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louvre museum emergency security measures

Nearly a month after the theft of the French crown jewels, the Louvre Museum has announced emergency security measures following a meeting of its Board of Directors, requested by French Minister of Culture Rachida Dati and chaired by museum director Laurence des Cars. The measures span four categories: security governance, site protection, police coordination, and technical/human resources. Plans include hiring a security coordinator, installing additional cameras and anti-ram devices, conducting security audits, deploying remote monitoring equipment, increasing surveillance patrols, and boosting the training budget by 20 percent. A security master plan, estimated to cost €80 million ($92 million), will be announced next month, though the eight stolen jewels remain unrecovered and four suspects are in custody.

Renée Green at Bortolami

Renée Green presents her exhibition "Secret" at Bortolami gallery in New York, running from April 10 to May 16, 2026. The show features works by the artist, supported by Free Agent Media, with installation photography by Guang Xu.

Melik Ohanian at Galerie Chantal Crousel

Melik Ohanian’s solo exhibition, titled "ALTERATION, For a long time in Time," is currently on view at Galerie Chantal Crousel in Paris. The show features a series of new works that continue the artist's career-long investigation into the dimensions of time, space, and the shifting nature of perception. Through a minimalist and conceptual lens, Ohanian utilizes the gallery space to document temporal transitions and the physical manifestation of duration.

Uri Aran “Untitled (I love you)” at Museo d’Arte Contemporanea Donnaregina – MADRE, Naples

The Fondazione Donnaregina per le arti contemporanee – museo Madre in Naples presents "Untitled (I love you)," the first retrospective in an Italian museum dedicated to American artist Uri Aran (born Jerusalem, 1977). Curated by museum director Eva Fabbris, the exhibition opens on Thursday, February 12, at 6 pm, with President Angela Tecce and the director in attendance.

“It’s about how to speak the unspeakable”: artist Lotus Kang's new work explores absence as an opportunity

Artist Lotus L Kang has created a new installation titled 'The Face of Desire is Loss' for the inaugural Bulgari Pavilion at the 61st Venice Biennale. The pavilion, located at the Giardini entrance, features Kang's signature use of light-sensitive photographic film that reacts to the environment, suspended from steel joists with large holes inspired by the lotus root motif. The work draws on a line by poet Lara Mimosa Montes and explores themes of absence, loss, and the void, with the film changing color over time from deep purple to hues resembling bruise, blood, and bile.

Looking for art, culture? See the latest Central Illinois exhibits

A roundup article highlights current and upcoming art and cultural exhibitions across Central Illinois, featuring venues such as the McLean County Museum of History, Krannert Art Museum, Prairie Aviation Museum, Peoria Riverfront Museum, Eaton Studio Gallery, Illinois Art Station, Illinois State Museum, McLean County Arts Center, Main Gallery 404, Abraham Lincoln Presidential Library and Museum, Dickson Mounds Museum, and David Davis Mansion State Historic Site. Specific shows mentioned include "Material Memory" fiber arts show at Brandt Gallery, "Goya's Ghosts" at Armstrong Gallery, "Arts Alive!" auction at Dolan Gallery, "Lincoln: Sight, Sound & Touch" at the Abraham Lincoln Presidential Library and Museum, "Ken Kashian Botanical Photography Exhibit" at IAA Credit Union, and "Kelly Pile Pyrography Pop-up Sale" at Main Gallery 404.

Pioneering 19th century women artists inspire new city castle exhibition

A new exhibition titled "Chain of Flowers" opens at Norwich Castle on May 16, featuring works by Cambridge-based artist Miranda Boulton. The exhibition draws inspiration from pioneering 19th-century women artists Emily Stannard and Eloise Stannard, members of the Norwich School of Artists. Boulton retraced Emily Stannard's 1820s journey to the Netherlands to study Jan Van Huysum's paintings at the Rijksmuseum, creating a series of oil paintings that contrast the Dutch Golden Age's detailed style with thick impasto and spray paint.

Confronting audiences with the real history

Carla Hemlock, a Kanien’keha:ka artist, has seen a surge in interest from curators and institutions, allowing her to work at her own pace. Her collaborative installation with her son, filmmaker Raohserahawi Hemlock, titled *In the Arms of the Natural World*, has been donated to the Montreal Museum of Fine Arts (MMFA) and is now on view in the exhibition *Rising Suns: Art from the Confederacies of the Great Lakes and Rivers*. The piece, featuring three quilts and two films, explores the legacy of residential schools with what the artists describe as absolute delicacy and care.

