Greenock Art Club has scheduled its annual summer art exhibition and craft sale, set to take place over two consecutive weekends in June. Hosted at The Stables in Gourock, the event will showcase a diverse range of works produced by local artists and makers, with all pieces available for public viewing and purchase.
Northwind Art has launched a call for entries for its upcoming juried exhibition, "Northwest Expressions," scheduled to run from June 25 through August 10 at the Jeanette Best Gallery in Port Townsend. Open to artists aged 16 and older residing in Washington and Oregon, the showcase accepts a wide range of media including painting, jewelry, sculpture, and photography. The submission deadline is May 29, with artist and educator Anne Pfeiffer serving as the 2026 juror.
The Yale School of Art is hosting "Tender Hell," an exhibition showcasing the thesis work of five Master of Fine Arts students in graphic design. The show features the work of Michael Stevens, Amy Fang, David Wonsik Jung, Camille J. Gwise, and Izza Alyssa, who utilize diverse media including collage, metal sculpture, and large-scale grids to explore the intersection of design and personal narrative.
American University's Studio Art MFA candidates will present their thesis exhibition, titled "If That Makes Sense," at the AU Museum from April 18 to May 17, 2026. The show features nine artists—Rob Balsewich, Michael Dodson, Julia Fouser, Ryan Kennedy, Kelvin He Hao Low, Lexi Moser, Austin Remetta, Brenay Spencer, and Sarah Bell Wilson—whose works span painting, sculpture, textiles, sound, and installation, exploring themes of memory, identity, materiality, and collective experience.
Christie’s has announced an upcoming auction titled "Between Madness and Beauty," featuring selections from the personal collection of Anna Condo. The sale highlights the curated taste of the filmmaker and photographer, showcasing a range of works that bridge historical and contemporary aesthetics.
Adriano Pedrosa, the first Latin American and openly queer curator of the Venice Biennale, has unveiled a record-breaking artist list for the 60th edition titled "Foreigners Everywhere." Featuring 331 artists, the main exhibition is the largest in the event's history and introduces a "nucleo storico" designed to provide belated recognition to overlooked figures from the Global South and marginalized communities. Pedrosa’s selection process intentionally challenges the Western-centric traditions of the art world by focusing on themes of displacement and the "stranger."
The annual Artexpo New York returns to the city's cultural calendar this week, serving as a major highlight among a diverse array of local events. The fair joins other significant spring activations including the New Directors/New Films festival at Lincoln Center and MoMA, the Big Umbrella Festival, and the seasonal reopening of major outdoor markets like Smorgasburg.
Raja Ravi Varma’s 1890s masterpiece "Yashoda and Krishna" has set a new record for the most expensive Indian artwork ever sold at auction. During Saffronart’s Spring Live Auction, the painting fetched Rs 167.2 crore (approximately $18 million), far exceeding its pre-sale estimate of Rs 80–120 crore. The work was acquired by billionaire Dr. Cyrus S. Poonawalla, chairman of the Serum Institute of India, who has pledged to make the national treasure available for periodic public viewing.
The Jenny Penney Local Makers Shop & Gallery at Mangerton Mill is currently hosting a solo exhibition of works by painter David Brooke. The show features Brooke’s signature narrative style, which blends elements of mythology, fantasy, and humor into intricate, dreamlike scenes. Visitors are invited to explore the detailed brushwork and hidden stories within his characters and landscapes through May 20.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) has launched "Routed West: Twentieth-Century African American Quilts in California," the first major thematic exploration of the 3,000-piece Eli Leon bequest. Curated by Elaine Yau, the exhibition features over 100 quilts by approximately 80 artists, tracing the migration of improvisational textile traditions from the American South to the Bay Area. The show highlights how these portable objects served as both functional necessities and vital forms of self-expression for Black women during the mid-20th century Great Migration.