Akinsanya Kambon’s work is featured as a highlight in a curated guide of six must-see exhibitions during the EXPO Chicago 2026 art fair. The selection spans a diverse range of media and venues, including Josh Brainin’s frantic two-channel video installations at Tala and a thematic exploration of urban infrastructure hosted at the Chicago Cultural Center.
Riyadh Art, a public art initiative led by the Royal Commission for Riyadh City, is expanding its Permanent Collection with 115 new installations planned through 2026 and beyond, adding to the 75 works already installed across the Saudi capital. The collection includes works by international artists such as Alexander Calder, Anish Kapoor, Jeff Koons, Giuseppe Penone, and Ugo Rondinone, alongside Saudi practitioners like Zaman Jassim and Mohammed Al Saleem, with recent additions including Calder's 'Janey Waney' and Nobuo Sekine's 'Phase of Nothingness'.
The Martha Graham Dance Company, the oldest professional dance troupe in the United States, is celebrating its 100th anniversary with a worldwide centennial tour. The company is marking the milestone by performing Graham's classic works, like the 1946 ballet *Cave of the Heart*, alongside newer commissions that continue her innovative legacy.
Art21 has announced its spring 2026 programming lineup, which includes new documentary premieres, film screenings, artist talks, and the second episode of the 12th season of its flagship series 'Art in the Twenty-First Century.' The season features artists such as Tomás Saraceno, Njideka Akunyili Crosby, Camille Henrot, and Ragnar Kjartansson, and coincides with the series' 25th anniversary.
The David Geffen Galleries at the Los Angeles County Museum of Art (LACMA) will open to the public on Sunday, May 3, after 20 years of development. Designed by architect Peter Zumthor, the 900-foot-long horizontal glass and concrete structure overlooks the La Brea Tar Pits and stretches over Wilshire Boulevard. The main floor, elevated 30 feet above street level, offers 110,000 square feet of gallery space for LACMA’s permanent collection. The inaugural exhibition is inspired by four major bodies of water—the Pacific, Indian, and Atlantic oceans, and the Mediterranean Sea—and features works by artists including Todd Gray, Do Ho Suh, Lauren Halsey, Tavares Strachan, Jeff Koons, and Diego Rivera. The building also includes open plazas, an outdoor public space, and an Erewhon Cafe, with a larger restaurant and wine bar planned for fall 2026.
Performa, the New York City-based nonprofit dedicated to performance art, is hosting a one-night-only variety show fundraiser on June 10 at Midtown's Town Hall theater. The cabaret-style event will feature 12 acts blending comedy, dance, music, and acrobatics, with participants including visual artists Barbara Kruger, Laurie Simmons, and Marcel Dzama, performance artist Anne Imhof, dancer Yvonne Rainer, actor Julio Torres, and musicians Slauson Malone, Precious Renee Tucker, and Lonnie Holley. The fundraiser supports Performa's biennial, which takes place every other November.
Four artist mothers—Hope Atherton, Jessi Reaves, Sam Moyer, and Sarah Morris—share candid reflections on how raising children has shaped their art practices. They discuss fractured time, heightened decisiveness, evolving rituals like bedtime reading, and the guilt and power that accompany balancing motherhood with studio work. Atherton describes a new sense of urgency and efficiency, while Reaves and others offer personal anecdotes about the interplay between caregiving and creativity.
The New Museum in New York is reopening on March 21 with a major expansion—a 60,000-square-foot addition designed by OMA, doubling its footprint. To celebrate, the museum paired three artists featured in its inaugural exhibition "New Humans: Memories of the Future" with three independent fashion designers for studio conversations. The article presents one such dialogue between artist Cato Ouyang and designer Zoe Gustavia Anna Whalen, who discuss their New York origin stories and the challenges of creative life in the city.
Cultured magazine pairs three artists with three independent fashion designers to mark the reopening of the New Museum on March 21, 2026, following a 60,000-square-foot expansion by OMA. In this installment, Serbian sculptor Ivana Bašić, whose work *Blossoming Being #2* appears in the inaugural exhibition “New Humans: Memories of the Future,” meets designer Claire Sullivan of Miss Claire Sullivan. Their conversation covers their New York origin stories, the city’s affordability crisis, and the challenges of making a creative life in the city.
