collector questionnaire yu chi lyra kuo technology art

Yu-Chi Lyra Kuo, an entrepreneur, investor, and Harvard-educated lawyer, is profiled for her pioneering work at the intersection of frontier technology and art. A former Princeton academic and one of the youngest board members of the Shed in New York, Kuo began collecting art as a child with a jade gourd from her grandfather's museum of Asian carvings. She was an early entrant into blockchain in 2011, co-founded OpenSea 2.0, and now advises frontier tech companies like Orchid Health. Kuo believes technologies such as AI and robotics can enhance human creativity, enabling individualized artworks, autonomous creations, and robot performances, rather than replacing human cultural meaning.

Art in America’s Summer “New Talent” Issue Names 20 Artists to Watch

Art in America, the sister publication of ARTnews, has announced its Summer 2026 "New Talent" issue, featuring 20 emerging artists selected by the magazine's editors. The list includes international artists working across various mediums, such as Joeun Kim Aatchim, Jenny Calivas, Kiah Celeste, Malo Chapuy, Mitchell Charbonneau, Isaiah Davis, Elizabeth Glaessner, Juliana Halpert, Craig Jun Li, Kinlaw, Koyoltzintli, Kyung-Me, Chyrum Lambert, Terran Last Gun, Satchel Lee, Claudia Pagès Rabal, Ren Light Pan, Emma Safir, Frank Wang Yefeng, and Alexa West. Profiles of each artist appear in the print edition and will be published online in the coming weeks.

Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale

The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.

Pleasure, parody and propaganda: rethinking the art of illustration in a new history of the genre

D.B. Dowd's new book "Reading Pictures" offers a sweeping 400-page history of illustration, tracing the genre from the Diamond Sutra frontispiece in Tang China (AD868) to Molly Crabapple's Gaza reports in 2015. The book examines key works such as Jules Chéret's 1891 poster for the Alcazar d'Été Club, Stuart Davis's caustic covers for The Masses, and Duong Ngoc Canh's Vietnamese propaganda poster, arguing that illustrations are meant to be "read" rather than admired like museum paintings.

What It Takes to Build the Venice Biennale

Three weeks before the Venice Biennale opens on May 5, the city remains a construction site, with the Giardini closed and parts of the Arsenale requiring special access. Artist Faustin Linyekula rehearses his performance *The Galeazze Project* in a 16th-century roofless complex, working with the existing gravel, natural light, and lagoon acoustics rather than imposing a structure. Geopolitical conflicts, supply chain disruptions, and the sudden resignation of the Biennale’s international jury via Instagram add pressure to the already challenging logistics of mounting the global exhibition.

Giorno Poetry Systems Gives Grants to 12 Artists Including Jacolby Satterwhite, Puppies Puppies (Jade Guanaro Kuriki-Olivo), and the Late Agosto Machado

Giorno Poetry Systems, the nonprofit founded by artist John Giorno in 1965, has launched a new need-based grant program called the Treat a Stranger Grant. The inaugural round awards $4,545 each to 12 artists, including Jacolby Satterwhite, Puppies Puppies (Jade Guanaro Kuriki-Olivo), Samiya Bashir, Malcolm-X Betts, Pe Ferreira, Mercy Kelly, the late Agosto Machado (whose funds go to his estate), Gavilán Rayna Russom, Keioui Keijaun Thomas, Christopher Udemuezue, and two anonymous recipients. The program revives the spirit of Giorno's AIDS Treatment Project from the 1980s and '90s, which provided direct financial support to artists affected by the epidemic.

