The Louvre Museum has announced a four-year restoration project for Peter Paul Rubens's monumental 'Marie de' Medici Cycle,' comprising 24 large-scale paintings. The works will be removed from public view starting this fall as the museum transforms their dedicated gallery into an on-site restoration studio to address yellowed varnishes and discordant past retouching.
India has announced its artist lineup for the 61st Venice Biennale, featuring Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The national pavilion, located in the Arsenale, will showcase a diverse range of installations that explore themes of architectural memory, environmental sustainability, and the physical processes of nature. From Tashi’s recreations of Ladakhi homes using recycled materials to Singh’s spectral thread-based architectural fragments, the works collectively examine the fragility of heritage and the shifting relationship between humans and their environments.
The Charles H. MacNider Art Museum in Mason City has opened a solo exhibition titled "Ray Colby: Nature Photographer" in its Kinney-Lindstrom Gallery. The show features digital photographs printed on canvas, focusing on three specific themes: backyard insects and arachnids of the Midwest, urban birds from Minneapolis, and migrating Sandhill Cranes in Wisconsin. The works on display will be sold via auction to benefit the museum's programming.
Carrie Mae Weems has introduced a new photographic work titled 'Ocean Line' (2026). The piece is being presented in multiple dimensions, ranging from 11 x 14 inches to 20 x 24 inches, through a platform that partners with elite, vetted galleries to showcase contemporary artists to a global network of collectors and advisors.
The group exhibition 'Down the Rabbit Hole' at The Crypt Gallery features over 30 artists reflecting on the psychological and social impacts of the Covid-19 pandemic. Presented by the social enterprise Katya’s Space, the show honors the legacy of the late artist Katya Kan, who passed away in 2023. The works explore themes of digital addiction, isolation, and the 'dystopian' shift in reality experienced during global lockdowns, using Lewis Carroll’s Alice in Wonderland as a metaphor for this profound transformation.
"Das Humboldt Forum wird schon beschossen"
The architectural firm J. Mayer H. and partners Jürgen Mayer H. and Hans Schneider have won the eighth 'Kunst-am-Bau' competition for Berlin’s Humboldt Forum. Their winning installation, titled "Südpfeil" (South Arrow), features a 3.6-meter-long abstract arrow embedded high in the building's facade. The work references the 19th-century discovery of 'Pfeilstörche'—migratory storks that returned to Europe with African arrows in their bodies—which provided the first scientific proof of global migration routes.
The Cafesjian Art Trust Museum in Shoreview has launched "Abstraction and Ourselves," an ambitious exhibition that bridges the gap between contemporary abstract painting and monumental glass sculpture. Curated by Jill Ahlberg Yohe, formerly of the Minneapolis Institute of Art, the show pairs the museum’s renowned glass collection—including works by Stanislav Libenský and Jaroslava Brychtová—with significant loans such as a Georgia O’Keeffe oil painting and works by Dyani White Hawk.
The Albuquerque Museum is hosting a retrospective of Chicana artist Delilah Montoya, titled "Delilah Montoya: Activating Chicana Resistance." The exhibition's centerpiece is "Detention Nation," an immersive installation created in collaboration with the Sin Huellas Artist Collective that simulates the conditions of ICE detention centers. The work features cyanotype images of detainees on prison cots, chain-link fencing, and displays of meager government-issued personal items alongside the official National Detainee Handbook.
The Lexicon Art in New Delhi is set to host "Dvaita (द्वैत): Dualities," a group exhibition curated by architect and artist Ankon Mitra opening on April 18, 2026. Featuring the work of 11 contemporary artists, the show explores the philosophical concept of dualism through contrasting elements such as light and shadow, geometric and amorphous forms, and gold and silver. The exhibition design moves away from the traditional white cube format, instead utilizing the gallery space to create a physical "dance of dualities" that reflects India’s layered cultural realities.
The Yellowstone Art Museum in Billings, Montana, has launched two new ceramic-focused exhibitions: "Folktales and Fanfare" and "Embedded in the Overlap." A central highlight of the new programming is the work of Ukrainian ceramicist Janina Myronova, whose exhibition features whimsical stoneware figures and drawings that explore themes of home, hope, and human connection. Myronova’s work, including her 2023 piece "Two Heads Are Better Than One," blends traditional ceramic techniques with dreamlike narratives.