Camille Henrot and Hillary Taymour, wearing Collina Strada, are featured in a Cultured magazine interview marking the reopening of the New Museum on March 21, 2026, after a 60,000-square-foot expansion by OMA. The conversation is part of a series pairing three artists from the inaugural exhibition "New Humans: Memories of the Future" with three downtown fashion designers. Henrot discusses her New York origin story, her film *In the Veins* premiering in the show, and her upcoming play *Commedia dell’Arte* at the Aspen Art Museum’s AIR Festival, while Taymour recounts moving from Los Angeles to New York in 2010 to pursue fashion design.
Nicole Saikalis Bay, an architect and patron, divides her time between Milan, London, Beirut, and Paris, where she has built a triple-pronged artist support network: the Saikalis Bay Foundation, a Milan exhibition space called Circolo, and the nonprofit WeAre Projects. Her collection began as a private impulse to live with art, focusing on modern Italian masters like Enrico Castellani and Fausto Melotti, and has expanded to contemporary artists such as William Kentridge, Nari Ward, and Tacita Dean. This month, Circolo presents work by ten rising artists of Lebanese heritage, reflecting her commitment to supporting artists from regions in need.
Lauren Halsey, an artist known for immersive architectural projects rooted in South Central Los Angeles, is expanding her civic engagement with a new sculpture park titled "sister dreamer," opening in March in collaboration with the nonprofit LAND. The article, presented as a studio visit, details her creative process, influences, and upcoming projects, including a limited-edition cycling jersey with Rapha and the Miami Design District to raise funds for cancer research. It also highlights her recent exhibitions at the Metropolitan Museum of Art, the Venice Biennale, and the Serpentine Galleries.
Carlos Soto, a set and costume designer known for his emotionally charged and essentialist approach to theater, is profiled in a feature that traces his career from a childhood encounter with Robert Wilson to collaborations with Solange, Marina Abramović, and Philip Glass. Soto discusses his recent production of Robin Hood at Zurich's Schauspielhaus, where he fused Japanese Noh theater masks with animal memes to create costumes that blur the line between human and beast. The article highlights his uncompromising vision, his early apprenticeship under Frida Parmeggiani at the Met, and his decision to drop out of Pratt Institute to pursue hands-on learning.
Anastasia Samoylova, an artist who works in photography and painting, is presenting her rarely shown "Breakfasts With" series at Casa Tua Aspen this summer. The series, begun in 2015 after she received her green card, combines breakfast food with photo books by notable creatives, creating still-life "conversations" that serve as daily creative prompts. The exhibition follows her dual show with Walker Evans at the Met, which showcased two differing visions of Florida. In an interview, Samoylova discusses how the series developed from a meditative morning ritual into a practice that helped her ground herself after leaving a tenured teaching position, and how intuitive pairings—like a cut mango with Barbara Kasten's work—emerged from spontaneity rather than conceptual planning.
Cameroon-born artist and polymath Tanka Fonta has been named the recipient of the 2026 Wi Di Mimba Wi Prize. Awarded by SAVVY Contemporary and the AKB Stiftung, the prize includes a €30,000 grant, production funds for a new commission, and dedicated curatorial support. Fonta, whose multidisciplinary practice spans visual art, composition, and philosophy, was selected from a shortlist of five Germany-based artists by a jury of prominent curators and academics.
A federal jury has found Daniel Sikkema guilty of orchestrating the murder-for-hire of his estranged husband, New York art dealer Brent Sikkema. Brent Sikkema, 75, was stabbed 18 times in his Rio de Janeiro townhouse in January 2024. The hitman, Alejandro Triana Prevez, a Cuban security guard, was arrested days later and remains in prison awaiting trial. Prosecutors presented evidence including voice notes in which Daniel Sikkema allegedly threatened to become a widower, phone calls via a burner phone, and a $9,000 payment to Prevez. Daniel Sikkema was arrested in March 2024 on passport fraud charges and later charged with conspiracy to commit murder for hire.