Wildenstein dispute over Monet work highlights art market opacity

A long-running dispute involving the Wildenstein art dynasty has resurfaced over a 2004 transaction for Claude Monet's *Adolphe Monet Reading in a Garden* (1867). The painting was acquired by Guy Wildenstein through a €4.5m deal that included works by Pierre Bonnard and Alfred Sisley, among them Monet's *Marine, Amsterdam* (1874). That work was later resold via Christie's, but a 2020 sale attempt revealed that the original canvas had been lost during a transfer process, significantly reducing its value. Court-appointed specialists concluded in 2024 that the alteration predated the transaction and that the gallery likely knew of the damage. The sellers have filed a claim alleging "vitiated consent" under French law, with a court date set for 7 May in Rouen. The disputed Monet now reportedly belongs to billionaire Larry Ellison.

When archaeology was dominated by men | Letters

A reader named Elke Bachler writes a letter to The Guardian challenging a sentence in a review of Thomas Laqueur's book *The Dog's Gaze*. The review described a prehistoric scene as showing "a boy and a dog" standing together in wonder before cave art. Bachler argues there is no evidence the child was a boy, noting that archaeology has historically been dominated by men who interpreted evidence through contemporary gender roles.

Mary Lovelace O’Neal, painter and activist, 1942–2026

Mary Lovelace O’Neal, the American painter, professor, and civil rights activist, has died at age 84. Born in Jackson, Mississippi, she was a co-founder of the Non-Violent Action Group while a student at Howard University, later earning an MFA from Columbia University. Known for monumental abstract works on soot-black surfaces, she developed her signature technique through the Lampblack series (1960s–70s) and continued evolving her practice through series such as Whales Fucking (1970s–80s) and Panthers In My Father’s Palace (1980s–90s). In 1985, she became the first African American woman to receive tenure in the Department of Art Practice at the University of California, Berkeley, where she taught for nearly three decades and served as chair from 1999 until her retirement in 2006.

81 artists withdraw from Venice Biennale competition

Kader Attia announced as curator of the 7th Kochi-Muziris Biennale

Kader Attia has been announced as the curator of the 7th edition of the Kochi-Muziris Biennale, scheduled for 2027–2028. The announcement was made by the Kochi Biennale Foundation via Instagram, with Attia selected by a committee chaired by Jitish Kallat and including Shilpa Gupta, Amrita Jhaveri, Pooja Sood, Tasneem Zakaria Mehta, Mariam Ram, and Rirkrit Tiravanija. Attia, an artist, curator, and professor at HfbK-Hamburg, is known for his work exploring history, memory, repair, and colonial legacies across installation, sculpture, film, and archival research.

Dialing Up the Dollars: Giorno Poetry Systems Names Inaugural Recipients of New Need-Based Grant

Giorno Poetry Systems (GPS), the New York-based nonprofit founded in 1965 by artist John Giorno, has announced the twelve inaugural recipients of its new need-based grant, the Treat a Stranger grants. Each recipient receives an unrestricted grant of $4,545 to cover daily expenses like food, housing, health care, and emergencies. The grants are a relaunch of GPS's AIDS Treatment Project grants from 1984–1994, and are named after Giorno's mantra, “Treat a complete stranger with the same compassion you would treat a lover or a good friend.” Winners are selected by a rotating anonymous jury of LGBTQIA+ artists, poets, and musicians through a multi-meeting nomination and voting process.

Frist Art Museum Presents Exhibition Spanning 100 Years of Contemporary Indigenous Art, Highlighting a Continuum of Elders and Emerging Makers

The Frist Art Museum is presenting a new exhibition that spans 100 years of contemporary Indigenous art, featuring works from both established elders and emerging makers. The show aims to highlight the continuity and evolution of Indigenous artistic practices across generations.

Berlin is the capital of contemporary performance. Here's why

Berlino è la capitale della performance contemporanea. Ecco perché

Berlino si conferma capitale della performance contemporanea, con musei e spazi non teatrali che diventano luoghi di azione e sperimentazione. L'articolo descrive quattro recenti performance: 'Glitch Choir – Vocal Variations' di Deva Schubert allo Schinkel Pavillon, dove il corpo e la voce esplorano il glitch come condizione fisica e politica; 'Roses Rising – The Movement' di Leila Hekmat al Gropius Bau, un rituale collettivo di danza e musica; e altre opere che trasformano istituzioni come l'Hamburger Bahnhof in dispositivi di produzione sensoriale. Anche il Bode Museum partecipa con 'The Healing Museum', uno spazio di meditazione interreligioso.

