filter_list Showing 198 results for "Dib" close Clear
search
dashboard All 198 museum exhibitions 77article news 37trending_up market 29article culture 21person people 11article policy 8article local 7gavel restitution 4candle obituary 2rate_review review 2
date_range Range Today This Week This Month All
Subscribe

A Roma si celebra il fotografo riminese Marco Pesaresi a 25 anni dalla morte: docu-film e mostra

Rome is celebrating the work of Rimini-born photographer Marco Pesaresi (1964–2001), 25 years after his death, through two events organized by the photography training center Daylight School, led by Marco Sconocchia. A documentary film titled "Il granchio nudo – La storia di Marco Pesaresi," produced by Riccardo Caccia and Michela Fragomeni and directed by Marta E. Antonioli and Elena Padovan, will be screened on May 21 at Nuovo Cinema Aquila. The film features unpublished materials, including Pesaresi's diaries and poems, and includes interviews with those who knew him. A group exhibition, "UNDERGROUND. Il mondo sotto. Omaggio a Marco Pesaresi," opens May 29 at Daylight School, reinterpreting the themes of his photobook "Underground" through the eyes of 15 photographers.

Echigo-Tsumari MonET Continuous Exhibition Vol. 10: Ryosaku Miyasaka "Ryosaku Miyasaka ART 75 Years Old" @ Echigo-Tsumari Satoyama Museum of Contemporary Art MonET

越後妻有MonET 連続企画展Vol.10 宮坂了作「宮坂了作 ART 75歳」@ 越後妻有里山現代美術館 MonET

The Echigo-Tsumari Satoyama Museum of Contemporary Art (MonET) has announced a major solo exhibition for artist Ryosaku Miyasaka, titled "Ryosaku Miyasaka: ART 75 Years Old." Curated by renowned art critic Noi Sawaragi, the show features early map paintings, recent "plant character" works where the artist grows and eats edible calligraphy, and new pieces created in the Echigo-Tsumari region. Miyasaka, a former student of Allan Kaprow at CalArts, has spent decades balancing his creative output with life as a rice farmer in Nagano Prefecture.

‘Crossing Lines’ exhibition in Design District brings South African art to North Texas

A new exhibition titled 'Crossing Lines: Contemporary Voices from Zimbabwe & South Africa' has opened in the Dallas Design District, showcasing work by three artists—Lloyd Maluleke, Nothando Chiwanga, and Pardon Mapondera. The show is a collaboration between DHV Artworks and the Indibano Art Residency, a Dallas-based program founded by Zimbabwean-born arts advocate Bukekile Dube. The artists explore themes of identity, movement, cultural boundaries, and ecology through mediums including painting, printmaking, photography, mixed media, and recycled materials.

Tutankhamun set to debut at delayed Grand Egyptian Museum opening

The Grand Egyptian Museum (GEM) will hold its official opening ceremony on November 1, more than 30 years after its initial proposal. The centerpiece of the inauguration is the Tutankhamun Gallery, featuring the famous gold funerary mask under bulletproof glass and a full-scale reproduction of the king's tomb. Designed by German studio Atelier Brückner, the gallery offers two narrative paths: one tracing Tutankhamun's life and reign, the other following Howard Carter's 1922 discovery. The museum, located near the Giza pyramids, has already been partially open to visitors, with conservation labs operating since 2010 and contemporary programming running for two years.

New shows in the spotlight at museum’s New Look Weekend

The Minnesota Marine Art Museum (MMAM) will host its Spring New Look Weekend from May 15-17, 2026, celebrating the opening of two new exhibitions: “Gordon Coons: Gidibaajimomin / We Tell Stories” and “Myths & Legends of Minnesota: An Exhibition of the Minnesota Plein Air Collective.” The weekend features a Friday dinner at Nosh Scratch Kitchen with a marine-themed menu by Chef Greg Jaworski, and a full Saturday of programming including a Paint-Along Demonstration with Nelia Harper French, drop-in printmaking with Gordon Coons, a Meet the Artist tour, a plein air paint-out, and a social gathering. Both exhibitions run through August and September 2026.

You Can Help Create Art at This Free Providence Event

The Providence Chalk Art Festival will take place on Saturday, May 16, 2026, at the Providence Rink in Rhode Island. For one day, the rink's concrete surface becomes an open-air gallery where artists of all ages and skill levels create chalk artworks in designated squares. Visitors can watch professional chalk artists at work, walk among the colorful street art, and even participate by creating their own chalk designs in special areas set aside for kids and amateurs. The event also features live music, food vendors, and family-friendly activities, all free to attend.

UWRF hosts annual Juried Student Art Exhibition

The University of Wisconsin-River Falls is hosting its annual Juried Student Art Exhibition from February 23 to March 27 at the Kleinpell Fine Arts Gallery. The free exhibition features works by UWRF students, with a reception and award ceremony scheduled for February 24. The juror for the exhibition is artist Mackenzie Serwa.

How can art fairs become greener?

Art fairs face significant sustainability challenges due to their temporary nature. Untitled Art in Miami Beach, held in a tent on the beach, works with environmental departments to ensure zero impact, reusing its tent annually. Fairs in permanent venues like Art Basel Miami Beach at the LEED Silver-rated convention center must manage temporary walls, energy use, and waste. Exhibitors struggle with high carbon emissions—art fair activities account for a third of a gallery's annual emissions—and waste from packing materials. Shipping constraints often force reliance on air freight over slower, greener options like ocean or rail, especially for last-minute, high-value consignments. The competitive, secretive atmosphere further hinders consolidated shipments and sustainable practices.

