Alexander Morrison, a prominent figure in the art world, has passed away. The article, published by The Art Newspaper, reports on his death and likely includes tributes to his contributions, though the provided text is limited to subscription prompts and footer information, lacking full details on his life and career.
Greater Boston's fall art exhibitions feature a range of shows that reflect on social issues and artistic traditions. Notable exhibits include Jean Shin's "Fabricated Imaginaries: Crafting Art" at the Rose Art Museum, which explores textile consumption and Asian stereotypes; "Sketch, Shade, Smudge: Drawing from Gray to Black" at Harvard Art Museums, showcasing monochromatic works; "Andrew Gn: Fashioning the World" at the Peabody Essex Museum, highlighting the designer's blend of Eastern and Western aesthetics; and "List Projects 33: Every Ocean Hughes" at MIT List Visual Arts Center, examining the process of dying through video installation.
This fall, Seattle's visual arts scene is exceptionally strong, with a curated guide highlighting 16 must-see exhibitions across the city. Notable shows include Matthew Deane Parker's 'Hard Body' at Gallery 4Culture, featuring foam boulders sculpted by an artist with multiple sclerosis; Rob Rhee's 'Crossings' at the Jacob Lawrence Gallery, using dried gourds; and Stefan Gonzales's 'Unclassified Materials' and 'Quarry,' which reimagine land art through a decolonial lens. Other highlights include Rodney McMillian's 'Neighbors' at the Henry Art Gallery, 'Woven in Wool' at the Burke Museum showcasing Coast Salish weaving, and a trio of Indigenous-focused shows at the Frye Art Museum featuring Camille Trautman, Priscilla Dobler Dzul, and a survey of the late Beau Dick.
Nanette Carter, an abstract artist working since the 1970s, will present her solo exhibition *Nanette Carter: Afro Sentinels* at the Wexner Center for the Arts in Columbus, Ohio, opening August 22. The show includes a new three-dimensional metal commission, marking her first move off the wall, alongside collages, paintings, and sculptures that explore themes of balance, Black subjectivity, and political turmoil. Carter, born in Columbus in 1956, studied at Oberlin College and the Pratt Institute, where she taught for 20 years, and her work draws on jazz, Russian Constructivism, and her father's civil rights legacy.
Aspen, Colorado's art scene is expanding with two concurrent art fairs and a new festival during Aspen Art Week. The 15th edition of Intersect Aspen, the city's longest-running fair (formerly Art Aspen), will feature 28 galleries including Jackson Fine Art and debutant 212 Gallery. CEO Tim von Gal reports record attendance and sales from 2023. Meanwhile, the Aspen Art Fair returns for its second edition at the historic Hotel Jerome, doubling its exhibitor list to 43 galleries, including Perrotin and Miles McEnery Gallery. Co-founded by Rebecca Hoffman and dealer Bob Chase, the fair emphasizes a convivial, community-focused atmosphere.
Terrence Sanders-Smith, a former gallery owner who recently returned to New Orleans, has opened Smith Contemporary at 440 Julia Street in the city's historic Gallery Row. The gallery is one of the few Black-owned galleries in the area's history. Sanders-Smith plans to sell work by racially diverse artists and is organizing a new national art fair, modeled after Miami Basel, to launch as soon as spring 2026. The article also features commentary from former gallery owner Myesha Francis on the importance of Black-owned spaces for artists and audiences of color.
Photo London, the UK's leading photography fair, is preparing for its 10th edition from 15 to 18 May at Somerset House under new director Sophie Parker. Parker, the fair's first female director and a longtime staff member, aims to move beyond the so-called 'Kate Moss Index'—industry slang for the prevalence of safe, traditional photographic subjects like supermodel portraits—by rewarding galleries that take risks with more experimental work. The fair has cycled through several directors in recent years, including Roderick van der Lee and Kamiar Maleki, but Parker brings an insider's perspective and a working-class background to the role.