Jes Chen Makes a Knock at the Door Feel Like an Accusation

London-based artist Jes Chen presents "Occupied" (2026), an interactive installation that strips AI technology down to a knock sensor, a screen, and a live AI system. Viewers knock on a door-like interface and receive varied responses—defensive, evasive, or silence—generated in real time. The work draws from Chen's childhood memory of having her bedroom door lock removed, transforming privacy and vulnerability into a behavioral system. Recent presentations at the London Design Festival, Edinburgh Fringe, and Generative Art Conference 2025 have showcased Chen's restrained, psychologically charged approach to AI art.

Threshold Art Gallery and the Hermitage Museum Present Landmark Exhibition of Contemporary Indian Art

Threshold Art Gallery and the State Hermitage Museum in St. Petersburg, Russia, are presenting a landmark exhibition of contemporary Indian art titled "Sediments of Becoming: Fossilised Present, Summoned Pasts." Opening on 4 June 2026 and running until 4 October 2026, it is the first dedicated presentation of contemporary Indian art in the Hermitage's 260-year history. The exhibition features works by eleven Indian artists—including Afrah Shafiq, Anindita Bhattacharya, Debashish Mukherjee, Gargi Raina, Lakshmi Madhavan, Manjunath Kamath, Maya Krishna Rao, Pushpamala N., Ravinder Reddy, Sumakshi Singh, and V. Ramesh—several of whom created new commissions after a 2025 residency at the Hermitage. Curated by Marina Schulz and Tunty Chauhan, the show places contemporary works alongside historical objects from the museum's vast collections, fostering a dialogue across time and geography.

Antonia Papatzanaki: Unseen Brought to Light Exhibition Opens May 22

Mosaic ArtSpace in Long Island City, NY, presents Antonia Papatzanaki: Unseen Brought to Light, a solo exhibition running from May 22 to September 30, 2025. The show features Papatzanaki's stainless steel light sculptures, inspired by microscopic imagery such as cellular formations and plant tissues, creating immersive environments that blend art, science, and technology. The opening reception is on May 22, 5-8 PM.

Cultural Compass: Cello takes centre stage, Antwerp galleries open their doors and wartime art

This week's cultural agenda in Belgium highlights three major events: the 75th anniversary of the Queen Elisabeth Competition, which focuses on cello for only the third time since 2017, featuring 64 young cellists from over 20 countries; the 12th edition of Antwerp Art Weekend, spanning 88 venues with a strong emphasis on emerging talent and politically engaged works; and a new exhibition at the Permekemuseum exploring Constant Permeke's formative years in wartime England. The competition includes a world premiere of 'Caffeine' by Belgian composer Harold Noben, and the winner will receive the use of Pablo Casals' historic 1733 Goffriller cello.

Exhibition | Tommaso Spazzini Villa, 'The Time That’s Left' at TOTAH, New York, United States

TOTAH gallery in New York presents 'The Time That’s Left', a solo exhibition of works by Italian artist Tommaso Spazzini Villa, opening May 14, 2026. The show expands on his recent large-scale mural on West 45th Street in Hell’s Kitchen, moving from public space to an intimate gallery setting. It features graphite drawings traced across antique book pages—sacred texts, epic poetry, theatre scores—depicting root-like forms that challenge linear language, alongside metal box sculptures with wire, light, and dried leaves that create fleeting shadow dioramas.

Art Beat

A roundup of current art exhibitions and calls for work in Taos, New Mexico, highlights shows such as "Nicolai Fechin: Figures, Nature, and Expression" at the Taos Art Museum, "Taos Reimagined: Modernist Experiments in the High Desert," and "Rag Made Quilts" at the Taos Public Library. Other featured venues include 203 Fine Art, Stables Gallery, Revolt Gallery, and the Wheaton Museum of World Artifacts, with openings and deadlines spanning through fall 2026.

New show Art Spectrum opens door for San Diego’s LGBTQ+ artists in Balboa Park

Art Spectrum, a new exhibition in Balboa Park’s Village to Gallery 21, showcases the work of twelve professional San Diego LGBTQ+ artists throughout May. Curated by painter RD Riccoboni and produced by gallerist Patric Stillman, the show was initiated by the Village Arts and Education Foundation, which lacked community connections to organize an LGBTQ+ exhibition. The selected artists, including Carole Kuck, Miguel Camacho-Padilla, and Stefan Talian, are mature professionals whose practices span painting, pottery, and stained glass.

