Future Fair Is a Big Artist Party

Future Fair, held at Chelsea Industrial in New York from May 13–16, 2026, brought together 69 exhibitors from nine countries. Unlike traditional art fairs with segmented booths, the fair emphasized interconnectedness and interpersonal connection, featuring artist-run booths and family-led presentations. Notable participants included Nanor Hakimian showing her brother Garo's paintings, Olivia Janna Genereaux exhibiting with her son Hans Silas Jovine, and artists Cloe Galasso, John Vitale, and Miles Ingrassia. The fair also highlighted its profit-sharing model, dedicating 15% of proceeds plus exhibitor donations to subsidize emerging galleries.

The Joy of Discovery at 1-54 Art Fair

The 1-54 Contemporary African Art Fair, now open at the Starrett-Lehigh Building in Manhattan, presents a smaller edition than previous years but continues to offer unexpected, tactile works. Highlights include Rommulo Vieira Conceição's Pop-art-inspired wall installation at Aura gallery, Kendra Frorup's mixed-media piece at the Current: Baha Mar Gallery, and Eymric Moderne's gold-leaf and glass bird painting at TM Arthouse. The fair also features posthumous works by Marcel Gotène at Loeve and Co and Sophia Bounou's enigmatic paintings at Blond Contemporary.

Arghavan Khosravi Brings Diasporic Narratives to ‘What Remains’

Uffner & Liu in New York is presenting 'What Remains,' a solo exhibition by Iranian artist Arghavan Khosravi, running through July 2, 2026. The show features multi-paneled sculptural canvases, a freestanding sculpture, and intimate mixed-media works, including the debut of her 'Altar Series,' which reimagines medieval devotional altarpieces through a contemporary political and psychological lens.

Julie Mehretu — Perceptual Infrastructure and the Post-Retrospective Condition

Julie Mehretu's latest exhibition, "Our Days, Like a Shadow (a non-abiding hauntology)," is on view at Marian Goodman Gallery in New York from April 14 to June 6, 2026. The show presents paintings that push beyond traditional representation, creating immersive perceptual environments through dense layers of abstraction, cartographic traces, and architectural fragments. The works, including the TRANSpaintings series created with Nairy Baghramian, extend Mehretu's practice into spatial expansion, where painting behaves like infrastructure without becoming literal architecture.

Alex Israel on finding inspiration in Erewhon, AI as a tool and new show 'Where Is My Mind'

Multimedia artist Alex Israel has launched his first collaboration with Pace Prints, releasing a new suite of 10 archival pigment prints titled 'Where Is My Mind?' The series, part of his ongoing Self Portrait project, features intimate-scale works that incorporate representational imagery within his signature silhouette—ranging from the Hollywood Bowl stage to aerial views of Los Angeles and a California desert scene with an iPhone outline. Each print began as a photograph, translated into paint by the Scenic Art department at Warner Brothers Studio, then scanned and mounted in custom frames. The show coincides with Pace Prints' upcoming expansion into Los Angeles in fall 2026.

Who Should Design NYC’s New Billie Holiday Monument?

The New York City Department of Cultural Affairs (DCLA) has revealed six commission proposals for a monument honoring legendary jazz vocalist Billie Holiday, to be installed outside the Jamaica Performing Arts Center in Queens through the Percent for the Art program. The artists in the running are Thomas J Price, Tanda Francis, Nekisha Durrett, La Vaughn Belle, Tavares Strachan, and Nikesha Breeze, and the public is invited to share input on the conceptual designs before the final selection. The monument emerged from the 2018 She Built NYC initiative, which aimed to address the lack of historical monuments dedicated to influential women in the city, and was revitalized in 2024 after delays caused by the COVID-19 pandemic.

My NADA Sketchbook

Lehman College Art Gallery is presenting the 2026 Thesis Exhibition, running from May 20 to 28. The show features over thirty undergraduate and graduate artists, showcasing a wide range of conceptual approaches and material experimentation.

Comment un père et sa fille ont dupé le marché de l’art avec de faux Picasso et Banksy

A Polish father-daughter duo, Erwin Bankowski (50) and Karolina Bankowska (26), orchestrated a major art forgery scheme between 2020 and 2025, selling over 200 fake artworks attributed to Andy Warhol, Banksy, Pablo Picasso, Andrew Wyeth, and others through top auction houses and galleries in New York and across the United States. They pleaded guilty in federal court in Brooklyn to conspiracy to commit wire fraud and misrepresentation of Native American goods, facing up to 20 years in prison, with sentencing set for August 5. The fakes, produced by an unidentified Polish artist, were sold for at least $2 million, with the highest known sale being a fake Richard Mayhew landscape that fetched $160,000 at DuMouchelles in Detroit.

