Meet new curator and concept of the Off white Charity Auction 2018

The 5th anniversary edition of the Off White contemporary art charity auction, organized by the Cosmoscow International Contemporary Art Fair, will take place on June 8, 2018, in partnership with Phillips auction house. For the first time, the auction will be curated by international curator Leopold Thun, co-runner of Emalin gallery in London, who will introduce a new concept, date, venue, and international perspective. Proceeds will benefit the Cosmoscow Foundation for Contemporary Art.

Norman Teague: Love Reigns Supreme

Norman Teague is the subject of a documentary film produced by Firelight Media in association with The WNET Group for the PBS series 'American Masters.' The film, directed by Adewole A. Abioye and produced by Aderemi Abioye, explores Teague's life and creative journey as a visual artist. The program is part of the 'In the Making' series and is funded by multiple foundations including the Corporation for Public Broadcasting and the Rosalind P. Walter Foundation.

US billionaire Howard Buffett and Ukrainian Railways team up to create ‘art train’ exploring war-time resilience

Ukrainian Railways (Ukrzaliznytsia) has partnered with the Howard G. Buffett Foundation to launch an 'art train' — three train cars converted into a traveling gallery — that is currently crossing Ukraine. The exhibition, titled *Courage of a Nation*, features photographs taken by billionaire Howard Buffett during his 19 trips to Ukraine between April 2022 and February 2025, documenting the country's resilience after Russia's full-scale invasion. Curated by Pulitzer Prize-winning National Geographic photographer Muhammed Muheisen, the show will make 63 stops over four months, starting in Odesa. Due to security risks, the exact timetable is not publicly announced. A book of the same name, with a foreword by Ukraine's first lady Olena Zelenska, has also been published.

Is Art Dying Along With Work?

Stirbt die Kunst mit der Arbeit?

The rapid advancement of artificial intelligence raises a fundamental paradox for the future of creativity: while automation could theoretically free humans from labor to pursue artistic endeavors, it simultaneously threatens the economic foundations of the art world. If AI-driven job displacement leads to a widespread loss of disposable income, the commercial market that sustains professional artists could effectively collapse.

Cultural heritage reform. The 'Italia in scena' law gives some answers but raises many questions

Riforma dei beni culturali. La legge “Italia in scena” dà alcune risposte ma produce tante domande

Italy's parliament approved the "Italia in scena" law in March 2026, a cultural heritage reform aligned with right-wing priorities: territorial valorization, local identity promotion, autonomy, and private-sector involvement. The law establishes a digital registry (Anagrafe), a roster of accredited operators, and a framework for private management of cultural assets, but allocates only €4.5 million annually—a symbolic sum compared to France's cultural mediation budgets. It also opens participation to the Third Sector (cooperatives, community foundations) but defers all critical details to implementing decrees with no strict deadlines or enforcement mechanisms.

In Lucca, the Perfect Exhibition to Rediscover the Talent of Painter Emilio Malerba

A Lucca c’è la mostra perfetta per riscoprire il talento del pittore Emilio Malerba

The Fondazione Ragghianti in Lucca is hosting a major retrospective dedicated to Emilio Malerba, a key member of the Novecento Italiano movement who died a century ago. Curated by Paolo Bolpagni and Elena Pontiggia, the exhibition marks the first solo presentation of Malerba’s work since 1931. The showcase spans his early career in commercial advertising for brands like Amaro Ramazzotti to his mature paintings that lean toward Magic Realism, featuring intimate portraits that prioritize psychological depth over narrative.

What’s new at Springfield’s First Friday Art Walk this February

Springfield's February First Friday Art Walk is set to feature a diverse lineup of exhibitions and events across multiple downtown venues. Highlights include the Annual Foundations Exhibition at Brick City Gallery showcasing Missouri State University student work, a photography exhibition on English medieval architecture by Tom Russo at Drury Pool Arts Gallery, and a fifth-anniversary celebration for the artist collective Formed. Other participating locations include Hotel Vandivort, Obelisk Home, The Creamery Arts Center, and the Carolla Arts Exhibition Center, which will host a 40-year ceramic art retrospective by Keith Ekstam.

Niverville Foundation Returns with Art Exhibit Showcasing Local Talent

The Niverville Foundation is hosting its annual spring art show on May 7, 2026, at the Golden Friendship Centre, combined with the foundation's annual general meeting. The event features four local emerging artists: returning talents Jolene Pauls and Jenn Lundy, along with Joey Dean and international award-winning artist Margaret Switala. Tickets are $25, available at the Niverville Credit Union or at the door, with wine and charcuterie served during the exhibition.

73rd annual Shasta College student art exhibit opens this May

Shasta College in Redding, California, will host its 73rd Annual Art Student Exhibit from May 5 to May 19, 2025, in the Shasta College Art Gallery. The exhibition features student works across various genres and media, juried by J. Pouwels, a painting, drawing, and foundations instructor at Chico State. Over $4,000 in awards will be presented, with a Juror's Lecture on April 30 and a Reception and Awards Ceremony on May 7.

Afghanistan’s heritage comes to the fore in acclaimed Doha show

A new exhibition at the Museum of Islamic Art (MIA) in Doha, titled *Empire of Light: Visions and Voices from Afghanistan*, highlights Afghanistan’s art and history from pre-Islamic times to the present day. Running until 30 May and timed to Art Basel Qatar week, the show draws primarily from MIA’s collection, with loans from Qatari institutions and international lenders such as the National Museum of Asian Art at the Smithsonian. It includes historical objects like a 13th-century ewer and a 9th-century Qur’an folio, as well as contemporary works such as Khadim Ali’s *Un-Safe Heaven* (2025), a textile piece embroidered by Afghan men and women. No objects come from Afghan museums, but large-scale wooden models and glass vessels were produced in Afghanistan with help from the Aga Khan Trust for Culture.

Where Private Fortunes Treat the Public to Sumptuous Art

The New York Times article explores the growing trend of private collectors and foundations establishing their own museums to showcase their art collections to the public. These institutions, often funded by immense private fortunes, offer lavish exhibition spaces and high-profile shows that rival traditional public museums, blurring the lines between private ownership and public cultural access.