Nicola Lees, director of the Aspen Art Museum since 2020, discusses her tenure and the launch of AIR, a new initiative that blends festival, think tank, and public artwork to cultivate artists as leaders. The weeklong kickoff event begins with a closed-door session for artists, scientists, and technologists, followed by citywide programming from July 29 to 31. Lees reflects on how the museum's remote Colorado location has become an asset, enabling durational projects like Precious Okoyomon's rooftop garden, and emphasizes artist-centered programming and long-term collaborations.
The article is a review of the Marcel Duchamp retrospective at the Museum of Modern Art (MoMA) in New York, the first such show since 1973. Featuring around 300 works from Duchamp's six-decade career, the exhibition includes his iconic readymades like "Fountain" (1917) and early paintings such as "Nude Descending a Staircase, No. 2" (1912). Co-curated by MoMA's Ann Temkin and Michelle Kuo along with Matthew Affron of the Philadelphia Museum of Art, the show runs through August 22, 2026, before traveling to Philadelphia.
The National Gallery in London is celebrating its 200th anniversary, marking two centuries since its founding in 1824. The milestone is being commemorated with a series of special exhibitions, events, and public programs throughout the year, highlighting the museum's collection of over 2,300 paintings and its role as a cornerstone of British cultural heritage.
The ninth edition of the "Various Others" festival in Munich brings together institutions, off-spaces, and galleries for a city-wide series of exhibitions in May. Highlights include Walter Storms Galerie presenting Anselm Reyle's first Munich solo show with Istanbul's Dirimart; Kraupa-Tuskany Zeidler collaborating with Rome's T293 to show Simon Denny's tech-critical works; Max Goelitz pairing Lukas Heerich and Rindon Johnson with Eva Hesse in dialogue with Hauser & Wirth; Lohaus Sominsky and Paris's Mennour featuring Ilit Azoulay and Alicja Kwade; and Rüdiger Schöttle hosting Milena Muzquiz and Elif Saydam. A new parcours exhibition, "Vectors," inspired by Jan Hoet's "Chambres d'Amis," places contemporary art in tech company offices across Munich.
"Nachahmungen eines mittelmäßigen Teenagers auf Tranquilizern"
The Victoria & Albert Museum has reportedly censored exhibition catalogs following pressure from Chinese printing firms, removing images and maps related to sensitive topics like Tibet and Tiananmen Square. This editorial roundup also highlights artist Molly Crabapple’s sharp critique of generative AI as a massive intellectual property theft and a profile of Rirkrit Tiravanija’s communal home in Thailand, which functions as a social sculpture.
Eric N. Mack has created a site-responsive installation titled "A Whole New Thing" for the lobby commission at the Wexner Center for the Arts in Columbus. The work continues his exploration of abstraction, foregrounding fabric as an expressive, atmospheric, structural, and social medium that reveals a painterly sensibility.
Art Basel has announced a new initiative called "Basel Exclusive" for its upcoming Swiss fair, running June 18–21 with VIP previews June 16–17. Under the program, participating galleries will withhold at least one artwork—or even their entire booth—from the PDF previews sent to clients ahead of the fair, encouraging collectors to visit in person. So far, 170 of 232 exhibitors (nearly 75%) have signed on, including major galleries like Gagosian, Hauser & Wirth, Pace Gallery, David Zwirner, Gladstone, Lehmann Maupin, Lisson, Matthew Marks, Paula Cooper, Thaddaeus Ropac, and White Cube, as well as secondary-market dealers such as Galerie 1900-2000, Helly Nahmad, Landau, Mayoral, Pace Di Donna Schrader, and Van de Weghe. Art Basel’s chief artistic officer Vincenzo de Bellis described it as a "gallery-led process" developed from conversations with exhibitors, formalized during Art Basel Hong Kong.
A think tank and a philanthropic foundation have launched a $1 million accelerator grant program for museum and performing arts leaders. The initiative, a partnership between Remuseum (an initiative of Crystal Bridges Museum) and the Doris Duke Foundation, will award up to ten $100,000 grants and provide a year-long residency program to help leaders develop innovative strategies to boost relevance and financial stability.
