Rubens en chantier au Louvre
The Louvre Museum has launched a major four-year restoration project for the monumental 24-canvas 'Cycle of Marie de Médicis' by Peter Paul Rubens. The initiative, funded by the Société des Amis du Louvre with a budget of 4 million euros, aims to restore the works' chromatic power and stabilize their fragile paint layers. The Medici Gallery will close to the public in May, though some stages of the process will be viewable.
Alexander Calder's monumental fountain sculpture "Three Quintains (Hello Girls)" has been reinstalled at the Los Angeles County Museum of Art's new David Geffen Galleries, more than 60 years after it was first commissioned for the museum's original 1965 campus. The colorful, whimsical piece features four water jets that propel mobile-like paddles, and its water jets were turned back on in March 2025. The sculpture now anchors the northeast corner of the new building, placed alongside the main cafe and near the W.M. Keck Education Center, with a technically advanced filtration system to address previous environmental challenges.
Chris Kraus's latest novel, *The Four Spent the Day Together*, reimagines the true crime genre by shifting focus from individual villains to systemic forces like addiction, poverty, and broken treatment systems. Set in Minnesota's Iron Range, the story follows autofictional avatar Catt Greene and her husband as they confront a lost day, a potentially violated girl, methamphetamine, and a gun, with confessions coming easily but answers remaining elusive. Kraus draws on her own childhood and a marriage unraveling amid alcoholism and cancel culture, using wordplay and chance to restore nuanced meaning to stories often reduced to predestined narratives.
Clarendon Fine Art, a leading UK contemporary art gallery, will open a new flagship location in Glasgow's Royal Exchange Square in July. Housed in a restored late-1700s building across two floors, the gallery will feature works by artists including The Connor Brothers, Mr. Brainwash, Danielle O'Connor Akiyama, Philip Gray, and Fabian Perez, along with limited editions, sculptures, and original pieces. An official launch event is scheduled for August 21.
A roundup of summer shopping, dining, and cultural offerings in the Hamptons highlights new collaborations and pop-ups. Artist Joel Mesler partners with French swimwear brand Vilebrequin on a capsule collection featuring his signature beach balls and balloons, ahead of his "Miles of Smiles" exhibition at Guild Hall in August. Chanel opens a salon at the Hedges Inn, while Mary Lou's brings its refined coastal dining from Palm Beach to Montauk. Other notable openings include Shooster Arts & Literature, a living gallery in Sag Harbor with works by Picasso, Ginsberg, Holzer, and Albers; Giorgio Armani Mare's pop-up on Shelter Island supporting the One Ocean Foundation; Sézane's Amour Tour at the Maidstone; Zimmermann's restored bank boutique in Southampton; Swifty's restaurant pop-up at the Hedges Inn; and The Hills, a luxury lifestyle development by Mike Meldman's Discovery Land Company.
Riyadh continua a scommettere forte sull’arte pubblica: nei prossimi anni oltre 100 nuove opere installate nella capitale saudita
Saudi Arabia is significantly expanding its Riyadh Art public art initiative, with plans to install over 100 new monumental works across the capital city in the coming years. Following the recent Tuwaiq Sculpture 2026 event, which added 25 stone and metal sculptures to the permanent collection, the city has announced 12 new site-specific installations by high-profile international artists including Anselm Kiefer, El Anatsui, and Manal AlDowayan. The project aims to reach a total of 115 new commissions, building upon a collection that already features masters like Anish Kapoor, Jeff Koons, and Giuseppe Penone.
Un album démembré de Gerard van Honthorst (1592-1656) : dessins inédits et reconstitution d'un corpus
An article in La Tribune de l'Art presents a significant expansion of the known corpus of drawings by Dutch Golden Age painter Gerard van Honthorst (1592-1656). Following the 2014 exhibition of twenty-seven drawings identified by the author, this study adds thirty-two more sheets—twenty-two of which are previously unpublished—as a preliminary step toward reconstructing a dismembered album. The research, conducted with direct observation and advanced imaging techniques (digital microscopy, ultraviolet, raking light), aims to restore the album's original order and shed light on the role of drawing in Honthorst's workshop and creative process.
