GEORGE FEBRES: TRANSLATION, IRONY, AND LIBERATION. AN ECUADORIAN ARTIST IN THE DIASPORA

The article examines the life and work of George Febres (1943–1996), an Ecuadorian artist who spent most of his career in the United States, primarily in New Orleans. Febres’s practice blends Pop Art, Neo-Surrealism, and Southern US culture with his experiences as a migrant and queer subject, using bilingualism and ironic tropical imagery to create a hybrid, irreverent body of work. Despite his significance, no works by Febres exist in Ecuadorian public collections, and no major retrospective has been held in his home country, reflecting a broader erasure of queer narratives from national art history.

Everything is Common

TODO ES COMÚN

The exhibition 'Todo es común' (Everything is Common) is on view until June 21, 2026, at the Sala Europa in Badajoz, Spain. Curated by Adonay Bermúdez, it brings together works by fifteen international artists to examine the agricultural landscape as a space where practices, memories, and political tensions intersect, moving beyond its purely material condition.

From the artist who painted with his feet to the splashes of Pollock: abstraction takes over the Centre Pompidou Malaga

The Centre Pompidou Malaga has opened the exhibition 'Gesture and Matter. International Abstractions (1945–1965)', running until September, featuring around 30 works by 26 artists. The show highlights abstract art as a post-World War II response, with key pieces including Jackson Pollock's 'Number 26A. Black and White' and Kazuo Shiraga's 'Planet Nature', painted with his feet while suspended from ropes. Co-curated by Anne Foucault and Christian Briend, the exhibition traces abstraction's development from Paris and New York to Asia and Europe, emphasizing painting as a full-body, performative act of freedom.

‘A watershed moment’: Major Brisbane art exhibition opens at prestigious London museum

The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) has exported a major exhibition, "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," to the Victoria & Albert Museum in London. The show, which runs until January 10, 2027, features works collected over 30 years through QAGOMA's Asia Pacific Triennial of Contemporary Art, including pieces by Australian artists Michael Cook, Naomi Hobson, Shirley Macnamara, Ken Thaiday Sr, and Judy Watson, as well as artists from China, Japan, New Zealand, Sri Lanka, Papua New Guinea, and beyond.

The Enviable Life of a 1970s Soho Gallerist

Paula Cooper opened her pioneering gallery in Soho in 1968, betting on the then-desolate industrial neighborhood as artists began moving into its lofts. She cultivated deep, personal relationships with the artists she represented, such as Lynda Benglis and Joel Shapiro, as well as with other major figures like Jasper Johns, fostering a slower, more humane art world pace. Her success helped transform Soho into a major gallery district, attracting institutions like Sonnabend and Castelli.

Drawing attention

Collector Patricia Poon and artist Angel Hui are among the figures highlighted in a series examining how Hong Kong women artists are gaining market share and recognition. The article reports that major auction houses Christie's, Sotheby's, and Phillips have moved their Asia headquarters to Hong Kong and now employ young women in key auctioneering roles. It notes a sharp increase in women artists featured in Chinese auctions, from 79 in 2019 to 231 in 2024, with 201 of those in Hong Kong. Works by artists like Firenze Lai, Elaine Chiu, and Kristy M Chan have performed strongly at auction, and Phillips has made promoting Hong Kong women artists a key priority.

In Karyn Lyons’s Paintings, the Ghost of Girlhood Lingers

American painter Karyn Lyons explores the longing and desolation of adolescent girlhood in her solo exhibition “Day for Night” at Stems Gallery in Paris, which opened ahead of Art Basel Paris. The show features paintings of an adolescent girl in affluent yet lonely settings, which Lyons describes as metaphoric pages from her diary. After studying journalism and working in advertising and fashion, Lyons earned a post-baccalaureate degree from the School of the Museum of Fine Arts in Boston in 2003, but kept her work private for nearly two decades until a creative breakthrough during the pandemic led her to explore her own adolescence more psychologically.