A new study published in *Psychology of Aesthetics, Creativity, and the Arts* by French researcher Temenuzhka Dimova uses eye-tracking technology to examine how pointing fingers in Old Master paintings affect viewer attention. Conducted through the University of Vienna’s Laboratory for Cognitive Research in Art History (CReA), the study compared participants' eye movements when viewing original paintings—such as Theodor Rombouts's *The Card Players*—and digitally altered versions where the pointing gestures were removed. Results showed that viewers focused more on the faces of pointing figures and the narrative context, not just the target of the gesture, and that removing the finger fundamentally changed how the story was perceived.
A small statue depicting President Donald Trump raising his fist after a failed assassination attempt during a 2024 campaign rally has appeared on his Oval Office desk, drawing renewed attention. The sculpture, based on a photograph by Associated Press photographer Evan Vucci, was created by artist Stan Watts, who is fundraising for a nine-foot-tall version. Separately, documentary filmmaker Steven C. Barber installed a life-sized bronze monument of the same scene at Trump International Golf Club in West Palm Beach, Florida, created by George and Mark Lundeen of Lundeen Sculpture.
Intervista al grande scultore Charles Ray che a Los Angeles si mostra in due diverse gallerie
Charles Ray, the renowned American sculptor, opened two simultaneous solo exhibitions in Los Angeles on April 18, one at Matthew Marks Gallery and the other at Jeffrey Deitch Gallery, located about a mile apart. The Matthew Marks show features three new works, including "Junk 2" (2026) and "The Animation of Pandora" (2026), while the Deitch exhibition presents three older iconic pieces such as "Firetruck" (1993), "Pepto-Bismol in a Marble Box" (1988), and "Table" (1990). Ray, who has lived in Los Angeles for four decades, is known for his meticulous, slow-working process and his exploration of the human body and everyday objects at altered scales.
The article presents a data-driven analysis of the top-performing artists at auction in 2025, highlighting specific works and their record-breaking sales. J.M.W. Turner re-entered the top ranks with a $11.9 million sale, while Jean-Michel Basquiat dominated the contemporary category with a $48.3 million result for his painting 'Crowns (Peso Neto)'. Other notable sales included works by René Magritte, David Hockney, and the ultra-contemporary artist Matthew Wong.
Banksy has unveiled a new artwork featuring a lighthouse with the text 'I want to be what you saw in me,' posted on his Instagram account without any caption or location details. The piece, rendered in his signature black stencil on a stucco wall, appears to be his first major work since the 2023 'Beastly London' campaign, which included animal-themed murals across the city. Within two hours of posting, the image garnered over 300,000 likes, continuing the artist's tradition of cryptic, location-ambiguous public interventions.
The 10th edition of the British Art Show, titled 'A Chorus of Strangers,' has announced its theme and a roster of over 30 participating artists. Curated by Ekow Eshun and organized by Hayward Gallery Touring, the exhibition will explore the relationship between the individual and the 'other' through three thematic lenses: 'Moments of Being,' 'Ways of Living,' and 'States of Nature.' The show is scheduled to launch in Coventry on October 2, 2025, before touring to Swansea, Bristol, Sheffield, and Newcastle Gateshead.
Claudio Parmiggiani’s seminal 1970 portfolio, "Atlante," is the focal point of a new exhibition at Thomas Dane Gallery in Naples. The show highlights a pivotal moment in 1968 when Parmiggiani began experimenting with cartographic imagery, including painting continents onto cows and encasing globes in glass, all documented through the lens of fellow artist Luigi Ghirri.
Nayland Blake presents a three-part exhibition at Matthew Marks Gallery in New York, featuring the retrospective "Sex in the 90s" curated by Beau Rutland and a new installation titled "Session." The show spans two gallery spaces on West 22nd Street, displaying a diverse array of works including plexiglass boxes of mass-market paperbacks, graphite drawings, a yellow stuffed bunny with Kaposi sarcoma lesions, and sculptures referencing kink and fetish culture. The new work "Session" uses artisanal implements of pleasure and pain clipped to black chains, evoking personal narrative and autobiography.
