Scholar Leigh Raiford examines the personal family archives of Black Panther Party leaders Kathleen and Eldridge Cleaver, specifically focusing on photographs taken during their period of exile in the 1970s. The analysis centers on how domestic objects, such as a zebra-print carver chair and various African artifacts, transitioned from private household items to iconic symbols of Black Power and cultural nationalism in the public sphere.
Mexican artist Elina Chauvet has accused Romanian news anchor Alessandra Stoicescu of plagiarizing her famous installation, "Zapatos Rojos" (Red Shoes). The dispute arose after Stoicescu organized a public intervention titled "Dragostea poartă pantofii roșii" outside the Romanian Athenaeum to mark new femicide legislation, featuring hundreds of red shoes in a manner nearly identical to Chauvet’s long-running global project. Chauvet claims this is the second time Stoicescu has co-opted her work without authorization or credit, following a similar incident in 2018.
A Lucca c’è la mostra perfetta per riscoprire il talento del pittore Emilio Malerba
The Fondazione Ragghianti in Lucca is hosting a major retrospective dedicated to Emilio Malerba, a key member of the Novecento Italiano movement who died a century ago. Curated by Paolo Bolpagni and Elena Pontiggia, the exhibition marks the first solo presentation of Malerba’s work since 1931. The showcase spans his early career in commercial advertising for brands like Amaro Ramazzotti to his mature paintings that lean toward Magic Realism, featuring intimate portraits that prioritize psychological depth over narrative.
La mostra della grande artista Lucy Orta in un palazzo storico recuperato a San Sepolcro
British artist Lucy Orta has unveiled a site-specific installation titled "Trame di Comunità" at CasermArcheologica in Sansepolcro, Tuscany, following an artist residency. The work features five tents constructed from hand-woven vintage linen and hemp, inspired by the protective imagery in Piero della Francesca’s "Polyptych of Mercy." These structures are embroidered with the faces of local residents and adorned with 99 terracotta amulets, incorporating oral testimonies and personal reflections gathered from the community during Orta's stay.
Hyperallergic published a satirical list of five fictional art world job openings, each parodying exploitative or absurd practices common in the industry. The positions include an Instagram comment moderator for a collector, an assistant to a famous artist with invasive demands, a "sentence complicator" for an art institution, a residency where the artist pays to work, and an endurance-based performance art participant compensated only with "exposure."
QUEUE Gallery in Miami is presenting 'Evidence of Evolution,' a two-person exhibition featuring Fharid LaTorre’s hand-carved wood and metal sculptures alongside Jamieson Pearl’s oil-on-linen paintings. LaTorre’s works, such as 'showing slivers & taking off skin for sake of dopamine layer of diophantine equations' (2026), use scavenged metal and burl wood to evoke surgical transformations and bodily stress, while Pearl’s paintings depict glitch-blocked internet microcelebrities and screenshots from LiveLeak pornos, rendered freehand in distorted blocks. The show runs at QUEUE’s new location above Tunnel Projects in Miami.
The Northport Arts Association is hosting its ninth annual Northport Photo Exhibit, launching Memorial Day weekend with a free opening reception on May 23, 2026, at its gallery in Northport, Michigan. The exhibit runs through June 14 and features over 100 framed photographs from professional and emerging photographers across Michigan and beyond, with categories judged on impact, lighting, storytelling, and technical quality. Awards include Best of Show, a new anonymous donor award called 'Dem Der Eyes,' People's Choice, and four category prizes.
The Hong Kong Jockey Club launched the Harmonious Horse International Exhibition Tour in Tsim Sha Tsui on Friday, featuring large-scale horse sculptures by artist Simon Ma. The opening ceremony at the Hong Kong Cultural Centre Piazza was attended by Secretary for Labour and Welfare Chris Sun Yuk-han and Jockey Club CEO Winfried Engelbrecht-Bresges. The exhibition runs until May 21 at Tsim Sha Tsui before moving to Tamar Park in Admiralty, then traveling to Shanghai, Shenzhen, and Guangzhou. A nighttime light show accompanies the display, and winners of a youth art competition inspired by Xu Beihong's equine paintings were announced.
A new art exhibition titled “Occupy Thirdspace III: The Park” opens at San Diego’s Central Library, focusing on International Friendship Park, a state park at the western end of the U.S.-Mexico border. Co-curated by Sara Solaimani and Natalia Ventura, the show features three artist collectives—Las Comadres, Art Made Between Opposite Sides (AMBOS), and Friends of International Friendship Park—to visually tell the park’s story. The park opened in 1971 as a meeting place for families divided by the border but has been closed on the U.S. side since 2020, while remaining open on the Mexico side. The exhibition is the third installment in Solaimani’s series exploring Henri Lefebvre’s concept of “third spaces” as symbolic sites that challenge systems of power.
French-Moroccan artist Mehdi-Georges Lahlou opened his first solo exhibition in Singapore and Asia, curated by Virginie Puertolas-Syn. The exhibition, conceptually linked to the 12th-century Sufi poem 'The Conference of the Birds,' uses the palm tree as a central motif to explore themes of displacement, colonial history, and constructed landscapes.