Looking for art, culture? See the latest Central Illinois exhibits

A roundup article highlights current and upcoming art and cultural exhibitions across Central Illinois, featuring venues such as the McLean County Museum of History, Krannert Art Museum, Prairie Aviation Museum, Peoria Riverfront Museum, Eaton Studio Gallery, Illinois Art Station, Illinois State Museum, McLean County Arts Center, Main Gallery 404, Abraham Lincoln Presidential Library and Museum, Dickson Mounds Museum, and David Davis Mansion State Historic Site. Specific shows mentioned include "Material Memory" fiber arts show at Brandt Gallery, "Goya's Ghosts" at Armstrong Gallery, "Arts Alive!" auction at Dolan Gallery, "Lincoln: Sight, Sound & Touch" at the Abraham Lincoln Presidential Library and Museum, "Ken Kashian Botanical Photography Exhibit" at IAA Credit Union, and "Kelly Pile Pyrography Pop-up Sale" at Main Gallery 404.

Vancouver Art Gallery's "Future Geographies" Exhibit Explores How Art Responds to Climate Change

The Vancouver Art Gallery has opened "Future Geographies: Art in the Century of Climate Change," an exhibition curated by Eva Respini, the gallery's interim co-CEO and curator at large. Featuring over 30 artists and 35 works—including sculptures, paintings, video installations, and photographs—the show explores climate change through themes of living knowledge, consumed earth, speculative worlds, and material memory. Highlights include Brian Jungen's whale-skeleton sculpture made from plastic chairs and Clarissa Tossin's multimedia weaving of Amazon boxes. The exhibition also incorporates sustainability in its organization, using recycled cardboard for labels, overland shipping for loans, and commissioning local artists.

Maine: A Force Within American Art (1890-2026) At Farnsworth Art Museum

The Farnsworth Art Museum in Rockland, Maine, has opened a year-long exhibition titled "Maine: A Force Within American Art (1890-2026)" in honor of America's 250th anniversary. The show presents 150 works across media, highlighting the state's artistic legacy from the late 19th century to the present. It features leading modernists such as Marsden Hartley, John Marin, Charles Demuth, and Georgia O'Keeffe, who found inspiration in Maine's landscapes, as well as contemporary artists like Theresa Secord. The exhibition is curated by Jaime DeSimone and Francesca Soriano, in collaboration with multiple institutions including the Ellis-Beauregard Foundation and Skowhegan School of Painting and Sculpture.

An outsider artist takes the world's biggest stage with the US Pavilion at the Venice Biennale

U.S. artist Alma Allen, a self-taught sculptor from Utah who works in Mexico, has been selected to represent the United States at the Venice Biennale with his exhibition "Call Me the Breeze" at the U.S. Pavilion. The selection process was fraught and opaque, with institutions declining to bid for the commission due to concerns about administration politics after the open call removed diversity, equity and inclusion language in favor of promoting "American values." A prior proposal for artist Robert Lazzarini fell apart after its institutional sponsor backed out, and Allen's project was quickly assembled with the American Arts Conservancy as sponsor and Jeffrey Uslip as curator. Allen, who has lived outside the critical art world for three decades, created a bronze evil eye for the pavilion's exterior and a headless sheep sculpture as a self-portrait of an outsider.

