Sorcières !

The article previews an upcoming exhibition titled "Sorcières !" at the Château des ducs de Bretagne – Musée d'histoire de Nantes, running from February 7 to June 28, 2026. It traces the historical debate around witchcraft in 16th-century Europe, focusing on key figures such as Heinrich Kramer, author of the *Malleus maleficarum* (1486), who argued that witchcraft was a female-specific evil requiring extermination, and Jean Bodin, who supported this view. In contrast, Johann Weyer and Michel de Montaigne challenged the persecution, suggesting accused women were mentally ill or elderly and deserved humane treatment rather than execution.

On the Somalia Pavillion

At the 2026 Venice Biennale, Somalia has established its first-ever national pavilion, commissioned by the Somali government to showcase the richness of Somali culture through the theme of Saddaxleey, a triadic form of Somali poetry and proverbs. The pavilion features works by Somali Swedish artist Ayan Farah, UK-based Somali Danish multidisciplinary artist Asmaa Jama, and Somali British poet Warsan Shire. However, a collective of queer Somali artists, curators, and culture workers called Warbixinta Cidda has publicly criticized the pavilion for overrepresenting the diaspora, selecting an all-male advisory board, and appointing an Italian co-curator instead of Somali curators, raising concerns about representation and neocolonialism.

New exhibit at Macon Museum of Arts & Science

A new exhibit has opened at the Macon Museum of Arts & Science in Georgia, featuring a collection of spectacular paintings that the reviewer found visually impressive but thematically puzzling. The exhibit departs from the museum's previous shows, which have ranged from solo artist presentations and local Macon artists to Georgia-wide showcases and even more unconventional, psychedelic-themed works.

Kathryn Williams lights a new creative spark

Kathryn Williams, a Liverpool-born singer-songwriter and visual artist based in Newcastle, opens her first solo North East exhibition, "Striking Image," at The Biscuit Factory in Ouseburn on May 8. The show features tiny, expressive portraits painted on matchboxes, reimagining historical miniatures on humble household objects. Williams, who has released 17 albums, written a novel, and hosted a podcast, approaches this exhibition as another strand of her lifelong creative practice, emphasizing freedom and process over product.

Curiosities at the 2026 Venice Biennale: the Tanzania Pavilion is full of Italian artists

Curiosità alla Biennale di Venezia 2026: il Padiglione della Tanzania è pieno di artisti italiani

The Tanzania Pavilion at the 2026 Venice Biennale, titled "Minor Frequencies: The Inner Life of a Nation," features a significant number of Italian artists alongside Tanzanian voices. Curated by Lorna Benedict Mashiba and Martina Cavallarin, the exhibition is housed across the Gervasuti Foundation, Palazzo Canova, and Supernova in Cannaregio. It includes works by 14 Italian artists such as Alice Andreoli, Christian Balzano, and Silvia Canton, as well as artists from Europe and Asia, while centering the practices of Tanzanian artists like Turakella Editha Gyindo, Lazaro Samuel, Valerie Asiimwe Amani, and Amani Abeid.

A review of the 2026 Venice Biennale without naming a single artist

Una recensione della Biennale di Venezia 2026 senza nominare neppure un artista

This review of the 2026 Venice Biennale describes an exhibition that overcame dire circumstances—the death of curator Koyo Kouoh early in preparations, losses of key artists, and international political controversies—to deliver a surprisingly joyful and engaging show. Titled "In Minor Keys," the Biennale features a well-conceived, flowing presentation across the Giardini and Arsenale that prioritizes beauty, craftsmanship, and hope over a punitive or documentary tone.

Living In Color: Vibrant textile art exhibition coming to Grand Central District

The Werk Gallery in St. Petersburg, Florida, is hosting "Living In Color," a textile and fiber art exhibition organized by the Tampa Bay Surface Design Guild. Featuring over 100 local artists, the show opens with a free reception on May 8, 2026, and runs throughout the month at the gallery, which also houses The Object Lab gift shop.