Los Angeles-based artist Greg Ito has presented a striking installation titled "A Cautionary Tale" with Superposition Gallery at Frieze Los Angeles. The booth features stacks of neon orange suitcases and mirrored trunks alongside paintings of symbolic imagery like burning candles and ships in a bottle. The work draws directly from Ito’s family history, specifically the forced relocation of his grandparents to Japanese American internment camps during World War II, where they were restricted to bringing only what they could carry in a suitcase.
Fifteen international architecture studios have created installations from reused building materials and found objects for the exhibition "Reuse: Architectures of Almost Nothing" at artspace Laguna in Mexico City during art week. The show, curated by Laguna's curatorial director María Muñoz and architect Edgar Rodríguez, features works made from windshields, tarps, barrels, and even a complete car, all arranged across the former factory space. Participating studios include Sam Chermayeff Office, Ex-Soup, Parabase, Bangkok Tokyo, and others, with each piece designed as an "architectural accessory" that resignifies a single object through redeployment.
Loyola Marymount University’s Laband Art Gallery is presenting “Seeing Chicanx: The Durón Family Collection,” a fall 2025 exhibition on view from September 25 to December 6. Curated by scholar Karen Mary Davalos, the show features nearly 50 works by Chicanx artists from Southern California, drawn from the private collection of alumni Armando Durón and Mary Salinas Durón. The exhibition spans the 1970s to the present, including paintings, drawings, photography, and sculptures by artists such as Roberto Gutierrez, Judy Baca, Chaz Bójorquez, Gilbert “Maju” Luján, and Shizu Saldamando. Originally shown at the Monterey Museum of Art in 2024, the traveling exhibition aims to challenge stereotypes and provide a visual history of the Chicanx art scene in Los Angeles.
Annina Roescheisen, a German-born artist now based in New York, presents her work in Venice during the opening days of the Venice Biennale. Her paintings are created through an alchemical ritual where she mixes pigments, charcoal, ash, ink, herbs, and salts, producing pulsating fields of color that blur the line between the visible and invisible. A self-taught artist who never attended art school, Roescheisen draws on art history and philosophy, with a particular passion for medieval art. Her series "Flying Dragons" references the ancient Physiologus, and she has also produced watercolors based on drawings made with her eyes closed to explore how visual perception changes from childhood to adulthood.
Wie die DDR-Schürze zum Italo-Luxus wurde
Italian luxury label Miu Miu has released dresses for summer 2026 that resemble 1980s East German kitchen aprons, with prices reaching up to €12,000 for crystal-embroidered versions. The collection debuted on the Paris runway in October, where actress Sandra Hüller opened the show in robust workwear, evoking factory workers from the former GDR. Designer Miuccia Prada, a former member of the Italian Communist Party, drew inspiration from Helga Paris's 1984 photo series "Frauen bei der Arbeit" (Women at Work), which documented female laborers in East Berlin's VEB Treffmodelle textile factory.
Musen-Skulpturen im Park Sanssouci kehren restauriert zurück
Eight 18th-century marble sculptures depicting Greek muses have been reinstalled in the western pleasure garden of Park Sanssouci in Potsdam following a six-month restoration project. The works, created by Berlin sculptor Friedrich Christian Glume, represent figures like Melpomene (Tragedy), Klio (History), and Thalia (Comedy) and have been cleaned, repaired, and given a protective coating.
Les Raphaël, le gang italien et le fabricant d’huile d’olive : le spectaculaire vol de 7 tableaux à Budapest en pleine guerre froide
On November 5, 1983, thieves stole seven Renaissance masterpieces from the Museum of Fine Arts in Budapest, including two works by Raphael, two by Tiepolo, two by Tintoretto, and one by Giorgione, valued at $28 million. The heist was carried out by a small Italian gang from Reggio Emilia, who entered through a window using a scaffolding left by construction workers, leaving behind a screwdriver from the Italian brand USAG that the mastermind mistakenly thought would implicate American thieves. The operation was led by Ivano Scianti, with accomplices including Giordano Incerti, Graziano Iori, Giacomo Morini, and Carmine Palmese.
Ella Maillart, photographe baroudeuse des années 30 mise en lumière dans une exposition à Lausanne
Ella Maillart, a Swiss photographer and adventurer from the 1930s, is the subject of a new exhibition in Lausanne. Born in Geneva in 1903, Maillart was an Olympic sailor and champion skier before turning to travel and photography. She journeyed across the Soviet Union, Central Asia, and China, often by train, ski, or camel, documenting remote cultures and political landscapes. Her travels included a 6,000-kilometer trek from Beijing to Kashmir with British writer Peter Fleming, and a road trip from Geneva to Kabul with friend Annemarie Schwarzenbach. The exhibition highlights her photographs and writings, which blend geographical exploration, political chronicle, and personal meditation.
