as "Salute the Flag" (1971), "Working on the Statue of Liberty" (1946), and "And Daniel Boone Comes to Life on the Underwood Portable" (1923), overlaid with captions like "Protect our American way of life" and "Protect your homeland and defend your culture." The Rockwell family responded with an op-ed in USA Today, arguing that the artist would have been "devastated" by this misuse, and provided context about his later civil rights-themed works.
A stretch of Great Jones Street in downtown Manhattan between Bowery and Lafayette has been officially renamed "Jean-Michel Basquiat Way" in a ceremony co-organized by the Basquiat estate and the New York City Council. The street naming honors the late artist, who lived and worked in a second-floor space at 57 Great Jones Street from 1983 until his death in 1988, a property he rented from Andy Warhol. The event featured remarks from Basquiat's sisters Lisane Basquiat and Jeanine Heriveaux, along with city officials and cultural figures.