A unique breast cancer charity raising money through art

Belinda Gray, founder of breast cancer charity Art For Cure, shares her story ahead of the charity's latest exhibition at Wyken Vineyards. After her own breast cancer diagnosis and treatment, Gray launched Art For Cure in 2014, initially hosting an exhibition in her home and garden that drew 2,000 visitors and raised £100,000. The charity has since sold over £3 million worth of art through exhibitions and online sales, with a percentage of each sale donated by artists to fund UK breast cancer research and support services. Gray, who had no prior art-world experience, now leads a voluntary team of 10 people staging annual public exhibitions at unique venues.

New art gallery Visual Feast now open in Hoover

A new art gallery called Visual Feast Gallery has opened in the Patton Creek Shopping Center in Hoover, Alabama. Founded by 78-year-old abstract artist Rose Cook, the space features her original abstract paintings, handmade jewelry, vintage finds, and works by traditional artists. The gallery also offers art classes, creative workshops, and rentals for small events. Cook moved to Birmingham in 2025 and has been creating art professionally since 1986, previously running a successful handmade jewelry business.

"For me, art is less about the finished piece and more about the journey"

Rotherham-born, Sheffield-based textile artist Jodie Cooper, who specializes in free-motion embroidery, discusses her journey from completing a degree in Fine and Applied Arts at University Centre Rotherham to becoming a full-time artist. She was commissioned by ArtWorks Together International and East Midlands Railway to create a tactile tapestry installation at Sheffield Train Station, running until 15 June, which explores themes of travel anxiety, neurodiversity, and accessibility. Cooper also shares her work through ArtWorks Together International Festival at Millennium Gallery and local art markets.

Afton's Third Friday Night Art Exhibits Run From May To November

Afton's Third Friday Night Art Exhibits return for the 2025 season, running from May 15 through November at 146 Main Street in Afton, New York. The monthly events, held in the HUG/HALos building (formerly the Great American Food Store), feature rotating selections of artwork from local artists, with the first exhibit showcasing youth art from Afton students. Gallery curator and artist Michael Bolde, who launched the series three years ago, organizes the shows in a community room provided free of charge by Joyce Humphrey, founder of the HALos grief counseling program. Artists who sell work contribute a 20% commission to HALos, far below the typical 50% gallery split, supporting both creators and local programming.

And the (Senior Show and URECA Art Exhibition) Winners Are …

The Paul W. Zuccaire Gallery at Stony Brook University hosted the opening reception of the ninth annual combined Senior Show and URECA Arts Exhibition on April 29, drawing about 300 attendees including students, faculty, staff, university leaders, and local museum curators. The Senior Show, a nearly 50-year tradition, features works by senior studio art majors and minors, while the URECA exhibition highlights undergraduate research-based art selected by faculty. This year's exhibition is noted for its diversity in subject matter and materials, from chalk painting to digital media, and runs through May 22.

"Dispossessions in the Americas" Confronts the Colonialism That Invades All Territory

The article reviews "Dispossessions in the Americas," a group exhibition at Wrightwood 659 in Chicago curated by Jonathan D. Katz and Eduardo Carrera. Featuring works from 1960 to 2025, the show examines colonial legacies in the Americas, focusing on the forced dispossession of land, culture, and language from indigenous, Afro-descendant, queer, and trans communities. The review critically questions how a polished, architecturally prestigious venue can coherently display art about socially voiceless communities without falling into voyeurism or fetishization of pain.

Saudi pavilion at Venice Biennale turns fractured heritage into monumental art installation

Saudi Arabia has unveiled a large-scale installation by artist Dana Awartani at the 61st Venice Biennale, held at the Arsenale. Titled "May your tears never dry, you who weep over stones," the work covers the entire floor of the Saudi national pavilion and incorporates over 29,000 sunbaked clay bricks and mosaic patterns inspired by Islamic geometric art. The installation references 23 heritage sites across the Arab world that have been damaged or destroyed by conflict, and was produced over nearly 30,000 artisan hours with 32 craftspeople at a studio outside Riyadh. Curated by Antonia Carver with assistant curator Hafsa Alkhudairi, the piece emphasizes traditional craftsmanship and collective skill-sharing.