Austrian artist Valie Export, a pioneering feminist performance and media artist, died on May 14, three days before her 86th birthday. Her death was confirmed by Thaddaeus Ropac Gallery. Export, born Waltraud Lehner in 1940, rejected traditional domestic roles and adopted her iconic all-uppercase name from a cigarette brand. She created guerrilla-style performances and films that directly confronted the male gaze and patriarchal society, often using her own body as a medium. Key works include “Genital Panic” (1968), in which she walked through a Munich cinema in crotchless pants, and “Tapp und Tastkino (Tap and Touch Cinema)” (1968), where she invited strangers to touch her bare breasts through a stage strapped to her chest.
Art Busan, celebrating its 15th anniversary, will be held from May 21 to 24, 2026, at BEXCO in Busan, South Korea, bringing together over 110 galleries from 18 countries. The fair introduces two new integrated segments: DEFINE, which expands the fair to include collectible design, furniture, and craft, and LIGHTHAUS, which transforms gallery booths into curated spatial experiences to encourage deeper engagement. These initiatives aim to move beyond purely transactional sales and speculative momentum.
Mary Frank, an artist in her early 90s known for mythologically rooted sculpture and works on paper, is the subject of a focused exhibition at Steven Harvey Fine Art Projects in New York. Curated by Steven Harvey, the show presents 11 sculptures in wood, bronze, and ceramic from 1958 to 1985, alongside five works on paper, including a monotype and an oil-on-paper piece. Frank’s work, influenced by her study with Martha Graham, centers on self-sustaining female figures that embody agency, tenderness, and survival, often rendered in ceramic slabs or carved wood.
The Guardian editorial reflects on the 75th anniversary of the Festival of Britain, launched by King George VI on 3 May 1951 as a "tonic" for a war-weary nation. It highlights the festival's most enduring legacy: the construction of the South Bank, including the Royal Festival Hall, which later became the Southbank Centre—the UK's largest arts complex. This summer, commemorations include poems from London schoolchildren projected onto its walls and a mobile poetry library visiting coastal towns, recreating the journey of the repurposed naval ship Campania. The festival, a triumph for the Labour government, faced critics like Evelyn Waugh and Noël Coward, and much of its physical infrastructure was demolished by the incoming Conservative government, save for the Royal Festival Hall.
David Novros’s latest exhibition at Paula Cooper Gallery showcases his "portable murals," intricate multi-paneled paintings that challenge the traditional concept of art as a mere object on a wall. Utilizing oil and murano on canvas, Novros assembles monochromatic, L-shaped, and horizontal panels with precise intervals that incorporate the gallery wall into the composition. These works are designed to be experienced kinesthetically, responding to shifting natural light and the viewer's physical movement through the space.
The Louvre Museum in Paris has temporarily closed a gallery housing Greek antiquities and several offices after an audit revealed structural weaknesses in beams on the second level of the southern Sully wing. The affected gallery, the Campana Gallery, which displays antique Greek ceramics, was shut as a precaution, and 65 employees have been relocated while experts assess the damage. The closure comes amid a difficult period for the museum, following a $102 million theft of France's crown jewels in October and a scathing report criticizing leadership for prioritizing acquisitions over security upgrades.
NADA New York returns for its 11th edition with significant changes, including a new venue at the Starrett-Lehigh Building in West Chelsea. The fair, organized by the New Art Dealers Alliance (NADA), will feature 111 exhibitors from 19 countries, with 54 first-time participants. A highlight is the sixth edition of the TD Bank Curated Spotlight, organized by Owen Duffy of Asia Society Texas, which spotlights nine galleries and artists from Texas and Mexico, fostering dialogue between the two regions. The fair runs May 7–11, 2025.
"Warum müssen die Frauen nackt sein?"