Yto Barrada has been selected to represent France at the 61st Venice Biennale in 2026 with her exhibition "Comme Saturne" (Like Saturn) in the French Pavilion. The installation features rebellious stage curtains hiding wasp nests and a copper daguerreotype plate of a planet, a large rock, a Wheel of Fortune, and a nostalgic vanitas arrangement around a missing mirror frame. Curated by Myriam Ben Salah, the show explores textile and natural dyeing, with three cabinets addressing the transmission of know-how, migration of plants and people, postcolonial history, and Enlightenment imperialism. A central room displays 70 pieces forming a symmetrical frieze of red natural dyes, while a black monochrome patchwork highlights the difficulty of achieving black in dyeing. Barrada is the fifth woman to represent France at the Biennale.
A new permanent home for animation cinema, the Cité internationale du cinéma d'animation, will open in Annecy, France, on June 19, 2025, just before the annual Annecy International Animation Film Festival. Housed in a restored 19th-century horse stable (haras) listed as a historic monument, the 54-million-euro project includes a 450 m² permanent museum, a 332-seat cinema, temporary exhibition spaces, educational workshops, artist residencies, and image-education facilities. The city of Annecy contributes 30 million euros, with additional funding from the Haute-Savoie department, the state, and the Auvergne-Rhône-Alpes region. Designed by architecture firm dd.a and landscape architect Philippe Deliau, the center aims to be a hybrid, year-round hub for animation, blending heritage, creation, and transmission.
The Museo de Arte Moderno de Bogotá (Mambo) is in a leadership crisis after its director, Martha Ortiz, resigned amid accusations of harassment and creating a toxic work environment. Her departure follows the dismissal of artistic director Eugenio Viola in February, which sparked an open letter signed by over 140 cultural figures demanding transparency. The museum's board chair, Ángela Royo, and financial manager Francy Hernández are temporarily overseeing operations while searches for both director and artistic director are underway.
Antonio Canova's monumental plaster horse sculpture, *Cavallo Colossale* (1819–21), has been restored and returned to public display after spending 50 years in storage at the Museo Civico di Bassano. The sculpture, acquired by the museum in 1849, had deteriorated in storage since the late 1960s. A multi-year restoration led by Passarella Restauri involved reassembling over 200 fragments, removing 19th-century additions, and installing a new internal metal frame for earthquake protection. The project was funded by Intesa Sanpaolo and the Venice in Peril fund.
A trove of abstract paintings and sculptures by Russian artist Oleg Prokofiev, hidden for decades in Moscow after he fled the Soviet Union, has been rediscovered and is now on public display for the first time. Prokofiev concealed the works in the 1950s and 1960s to avoid state persecution—abstract art was banned in the USSR, and his relationship with British scholar Camilla Gray made marriage impossible until 1969. After Gray's death and his move to England, the artworks remained safely stored in Moscow, where he found them intact after the Soviet collapse. The collection, including paintings, sculptures, sketchbooks, and letters, is now exhibited at the newly founded Prokofiev Studio in Hackney, London, established by his four children and curator Anzhela Popova.
Salisbury Cathedral has completed a two-year restoration of a stained-glass window designed by Edward Burne-Jones and William Morris. The 6.5-metre "Angels" window, depicting ministering and praising angels, was carefully removed in February 2024, cleaned, and fitted with protective glazing and oak frames. Head glazier Sam Kelly, who began as an apprentice at the cathedral 40 years ago, led the project alongside colleagues Vicky Pearce, Kate Kersey, and Alfie Durrant. Lost details were restored on backing glass rather than the original surface, and the window will be rededicated at an evensong service on 7 May.
Peter Bradley, a painter, art dealer, and prominent figure in the 1960s and ’70s Manhattan art scene, has lovingly restored an 18th-century home in upstate New York, bringing a loftlike aesthetic to the historic property. The article offers an inside look at his residence, highlighting how his artistic sensibility shaped the renovation.