Jackson Pollock breaks auction record with $181 million painting.

Jackson Pollock's painting *Number 7A* (1948) sold for $181.2 million at Christie’s in New York, shattering the previous auction record for the Abstract Expressionist artist by nearly three times. The evening sales also set new auction records for Mark Rothko and Constantin Brâncuși, and realized over $1 billion in a single evening, only the second time in auction history that threshold has been crossed.

Jewellers delve into the Dalíesque with dreamlike pieces

Jewellers are creating a new wave of sculptural, nature-themed pieces inspired by the surrealist artist Salvador Dalí. These dreamlike works draw on Dalí's iconic motifs—melting clocks, fantastical creatures, and organic forms—reimagined in precious metals and gemstones by contemporary designers and luxury houses.

A Blade of Grass Names 2026 “In Fellowship” Cohort

New York-based arts nonprofit A Blade of Grass (ABoG) has announced the three members of its 2026 In Fellowship cohort: Emily Johnson / Catalyst, The Projects/Space, and UNDOC+Collective. Each fellow receives $25,000 in support and a $25,000 honorarium for their socially engaged practices. The fellowship, established in 2025, focuses this year on gathering as a form of movement building and resource distribution.

In dreamy photographs, the artist Widline Cadet tells the complex story of her family’s migration

Artist Widline Cadet, who was separated from her mother for six years as a child during her family's migration from Haiti to New York, has spent nearly a decade creating a multimedia "living archive" of photographs, video, sound, and sculpture. Her largest solo exhibition to date, "Currents 40: Widline Cadet," is now on view at the Milwaukee Art Museum, exploring themes of diaspora, memory, and familial connection through dreamlike, often fragmented imagery.

Guatemala stakes claim to stone lintel by 'the Michelangelo of the pre-Columbian era' that was repatriated to Mexico

A Maya stone lintel, dating from AD600-AD900 and depicting a ritual scene associated with the ruler Cheleew Chan K'inich, was repatriated to Mexico on April 16 after being turned over to the Mexican consulate in New York by an unnamed US businessman. However, hours after the ceremony, experts determined the lintel actually originated from Guatemala's Petén Basin. Guatemala's cultural ministry, led by minister Luis Méndez Salinas, has formally requested the object's return through diplomatic channels, citing technical analysis and consultations with archaeologists.

Palate Cleansers at Frieze NY

Hyperallergic's coverage of Frieze New York and concurrent art fairs in the city frames the experience as overwhelming yet punctuated by standout works. Senior Editor Valentina Di Liscia compares the fair to an assembly-line salad, finding reprieve in art that evokes lush canopies, diaphanous portraiture, and ancestral gardens. The issue also includes dispatches from Future Fair, 1-54, TEFAF, NADA, and Independent Art Fair, alongside a tribute to Austrian performance artist Valie Export, who died at age 85, remembered for her radical feminist guerrilla performances that challenged the male gaze.

Finding art in the uncanny aesthetics of MAGA

Spielzeug gallery, founded in 2025 in Bushwick by Evan Karas and Eleanor Hicks, opened a pop-up show titled MAR-A-LAGO FACE on May 13 at a former restaurant on Allen Street in New York. The exhibition critiques the plastic-surgery aesthetics associated with Republican figures like Matt Gaetz, Laura Loomer, Kimberly Guilfoyle, and Kristi Noem, featuring works by queer, trans, and Latin American artists. The opening blurred the line between exhibition and party, with a DJ, themed drinks, and a bouncer checking bags.

Controversial art show canceled at NY archdiocese venue finds home at Jesuit parish

Jesuit artist Nicholas Leeper's solo exhibition "Twilight of the Idols," which blends Byzantine iconography with pop art and advertising imagery, was abruptly canceled by the Sheen Center for Thought and Culture in New York about two weeks before its scheduled opening in May 2026. The center, founded by the New York Archdiocese, cited phone calls and emails expressing concern about the work, which includes pieces like "Madonna and Child (Tomatokos)" depicting Mary as a Campbell's soup housewife and "The Visitation" reimagining Mary and Elizabeth in a cigarette ad. Within a day, the exhibition found a new venue at the Mary Chapel of St. Francis Xavier Church, organized in partnership with Xavier High School, where Leeper teaches.