The FLAG Art Foundation Named Founding Sponsor of Alchemy with Anthony Mason, Launching May 6

The FLAG Art Foundation has been named the founding sponsor of "Alchemy with Anthony Mason," a new long-form interview series launching May 6, 2026. Hosted by CBS News special correspondent Anthony Mason, the series features intimate 45-minute conversations with artists such as Hozier, Paul Simon, Nile Rodgers, Violet Grohl, and Taj Mahal, focusing on the transformative creative process rather than the finished work. The partnership is integrated into the series' identity, with each episode presented under FLAG's support and connecting viewers to contemporary art exhibitions, including Ellsworth Kelly: Eight Decades at the Parrish Art Museum and the reopening of the David Geffen Galleries at LACMA.

This Years Met Gala Felt More Like an Art Exhibition Than a Red Carpet

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, was widely described as feeling more like an art exhibition than a traditional red carpet. The theme, "Costume Art," with the dress code "Fashion Is Art," encouraged celebrities to treat their bodies as canvases. Beyoncé made a highly anticipated return after a decade, serving as a co-chair alongside Nicole Kidman, Venus Williams, and Anna Wintour. Beyoncé wore a sculptural skeleton-inspired design by Olivier Rousteing, while Kiddon wore a shimmering red Chanel gown and Williams donned a Swarovski crystal gown inspired by her Smithsonian portrait. Other notable looks included Sabrina Carpenter in a Dior dress made from vintage film strips, Kendall Jenner referencing classical sculpture, Madonna channeling surrealist painter Leonora Carrington, and Heidi Klum arriving as a marble statue. Inside, live performances by Sabrina Carpenter and Stevie Nicks added to the spectacle.

Beyoncé, Bad Bunny and Heidi Klum take artistic liberties with Met Gala dress code

The 2026 Met Gala, celebrating the opening of the Costume Institute's "Costume Art" exhibition, saw celebrities including Beyoncé, Naomi Osaka, Emma Chamberlain, and Heidi Klum embrace the dress code "Fashion is art" with bold, sculptural, and art-inspired ensembles. Beyoncé wore a custom Olivier Rousteing skeleton dress with a feathered train and diamond crown, while Osaka stunned in a Robert Wun white sculptural dress with a red anatomy-themed reveal. Co-chairs Anna Wintour, Nicole Kidman, and Venus Williams also made notable appearances, with Williams referencing a Robert Pruitt portrait of herself. Many guests drew direct inspiration from art history, such as Lauren Sánchez Bezos channeling John Singer Sargent's "Madame X" and Lena Dunham collaborating with Valentino's Alessandro Michele to depict Artemisia Gentileschi's "Judith Slaying Holofernes."

Yu-Chi Lyra Kuo Shares a Vision for the Future of Art, Technology, and Creativity

Yu-Chi Lyra Kuo, an entrepreneur, investor, Harvard-educated lawyer, former Princeton academic, and board member of the Shed, shares her vision for integrating frontier technologies like artificial intelligence and robotics into the art world. She argues that these tools can enhance human creativity rather than replace it, drawing on her early experiences with Asian antiquities and her pioneering work in blockchain, including co-founding OpenSea 2.0. The article, based on an interview with CULTURED, traces her journey from collecting a jade gourd as a child to advising tech companies and joining the board of the Shed, a Bloomberg-backed cultural center in Hudson Yards.

Between Tropes and Treats at NADA New York

The 12th annual New Art Dealers Alliance (NADA) fair opened at the Starrett-Lehigh Building in Manhattan, featuring a wide array of contemporary works. Critic Rhea Nayyar notes that while many booths felt interchangeable due to prevalent trends like zany sculptures, shiny materials, and kitschy vibrancy, several standout pieces offered genuine engagement. Highlights include Elena Roznovan's maternal ephemera embedded in concrete with bondage tape, Kelly Tapia-Chuning's deconstructed serapes addressing colonial violence, and Niniko Morbedadze's folkloric illustrations.

