Tate at a turning point: new director must confront unwieldy ‘beast’ of an art institution

Roland Rudd, chair of Tate, insists the institution is thriving despite recent leadership changes, citing record visitor numbers of 6.2 million, strong exhibition attendance (Turner and Constable at Tate Britain, Lee Miller, and Tracey Emin at Tate Modern), and 155,000 members. However, Maria Balshaw has stepped down as director after nine years, leaving her successor to confront a financially strained organization hit by pandemic losses, multiple redundancies, and low staff morale amid culture war battles.

The Multibillion-Dollar Maneuvers Behind the Met’s Raphael Show

The Metropolitan Museum of Art has opened “Raphael: Sublime Poetry,” the largest survey dedicated to the Renaissance master in the U.S., featuring 33 paintings and 142 works on paper. The exhibition includes loans from 60 public institutions across 11 countries, as well as private loans from billionaire Leon Black, and the estimated aggregate value of the art on view is in the billions of dollars. Curated by Carmen Bambach, the show took eight years to organize and follows her previous triumphs on Leonardo and Michelangelo.

Judd Foundation Taps Copper Hewitt Curator as New Director of Design

The Judd Foundation has appointed Alexandra Cunningham Cameron as its first director of design, a new role overseeing Donald Judd Furniture LLC. Cameron, currently a curator of contemporary design at the Cooper Hewitt, Smithsonian Design Museum in New York, will start on April 27, guiding product development, operations, and strategic growth for the foundation's furniture line, which produces over 70 designs based on Donald Judd's original specifications.

V&A East Launches With a Fresh Lens on a 2.8 Million-Object Collection

The Victoria & Albert Museum has opened V&A East, a new $180 million outpost in east London designed by architects O'Donnell + Tuomey. Its mission is to engage young and local audiences by presenting over 500 objects from its 2.8 million-strong collection in thematic, non-chronological displays that connect historical artifacts to contemporary issues like identity, social justice, and environmental responsibility.

Story of Black British music writ large in first exhibition at V&A East

The V&A East has officially opened in Stratford with its inaugural exhibition, 'The Music is Black,' a comprehensive survey of Black British music. Curated by Jacqueline Springer, the landmark show features over 200 items ranging from traditional African drums and a Ben Enwonwu sculpture to contemporary pieces by Rene Matić and iconic stage outfits from artists like Pauline Black and Stormzy. The exhibition marks the first major show for the new £135m O’Donnell & Tuomey-designed building, which joins the V&A’s expanding portfolio of sites.

One of the Art Market’s Biggest Secrets, Revealed

Global auction totals saw a significant rebound in 2025, rising 13.3 percent compared to the previous year after a prolonged period of decline. The latest Artnet Intelligence Report highlights this recovery while shifting focus toward the increasingly influential world of private auctions, where high-value masterpieces are traded in invitation-only, clandestine settings away from the public eye.

‘A fresh look at contemporary culture’: Gus Casely-Hayford, director of V&A East, takes us inside the new London museum

The Victoria and Albert Museum is expanding its footprint with the opening of V&A East Museum in London’s Queen Elizabeth Olympic Park on April 18. Led by Director Gus Casely-Hayford, the new five-story institution joins the recently opened V&A East Storehouse as part of the East Bank cultural quarter. The museum will debut with the "Why We Make" galleries, featuring over 500 objects and new commissions by artists such as Tania Bruguera, Carrie Mae Weems, and Thomas J. Price, whose 18-foot bronze sculpture anchors the museum's entrance.

joshua johnson

Joshua Johnson, born into slavery in Maryland around 1763, emerged in the late 18th century as the first documented Black professional artist in the United States. After gaining his freedom in 1782, Johnson established himself in Baltimore as a self-taught portraitist, advertising his services in local newspapers and catering to the city's prominent families. His body of work, consisting of approximately 83 attributed paintings, is characterized by a distinct flatness and three-quarter profile compositions typical of early American folk art.

IMLS Spared in Legal Battle—But Threat of Budget Cuts Looms

The U.S. Department of Justice has reached a settlement with the American Library Association and the AFSCME union, effectively halting President Donald Trump’s executive attempt to dismantle the Institute of Museum and Library Services (IMLS). Following a series of legal defeats where courts ruled that only Congress has the authority to eliminate federal agencies, the administration withdrew its appeal and reinstated previously terminated grants. However, the threat remains as the proposed 2027 federal budget once again seeks to zero out funding for the IMLS, the NEA, and the NEH.

trump executive orders arts

President Donald Trump’s return to office has triggered a sweeping overhaul of the American cultural landscape through executive orders and the newly formed Department of Government Efficiency (DOGE). Key actions include the dissolution of diversity, equity, and inclusion (DEI) offices at the Smithsonian, the cancellation of thousands of National Endowment for the Humanities (NEH) grants, and the removal of high-profile Biden appointees from the U.S. Holocaust Memorial Museum board. These measures are accompanied by new tariffs and immigration policies that threaten the international art trade and cross-border collaborations.

