The West Kelowna Art Exhibition will take place on Sunday, Oct. 19, 2025, from 10 a.m. to 4 p.m. at the Westbank Lions Community Centre in West Kelowna, Canada. The free event features local artists displaying original artwork in various mediums, an artisan marketplace for handmade goods, and live smooth jazz music. Most artwork will be available for purchase.
Les écoles d’art privées traversent une zone de turbulence
A wave of bankruptcies and judicial reorganizations is hitting the private art education sector in France. Following the closure of the École d’art de Montreuil, the Académie des arts appliqués (AAA) in Dijon and the École supérieure de design in Troyes have both entered receivership. These institutions are struggling with severe financial deficits, unpaid staff, and a sharp decline in student enrollment, with some schools seeing their student bodies shrink by two-thirds in just four years.
La ripresa del mercato dell’arte, i trend del collezionismo e altre analisi nel nuovo report appena pubblicato
The global art market has returned to growth in 2025, recording a 4% increase compared to the previous year despite geopolitical tensions and financial uncertainty. According to the fourth edition of the "Collectors and the Value of Art in Italy 2026" report by Intesa Sanpaolo Private Banking, buyers are increasingly shunning speculative assets like NFTs and ultra-contemporary art in favor of established categories. Significant growth was noted in Modern art, Impressionism, and Old Masters, signaling a flight to quality and historical stability.
The Jersey Artist Registry (JAR) is presenting "Uncharted Territory," an exhibition featuring over 50 works by 31 New Jersey artists at The Oyster Point Hotel in Red Bank. Curated by JAR founder Ellen Martin, the show runs from May 8 through June 29, 2026, and includes a diverse range of styles and media, from surreal photography to geometric abstraction and mystical fractals.
The Tumut Art Society recently concluded its 68th annual art exhibition in regional New South Wales, marking a successful two-week event that drew approximately 500 visitors. The show featured 39 sales across both physical and virtual platforms and distributed $15,000 in prize money across nine categories. Melbourne artist Nina Volk emerged as the primary winner, securing both the prestigious Bendigo Bank Acquisitive Award for her work "The Storm is Coming" and the People’s Choice Award for "Grazing in the Autumn Mist."
The Greater Rutland Central Supervisory Union recently launched its third annual student art celebration at the Vermont State University Castleton Bank Gallery. The exhibition showcases a diverse array of creative works—including paintings, charcoal drawings, pottery, and photography—produced by students ranging from pre-K through high school. The opening reception also integrated live musical performances by local students, creating a multi-disciplinary showcase of regional youth talent.
BankOnArt Gallery is launching a new exhibition titled "The Future of Finance," featuring works by contemporary artists who explore the intersection of art, technology, and the financial world. The show includes digital installations, paintings, and sculptures that critique and reimagine concepts like cryptocurrency, market data, and economic inequality.
Daniel Soma sat alone in a pop-up art gallery in downtown Washington, D.C., surrounded by Australian Indigenous artworks that had been planned for years but remained unseen due to a government shutdown. The gallery, wedged between a bank and a men's workwear store, was fully installed but empty of visitors, highlighting the immediate impact of the shutdown on cultural programming.
Karen Sylvester, a self-taught Trinidadian artist known for her lush landscapes and waterscapes, will present her latest exhibition "Somewhat Familiar" at Studio Joli in St James, Trinidad, from October 18 to 30, 2025. The show features works inspired by her childhood on the banks of a river in the Northern Range of Trinidad, created through direct observation, sketches, photographs, and visual memory. Sylvester has been exhibiting since 1993 and is widely respected in the region, with her work held in the National Museum and private collections.
CAF – Development Bank of Latin America and the Caribbean – and the Pinta Foundation have formed a strategic alliance to bolster the Latin American art ecosystem. The partnership will support professional exchange, international visibility, and cultural integration for artists, artisans, and creators across the region, with CAF acting as a strategic partner for Pinta's network of events.
The Contact Photography Festival, Canada's largest photography event, opens Friday in Toronto with over 160 exhibitions across eclectic venues including artist-run centers, commercial galleries, cafes, and a laundromat. Highlights include a towering portrait by Haitian-born artist Thandiwe Muriu on Spadina Ave., and a multi-site exhibition by Turner Prize-nominee Sin Wai Kin, featuring billboards and a two-channel video titled 'The Time of Our Lives.' The festival lost its long-time lead sponsor Scotiabank in 2024, resulting in a reduced budget and less public programming, but organizers remain committed to championing lens-based art.
Tefaf has awarded its Museum Restoration Fund prize to the Minneapolis Institute of Art (MIA) for the restoration of a 500-year-old Medici tapestry, "The Meeting of Dante and Virgil" (circa 1547-49). The €25,000 grant will support cleaning, consolidation, and lining of the 5.3-meter-high work, which has not been displayed in over 60 years due to severe damage including silk weft loss and open slits. The conservation will be carried out by the Midwest Art Conservation Center, and the tapestry is expected to go on public view at MIA this summer.