A circle of Cuban art at Westchester Regional Library

The Westchester Regional Library in Miami is hosting "Circular Reflections," an exhibition featuring over 80 contemporary Cuban artists, each working within a 21-inch circular format. Organized in collaboration with the Miami-Dade Public Library System, the show opened on April 3 and runs through June 25. Curated by Miami-based artist and independent curator Miguel Rodez, the project began nearly a decade ago and has evolved into a traveling, ongoing documentation of Cuban visual culture. Artists like Ismael Gómez Peralta discuss how the circular constraint challenged traditional rectangular composition, pushing them to rethink spatial organization while maintaining their individual visual languages.

A wardrobe of one’s own: the fashion exhibition on the 19th-century revolution of women’s dress at the Palais Galliera

The Palais Galliera in Paris will host the exhibition "A Wardrobe of One’s Own: Dissident Femininities in the 19th Century" from September 26, 2026 to February 14, 2027. Featuring over 350 works—including clothing, paintings, photographs, and fashion posters—the show explores how 19th-century women appropriated men’s wardrobes, from Amazonian costumes and trousers to suits, ties, and top hats, as a means of emancipation and identity reshaping. Iconic figures such as Marie-Antoinette, George Sand, Rosa Bonheur, and Natalie Clifford Barney are highlighted alongside anonymous subjects from amateur photographs.

Uncertainty, But Also Optimism, Mark New York Art Week

New York Art Week in May will feature high-value auction items and several major private collections going to market, serving as a key indicator of the art market's health amid current economic and political uncertainty. The event brings together galleries, auction houses, and collectors for a concentrated period of sales and exhibitions.

France Passes Law Easing Process of Returning Looted Art

France has passed a new law that simplifies the process of returning looted art and cultural artifacts to their countries of origin. The legislation, championed by President Emmanuel Macron, is seen as a major step in addressing colonial-era acquisitions, particularly for African artworks held in French museums. Experts describe the law as a seismic shift in restitution policy, enabling faster and more systematic returns without requiring individual parliamentary approvals for each item.

These Toilets in Venice Have the Art World Aflush

At this year's Venice Biennale, the Austrian pavilion has become the most talked-about attraction, inviting visitors to actively contribute to the artwork on display by using specially designed toilets. The interactive installation encourages attendees to leave their own marks, turning a mundane act into a participatory art experience.

Is It an Art Gallery? A Museum? A Theater? A Dream?

A new immersive experience called The Ministry of Awe has opened in a former bank building in Philadelphia. The project aims to help visitors find wonder in everyday life through a blend of art, theater, and interactive installations.

1990s pop icon Jewel is the protagonist in Venice with an exhibition that rewrites the geographies of the feminine

L’icona pop Anni ‘90 Jewel è protagonista a Venezia con una mostra che riscrive le geografie del femminile

Singer-songwriter Jewel, a 1990s pop icon with four Grammy nominations, is presenting her largest exhibition to date in Venice. Titled "Matriclysm: An Archaeology of Connections Lost," the immersive show runs from May 6 to November 22, 2026, at the Salone Verde, coinciding with the 2026 Venice Biennale. Curated by Joe Thompson, the exhibition blends painting, textiles, sculpture, sound, and installation to explore themes of femininity, motherhood, care, and intergenerational knowledge, drawing on forgotten rituals and marginalized mythologies.

Spring fling: Artist’s exhibition celebrates the colors of springtime

The article describes an artist's exhibition that celebrates the colors of springtime. The show is presented as a seasonal event, likely featuring vibrant, spring-themed artworks. The specific artist, venue, and location are not identifiable from the provided text due to a security verification wall that blocks access to the full article content.