Generations A Solo Exhibition by Julie Torres May 15 – July 11, 2026

Julie Miller Torres, a Tallahassee native and Maclay School graduate now based in Atlanta, is presenting a solo exhibition titled "Generations" at the Gadsden Arts Center & Museum in Quincy, Florida, from May 15 to July 11, 2026. The exhibition showcases her signature works—woven screenprints and paper quilts—that blend everyday materials like crochet and weaving with themes of freedom and empowerment. One of her most recognized pieces, "Super Diva," a portrait of Justice Ruth Bader Ginsburg, is part of the permanent collection at the Metropolitan Museum of Art in New York. Torres holds degrees from the University of Florida, the University of Miami, and the Savannah College of Art and Design (SCAD), and her work appears in major collections including Delta Airlines, the Ritz-Carlton, SCAD, and the Jordan Schnitzer Family Foundation.

Without Childhood Photos, A Haitian American Artist Spends A Decade Imagining Her Family Archive

Artist Widline Cadet, who was separated from her mother for six years as a child during her family's emigration from Haiti to New York, has spent nearly a decade creating a multi-generational "living archive" of photographs, video, sound, and sculpture. The archive fills the gaps left by scarce family photographs and fading memories, exploring the diasporic experience and the elusiveness of memory. The largest presentation of this work is currently on view at the Milwaukee Art Museum in the exhibition "Currents 40: Widline Cadet."

The Collective Takeover

A coalition of seven Zurich-based artist-run collectives, led by Peter Baracchi and his nomadic platform 6½, has taken over the former Museum Haus Konstruktiv building in Zurich's Selnau district. The project, titled "Oceans Flow Upwards," occupies 1,200 square meters across five floors and expands into over 2,000 square meters by activating the cellar, offices, storage, shop, café, and rooftop. Participating collectives include Hotel Tiger, Die Diele, Papillarya, MATERIAL, volumes, and zwischentext. Baracchi, who previously worked at Haus Konstruktiv as a technician and photographer, initiated the takeover after the museum relocated to Areal Löwenbräukunst, securing temporary cultural use from the City of Zurich in March. Rather than dividing the space into separate zones, the exhibition presents a single, integrated show where artists were invited by the collectives, not selected by open call.

A Landmark Show Returns, Looking for Blackness in a PersonalWay

The sixth edition of the Studio Museum in Harlem’s landmark group survey exhibition has returned, taking a deeply personal and introspective approach to exploring Blackness. The show is described as political yet inwardly focused, operating at a quieter metabolism than previous iterations, emphasizing individual perspectives over broad declarations.

Guillaume Dénervaud at PAGE (NYC) and Dracula's Revenge, New York

Guillaume Dénervaud presents a two-venue exhibition titled "Demeter" at PAGE (NYC) and Dracula's Revenge in New York, running from April 24 to May 30, 2026. The show includes a press release, checklist, poster, and 17 images documenting the works on view, with images courtesy of Page (NYC).

Meet the Hawaiʻi creatives behind a workout video featured in a New York art exhibition

A satirical workout video titled "20 minute workout" created by the Hawaiʻi-based artist initiative kekahi wahi is featured at the Whitney Biennial in New York. The video shows dancers in spandex stretching in front of the Captain Cook Monument at Kealakekua Bay on Hawaiʻi Island, set to electronic music. The project was part of a larger effort to reimagine public space and challenge commemorative monuments in Hawaiʻi, drawing on the energy of debates over Confederate statues in the continental U.S.

La grande artista Carla Accardi e l’arte italiana sono da record nell’asta da Dorotheum a Vienna

Dorotheum opened its Contemporary Week in Vienna on May 19, 2026, with modern and contemporary art sales that achieved strong results, particularly for Italian artists. Carla Accardi set a new auction record when her 1986 triptych *Fonda Notte Pieno Giorno* sold for €520,000, while works by Piero Dorazio, Emilio Vedova, Marino Marini, and Gino Severini also far exceeded their estimates. Top lots included Claude Monet’s *Waterloo Bridge* (€611,000) and Mikuláš Medek’s *Too Deep a Sleep V* (€546,000).