2 art exhibits in Woolwich, Portland illuminate in more ways than one - Portland Press Herald

Two solo exhibitions by artists Josefina Auslender and Billy Gerard Frank are on view in Woolwich and Portland, Maine, through mid-May. Auslender's "La Chimera de Oro (The Golden Chimera)" at Sarah Bouchard gallery features new ink-on-paper drawings exploring themes of artistic truth and the seductive danger of commercial success, while Frank's show at the Institute of Contemporary Art at Maine College of Art & Design (ICA at MECA&D) addresses the legacy of slavery through multimedia installations.

Ayala Malls turns Makati into an open-air gallery with Art Walk rollout

Ayala Malls has launched Art Walk by Ayala Land, a public art initiative transforming several of its Makati shopping centers into open-air galleries from January 30 to February 8. The program places contemporary artworks by Filipino and international artists in high-traffic mall environments, featuring large-scale installations, digital works, performance art, and wearable pieces across locations like Ayala Malls Circuit, Greenbelt, Glorietta, and One Ayala.

More US artists forced to pay for their own shows as museum and culture budgets shrink

The article reports that U.S. artists like Lucia Hierro are increasingly forced to pay for their own museum exhibitions and public commissions as institutional budgets shrink. Hierro’s ambitious installation centered on a 7.5-foot monobloc chair required $35,000–$40,000 for fabrication alone, far exceeding what the commissioning institution could provide. The project moved forward only after support from her gallerist and a new fund from Miami-based nonprofit Fountainhead Arts, which received 96 applications requesting $1.8 million—14 times its available $125,000 in grants. The article highlights that even artists selected for the Venice Biennale face such funding gaps.

An Early Winter Gallery Guide

A guide lists galleries in Wellfleet and Provincetown, Massachusetts, that plan to remain open during December, some through New Year's, with winter hours and by-appointment visits. Featured galleries include AMZehnder Gallery, Farm Projects, Jeff Soderbergh Gallery, Left Bank Gallery, Wellfleet Preservation Hall, Alden Gallery, Bakker Gallery, Berta Walker Gallery, Four Eleven Gallery, and Gary Marotta Fine Art, each offering exhibitions of contemporary paintings, ceramics, photography, and works on paper. The Provincetown Art Gallery Association and Provincetown Business Guild are hosting gallery strolls every Saturday in December from 1 to 4 p.m.

Llyn Foulkes, art world iconoclast, has died, aged 91

Llyn Foulkes, the iconoclastic Los Angeles artist known for his defiantly independent and multidisciplinary practice, died on 20 November at age 91. A painter, jazz musician, and provocateur, Foulkes resisted commercial commodification throughout his career, creating work that ranged from Pop Art-inflected paintings to political assemblages incorporating Mickey Mouse imagery. His death was announced by Kent Fine Art, a New York gallery that had published several books on his work.

Art Toronto gives Latin American artists pride of place with new curated section

Art Toronto, Canada’s largest art fair, returns for its 26th edition (23–26 October) at the Metro Toronto Convention Centre with over 100 galleries. It debuts Arte Sur, a new curated section focused on Latin American art, organized by Mexico City-based curator and gallerist Karen Huber. The section features 11 galleries from across the Americas, including first-time participants from New York, Mexico City, Argentina, and Chile, showcasing more than 30 artists primarily from Mexico, Costa Rica, Argentina, Chile, and Peru.

Tanoa Sasraku: ‘I don’t see that the work needs to live forever’

The Institute of Contemporary Arts (ICA) in London has opened "Morale Patch," an exhibition of new work by Plymouth-born multimedia artist Tanoa Sasraku. The show centers on "Watchlist," a commission featuring a collection of branded trinkets from oil companies, and "Subdued Morale Patch," a series of experimental works on paper created using a novel printing technique with water and ultraviolet light. Sasraku's work explores raw materials, particularly crude oil, as a vehicle to examine themes of national identity and conflict, drawing on her collection of military ephemera and corporate oil-industry mementos.