Van Cleef & Arpels has capitalized on the growing secondary market for vintage jewelry through its Heritage Collection, launched in 2007. The collection offers around 150 curated 20th-century pieces, authenticated and restored by the maison, allowing clients to buy directly from the jeweler rather than through auction houses like Sotheby's, Christie's, and Artcurial, which sold over €120 million in Van Cleef jewels in 2024.
A class action lawsuit was filed Monday by the Authors Guild, independent scholars, and writers against the National Endowment for the Humanities (NEH) and officials within the Department of Government Efficiency (DOGE) for terminating millions in committed grants from Congressional funds. The lawsuit argues these actions violate the Administrative Procedure Act, the separation of powers, and freedom of expression, exceeding agencies' congressionally granted authority. It seeks to stop mass grant terminations, restore funds, and require the NEH to operate according to Congress's intent to preserve multicultural artistic heritage and support new ideas. The grants were canceled following extreme cuts by DOGE under the Trump administration, affecting recipients under programs like the Public Scholar and Fellowship initiatives.
Regional arts organizations across the United States are speaking out against recent cuts by the National Endowment for the Arts (NEA). The Trump administration proposed budget cuts that would effectively eliminate the agency by 2026, prompting the NEA to cancel many of its 2025 grants. A collective of U.S. Regional Arts Organizations issued a joint statement urging Congress to restore grant funding and maintain bipartisan support for the NEA. The cancellations also affect humanities councils in 56 states and jurisdictions, which expected about $65 million from the National Endowment for the Humanities (NEH) out of its $210 million annual budget. Three humanities organizations are currently suing the NEH and the Department of Government Efficiency (DOGE) over the dismantling.
The Vatican ordered the removal of an angel's face resembling Italian Prime Minister Giorgia Meloni from a fresco at the Basilica of San Lorenzo in Lucina in Rome. The fresco, painted by artist Bruno Valentinetti in 2000 and restored in 2023, features two angels praying over Italy's last king, Umberto II. After Italian media noted the likeness, Valentinetti initially denied it but later admitted the angel bore Meloni's features. On Tuesday, he painted over the face, citing Vatican orders. The Diocese of Rome confirmed the original face will be restored, and an investigation has been launched.
A museum visitor at the Heraklion Archaeological Museum on Crete tripped and fell, grabbing a 4,000-year-old Minoan vase to break her fall and completely shattering the artifact. The Greek Culture Ministry reported the visitor suffered minor leg injuries, but restorers are optimistic and believe the vase could be back on display as soon as today. The vase had previously been repaired in antiquity, suggesting it was also damaged thousands of years ago.
The Akron Art Museum is presenting "Transfiguration: Rachel Libeskind and the Tiffany Window," an exhibition centered on a 137-square-foot stained glass window crafted by Frederick Wilson of Tiffany Studios in 1917. The window, originally installed at St. Paul’s Episcopal Church, was rescued after a 2018 fire destroyed the church. Developer Tony Troppe purchased the property in 2022, and Whitney Stained Glass Studio restored the panels. New York-based artist Rachel Libeskind created accompanying works that reframe the window as art rather than a devotional object, with the show running through July 5.
On January 7, 2025, a wildfire driven by extreme winds reached the Getty Villa in Los Angeles. Thanks to years of preparation, staff efforts, and firefighter support, the museum buildings and art collection survived undamaged, though the landscape suffered severe damage. The Villa closed for about six months, during which staff removed 1,400 burned trees, cleaned soot and ash, restored water service, and installed a new exhibition. It reopened in late June 2025, welcoming visitors back to the galleries and gardens.
Syrian artist Sara Shamma will present a large-scale immersive installation titled 'The Tower Tomb of Palmyra' at the 61st edition of La Biennale di Venezia in 2026. This marks Syria's first participation in the Biennale since the fall of the Assad regime and the appointment of President Ahmed Hussein al-Sharaa. Shamma's project, inspired by the ancient funerary towers of Palmyra destroyed during the Syrian Civil War, aims to restore the heritage site to life through a multisensory journey combining architecture, painting, and other elements. It will be the first solo presentation by a single Syrian artist at the Biennale, departing from previous group exhibitions with European collaborators.