What We Know—and Don’t Know—About Private Art Auctions

Artnet recently hosted a virtual deep dive into the burgeoning phenomenon of private art auctions, a trend highlighted in their 2026 Intelligence Report. Unlike traditional public sales, these events are highly curated, invitation-only affairs that prioritize discretion and control over the typical spectacle of the auction block. The discussion explored the mechanics of these sales, which often bypass public records and leave the broader market in the dark regarding final prices and buyer identities.

An Intimate Portrait of Basquiat’s Early Life Returns to Brooklyn

The exhibition “Our Friend, Jean” returns to Brooklyn this May at The Bishop Gallery, coinciding with Frieze Week. The show features twenty artworks alongside personal ephemera and photographs from Jean-Michel Basquiat’s formative years between 1979 and 1980, primarily sourced from the collection of his former roommate Alexis Adler. This iteration includes previously unseen items from Adler’s trove, such as hand-painted garments and postcards, and will be activated by panels featuring Basquiat’s early collaborators.

Melissa Chiu leaving Hirshhorn to take over New York’s Guggenheim Museum

Melissa Chiu has been appointed as the new director of the Solomon R. Guggenheim Museum in New York, transitioning directly from her decade-long tenure at the Hirshhorn Museum and Sculpture Garden. During her time at the Hirshhorn, Chiu was credited with doubling attendance, significantly increasing fundraising, and overseeing a major $68m garden renovation by Hiroshi Sugimoto. She will begin her new role on September 1, while Aaron Seeto steps in as interim director at the Hirshhorn.

Sale of Robert Rauschenberg’s Captiva Compound to Developers Ignites Backlash

The Robert Rauschenberg Foundation has sold the artist’s 22-acre Captiva Island estate to South Seas, a neighboring resort developer, for $45 million. The sale includes Rauschenberg’s former home, studio, and several cottages where he lived and worked for decades. The Foundation defended the move by citing the prohibitive costs of protecting the site against rising sea levels and hurricane damage, confirming that the prestigious Rauschenberg Residency program will now come to an end.

the hunt edmonia lewis death of cleopatra statue

Edmonia Lewis’s monumental marble sculpture, 'The Death of Cleopatra', debuted to massive acclaim at the 1876 Centennial Exhibition in Philadelphia before vanishing into a bizarre century-long obscurity. After failing to sell, the two-ton masterpiece transitioned from Chicago saloons to a racetrack—where it served as a grave marker for a horse—and eventually sat neglected at a shopping mall construction site, exposed to vandalism and the elements.

Art Market Minute: Art Basel Hong Kong 2026 Analysis

art market minute mar 30

Art Basel Hong Kong 2026 served as a critical barometer for a shifting global art market, characterized by a move away from impulsive buying toward a more deliberate and cautious collector base. Industry experts observed that the traditional first-day frenzy has been replaced by extended decision-making timelines, as buyers navigate a complex landscape of rising logistical costs and regional economic shifts.

Hardwiring Change Survey 2026

hardwiring change survey 2026

Artnet and the Association for Women in the Arts (AWITA) have launched the second edition of their global research initiative, the Hardwiring Change survey. This project aims to collect comprehensive data from thousands of arts professionals regarding pay gaps, leadership representation, career mobility, and workplace conditions. The 2026 iteration introduces a new focus on how emerging technologies, specifically artificial intelligence, are impacting gender equity and professional advancement within the industry.

30 Iconic Feminist Works By Women Artists

ARTnews has expanded its list of iconic feminist works by women artists, adding 15 new entries to a previous selection. The article highlights specific pieces, such as Edmonia Lewis's *The Death of Cleopatra* (1876), Mary Cassatt's *The Reader* (1877), and Alice Pike Barney's *Medusa* (1892) and *Lucifer* (1902), providing historical context for each artist and their contribution to feminist discourse through art.

kim gordon was always an artist first

Kim Gordon, the co-founder of Sonic Youth, is currently the subject of two major exhibitions at Amant in Brooklyn. The first, a solo survey titled "Count Your Chickens," showcases two decades of her multidisciplinary practice including painting, ceramics, and film, while the second, "Folded Group," is a group show she co-curated with Bill Nace featuring artists who bridge the gap between music and visual art.