A dreamscape in violet: Zao Wou-Ki’s "27.01.83" sells for US$2.3m at China Guardian Hong Kong

China Guardian Hong Kong's 2025 Autumn Auctions achieved approximately HK$70 million (US$8.9 million) in its Asian 20th Century and Contemporary Art Sale on 8 October. The top lot was Zao Wou-Ki's abstract canvas *27.01.83* (1983), which sold for HK$17.7 million (US$2.3 million), more than doubling its low estimate. The second-highest result was Li Chen's bronze sculpture *Dragon-Riding Buddha* (2001), which fetched nearly HK$11.15 million (US$1.4 million). The sale recorded an 85% sell-through rate across 99 lots.

New York gallery Kasmin will close this autumn as leadership launches new venture, Olney Gleason

The Chelsea gallery Kasmin will close this autumn after 35 years of operation, transitioning into a new venture called Olney Gleason. The new gallery will be led by Kasmin president Nick Olney and senior director Eric Gleason, both longtime employees who say the move aligns with the wishes of the late founder Paul Kasmin. Olney Gleason will continue working with an unspecified number of artists and estates from Kasmin's roster, including François-Xavier and Claude Lalanne, Lee Krasner, and Jackson Pollock's estate, and will open a flagship space in Chelsea with an inaugural show this autumn.

When Shells Become Weapons

Wenn Muscheln zu Waffen werden

Swedish artist Lotta Antonsson, born in 1963, presents her exhibition "I am Everything" at Fotografiska in Stockholm, featuring around 50 works that repurpose found black-and-white photographs from 1960s and 1970s fashion and lifestyle magazines. She overlays these images of women in objectifying poses with shells, stones, and crystals, creating assemblages that obscure faces or add threatening details like crystal vampire teeth on actresses Ali MacGraw and Jane Fonda. The show opened during the Stockholm Art Fair and draws on Antonsson's extensive archive, including East German erotic magazines sourced from Berlin flea markets.

Venice in Crisis Mode

Venedig im Krisenmodus

The 61st Venice Biennale has opened under extraordinary circumstances, marked by political protests, a jury resignation, and canceled awards. The Biennale's jury resigned en masse after announcing they would exclude Israeli and Russian contributions from their decisions, leading to the cancellation of the Golden Lion awards and a crisis over the international competition's legitimacy. A newly introduced audience prize also faced boycotts from artists in solidarity. Protests, closed pavilions, and pro-Palestinian actions dominated the preview days, with artists pasting protest posters directly onto their works, reflecting heightened tensions.

An Old Man Whose Egoscentrism Knows No Bounds

"Ein alter Mann, dessen Ich-Sucht keine Grenzen kennt"

More than 30 current and former jury members of the Stiftung Kunstfonds have issued a formal protest against German Culture Minister Wolfram Weimer, accusing his office of political interference and intimidation. The controversy stems from reports that the ministry requested lists of all jury members across various art institutions and bypassed jury decisions to exclude specific recipients from awards based on intelligence service reports.

Michael Armitage and the Feverish Memory of Images

Michael Armitage und das fiebrige Gedächtnis der Bilder

The British-Kenyan painter Michael Armitage is the subject of a major solo exhibition at the Palazzo Grassi in Venice, part of the Pinault Collection. The showcase features new works, including the titular painting "52,000 Years," which references prehistoric cave art while weaving together themes of political unrest, the refugee crisis, and lush landscapes. Armitage’s technique is noted for its use of Lubugo bark cloth, a traditional Ugandan material that adds a tactile, irregular dimension to his complex figurative compositions.

Max Mara will stage next cruise show in Shanghai’s Long Museum West Bund - FashionNetwork

Max Mara has announced that its next cruise show, the Resort 2027 collection, will take place at the Long Museum West Bund in Shanghai on June 16, 2026. The event will also mark the opening of a public exhibition titled 'The Max,' curated by French fashion expert Olivier Saillard, celebrating the brand's 75th anniversary. The show continues Max Mara's tradition of staging cruise collections in museums, following previous shows at Berlin's Neues Museum and Venice's Doge Palace.

Drones, Uncle Sam, and Grand Master Rafael: 10 Must See Exhibits This Spring

New York City’s museum landscape is entering a major spring season characterized by high-profile retrospectives, institutional reopenings, and the 82nd Whitney Biennial. Key highlights include a massive Raphael survey at the Metropolitan Museum of Art featuring over 200 works, the reopening of the expanded New Museum with a tech-focused exhibition on the future of humanity, and a major survey of sculptor Carol Bove at the Guggenheim. The season also features thematic shows exploring American folk art, Dutch Golden Age masterpieces, and the relationship between Frida Kahlo and Diego Rivera.