Bank of America’s annual art conservation program has awarded grants to 18 projects this year, including the restoration of Titian’s *Bacchus and Ariadne* (1520-23) at the National Gallery in London. The painting will be removed from display next month for conservation work that involves placing it on a new fabric support and repairing paint loss. Other funded projects include Rembrandt’s *The Night Watch* at the Rijksmuseum, bronze palms at the Arc de Triomphe in Paris, *Gaki Zōshi* at the Tokyo National Museum, Matisse’s *La Négresse* at the National Gallery of Art in Washington, DC, and works at the Museo de Arte de Lima and the Montreal Museum of Fine Arts.
Philadelphia’s bankrupt University of the Arts (UArts) sold off rare books and manuscripts from its library at a Freeman’s | Hindman auction on September 10, 2024. The 38 lots from UArts’ collection fetched $163,328, nearly 20% of the sale’s $806,519 total. Top lots included a deluxe first edition of Andre Level’s 1928 monograph on Pablo Picasso, signed by the artist, which sold for $35,200; a complete portfolio of Josef Albers’s 1965 *Die Oberflache*, which brought $21,760; and a limited edition of James Joyce’s *Ulysses* illustrated by Robert Motherwell, which sold for $16,640. UArts closed abruptly in June 2024, citing financial fragility and declining enrollments, and later filed for Chapter 7 bankruptcy, selling its real estate holdings for nearly $75 million.
The inaugural edition of Untitled Art, Houston, opened with 88 galleries—half the size of its Miami Beach counterpart—and generated strong sales and high attendance. Los Angeles-based Megan Mulrooney sold out its booth entirely, while Sicardi | Ayers | Bacino led sales with a Carlos Cruz-Diez work for $415,000. Other notable transactions included a bronze piece by Clare Rojas for $150,000 at Jessica Silverman and two John Alexander paintings at McClain Gallery fetching $70,000–$125,000. Most galleries reported consistent mid-market sales in the $25,000–$50,000 range, with collectors from Houston, Dallas, Austin, the Bay Area, New Orleans, Los Angeles, and San Francisco actively acquiring.
Artists from Good Bank Gallery in McLaren Vale are collaborating with The Wild South on a series of events called TOXIC SURF (Mid Coast) as part of South Australia's Nature Festival. The program includes workshops, exhibitions, a lantern parade, film screenings, and a choir performance, all aimed at addressing the ecological crisis caused by the harmful algal bloom Karenia Mikimotoi along the state's coastline. Community members can participate in ocean lantern-making workshops, a roving lantern performance, a community art exhibition, and an art and eco-resilience workshop, with contributions from local artists, Ngarrindjeri elders, and environmental groups.
John Brandler, a British street art specialist, loaned three Banksy works to Metamorfosi, a Rome-based touring exhibition company, for shows in Italy and Switzerland. After a two-year contract expired and was extended with a monthly fee, Brandler claims Metamorfosi has fallen behind on payments and has not returned the artworks, including the mural "Season's Greetings" (2018), "Heart Boy," and "Computer Robot." Another Banksy dealer, Acoris Andipa, says he is owed £45,000 for curatorial services. Metamorfosi disputes the claims, stating it has paid monthly installments and attempted to return the works, blaming storage issues for the delay.
The Federal Reserve cut its benchmark interest rate by 0.25 percentage points, the first reduction since December, bringing rates to their lowest level since late 2022. Art finance experts Anita Heriot of the Fine Art Group and Joshua Greenberg of Bank of America Private Bank told ARTnews that while the cut is unlikely to create new art buyers, it could stimulate art lending and borrowing against collections, as lower rates reduce the cost of carrying debt. The move signals a potential trend of further rate declines, which may encourage collectors to reengage with the market, especially amid softening art prices.
Heirs of German Jewish banker and art collector Paul von Mendelssohn-Bartholdy have urged the US Seventh Circuit Court of Appeals in Chicago to revive their lawsuit seeking the return of Vincent van Gogh's *Sunflowers* (1888), which they claim was sold under Nazi duress. The lawsuit, filed in 2022 against Japanese insurer Sompo Holdings, argues that the painting was purchased at a 1987 Christie's auction by Sompo's predecessor, Yasuda, despite provenance indicating Mendelssohn-Bartholdy was a Nazi victim. A lower court dismissed the case in 2024 for lack of jurisdiction, but the heirs contend that the painting's exhibition in Chicago in 2001 establishes sufficient legal ties to Illinois.
Heirs of Jewish banker and collector Paul von Mendelssohn-Bartholdy are appealing a lower court's dismissal of their lawsuit against Japanese insurer Sompo Holdings over Vincent van Gogh's painting *Sunflowers* (1888-89), valued at $250 million. The plaintiffs—Julius H. Schoeps, Britt-Marie Enhoerning, and Florence von Kesselstatt, representing over 30 beneficiaries—claim the work was sold under Nazi pressure in 1934. Sompo bought the painting in 1987 for a record $25 million at Christie's London. The case was heard by a three-judge panel of the US Court of Appeals for the Seventh Circuit on 17 September 2025, under the 2016 Holocaust Expropriated Art Recovery (HEAR) Act.