The National Gallery of Australia is set to open the long-delayed exhibition "Ngura Pulka: Epic Country," but the show has been met with fresh controversy as a painting by a former executive of the APY Arts Centre Collective was mysteriously removed. The exhibition was originally postponed in 2023 following allegations of white staff members interfering with the work of Indigenous artists, and this latest withdrawal has prompted conflicting explanations from the involved parties.
The Nanaimo Art Gallery is set to debut "An Animated Assembly," a collaborative exhibition by artists Richard Ibghy and Marilou Lemmens that explores the socio-economic consequences of resource extraction. Opening April 11, the show utilizes hand-painted murals, animations, and sculptures to critique the Global North's demand for energy transition materials, such as lithium, and the resulting impact on countries in the Global South. The works employ a satirical, "cartoonish" aesthetic to juxtapose cold, analytical data with the bold, often morally questionable rhetoric of corporate and political leaders.
The Art Museum of the University of Memphis (AMUM) has launched two concurrent exhibitions. One showcases recent acquisitions to the museum's permanent collection, while the other is a solo exhibition featuring the work of Memphis-based artist Maysey Craddock.
The Memorial Art Gallery has officially opened a major exhibition dedicated to the work of the late American sculptor John Rhoden. The opening reception, held on March 28, 2026, welcomed patrons and community members to explore a collection that highlights Rhoden’s unique ability to blend modernist sculpture with rhythmic, global influences.
The National Art Museum of Catalonia (MNAC) in Barcelona has failed to comply with a May 2025 Spanish Supreme Court ruling ordering the return of 13th-century Romanesque murals to the Sijena Monastery in Aragon. Despite the legal mandate ending a decade-long dispute, the museum continues to house the works, citing significant technical and conservation risks associated with transporting the delicate canvases.
Artist Sky Hopinka has unveiled a new site-specific installation titled 'Red Metal Dust' at the Barnes Foundation in Philadelphia. The work consists of 11 panels that layer Hopinka's landscape photography with copper sheets, filtering American histories and landscapes through an Indigenous perspective.
The Bank of Art Gallery in Brazil, Indiana, is launching an immersive spring-themed exhibition titled "Bloom/Hum/Glow." Featuring the work of seven artists, the show transforms the gallery space into a sensory meadow through a combination of glasswork, floral prints, and a unique sound installation. A central highlight is a haptic audio experience by artist Kevin Naylor that replicates the vibrations and sounds of a beehive, allowing visitors to feel as though they are enveloped within a hive.
Peruvian multidisciplinary artist Joan Jiménez Suero, known as Entes, has been named one of three winners for the Museum of Contemporary Art North Miami’s (MOCA) Art on the Plaza 2026. His winning installation, "Bailando Nuestros Problemas" (Dancing Our Problems), features kinetic metal sculptures inspired by Afro-Peruvian traditions and salsa culture. The work, which officially opens on April 15, 2026, transforms rigid industrial materials into fluid figures of musicians and dancers to celebrate the resilience of the Latin American diaspora.
An exhibition titled 'Xa jun ruk’oxomal qanima—A Shared Heartbeat' at La Nueva Fábrica in Guatemala brings together the work of two Kaqchikel Maya artists, Rosa Elena Curruchich and Angélica Serech, for the first time in their homeland. It features over 100 paintings by the late Curruchich, a pioneering self-taught painter, alongside recent and newly commissioned textile sculptures by Serech, creating a dialogue between painting and weaving.
South African artist Gabrielle Goliath will present her work 'Elegy' at the Chiesa di Sant’Antonin in Venice, after her government-appointed exhibition for the South African pavilion at the 61st Venice Biennale was abruptly canceled. The pavilion will remain empty for the event's duration, while Goliath's project, sponsored by the Bertha Foundation and London's Ibraaz, will be shown nearby from May to July.
“Lo stato del mondo? Un atto di follia”. Intervista con Ai Weiwei che arriva a Milano con un’installazione a sorpresa
Chinese artist and activist Ai Weiwei has unveiled a surprise site-specific installation in Milan, created in collaboration with the historic Venetian textile house Rubelli. Located in the Rubelli showroom for Fuorisalone 2026, the immersive work features a large-scale lampas fabric woven with silk and gold threads, depicting symbols of surveillance, censorship, and political struggle such as handcuffs, the Twitter bird, and alpacas.