Israeli Pavilion artist issued legal warnings before Biennale jury resignation

Belu-Simion Fainaru, the artist representing Israel at the 2026 Venice Biennale, issued legal warnings to the Biennale, the Italian Ministry of Culture, and the Italian Prime Minister’s office after the Golden Lion jury announced it would not consider pavilions from countries whose leaders are charged with crimes against humanity by the International Criminal Court, including Israel and Russia. Fainaru’s legal threats cited alleged antisemitism and nationality-based discrimination. Shortly after, the Biennale jury resigned, prompting organizers to postpone the awards ceremony to the closing day and replace the Golden and Silver Lions with two 'Visitors’ Lions' voted on by attendees, with all national participations eligible.

Settlement allows Institute of Museum and Library Services to continue operations

The American Library Association (ALA) and the American Federation of State, County and Municipal Employees (AFSCME) have reached a settlement with the Trump administration to restore the Institute of Museum and Library Services (IMLS). The agreement follows a year-long legal battle sparked by an executive order that placed the agency's entire staff on administrative leave and attempted to dismantle the federal body. The settlement ensures the IMLS can resume awarding grants, conducting research, and operating programs while reversing previous staff terminations and grant cancellations.

‘Tide of Returns’: Ocean Space in Venice

The Repatriates Collective has launched 'Tide of Returns' at Ocean Space in Venice, an exhibition that redefines repatriation as a continuous process of spiritual and communal repair rather than a singular legal transaction. Set within the historic Church of San Lorenzo, the installation features immersive works such as 'From My Mother’s Country,' which utilizes thousands of handmade dolls from Namibia, and Verena Melgarejo Weinandt’s textile and video works exploring the symbolic power of water and braiding.

Beyond the Sagrada Família: These 6 Surprising Places in Barcelona Reveal a Lesser-Known Gaudí

Au-delà de la Sagrada Família, ces 6 lieux étonnants à Barcelone qui révèlent un Gaudí méconnu

Beaux Arts Magazine highlights six lesser-known architectural works by Antoni Gaudí in Barcelona, beyond his famous Sagrada Família. The article features Casa Vicens (1883–1885), his first private commission; Torre Bellesguard (1900–1909), a medieval-inspired tower with panoramic views; Casa Calvet (1897), a residential building with textile-themed details; and the Finca Güell and Palau Güell, experimental projects for his patron Eusebi Güell. These sites showcase Gaudí's organic style, fusion of nature and architecture, and influences from Japanese, Arabic, and Catalan Gothic traditions, with several recently opened to the public.

Ça bouchonne à Venise

The latest issue of Le Journal des Arts (No. 677, May 15, 2026) leads with the opening of the Venice Biennale amid a tense climate. Other top stories include the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, tensions in Giverny over the uneven economic benefits of Monet's legacy, and a market analysis showing the structuring of the Nabis art market.

Exhibition catalogs printed in China

Les catalogues d’expositions imprimés en Chine

Le Journal des Arts reports on several developments in the art world: the return of American Rousseau works to Paris, the growing trend of outsourcing museum reception services, the New Museum's expansion, challenges facing the Musée des tissus, and Art Brussels adapting to contemporary trends. These stories cover a range of topics from exhibition logistics to institutional change.

European Commission Tells Venice Biennale to Ditch Russian Pavilion

The European Commission has formally accused the Venice Biennale of violating EU sanctions against Russia by planning to reopen the Russian Pavilion for the 2026 edition. In a letter to the Biennale's president, the Commission argues that hosting a government-funded national pavilion constitutes accepting indirect support from the Russian state during its ongoing war in Ukraine. The organization has threatened to withhold a $2.3 million grant intended for the 2028 edition unless the Biennale addresses these concerns by May 11.

US-Israel Strikes Damage 17th-Century Chehel Sotoun Palace In Isfahan, Iran

Airstrikes conducted by the United States and Israel on Isfahan, Iran, have caused significant damage to the 17th-century Chehel Sotoun Palace and several other nearby cultural landmarks. The palace, a UNESCO World Heritage Site, suffered shattered windows, damaged vaulted ceilings, and cracked historic murals, likely due to shock waves from strikes on a nearby government building.