BMCC’s Shirley Fiterman Art Center Fall Exhibition to Feature Artists Courtney McClellan and Victoria Dugger

Borough of Manhattan Community College's Shirley Fiterman Art Center will present two concurrent exhibitions from September 10 to December 20, 2025: Courtney McClellan: Simulations and Victoria Dugger: Late Bloomer. McClellan's installation features photographs of mock courtrooms at law schools across the American South, exploring performance and the law through what she calls 'applied fiction.' Dugger's mixed-media works, including painting and sculpture, use playful yet grotesque imagery to interrogate growth, identity, and embodiment as a Black, disabled woman. Both artists, who live and work in Georgia, will participate in an opening discussion and reception on September 10.

Class Notes

Boston University's College of Fine Arts (CFA) published its 2025 alumni class notes, featuring updates from graduates spanning the 1950s to the 1980s. Notable entries include Mark Mobius (’58) releasing a book on wealth, Cynthia Close (’67,’69) completing a memoir about her time in an artists' commune, and Jane O’Hara (’78) exhibiting a 51-painting series on animal rights at the New Bedford Art Museum. Other alumni activities range from radio documentaries and theatrical performances to gallery shows, poetry albums, and consulting work.

Bringing Natalie Home: An Exhibit of Natalie Van Vleck’s Art at Flanders Nature Center

An exhibition titled "Bringing Natalie Home" has opened at the Flanders Nature Center in Connecticut, showcasing the artwork of Natalie Van Vleck for the first time in the newly renovated Van Vleck Gallery. The gallery is located inside the historic saltbox house that Van Vleck urged her parents to purchase in 1926, where she later built her art studio in 1928. The comprehensive exhibit, which began on February 7, 2025, will display her work throughout the year after decades in storage.

Suki Seokyeong Kang’s Works Are Still Unfolding

Suki Seokyeong Kang's posthumous exhibition at Tina Kim Gallery in New York presents a body of work characterized by its mobility and open-ended nature. The show features paintings and sculptures that are designed to be rearranged, challenging static notions of display and completion.

Where Parts Meet: Yu Ji’s “Origin of the Tiger”

Shanghai-based artist Yu Ji presents her first solo exhibition in New York, "Origin of the Tiger," at P.P.O.W gallery from March 6 to April 11, 2026. The show features multimedia sculptures and installations made during a self-organized residency in Phnom Penh, Cambodia, where she collaborated with Khmer artisans and local children through the project PKA (PLAY KNOW ATTENTION). Works incorporate reed mats, concrete knees, snail shells, and modular furniture, emphasizing joints, fragmentation, and reassembly.

Regarding the Pain of Images: Dinh Q. Lê at 10 Chancery Lane

A posthumous exhibition titled "Remembrance: A Tribute to the Work of Dinh Q. Lê" is on view at 10 Chancery Lane in Hong Kong from March 20 to May 23, 2026. Curated by David Elliott, the show features key works by the late Vietnamese artist, including his series of manipulated photographs that slice and weave the iconic 1972 image "The Terror of War" into pixelated grids, alongside pieces like "Skin on Skin Black Mixed No. 9" that critique the influx of Western pornography into Vietnam after internet legalization.

Minor Keys and Major Silences: Yoshiko Shimada and the Art of Outrage

Yoshiko Shimada, a Japanese feminist and antiwar artist, is featured in a conversation with ArtAsiaPacific ahead of her inclusion in the 2026 Venice Biennale, curated by Koyo Kouoh under the theme "In Minor Keys." The article explores Shimada's decades-long practice of excavating the gendered scars of Japanese imperialism, focusing on her collaborative work with BuBu de la Madeleine, which uses drag and irony to critique imperial frameworks and the erasure of wartime atrocities. It also highlights her revival of the Chū-pi-ren movement, a 1970s feminist group that fought for abortion rights and access to birth control, arguing that their legacy remains urgent in 2026 given Japan's slow progress on women's bodily autonomy.

Chiara Camoni on Representing Italy at the 61st Venice Biennale

Chiara Camoni, the artist representing Italy at the 61st Venice Biennale, discusses her upcoming pavilion installation titled "Con te con tutto" in an interview with ArtReview. The single installation will fill the entire Italian Pavilion in the Arsenale, combining existing and new works that incorporate ceramic, stone, plant elements, industrial waste, plastics, and found objects. Camoni emphasizes the choral dimension of her practice, involving family, neighbors, friends, schools, and museum groups in the creative process, thereby expanding the concept of authorship. She notes that her project aligns with the Biennale's curatorial theme "In Minor Keys" by Koyo Kouoh, focusing on monumentality defined not by scale but by reiteration and presence.