Vicino a Parma c’è l’intramontabile eleganza di Erté in mostra al Labirinto della Masone
The Labirinto della Masone near Parma is hosting a comprehensive exhibition titled "Erté. Lo stile è tutto," showcasing the work of the Russian-born Art Déco master Romain de Tirtoff, known as Erté. The display features a diverse array of drawings, gouaches, models, and sketches, many of which were originally acquired by the late publisher Franco Maria Ricci. The exhibition traces Erté's journey from his aristocratic Russian roots to his rise in Paris as a collaborator of Paul Poiret and a visionary of theatrical and couture design.
È morto lo storico dell’arte Paolo Baldacci. Fondamentali i suoi studi su Giorgio de Chirico e sulla Metafisica
Renowned art historian, critic, and professor Paolo Baldacci has passed away in Milan at the age of 81. Originally a scholar of ancient history and Roman epigraphy, Baldacci transitioned into a leading authority on 20th-century Italian art, specifically focusing on Futurism and Metaphysical painting. He was widely recognized for his monumental 1997 monograph and catalogue raisonné on Giorgio de Chirico, as well as his extensive research into the work of Alberto Savinio.
L’apprendimento è qualcosa di estetico e di emotivo. Lo dice Marco Dallari nel suo ultimo libro (e in questa intervista)
Italian pedagogist Marco Dallari discusses his latest book, "La bellezza di Sophia" (2026), which explores the intrinsic human drive for knowledge as an aesthetic and emotional necessity rather than a pragmatic survival tool. Drawing on Freudian concepts and the work of Alessandra Risso, Dallari argues that the desire to learn is a primal impulse that should be nurtured through beauty and curiosity rather than stifled by rigid institutional structures.
The Lindsay Museum and Gallery recently debuted "Still Point: Everything Moves, One Remains," an international contemporary exhibition curated by JunHwan Chang of Gallery Chang. The show features a cross-cultural dialogue between local California artist Shane Guffogg and four prominent Korean artists: Kim Miné, Kim Hongbin, Anon, and Shin Kiwoun. The works on display range from Guffogg’s layered abstract paintings and Kim Miné’s lenticular "Nobody" series to hand-dyed fabric installations and video art exploring historical currency.
Vian Sora’s solo exhibition "Tepe Gawra" at Bortolami Gallery marks her debut with the gallery, featuring a series of large-scale paintings that bridge ancient Mesopotamian history with contemporary Iraqi experience. The works, such as 'Celestial capsule' and 'Scarlet', utilize a complex layering process of poured acrylics and precise oil applications to explore themes of mortality, survival, and the aftermath of conflict.
Artist Jeremy Okai Davis has launched a solo exhibition titled “Presence of Color” at the Harvey B. Gantt Center for African-American Arts + Culture. The show, curated by Dr. Tamara Brothers, features large-scale paintings that utilize a pixelated, neo-impressionist style to depict Black figures and historical icons like Angela Davis. The works specifically address the history of "Shirley Cards"—color-calibration tools used by Kodak that were based on white skin tones, effectively marginalizing Black subjects in film photography for decades.
Artist Pablo Delano has brought his provocative installation, “The Museum of the Old Colony,” to New Britain, Connecticut, a region with a significant Puerto Rican population. The exhibition utilizes enlarged archival photographs, historical texts, and consumer goods to document the United States' colonial relationship with Puerto Rico since 1898. By juxtaposing derogatory 19th-century media captions with images of mass sterilization, military enlistment, and the aftermath of Hurricane Maria, Delano challenges viewers to confront a legacy of systemic racism and exploitation.
Stained glass artists Kurt and Lorraine Wendling have officially opened The Gallery on Gambier in downtown Mount Vernon, Ohio. The new creative hub serves as the permanent home for their business, Wendling Glass Creations, while also showcasing the work of approximately 20 other artists specializing in mediums ranging from photography to oil painting. The space is designed as a multi-functional venue, incorporating a retail gallery, a custom framing center, and a dedicated classroom for art instruction.
The creative initiative Roadside, founded by artist Ali Arshad, is challenging the traditional gallery model in Pakistan by hosting pop-up exhibitions in unconventional public spaces. Their latest show, "Anighst Preeminent Prosaics," transformed Iqbal House, a pre-partition bungalow in Lahore, into a multi-sensory art experience featuring 14 artists. By placing works in sites ranging from barber shops to parking lots, the initiative seeks to dismantle the elitist barriers of the "white cube" and engage a broader demographic, including the working class and Gen Z.