Free Newmarket museum exhibition to celebrate equine art

The National Horseracing Museum in Newmarket is set to host a new free exhibition titled "We Give You The Horse," running from April 29 to May 21. The showcase features paintings and sculptures by prominent members of the Society of Equestrian Artists, including a special loan of an original work by the renowned Sir Alfred Munnings from the Munnings Art Museum.

Grayson Perry’s life story to be told in ‘outrageous’ musical

Grayson Perry’s life story is being adapted into a stage musical titled *Grayson the Musical*, co-created with Richard Thomas, composer of *Jerry Springer: The Opera*. The show follows Perry from his childhood in Chelmsford to his rise as a Turner Prize-winning ceramicist and tapestry-maker, featuring his iconic dresses and his teddy bear Alan Measles. Perry wrote the lyrics, with a book by screenwriter Sara-Ella Ozbek and direction by Sean Foley. A workshop production will run for five performances in July at Soho Theatre Walthamstow, the east London borough where Perry once kept a studio and which inspired his famous work *The Walthamstow Tapestry*.

Comment | Flourishing markets beyond the big three will benefit the art ecosystem—and the planet

The article analyzes the shifting dynamics of the global art market, reporting that regions outside the traditional 'big three' hubs of the US, UK, and China have increased their market share from 17% in 2015 to 24% in 2025. This shift is driven by nationally protective regulations like Brexit and tariffs, which have stifled the free circulation of contemporary art. While the US market remains dominant at 44%, countries such as South Korea, Switzerland, Japan, and Australia have seen growth, and emerging cultural energy is noted in places like Bangkok, Warsaw, Margate, and Qatar.

Artist Bouke de Vries creates sculptural porcelain bottles for Dries Van Noten perfume

Artist Bouke de Vries has created five unique sculptural porcelain bottles for Dries Van Noten's unisex perfume Soie Malaquais, which launched in 2022. The bottles, priced at £6,000 each, are sold at the designer's London and New York stores, with a limited-edition series also available online. De Vries, known for reassembling broken china fragments into dynamic objects, designed the bottles to reflect the fragrance's warm notes of chestnut, rose, blackcurrant, and cardamom, developed by perfumer Marie Salamagne.

The glories of Francisco de Zurbarán’s paintings | Letters

Two letters to the editor respond to Charlotte Higgins's article on Francisco de Zurbarán. Paul McGilchrist critiques the physical inaccuracy of crucifixion depictions, including Zurbarán's *The Crucified Christ*, noting that most paintings fail to convey the true weight and distortion of a body suspended by nails. Jean Wilson highlights Zurbarán's series *Jacob and his 12 Sons* at Auckland Palace in Bishop Auckland, describing its history since 1756 and its connection to Bishop Trevor's support for Jewish rights.

At the Venice Biennale, Ukraine’s Pinchuk Art Centre finds fragile moments of joy amid loss

The Pinchuk Art Centre in Kyiv has transformed its Venice Biennale presentation from a glamorous celebration of young artists into a somber exhibition responding to the Russian invasion of Ukraine. This year's show, titled "Still Joy — From Ukraine into the World" (9 May-1 August) at the Palazzo Contarini-Polignac, features works by international artists like Tacita Dean and Julian Charriere alongside Ukrainian artists, as well as testimonials from soldiers collected by former marine Hlib Stryzhko. The exhibition explores how joy can persist amid trauma, with installations including pink scrolls bearing survivors' quotes, light box photographs of bombed interiors with rescued pot plants, and a sculpture of bells with displaced women's fingerprints.

Lithuanian, Latvian, and Estonian Pavilions Stage Pro-Ukraine Procession During Venice Biennale

On May 6, 2026, the Lithuanian, Latvian, and Estonian pavilions at the Venice Biennale organized a procession in solidarity with Ukraine, walking approximately one and a half miles from the Lithuanian Pavilion in the Fucina del Futuro to the Estonian pavilion. The action honored Ukrainian cultural workers creating under war conditions and those who have died. It is one of several political protests at the contentious 2026 Biennale, including demonstrations by Pussy Riot and FEMEN at the Russian pavilion, a "Solidarity Drone Chorus" opposing Israel's inclusion, and a planned 24-hour strike by the Art Not Genocide Alliance.