The Louvre Museum is hosting a major retrospective dedicated to Martin Schongauer, a pivotal German artist of the late 15th century, running from April 8 to July 20, 2026. Titled "Martin Schongauer: Le bel immortel," the exhibition features approximately one hundred works, including his world-renowned engravings, rare paintings like the "Virgin in the Rose Garden," and intricate drawings. Curated by Pantxika Béguerie de Paepe and Hélène Grollemund, the show traces Schongauer’s evolution from a goldsmith’s son in Colmar to a master who bridged the gap between Gothic tradition and Renaissance innovation.
The Heritage of London Trust has acquired David Bowie's childhood home at 4 Plaistow Grove in Bromley, southeast London, and plans to restore it to its early 1960s appearance. The railway workers' cottage, where Bowie lived from ages 8 to 20 and is believed to have written "Space Oddity," will open to the public in late 2027, offering an immersive experience centered on his bedroom. Geoffrey Marsh, co-curator of the V&A's "David Bowie Is" exhibition, will oversee the restoration, funded by a £500,000 grant from the Jones Day Foundation and a public fundraising campaign.
The Institute of Contemporary Art (ICA) at the University of Pennsylvania is hosting "Mavis Pusey: Mobile Images," the first museum retrospective of Jamaican-American artist Mavis Pusey (1928-2019). Curated by Hallie Ringle and Kiki Teshome, the exhibition spans five decades and features over 60 works, including seven paintings shown publicly for the first time. Pusey, who studied at the Art Students League and worked at Robert Blackburn's Printmaking Workshop, was known for her geometric abstraction at a time when many Black artists focused on figuration. The show will travel to the Hammer Museum in Los Angeles and the Studio Museum in Harlem.
Photo London, the UK's leading photography fair, is relocating from Somerset House to the newly renovated Olympia in west London starting with its 11th edition in May 2026. The move follows a decade at Somerset House and coincides with Olympia's £1.3bn redevelopment co-designed by Heatherwick Studio and SPPARC. Director Sophie Parker cited feedback from galleries and collectors requesting a more flexible, cohesive space, while co-founder Michael Benson called the relocation a 'thrillingly adventurous reimagining' of the fair's future.
The Grand Palais in Paris reopens after a €466m (£395m) four-year restoration led by Chatillon Architectes, the most significant transformation since its 1900 inauguration. The building will serve as a temporary venue for the Centre Pompidou while the museum undergoes its own renovation until 2030. The project restored original sightlines, added over 40 lifts and 30 staircases, and created modular exhibition spaces to meet contemporary curatorial demands.
Tate Liverpool has received a £12m grant from the UK government's Public Bodies Infrastructure Fund, bringing the Department of Culture, Media and Sport's total contribution to the gallery's redevelopment to £18.6m. The funding, combined with additional philanthropic donations from the Garfield Weston Foundation (£3m), the Wolfson Foundation (£1.25m), and the Ross Warburton Charitable Trust, plus a £10m award from the Ministry of Housing, Communities and Local Government, has raised a minimum of £32.85m toward the project, now costed at £35m. The gallery, closed since October 2023, had postponed its planned 2025 reopening to 2027 due to fundraising difficulties.
The Tapestry Drawing Room at Castle Howard, a historic stately home in Yorkshire, England, has been meticulously restored after being gutted by a fire in 1940. The room, originally adorned with early 18th-century tapestries woven by John Vanderbank and based on scenes by David Teniers, was reduced to a scorched shell. Nick Howard, whose family has lived in the house for three centuries, oversaw the restoration, which involved reinstalling the original tapestries—found rolled up in the attic—after conservation by Alison Stanton. The centerpiece, a painting by Marco Ricci titled *Judgment of Paris*, and a newly built fireplace based on archival photographs complete the revival.
A recently discovered and restored painting by Artemisia Gentileschi, depicting Hercules and Omphale, will go on view at the Getty Museum in Los Angeles from June 10 to September 14. The work, which experts believe has not been publicly exhibited for at least a century, was damaged in the 2020 Beirut port explosion while hanging in Sursock Palace. After extensive conservation by Getty conservator Ulrich Birkmaier, the painting has been attributed to Gentileschi and is considered a major masterpiece by scholars.