Getty’s Black Visual Arts Archives receives additional $1.8m in funding

The Getty Foundation has awarded an additional $1.8 million to its Black Visual Arts Archives initiative, bringing total funding to $4.5 million across 20 awards. The program supports institutions in processing, digitizing, preserving, and activating archival collections related to Black artists and arts organizations in the US. Grantees include Afro Charities, the Auburn Avenue Research Library, Berkeley Art Museum and Pacific Film Archive, Charles H. Wright Museum, Morgan State University, the South Side Community Art Center, the University of Chicago’s South Side Home Movie Project, and the David C. Driskell Center. Notable discoveries include footage of the original Wall of Respect mural from the South Side Home Movie Project.

Metropolitan Museum receives $23m to endow internship programme

On 30 April, the Metropolitan Museum of Art announced a $23m pledge from the Rubio Butterfield Foundation, led by newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, to permanently endow the museum's internship program. The internships, offered for nearly 30 years with 100 participants annually, have only been paid since 2021. The article also explores broader trends in museum philanthropy, featuring insights from former directors Gary Vikan, Gary Tinterow, and Maxwell Anderson on how donors are often guided to fund endowments for curatorial positions, operations, or awards rather than art acquisitions.

THE MET GETS A NEW GREAT HALL BY PETERSON RICH OFFICE

Peterson Rich Office (PRO) has designed a new Great Hall Gallery for the Metropolitan Museum of Art, occupying 12,000 square feet across five sequential rooms in a former exterior courtyard adjacent to the landmark Great Hall. The renovation exposes and celebrates historic exterior façades from the 1880s and 1890s, creating a layered architectural experience. The space is intended to host rotating exhibitions, particularly the Costume Institute's annual spring show, and is currently under construction.

Panel Discussion: Regeneration — Long Island’s History of Ecological Care at Parrish Art Museum

The Parrish Art Museum is hosting a panel discussion on May 24, 2026, featuring artist Sara Siestreem and members of the Shinnecock Kelp Farmers, moderated by Associate Curator Scout Hutchinson. The conversation celebrates their collaborative work in the exhibition "Regeneration: Long Island’s History of Ecological Art and Care," which runs through June 14, 2026. The Shinnecock Kelp Farmers, an intergenerational collective of Indigenous women, restore ancestral seaweed harvesting traditions to address water pollution, while Siestreem’s artistic practice incorporates abstract mark making, basket weaving, and Xerox transfers to highlight Indigenous land rights and ecological restoration.

In Minor Keys A Cacophony At 61st Venice Biennale – Miranda Carroll

The 61st Venice Biennale, titled 'In Minor Keys,' opened with a central exhibition curated by the late Koyo Kouoh, who died in 2025. The show features 110 artists and collectives, realized by a team of five curators known as 'la squadra di Koyo.' The exhibition spans the Giardini and Arsenale venues, with works including Otobong Nkanga's living facade installation, Theo Eshetu's dying olive tree, and Nick Cave's vibrant sculptures. Poems and quotes by Refaat al-Areer, Etel Adnan, Toni Morrison, and Ben Okri punctuate the spaces, encouraging visitors to pause and reflect.

A Major Exhibition on Elsa Schiaparelli opens at the V&A

A major exhibition dedicated to the pioneering fashion designer Elsa Schiaparelli has opened at the Victoria and Albert Museum (V&A) in London. The show explores Schiaparelli's innovative designs, her collaborations with surrealist artists like Salvador Dalí, and her lasting influence on fashion and visual culture.

Besser Museum hosts Dr. Kelly Bushey for final Gallery Talk in Divine Comedy Series

Dr. Kelly Bushey will deliver the final Gallery Talk titled “The Agnostic and The Atheist” at the Besser Museum for Northeast Michigan on May 28, as part of a four-part lecture series accompanying the museum's exhibition *Divine Comedy Reenvisioned*. The talk explores Salvador Dalí's transition from surrealism to neo-classicism, influenced by his encounter with Sigmund Freud and his renewed spiritual perspective, offering insight into his illustrations of Dante Alighieri's *Divine Comedy*. The exhibition remains on view through July 18.