The article examines the paradox of rising art prices despite a contracting market. The global art trade shrank by 12% in 2024, according to the Art Basel/UBS Art Market report, and financial volatility from trade wars has further depressed conditions. Yet dealers resist lowering prices, fearing that doing so would signal decreased value. Collectors like Jeff Magid argue that entry-level prices—often tens of thousands of dollars—are shutting out new buyers, and artists sometimes must leave their galleries to restart at lower price points. The upcoming Frieze New York fair will test whether this pricing strategy holds.
The article covers the opening of "Iris van Herpen: Sculpting the Senses," a midcareer retrospective at the Brooklyn Museum featuring over 140 haute couture creations by Dutch designer Iris van Herpen. The exhibition, curated by Matthew Yokobosky and Imani Williford, places van Herpen's work alongside scientific and natural inspirations, including a 180 million-year-old fossil, and includes a reconstructed version of her atelier with interactive elements. The show originated at the Musée des Arts Décoratifs in Paris in 2023 and has traveled globally.
The 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys," opens May 9 as a tribute to its late curator Koyo Kouoh. Alongside the Biennale, Venice hosts numerous concurrent exhibitions: Marina Abramović's "Transforming Energy" at Gallerie dell'Accademia (the only living female artist with a major show there); the Matthew Wong Foundation's inaugural exhibition "Interiors" featuring unseen works by the late Chinese Canadian artist; retrospectives of Michael Armitage at Palazzo Grassi and Lorna Simpson at Punta della Dogana; Hernan Bas's new paintings at Ca' Pesaro; Lu Yang's "DOKU The Illusion" at Espaces Louis Vuitton Venezia; and "Minimal Legends" at the Vincenzo de Cotiis Foundation, staging a dialogue among Minimalist masters.
The exhibition "Monuments" opens on 23 October in Los Angeles, co-curated by Hamza Walker, Bennett Simpson, and artist Kara Walker, and staged at both the Museum of Contemporary Art, Los Angeles (MOCA) and the Brick. It features nearly 20 decommissioned Confederate statues—including the melted-down Robert E. Lee monument from Charlottesville—displayed alongside contemporary works by artists such as Leonardo Drew, Martin Puryear, Nona Faustine, Kahlil Robert Irving, Bethany Collins, and Walter Price. The show was inspired by the 2017 Unite the Right rally and the subsequent removal of dozens of monuments across the US.
The Museum of Modern Art in New York has opened "Marcel Duchamp," the first retrospective of the artist on this continent in over 50 years. Curated by Ann Temkin, Michelle Kuo, and Matthew Affron, the exhibition is organized strictly chronologically and features Duchamp's most famous works—including his revolutionary readymades like *Fountain* (1917) and *Bicycle Wheel* (1913)—often shown only in photographic reproduction or as later refabricated copies, replicas, and miniatures from his *Box in a Valise* series. The show highlights how Duchamp's original objects have been lost or dematerialized, forcing viewers to confront the very definition of an artwork.
Matthew Goudeau has been appointed as San Francisco's first-ever executive director of arts and culture, tasked with safeguarding the arts as a key part of the city's creative economy and identity. The appointment comes amid uncertain federal arts funding, but local arts funding in San Francisco is projected to increase this year under Mayor Daniel Lurie's leadership.
The Los Angeles County Museum of Art (LACMA) celebrated the opening of its new David Geffen Galleries with a star-studded gala that raised nearly $11.5 million. The event brought together architect Peter Zumthor, museum director Michael Govan, and a high-profile mix of Hollywood celebrities, artists, and major donors. The $720 million building, Zumthor's first major project in the United States, marks the culmination of a decades-long development process and is set to open to the public next week.