Art Market Minute: March 9

art market minute mar 9

The Gulf region’s art market is navigating a period of significant instability as escalating geopolitical tensions between the U.S., Israel, and Iran threaten the upcoming Art Dubai fair. Long considered a safe haven for global culture and commerce, the United Arab Emirates now faces questions regarding its perceived insulation from regional conflict just weeks before its major international art event.

Taína Cruz Interview

taina cruz interview

Taína H. Cruz has emerged as a central figure in the 2024 New York art season, achieving the rare feat of being featured simultaneously in the Whitney Biennial and MoMA PS1’s "Greater New York." A 2023 Yale MFA graduate, Cruz has become the literal face of the Whitney Biennial, with her painting "I Saw the Future and It Smiled Back" displayed on a massive billboard outside the museum. Her work, which often explores Black female identity through a lens of folklore, horror, and celebrity culture, is characterized by a moody and unsettling atmospheric quality.

Trump Arts Impact 2025

trump arts impact

The Trump administration has initiated a sweeping overhaul of the American cultural landscape, marked by aggressive oversight of the Smithsonian Institution and the termination of numerous National Endowment for the Arts (NEA) grants. Key actions include the disbanding of the Institute of Museum and Library Services (IMLS), the removal of leadership at the National Portrait Gallery, and the implementation of content audits to remove references to Trump's impeachments and information regarding slavery from federal sites. These moves are part of a broader effort to eliminate Diversity, Equity, and Inclusion (DEI) initiatives and enforce 'American values' in cultural programming ahead of the nation's 250th anniversary.

trump kennedy center closure

President Donald Trump has initiated a controversial overhaul of the Kennedy Center in Washington, D.C., renaming it the 'Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts' and appointing himself chairman. Following the dismissal of long-time president Deborah Rutter and the installation of a board led by Richard Grenell, the institution has pivoted toward conservative programming, leading to a 93% to 57% drop in ticket sales and high-profile boycotts from artists like Philip Glass. The center is now slated for a two-year closure starting after July 4 for major renovations, a move that has sparked alarm among preservationists and political figures.

Epstein Emails and the Art Market

epstein emails art market

A massive release of over three million documents by the U.S. Department of Justice has exposed the deep ties between the late financier Jeffrey Epstein and prominent figures in the global art world. The files reveal how Epstein utilized sophisticated financial structures to manage and enhance the value of blue-chip art collections, most notably for billionaire Leon Black. The fallout from these disclosures has already led to high-profile resignations, including Jack Lang from the Arab World Institute and David A. Ross from the School of Visual Arts, while others like collector Steve Tisch face renewed scrutiny.

imls trump vision grant guidelines

The Institute of Museum and Library Services (IMLS) has issued new grant application guidelines that explicitly reference President Donald Trump's executive orders and his vision for U.S. culture. The guidelines encourage applicants to align with orders like "Making Federal Architecture Beautiful Again," which mandates classical style for government buildings, and "Restoring Truth and Sanity to American History," which seeks to control exhibition content. The cover letter also points applicants to orders on combating antisemitism and anti-Christian bias, which appears to warn against pro-Palestinian applications.

cvad unt canceled exhibition criticizing ice

The College of Visual Arts and Design Galleries at the University of North Texas abruptly canceled the solo exhibition "Ni de Aquí, Ni de Allá (Not From Here, Not From There)" by artist Victor "Marka27" Quiñonez after it had been fully installed. The show, which includes works from his "I.C.E. Scream" series critically rebranding Immigration and Customs Enforcement as "Inhumane and Cruelty Enforcement," was removed without explanation, and gallery staff ceased communication with the artist.

art market minute feb 16

Chinese authorities have concluded a major investigation into the Nanjing Museum, revealing decades of alleged mismanagement and corruption that led to nationally significant artworks being funneled into the private market.

psychedelics and art ryan mcginniss

Artist Ryan McGinness has published a new art book titled 'Trip Advisor: Notes From over 25 Years of Psychedelic Voyages.' The book combines images of his paintings, studio photos, and personal diaries chronicling his experiences with psilocybin mushrooms since 1999, alongside essays reflecting on their significance.

trump 100 days artists

Artists in the United States are facing heightened repression, including censorship, funding cuts, and deportation threats, during the first 100 days of Donald Trump's second presidential term. The administration's executive orders have targeted cultural institutions, with a campaign to purge the Smithsonian of 'improper ideology' and the gutting of the Institute of Museum and Library Services. Funding for arts grants, particularly those focused on underserved communities, has been canceled or left in limbo, creating a climate of fear and uncertainty.

art market minute feb 9

The inaugural edition of Art Basel Qatar concluded in Doha, marking a significant new chapter for the Gulf art market. The fair adopted a smaller, curated format and was notably overseen by Egyptian artist Wael Shawky, who served as its artistic director, bringing a curatorial perspective to the commercial event.