A series of cultural controversies highlight growing tensions between artistic freedom and political pressure. In Germany, cultural minister Wolfram Weimer faces criticism for opaque funding decisions and alleged interference in jury processes, with critics arguing this undermines artistic freedom and free speech. Simultaneously, the European Media Art Festival in Osnabrück defends filmmaker Basma al-Sharif against accusations of antisemitism, illustrating how cultural funding can become a test of political ideology.
Les vernissages cette semaine dans les galeries parisiennes
This week's openings in Parisian galleries feature a wide range of exhibitions across the Marais, Saint-Germain-des-Prés, and other districts. Highlights include Galerie Alain Margaron's group show "Du modèle à l'autoportrait" exploring the body in works by André Derain, Jean Hélion, Fred Deux, and Zoran Mušič; Kim Myoung Nam's first solo show at Galerie UNIVER / Colette Colla, presenting perforated paper pieces; and Galerie Wagner's collective exhibition dedicated to Latin American artists Milton Becerra, Olga Luna, and Claudia Lavegas. Other notable shows include Louis Pion's ink-on-envelope series at Galerie Incognito Artclub, Léonore Chastagner's raw ceramics at Galerie Anne-Sarah Bénichou, and solo presentations by Quentin Gouevic and Jérôme Zonder at Galerie Nathalie Obadia.
The Mémorial de Caen, a museum dedicated to World War II and the Cold War, has opened a new exhibition titled "(Dé)colonisations: des artistes africains interrogent l'histoire" (Decolonizations: African Artists Question History). Curated by Ayoko Mensah and Jean-Yves Marin, the show features 80 works by contemporary artists of sub-Saharan African origin, including Omar Victor Diop and Roméo Mivekannin. Swiss collector Jean Claude Gandur, who is building a foundation adjacent to the museum, lent 23 works, and his foundation's curator Olivia Fahmy helped organize the exhibition. The show is a prelude to a planned permanent section on colonial history at the memorial.
Dans l’atelier d’Abdelkader Benchamma, cartographe des mondes invisibles
French-Moroccan artist Abdelkader Benchamma is preparing for his upcoming solo exhibition, "Signs and Wonders," at Galerie Templon in Paris. Working from his sun-drenched studio in Montpellier, Benchamma has transitioned from his signature black-and-white ink drawings to large-scale canvases that incorporate celestial blues and earthy mineral tones. The new body of work draws inspiration from 15th and 16th-century manuscripts, specifically the Kitab al-Bulhan and the Book of Miracles, creating a "giant book" of visual narratives that blur the lines between abstraction and figuration.
Carlos Vega's exhibition "Anima Mundi" is on view at Jack Shainman Gallery in New York through April 18. The show features Vega's large-scale paintings on lead substrate, which depict a psychedelic, Edenic universe filled with nymphs, extraterrestrial flora, galaxies, and portals. Vega, who is also the husband of gallerist Jack Shainman, draws on ancient Greek philosophy and his own biography—including his upbringing in Melilla, Morocco, and his grandfather's assassination during the Spanish Civil War—to explore themes of consciousness, death, and the interconnectedness of all things. The works incorporate Renaissance antique frames, nodding to his classical training at the Royal Academy of Fine Arts in Spain.
Dominique Fung, a 38-year-old artist known for painting and sculpture, created her first site-specific outdoor performance piece, "A Leaf's Pilgrimage," for the High Line in New York in early September 2025. The three-day performance traced the life of a tea leaf through scenes of growth, withering, and packaging, led by a guide from the ancient past and a present-day assistant. Fung, who has previously created large-scale murals for Rockefeller Center and installations for the Armory Show, will debut new paintings at Massimo de Carlo in Paris in January.
Pati Hertling, a former restitution lawyer turned art-world fixture, has spent over two decades blending cooking with collaboration in her artistic practice. Since 2023, she has co-led Performance Space in New York's East Village alongside Taja Cheek and Ana Beatriz Sepúlveda, where she serves meals like steaks or grilled salmon to accompany gatherings. Hertling first gained prominence through her "Evas Arche und der Feminist" art salons in Berlin and New York, which offered soup and bread alongside visual art and live performances, creating a communal atmosphere that transformed attendees from bystanders into participants.