Iran will not participate in the Biennale

Iran nimmt nicht an Biennale teil

Iran has withdrawn from the Venice Biennale, according to an announcement by the Biennale organization reported in Italian media. No reasons were given for the decision. The withdrawal comes amid significant turmoil at the Biennale just days before its official opening on Saturday: the entire jury resigned over disputes regarding the treatment of Russia and Israel, the opening ceremony was canceled, and the traditional awarding of Golden Lions at the start has been postponed to the final day in November, with winners now to be decided by visitor vote rather than a jury.

Meloni on Venice Biennale: 'I've somewhat lost track'

Meloni über Venedig-Biennale: "Habe den Überblick etwas verloren"

Days before the opening of the Venice Biennale, the entire international jury resigned in protest over Russia's participation despite its war against Ukraine. The jury had previously excluded Russia and Israel from prize consideration due to International Criminal Court warrants against their leaders. Italy's Prime Minister Giorgia Meloni admitted she had "lost track" of the situation, while the government sent inspectors to Venice. Biennale organizers responded by postponing the Golden Lion awards until November and introducing two audience-choice awards that will include Russian and Israeli entries.

Berlins Kultursenatorin tritt ab

Berlin's Senator for Culture, Sarah Wedl-Wilson, has resigned after less than a year in office, following a damning report from the Berlin Court of Audit. The report found that the allocation of €2.6 million in funding for 13 projects aimed at combating antisemitism was 'evidently unlawful,' citing a lack of proper criteria, arbitrary project selection, and violations of budget regulations. Wedl-Wilson stated she stepped down to prevent damage to the fight against antisemitism, and Governing Mayor Kai Wegner accepted her resignation, vowing to reform the funding system. The opposition has accused CDU politicians of exerting improper influence to push through the projects.

Jury or Public? The Biennale Is Not an Algorithm, But Neither Is It a Liturgy

Giuria o pubblico? La Biennale non è un algoritmo, ma neppure una liturgia

The article critically examines the proposal for "Visitor Lions" (Leoni dei Visitatori) at the Venice Biennale, arguing that the idea is a fragile, quick-fix response to a deeper crisis. It questions whether replacing expert juries with public voting would truly improve the selection process, noting that both systems have significant flaws: juries are not necessarily neutral, often rushed and filtered, while public voting risks favoring accessible, easily consumable works and reinforcing existing hierarchies.

Golden Lions of the Biennale voted by the public? 7 reasons why they cannot work

Leoni d’Oro della Biennale votati dal pubblico? 7 motivi per cui non possono funzionare

On April 30, 2026, the International Jury of the Venice Art Biennale resigned en masse. In response, the Biennale Foundation hastily announced a new initiative called the "Visitor Lions" (Leoni dei Visitatori), where paying visitors would vote to award the Golden Lions for best artist and best national participation. The voting system would rely on ticket tracking to verify attendance at the main venues, the Giardini and the Arsenale. However, just a week before the public opening, no further details had been released, raising numerous practical concerns about the mechanism's feasibility.

An Artist and a Pastry Chef Transform Easter into an Authorial Project

Un artista e un pasticciere trasformano la Pasqua in un progetto d’autore

Artist Giovanni Gaggia and pastry chef Mattia Casabianca have collaborated to create two limited-edition Easter confections, BLU (an egg) and NUVOLA (a dove-shaped cake), that blend contemporary art, high pastry, and material research. The project moves beyond gastronomy to tell a story, with Gaggia developing the visual concept and identity, inspired by a verse from Swiss poet Franco Beltrametti.

Artist’s sausage display eaten by gallery visitors

A conceptual art installation featuring a display of sausages was reportedly consumed by visitors at an art gallery. The incident occurred during an exhibition where the edible components of the artwork were mistaken for refreshments or intentionally consumed as an act of defiance or misunderstanding of the work's boundaries.

Everything you need to know about Bangkok's viral Art Anything Else? exhibition

Bangkok's Give.Me.Museums presents 'Art Anything Else?', a major exhibition by the artist KOMM after a four-year hiatus. The show transforms the museum into an interactive playground with over nine zones, including massive sculptures, an immersive room, a tactile flower playground, and a collaboration with Choco Project where desserts are served on painter's palettes. Visitors can also purchase exclusive merchandise such as Fujifilm cameras and frame magnets. The exhibition runs until May 30, with tickets priced at 200 Baht.

Art museum - The art of stillness: Dib Bangkok

Dib Bangkok, a major new contemporary art museum, has opened in Thailand's capital. Conceived by the late Thai businessman and art collector Petch Osathanugrah and realized by his son Purat 'Chang' Osathanugrah, the museum is housed in a converted 1980s warehouse redesigned by LA-based Thai architect Kulupat Yansantrast of WHY Architecture. It features 7,000 square meters of gallery space across 11 galleries, a central courtyard, an outdoor sculpture garden, and a penthouse. The inaugural exhibition, titled '(In)visible Presence,' presents 81 works by 40 artists exploring memory and the unseen, curated by director Miwako Tezuka.

‘These are dirty funds’: Indigenous Brazilian leader slams Science Museum for oil sponsorship ahead of climate show

Indigenous Brazilian leader Ninawa Huni Kui has condemned the Science Museum in London for accepting sponsorship from BP on the eve of its new exhibition, *Water, Pantanal, Fire*, which highlights climate breakdown in Latin America. The exhibition focuses on the Pantanal wetland, a threatened ecosystem spanning Brazil, Paraguay, and Argentina. Huni Kui called BP's sponsorship "dirty funds stained with blood," and was joined by activists from 350.org and Culture Unstained in criticizing the museum for partnering with a major fossil fuel company while presenting a show about climate impacts.