Italy presented 337 cultural artifacts repatriated from the United States at the Caserma "La Marmora" in Rome, following operations between December 2025 and April 2026. The objects span from the 5th century BCE to the 3rd century CE, including Roman sculptures, bronze works, pottery, jewelry, coins, and architectural fragments. Among the notable pieces is a marble head attributed to Alexander the Great, stolen from a Roman museum in 1960, and a bronze sculpture looted from Herculaneum. The recovery involved the Manhattan District Attorney's office, the FBI, Homeland Security Investigations, and Christie's New York, with 221 items seized through the DA's collaboration and 116 returned in April.
Jean-Gabriel Peyre (1941-2026)
Jean-Gabriel Peyre, a distinguished French art dealer and expert in antique ceramics, passed away on March 27 at the age of 85. Originally a fashion professional who worked for Jacques Esterel, Peyre transitioned to the art world in the late 1960s, establishing himself as a preeminent specialist in European ceramics from the 16th to 18th centuries. Based in Paris and later Aix-en-Provence, he was particularly renowned for his expertise in French faience and his significant personal collection of Apt ceramics.
The article reviews the group exhibition "Show d’Houdini" at CAC Brétigny in Brétigny-sur-Orge, which explores the figure of the magician as a cultural archetype. Drawing on the legacy of Harry Houdini and the historical context of late 19th- and early 20th-century illusionism and spiritualism, the show presents works that examine the magician's dual nature—oscillating between charlatanism and miracle, deception and wonder.
Ladji Diaby’s solo exhibition at Lafayette Anticipations, titled “Who’s Gonna Save the World?”, features furniture repurposed as vitrines for discarded objects. By collecting and displaying artifacts that have lost their original utility, Diaby creates a symbolic dialogue between himself and the anonymous former owners of these items, elevating mundane debris into the realm of high art.
Eduardo Robledo, a Mexico City-based artist from Xochimilco, creates detailed linocuts that celebrate Mexican heritage, community, and spiritual motifs. His work features traditional symbols like skulls, skeletons, and Sacred Hearts alongside regional animals and cultural references such as Xochimilco's canal boats. Robledo also engages in social activism through printmaking, viewing it as a democratic medium for spreading messages about causes he supports. His prints are available at Hecho a Mano in Santa Fe, and he co-founded Lugar de Huida, a gallery in Mexico City that highlights Mexican printmakers.
Photographer Jon McCormack, who grew up in the Australian Outback and has traveled to all seven continents, has a new book titled "Patterns: Art of the Natural World," forthcoming from Damiani Books. The project emerged during the pandemic when limited travel led him to revisit local spots and develop a patient, attentive approach to capturing nature's hidden harmony and symmetry. The book features 90 images ranging from microscopic crystals to aerial views of flamingos in Kenya, along with text contributions from fellow photographers and conservationists.
Artist Hillary Waters Fayle has developed a unique series titled 'Portraits of Place,' which utilizes foraged botanicals to create intricate cyanotypes. By collecting and drying seeds, petals, and foliage from specific locations like Grace Farms and Maymont Park, Fayle arranges them into symmetrical, mandala-like compositions on UV-sensitive paper. The resulting bright blue prints serve as a botanical record of a specific geography and moment in time.
Marc Fornes / THEVERYMANY has installed a new sculptural pavilion titled "L'Ile Folie" in Cary Park, North Carolina. The structure, made from thousands of digitally fabricated, ultra-thin aluminum panels, reinterprets the historical architectural folly—a decorative, non-functional landscape feature—as a contemporary, skin-is-structure canopy perched over a pond.
Salomé. Henner et Moreau face au mythe
The Musée National Jean-Jacques Henner in Paris is hosting a focused exhibition exploring the iconographic myth of Salomé through the lenses of Jean-Jacques Henner and Gustave Moreau. The show examines how these two 19th-century masters interpreted the biblical figure who demanded the head of John the Baptist, contrasting their stylistic approaches to her seductive and fatal power. While the Gospels provide no physical description of Salomé, the exhibition highlights how these artists moved away from traditional fleshy depictions to create more ethereal, haunting versions of the femme fatale.
Photographer Alfredo Cunha presents 'Rostos da Imigração' at the UCCLA gallery in Lisbon, a photographic exhibition featuring portraits of individuals from lusophone communities. The series resists anonymity and aestheticization, instead focusing on the lived experiences of migrants in contemporary Portugal. The exhibition is on view until 20 May 2026.
Brazilian artist Daniel Melim discusses his exhibition "Urban Reflections" at São Bernardo do Campo in an interview with Brendon Bell-Roberts. Melim, who emerged from the graffiti and stencil cultures of ABC Paulista, describes how the city functions as an active collaborator in his practice, transforming the gallery into an expanded studio where boundaries between street, studio, and institution dissolve. The exhibition juxtaposes pivotal and previously unseen works, tracing his artistic evolution and layered urban memory.
The Museum of Modern Art of Rio de Janeiro (MAM Rio) is hosting a major retrospective titled 'Rubem Valentim: a ordem do sensível,' featuring approximately 180 works spanning four decades. Curated by Raquel Barreto and Phelipe Rezende, the exhibition showcases Valentim’s unique fusion of modernist abstraction with the spiritual symbols of Afro-Brazilian and Indigenous cosmologies. The presentation includes paintings, reliefs, and sculptures, culminating in monumental works like 'Templo de Oxalá.'