The archive of the great architect Piero Portaluppi opens to the public: it happens at Villa Necchi in Milan

L’archivio del grande architetto Piero Portaluppi apre al pubblico: succede a Villa Necchi a Milano

The Fondo Ambiente Italiano (FAI) has opened a new permanent archive space dedicated to the architect and intellectual Piero Portaluppi (1888-1967) inside Villa Necchi Campiglio in Milan, the architect's own masterpiece. The archive, acquired by FAI in December 2025 from the closing Fondazione Portaluppi, is housed in three attic rooms and includes thousands of original documents, drawings, photographic prints, sketchbooks, caricatures, postcards, and 16 mm film reels totaling eight hours of footage shot between the 1930s and 1960s. The collection also features Portaluppi's personal library of three thousand volumes and architecture journals, which will be made available for study in collaboration with the Soprintendenza Archivistica e Bibliografica della Lombardia and the Politecnico di Milano.

Rediscovering Jorge Luis Borges as an Architectural Critic. 40 Years After His Death

Riscoprire Jorge Luis Borges come critico d’architettura. A 40 anni dalla morte

The article commemorates the 40th anniversary of Jorge Luis Borges's death, reflecting on his legacy as a writer and his lesser-known role as an architectural critic. It highlights a 2025 book by Estela Canto, a close friend, which reveals Borges's personal fragility and contradictions, such as his love for popular cinema over classical music. The piece also explores Borges's fictional architectural criticism, particularly his 1967 work *Cronache di Bustos Domecq* co-written with Adolfo Bioy Casares, where he satirized functional architecture through invented pioneers like Adam Quincey and Alessandro Piranesi.

Provincia Cosmica. Interview with Giuseppe Stampone, the artist who chose Gran Sasso as his home

Provincia Cosmica. Intervista a Giuseppe Stampone, l’artista che ha scelto il Gran Sasso come casa

Italian contemporary artist Giuseppe Stampone, born in Cluses in 1974, has returned to his native Abruzzo after years living in New York, Rome, and Brussels. Following the loss of his parents, he established his studio in the province of Teramo, where he is restoring a farmhouse under the Gran Sasso mountain to house the Archivio Giuseppe Stampone-Maria Crispal and an artist residency called Abruzzo Mon Amour. Stampone won the PAC2021 prize for his project "La natura delle cose," which explores his bond with the region and will create an archive dedicated to the flora and fauna of the Monti della Laga, Parco Nazionale d’Abruzzo, and Gran Sasso areas.

Sotheby’s Summer Sale Gathers $433.1M, Thanks To Rothko Painting

Sotheby’s summer contemporary auction in New York raised $433.1 million, far exceeding the $186.1 million from its comparable sale last year. The highlight was the $85.8 million sale of Mark Rothko’s *Brown and Blacks in Reds* (1957) from the estate of late dealer Robert Mnuchin and his wife Adriana, whose 11 blue-chip works fetched $166.3 million against a $130 million estimate. Other top lots included Jean-Michel Basquiat’s *Museum Security (Broadway Meltdown)* at $52.7 million and Willem de Kooning’s *Untitled III* at $26 million.

Korean modern masters lead K Auction’s May sale

K Auction will hold its May sale on May 27 at its headquarters in Sinsa-dong, Seoul, offering 83 works by Korean modern and contemporary masters with a combined estimated value of around 10.4 billion won. Highlights include Suh Do-ho's large-scale installation "Cause & Effect" (estimated 280 million to 600 million won), Kim Whan-ki's untitled 1969 painting from his New York period (estimated 780 million to 1.5 billion won), and Yoo Young-kuk's abstract landscape "Mountain" from 1988 (estimated 400 million to 800 million won). The sale also features works by Dansaekhwa artists Yun Hyong-keun, Park Seo-bo, and Lee Ufan, alongside contemporary artists Angel Otero, Anna Park, and Woo Kuk-won.

traces

RYAN LEE Gallery in New York is presenting "traces," an exhibition featuring embroidery, installation, sculpture, video, and works on paper by artist Tiffany Chung. The show runs from May 14 to June 20, 2026, at the gallery's location on West 26th Street.

Authorities in New York return more than 650 looted antiquities, valued at nearly $14m, to India

The Manhattan District Attorney's office, led by Alvin Bragg, returned 657 looted antiquities valued at nearly $14 million to Indian authorities in late March 2025. The pieces, recovered through investigations into criminal trafficking networks, include a $2 million bronze Avalokiteshvara stolen from a museum in Raipur, a $7.5 million red sandstone Buddha smuggled by convicted trafficker Subhash Kapoor, and a sandstone dancing Ganesha looted from a Madhya Pradesh temple that passed through dealer Doris Wiener and was sold at Christie's in 2012.