Artists Noah Bonesteel and Katie Langford Featured in LARAC Lapham Gallery Exhibit May 22-June 24

The Lower Adirondack Regional Arts Council (LARAC) will present a two-person exhibition titled "Show IV: Meet Me in the Woods" featuring artists Noah Bonesteel and Katie Langford at the Lapham Gallery in Glens Falls, New York, from May 22 to June 24. The show includes an opening reception on May 22 and an Artists Talk on June 4, both free and open to the public. Bonesteel, a painter and printmaker, uses abstract, layered compositions inspired by Adirondack ecology, while Langford, an oil painter, brings a narrative, plein air approach to the region's landscapes.

One of Sheffield’s biggest art exhibitions to take place this weekend

Open Up Sheffield, an annual open studio event celebrating over 25 years of the city's cultural vibrancy, is holding its second leg this weekend on May 9-10. Over 140 artists across 90 venues are opening their homes and studios to the public, showcasing works from ceramics to paintings. The first leg took place over the Bank Holiday weekend, featuring artist Tom Heller, 80, who sells his work to benefit the charity Spreading Health, which trains nurses in Cameroon. The event is organized by a small committee on a not-for-profit basis and sponsored by RivelinCo.

Printmakers carve their place at Art Museum of Southeast Texas

The Art Museum of Southeast Texas is hosting a new exhibition focused on printmaking, highlighting the work of contemporary printmakers who are carving out a distinct space in the art world. The show brings together a range of techniques and styles, from traditional woodcuts to experimental mixed-media prints, demonstrating the enduring relevance and innovation within the medium.

Booth Western Art Museum Names New Director

Dr. Eric Singleton has been appointed as the new director of the Booth Western Art Museum, set to assume the role in mid-July. He was selected after a nationwide search led by Georgia Museums President and Board Chair Lorri McClain, who praised his extensive experience, creativity, and collaborative leadership style. Singleton currently serves as the McCasland Chair of Cowboy Culture and Curator of Native American Art and Ethnology at the National Cowboy and Western Heritage Museum, bringing over 25 years of museum experience to the Booth. He has previously worked at the Gilcrease Institute of American History & Art and the Philbrook Museum of Art, and holds a Ph.D. from Oklahoma State University.

Cincinnati Art Museum Announces Major Charley Harper Exhibition

The Cincinnati Art Museum has announced its first full-scale scholarly exhibition of works by Cincinnati-based artist Charley Harper, titled "The Art of Charley Harper: Creatures Wild and Tame." The exhibition will run from October 16, 2026, through March 7, 2027, featuring around 150 works, including ten large paintings commissioned by the U.S. National Park Service that were only briefly displayed in Washington, D.C., in the 1990s. The show is presented in partnership with the Charley Harper Art Studio and marks the artist's first museum retrospective.

Claremont Lewis Museum of Art’s Project ARTstART presents exhibit of children’s art

The Claremont Lewis Museum of Art is presenting the 15th annual "ARTstART: StART It Up!" exhibition from May 8-10, featuring artwork created by elementary school students from all seven Claremont elementary schools. The show, curated by high school participants in the museum's Project ARTstART program, includes collages, sculptures, paintings, and works on paper, and will be held at the Ginger Elliott Exhibition Center in Memorial Park. The exhibition also includes hands-on art-making activities for visitors.

$100M Brandywine Conservancy expansion aims to ‘completely reimagine’ visitor experience

The Brandywine Conservancy in Chadds Ford, Delaware County, has announced a $100 million expansion plan aimed at transforming the visitor experience. The project will increase exhibition capacity by 80% and open 10 miles of new trails on the campus, significantly expanding the institution's footprint and public offerings.

Art galleries book rooms at Austin's Loren Hotel for free Friends Fair this weekend

Friends Fair returns to Austin this weekend, transforming hotel rooms at The Loren Lady Bird Lake into temporary exhibition spaces for art galleries from across the country. Organized by Phillip Niemeyer of Northern-Southern, Meredith Williams of Martha’s Gallery, and others including McLennon Pen Co. and Ivester Contemporary, the fair will occupy 19 rooms on the hotel’s second floor, with each invited gallery creating a unique installation. The event is free to attend with an RSVP and runs Friday and Saturday.