The article reports multiple art-world developments: the heirs of German Jewish banker Paul von Mendelssohn-Bartholdy are appealing a court dismissal of their lawsuit to recover a Van Gogh Sunflowers painting, claiming it was sold under Nazi duress. Japan's Kawamura Memorial DIC Museum of Art is selling major works including a Monet Nymphéas (1907) through Christie's as its parent company, DIC Corporation, downsizes and relocates the museum. A man was killed unloading an Andy Warhol-painted BMW Art Car in Washington, D.C., and a newly discovered Picasso portrait of Dora Maar will be auctioned in Paris. Sotheby's will sell a Surrealist collection led by a Frida Kahlo painting estimated at $40–60 million. The article also asks whether Uzbekistan is becoming a major art hub.
Three temporary art galleries are opening on the ground floor of the postmodern No.1 Poultry building in the City of London, near Bank tube station. Operated by arts charity Hypha Studios and supported by the Cheapside Business Alliance, the spaces will host 24 exhibitions over the course of a year, starting in September 2025. The first three exhibitions are free and open to the public from Thursday 25th September 2025. Gallery 2, in partnership with art and architecture platform recessed.space, will focus on exhibitions relating to the living environment, while Galleries 1 and 3 will feature a range of contemporary artists and curators. The initiative is part of a meanwhile use programme during a refurbishment of the building’s interior to reduce energy consumption.
NeueHouse, a high-end coworking space known for hosting art events, filed for Chapter 7 bankruptcy to liquidate its assets and closed all its locations on September 5. The company cited legacy liabilities as the reason for its demise, though specific debts remain unclear. NeueHouse had locations in New York, Hollywood, and Venice Beach, and was a hub for the art, fashion, media, and entertainment industries, cohosting events with ARTnews sister publication Art in America and Artnet.
On September 8, 2025, street artist Banksy painted a new mural on an exterior wall of the Royal Courts of Justice in London, depicting a judge using a gavel to beat a protester lying on the ground, with a red blood-like spatter on the protester's placard. The artwork was quickly covered and guarded, and by September 10, a masked man was filmed scrubbing the image off the wall while police stood nearby. The Ministry of Justice stated the mural was destroyed because the building is a protected heritage site, and the court was obliged to maintain its original character.
Ralph Rugoff, curator of the 2019 Venice Biennale, is leaving his post as director of the Hayward Gallery after 20 years. The Southbank Centre announced his departure for spring 2026, after which he will work as an independent curator and writer. During his tenure, the Hayward staged acclaimed shows like “Kiss My Genders!,” surveys for Kader Attia and Tracey Emin, and Rugoff was named an Officer of the Order of the British Empire in 2019. He previously led the Wattis Institute for Contemporary Art in San Francisco.
Three new art galleries will open at No. 1 Poultry, the controversial postmodern office block on Bank junction in London, starting September 24, 2025. Organized by arts charity Hypha Studios with support from the Cheapside Business Alliance, the ground-floor spaces will host 24 exhibitions over a year. Debut shows include "The Turn" curated by Shakthi Shrima, "Blackhorse Lane Makers" in collaboration with recessed.space, and "Material Actors" by the Binder of Women collective, all free to the public.
Ball State University's David Owsley Museum of Art (DOMA) will present two special exhibitions this fall, running from September 18 to December 19, 2025. The first, "Cercle et Carré and the International Spirit of Abstract Art," organized by the Georgia Museum of Art, features over 60 works by members of the short-lived but influential modernist collective founded in Paris in 1929, including Wassily Kandinsky, Fernand Léger, Alexandra Exter, and Franciska Clausen. The second, "Indiana Pastoral: The Photography of Lamar Richcreek," showcases 28 photographs by the Ball State graduate (1947–2018), whose work documents the postwar transformation of rural Indiana from a banker-turned-photographer's perspective. Both exhibitions are free and open to the public.
On September 8, 2025, street artist Banksy unveiled a new mural on the side of the Royal Courts of Justice in London, depicting a judge beating a protester with a gavel. Banksy confirmed the work's authenticity via Instagram, and within hours, the mural was covered up and guarded by security officers. Local reports suggest the artwork references the recent arrest of nearly 900 pro-Palestine protesters in London on September 6.
Nearly 200 Old Master treasures from the Schroder Collection, amassed by the late banker Bruno Schroder and his family over more than a century, will go on long-term display at the Holburne Museum in Bath, UK, starting 10 September. The collection includes silver, maiolica, and paintings by artists such as Lucas Cranach the Elder and Hans Holbein the Elder, many shown publicly for the first time. The loan was facilitated by Bruno’s daughter Leonie, who requested the works remain in the UK and be placed in a regional museum rather than London.
The article reports on the severe downturn in the art market during the first half of 2025, focusing on the closure of New York-based Clearing gallery. Despite opting out of Art Basel to host an alternative exhibition in a rented villa to cut costs, the gallery could not survive its financial losses and announced bankruptcy in August. It is one of several prominent galleries—including Blum, Venus Over Manhattan, and Kasmin—that have closed amid falling sales, high overheads, and reduced collector spending.